Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

Death In The Arctic

Death In The Arctic

I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .


"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.
Then I'm as lonely as can be.
Oh, how I wish you were with me!
Yet when you go out on the street,
Mother, there's always lots to eat. . . ."


II


For days the igloo has been dark;
But now the rag wick sends a spark
That glitters in the icy air,
And wakes frost sapphires everywhere;
Bright, bitter flames, that adder-like
Dart here and there, yet fear to strike
The gruesome gloom wherein they lie,
My comrades, oh, so keen to die!
And I, the last -- well, here I wait
The clock to strike the hour of eight. . . .


"Boy, it is bitter to be hurled
Nameless and naked on the world;
Frozen by night and starved by day,
Curses and kicks and clouts your pay.
But you must fight! Boy, look on me!
Anarch of all earth-misery;
Beggar and tramp and shameless sot;
Emblem of ill, in rags that rot.
Would you be foul and base as I?
Oh, it is better far to die!
Swear to me now you'll fight and fight,
Boy, or I'll kill you here to-night. . . ."


III


Curse this silence soft and black!
Sting, little light, the shadows back!



Dance, little flame, with freakish glee!
Twinkle with brilliant mockery!
Glitter on ice-robed roof and floor!
Jewel the bear-skin of the door!
Gleam in my beard, illume my breath,
Blanch the clock face that times my death!
But do not pierce that murk so deep,
Where in their sleeping-bags they sleep!
But do not linger where they lie,
They who had all the luck to die! . . .


"There is nothing more to say;
Let us part and go our way.
Since it seems we can't agree,
I will go across the sea.
Proud of heart and strong am I;
Not for woman will I sigh;
Hold my head up gay and glad:
You can find another lad. . . ."


IV


Above the igloo piteous flies
Our frayed flag to the frozen skies.
Oh, would you know how earth can be
A hell -- go north of Eighty-three!
Go, scan the snows day after day,
And hope for help, and pray and pray;
Have seal-hide and sea-lice to eat;
Melt water with your body's heat;
Sleep all the fell, black winter through
Beside the dear, dead men you knew.
(The walrus blubber flares and gleams --
O God! how long a minute seems!) . . .


"Mary, many a day has passed,
Since that morn of hot-head youth.
Come I back at last, at last,
Crushed with knowing of the truth;
How through bitter, barren years
You loved me, and me alone;
Waited, wearied, wept your tears --
Oh, could I atone, atone,
I would pay a million-fold!
Pay you for the love you gave.
Mary, look down as of old --
I am kneeling by your grave." . . .


V


Olaf, the Blonde, was first to go;
Bitten his eyes were by the snow;



Sightless and sealed his eyes of blue,
So that he died before I knew.
Here in those poor weak arms he died:
"Wolves will not get you, lad," I lied;
"For I will watch till Spring come round;
Slumber you shall beneath the ground."
Oh, how I lied! I scarce can wait:
Strike, little clock, the hour of eight! . . .


"Comrade, can you blame me quite?
The horror of the long, long night
Is on me, and I've borne with pain
So long, and hoped for help in vain.
So frail am I, and blind and dazed;
With scurvy sick, with silence crazed.
Beneath the Arctic's heel of hate,
Avid for Death I wait, I wait.
Oh if I falter, fail to fight,
Can you, dear comrade, blame me quite?" . . .


VI


Big Eric gave up months ago.
But seldom do men suffer so.
His feet sloughed off, his fingers died,
His hands shrunk up and mummified.
I had to feed him like a child;
Yet he was valiant, joked and smiled,
Talked of his wife and little one
(Thanks be to God that I have none),
Passed in the night without a moan,
Passed, and I'm here, alone, alone. . . .


"I've got to kill you, Dick.
Your life for mine, you know.
Better to do it quick,
A swift and sudden blow.
See! here's my hand to lick;
A hug before you go --
God! but it makes me sick:
Old dog, I love you so.
Forgive, forgive me, Dick --
A swift and sudden blow. . . ."


VII


Often I start up in the dark,
Thinking the sound of bells to hear.
Often I wake from sleep: "Oh, hark!
Help . . . it is coming . . . near and near."
Blindly I reel toward the door;
There the snow billows bleak and bare;



Blindly I seek my den once more,
Silence and darkness and despair.
Oh, it is all a dreadful dream!
Scurvy and cold and death and dearth;
I will awake to warmth and gleam,
Silvery seas and greening earth.
Life is a dream, its wakening,
Death, gentle shadow of God's wing. . . .


"Tick, little clock, my life away!
Even a second seems a day.
Even a minute seems a year,
Peopled with ghosts, that press and peer
Into my face so charnel white,
Lit by the devilish, dancing light.
Tick, little clock! mete out my fate:
Tortured and tense I wait, I wait. . . ."


VIII


Oh, I have sworn! the hour is nigh:
When it strikes eight, I die, I die.
Raise up the gun -- it stings my brow --
When it strikes eight . . . all ready . . . now -


* * * * *


Down from my hand the weapon dropped;
Wildly I stared. . . .
THE CLOCK HAD STOPPED.

IX


Phantoms and fears and ghosts have gone.
Peace seems to nestle in my brain.
Lo! the clock stopped, I'm living on;
Heart-sick I was, and less than sane.
Yet do I scorn the thing I planned,
Hearing a voice: "O coward, fight!"
Then the clock stopped . . . whose was the hand?
Maybe 'twas God's -- ah well, all's right.
Heap on me darkness, fold on fold!
Pain! wrench and rack me! What care I?
Leap on me, hunger, thirst and cold!
I will await my time to die;
Looking to Heaven that shines above;
Looking to God, and love . . . and love.


X


Hark! what is that? Bells, dogs again!
Is it a dream? I sob and cry.



See! the door opens, fur-clad men
Rush to my rescue; frail am I;
Feeble and dying, dazed and glad.
There is the pistol where it dropped.
"Boys, it was hard -- but I'm not mad. . . .
Look at the clock -- it stopped, it stopped.
Carry me out. The heavens smile.
See! there's an arch of gold above.
Now, let me rest a little while --
Looking to God and Love . . .and Love . . ."
251

Dark Trinity

Dark Trinity

Said I to Pain: "You would not dare
Do ill to me."
Said Pain: "Poor fool! Why should I care
Whom you may be?
To clown and king alike I bring
My meed of bane;
Why should you shirk my chastening?"
Said Pain.

Said I to Grief: "No tears have I,
Go on your way."
Said Grief: "Why should I pass you by,
While others pay?
All men must know the way of woe,
From saint to thief,
And tears were meant to overflow,"
Said Grief.

Said I to Death: "From ail and fret
Grant me relief."
Said Death: "I know you are beset
By Pain and Grief.
But my good will you must await
Since human breath
To suffering is consecrate,"
Said Death.

Said I to God: "Pale Sister Grief,
Bleak Brother Pain,
Bedevil me beyond belief,
And Death's unfain . . ."
Said God: "Curse not that blessed Three,
Poor human clod!
Have faith! Believe the One with Me,"
Said God.
238

Dance-Hall Girls

Dance-Hall Girls

Where are the dames I used to know
In Dawson in the days of yore?
Alas, it's fifty years ago,
And most, I guess, have "gone before."
The swinging scythe is swift to mow
Alike the gallant and the fair;
And even I, with gouty toe,
Am glad to fill a rocking chair.


Ah me, I fear each gaysome girl
Who in champagne I used to toast,
or cozen in the waltz's whirl,
In now alas, a wistful ghost.
Oh where is Touch The Button Nell?
Or Minnie Dale or Rosa Lee,
Or Lorna Doone or Daisy Bell?
And where is Montreal Maree?


Fair ladies of my lusty youth,
I fear that you are dead and gone:
Where's Gertie of the Diamond Tooth,
And where the Mare of Oregon?
What's come of Violet de Vere,
Claw-fingered Kate and Gumboot Sue?
They've crossed the Great Divide, I fear;
Remembered now by just a few.


A few who like myself can see
Through half a century of haze
A heap of goodness in their glee
And kindness in their wanton ways.
Alas, my sourdough days are dead,
Yet let me toss a tankard down . . .
Here's hoping that you wed and bred,
And lives of circumspection led,
Gay dance-hall girls o Dawson Town!
199

Cowardice

Cowardice


Although you deem it far from nice,
And it perchance may hurt you,
Let me suggest that cowardice
Can masquerade as virtue;
And many a maid remains a maid
Because she is afraid.

And many a man is chaste because
He fears the house of sin;
And though before the door he pause,
He dare not enter in:
So worse than being dissolute
At home he plays the flute.

And many an old cove such as I
Is troubled with the jitters,
And being as he's scared to die
Gives up his gin and bitters;
While dreading stomach ulcers he
Chucks dinner for high tea.

Well, we are wise. When life begins
To look so dour and dark
'Tis good to jettison our sins
And keep afloat the bark:
But don't let us claim lack of vice
For what's plumb cowardice!
230

Convicts Love Canaries

Convicts Love Canaries

Dick's dead! It was the Polack guard
Put powdered glass into his cage
When I was tramping round the yard,--
I could have killed him in my rage.
I slugged him with that wrench I stole:
That's why I'm rotting in the Hole.


Dick's dead! Sure I wish I was too.
His honey breast, his lacy claws
I kissed and cried, for well I knew
They murdered him. I cursed because
He was my only chum on earth . . .
Oh how he cheered me with his mirth!


Dick's dead! I know he cared for me.
Being I'm Irish I love song,
And there was heaven in his glee;
I'd bless his heart the dour day long.
I'd let him flutter round the cell;
He'd light upon my hand . . . Oh hell!


Dick's dead! They've thrown me in the Hole.
To break our spirits how they try!
My bed a plank, blind as a mole,
Sure I'll be nuts before I die . . .
Here in the night, dark as the Pit
I'm seeing sunny wings aflit.
Here in the silence, hark his song!
--Poor Dick! Oh Christ, how long, how long!
202

Confetti In The Wind

Confetti In The Wind

He wrote a letter in his mind
To answer one a maid had sent;
He sought the fitting word to find,
As on by hill and rill he went.
By bluebell wood and hawthorn lane,
The cadence sweet and silken phrase
He incubated in his brain
For days and days.

He wrote his letter on a page
Of paper with a satin grain;
It did not ring, so in a rage
He tore it up and tried again.
Time after time he drafted it;
He polished it all through the night;
He tuned and pruned till bit by bit
He got it right.

He took his letter to the post,
Yet long he held it in his hand.
Strangely his mood had veered, almost
Reversed,--he could not understand.
The girl was vague, the words were vain;
April romance had come to grief . . .
He tore his letter up again,-Oh
blest relief!
223

Contentment

Contentment


Bed and bread are all I need
In my happy day;
Love of Nature is my creed,
Unto her I pray;
Sun and sky my spirit feed
On my happy way.

To no man I bow the head,
None may master me;
I will eat my crust of bread
Lauding liberty;
And upon my truckle bed
Glory to be free.

You who grab for sordid gold,
You who fight for fame,
Shiny dross your fingers hold,
Empty is your aim.
--Soon we fatten graveyard mould,
Rich and poor the same.

So from world of want and woe
I retreat with dread;
Tuned to Nature glad I go
With my bite of bread:
Praising God I lay me low
On my truckle bed.
267

Comfort

Comfort


Say! You've struck a heap of trouble -Bust
in business, lost your wife;
No one cares a cent about you,
You don't care a cent for life;
Hard luck has of hope bereft you,
Health is failing, wish you'd die --
Why, you've still the sunshine left you
And the big, blue sky.

Sky so blue it makes you wonder
If it's heaven shining through;

Earth so smiling 'way out yonder,
Sun so bright it dazzles you;
Birds a-singing, flowers a-flinging


All their fragrance on the breeze;
Dancing shadows, green, still meadows -Don't
you mope, you've still got these.

These, and none can take them from you;
These, and none can weigh their worth.
What! you're tired and broke and beaten? -Why,
you're rich -- you've got the earth!
Yes, if you're a tramp in tatters,
While the blue sky bends above
You've got nearly all that matters -You've
got God, and God is love.
266

Compensation Pete

Compensation Pete

He used to say: There ain't a doubt
Misfortune is a bitter pill,
But if you only pry it out
You'll find there's good in every ill.
There's comfort in the worst of woe,
There's consolation in defeat . . .
Oh what a solace-seeker! So
We called him Compensation Pete.


He lost his wealth - but was he pipped?
Why no - "That's fine," he used to say.
"I've got the government plumb gypped -
No more damn income tax to pay.
From cares of property set free,
And with no pesky social ties,
Why, even poverty may be
A benediction in disguise."


He lost his health: "Okay," he said;
"I'm getting on, may be the best.
I've always loved to lie abed,
And now I have the right to rest.
Such heaps o' things I want to do,
I'll have no time to fret or brood.
I'll read the dam ol' Bible through:
Guess it'll do me plenty good."


He has that line of sunny shine
That makes a blessing of a curse,
And he would say: "Don't let's repine,
Though things are bad they might be worse."
And so he cherished to the end
Philosophy so sane and sweet
That everybody was his friend . . .
With optimism hard to beat -
God bless old Compensation Pete.
203

Clancy Of The Mounted Police

Clancy Of The Mounted Police

In the little Crimson Manual it's written plain and clear
That who would wear the scarlet coat shall say good-bye to fear;
Shall be a guardian of the right, a sleuth-hound of the trail--
In the little Crimson Manual there's no such word as "fail"--
Shall follow on though heavens fall, or hell's top-turrets freeze,
Half round the world, if need there be, on bleeding hands and knees.
It's duty, duty, first and last, the Crimson Manual saith;
The Scarlet Rider makes reply: "It's duty--to the death."
And so they sweep the solitudes, free men from all the earth;
And so they sentinel the woods, the wilds that know their worth;
And so they scour the startled plains and mock at hurt and pain,
And read their Crimson Manual, and find their duty plain.
Knights of the lists of unrenown, born of the frontier's need,
Disdainful of the spoken word, exultant in the deed;
Unconscious heroes of the waste, proud players of the game,
Props of the power behind the throne, upholders of the name:
For thus the Great White Chief hath said, "In all my lands be peace",
And to maintain his word he gave his West the Scarlet Police.


Livid-lipped was the valley, still as the grave of God;
Misty shadows of mountain thinned into mists of cloud;
Corpselike and stark was the land, with a quiet that crushed and awed,
And the stars of the weird sub-arctic glimmered over its shroud.

Deep in the trench of the valley two men stationed the Post,
Seymour and Clancy the reckless, fresh from the long patrol;
Seymour, the sergeant, and Clancy--Clancy who made his boast
He could cinch like a bronco the Northland, and cling to the prongs of the Pole.

Two lone men on detachment, standing for law on the trail;
Undismayed in the vastness, wise with the wisdom of old--
Out of the night hailed a half-breed telling a pitiful tale,
"White man starving and crazy on the banks of the Nordenscold."

Up sprang the red-haired Clancy, lean and eager of eye;
Loaded the long toboggan, strapped each dog at its post;
Whirled his lash at the leader; then, with a whoop and a cry,
Into the Great White Silence faded away like a ghost.

The clouds were a misty shadow, the hills were a shadowy mist;
Sunless, voiceless and pulseless, the day was a dream of woe;
Through the ice-rifts the river smoked and bubbled and hissed;
Behind was a trail fresh broken, in front the untrodden snow.

Ahead of the dogs ploughed Clancy, haloed by steaming breath;
Through peril of open water, through ache of insensate cold;
Up rivers wantonly winding in a land affianced to death,
Till he came to a cowering cabin on the banks of the Nordenscold.

Then Clancy loosed his revolver, and he strode through the open door;
And there was the man he sought for, crouching beside the fire;
The hair of his beard was singeing, the frost on his back was hoar,


And ever he crooned and chanted as if he never would tire:-


"I panned and I panned in the shiny sand, and I sniped on the river bar;
But I know, I know, that it's down below that the golden treasures are;
So I'll wait and wait till the floods abate, and I'll sink a shaft once more,
And I'd like to bet that I'll go home yet with a brass band playing before."

He was nigh as thin as a sliver, and he whined like a Moose-hide cur;
So Clancy clothed him and nursed him as a mother nurses a child;
Lifted him on the toboggan, wrapped him in robes of fur,
Then with the dogs sore straining started to face the Wild.

Said the Wild, "I will crush this Clancy, so fearless and insolent;
For him will I loose my fury, and blind and buffet and beat;
Pile up my snows to stay him; then when his strength is spent,
Leap on him from my ambush and crush him under my feet.

"Him will I ring with my silence, compass him with my cold;
Closer and closer clutch him unto mine icy breast;
Buffet him with my blizzards, deep in my snows enfold,
Claiming his life as my tribute, giving my wolves the rest."

Clancy crawled through the vastness; o'er him the hate of the Wild;
Full on his face fell the blizzard; cheering his huskies he ran;
Fighting, fierce-hearted and tireless, snows that drifted and piled,
With ever and ever behind him singing the crazy man.

"Sing hey, sing ho, for the ice and snow,
And a heart that's ever merry;
Let us trim and square with a lover's care
(For why should a man be sorry?)
A grave deep, deep, with the moon a-peep,


A grave in the frozen mould.
Sing hey, sing ho, for the winds that blow,
And a grave deep down in the ice and snow,


A grave in the land of gold."

Day after day of darkness, the whirl of the seething snows;
Day after day of blindness, the swoop of the stinging blast;
On through a blur of fury the swing of staggering blows;
On through a world of turmoil, empty, inane and vast.
Night with its writhing storm-whirl, night despairingly black;
Night with its hours of terror, numb and endlessly long;
Night with its weary waiting, fighting the shadows back,
And ever the crouching madman singing his crazy song.

Cold with its creeping terror, cold with its sudden clinch;
Cold so utter you wonder if 'twill ever again be warm;
Clancy grinned as he shuddered, "Surely it isn't a cinch
Being wet-nurse to a looney in the teeth of an arctic storm.

"The blizzard passed and the dawn broke, knife-edged and crystal clear;


The sky was a blue-domed iceberg, sunshine outlawed away;
Ever by snowslide and ice-rip haunted and hovered the Fear;
Ever the Wild malignant poised and panted to slay.

The lead-dog freezes in harness--cut him out of the team!
The lung of the wheel-dog's bleeding--shoot him and let him lie!
On and on with the others--lash them until they scream!
"Pull for your lives, you devils! On! To halt is to die."

There in the frozen vastness Clancy fought with his foes;
The ache of the stiffened fingers, the cut of the snowshoe thong;
Cheeks black-raw through the hood-flap, eyes that tingled and closed,
And ever to urge and cheer him quavered the madman's song.

Colder it grew and colder, till the last heat left the earth,
And there in the great stark stillness the bale fires glinted and gleamed,
And the Wild all around exulted and shook with a devilish mirth,
And life was far and forgotten, the ghost of a joy once dreamed.

Death! And one who defied it, a man of the Mounted Police;
Fought it there to a standstill long after hope was gone;
Grinned through his bitter anguish, fought without let or cease,
Suffering, straining, striving, stumbling, struggling on.

Till the dogs lay down in their traces, and rose and staggered and fell;
Till the eyes of him dimmed with shadows, and the trail was so hard to see;
Till the Wild howled out triumphant, and the world was a frozen hell-Then
said Constable Clancy: "I guess that it's up to me."

Far down the trail they saw him, and his hands they were blanched like bone;
His face was a blackened horror, from his eyelids the salt rheum ran;
His feet he was lifting strangely, as if they were made of stone,
But safe in his arms and sleeping he carried the crazy man.

So Clancy got into Barracks, and the boys made rather a scene;
And the O. C. called him a hero, and was nice as a man could be;
But Clancy gazed down his trousers at the place where his toes had been,
And then he howled like a husky, and sang in a shaky key:

"When I go back to the old love that's true to the finger-tips,
I'll say: `Here's bushels of gold, love,' and I'll kiss my girl on the lips;
It's yours to have and to hold, love.' It's the proud, proud boy I'll be,
When I go back to the old love that's waited so long for me."
227

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