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Fool Faith

Fool Faith

Said I: "See yon vast heaven shine,-What
earthly sight diviner?
Before such radiant Design
Why doubt Designer?"

Said he: "Design is just a thought
In human cerebration,
And meaningless if Man is not
Part of creation.

"But grant Design,--we may imply
The job took toil aplenty;
Then why one sole designer, why
Not ten or twenty.

"But should there be one Source supreme
Of matter and of motion,
Why mould it like our man-machine
For daft devotion?"

Said I: "You may be right or wrong,
I'll seek not to discover . . .
I listen to yon starry song,-Still,
still God's lover."
229

Fleurette

Fleurette


(The Wounded Canadian Speaks)

My leg? It's off at the knee.

Do I miss it? Well, some. You see
I've had it since I was born;
And lately a devilish corn.

(I rather chuckle with glee
To think how I've fooled that corn.)

But I'll hobble around all right.
It isn't that, it's my face.
Oh I know I'm a hideous sight,


Hardly a thing in place;

Sort of gargoyle, you'd say.
Nurse won't give me a glass,
But I see the folks as they pass

Shudder and turn away;
Turn away in distress . . .
Mirror enough, I guess.

I'm gay! You bet I AM gay;
But I wasn't a while ago.
If you'd seen me even to-day,
The darndest picture of woe,
With this Caliban mug of mine,
So ravaged and raw and red,
Turned to the wall -- in fine,
Wishing that I was dead. . . .
What has happened since then,
Since I lay with my face to the wall,
The most despairing of men?
Listen! I'll tell you all.

That poilu across the way,
With the shrapnel wound in his head,
Has a sister: she came to-day
To sit awhile by his bed.
All morning I heard him fret:
"Oh, when will she come, Fleurette?"

Then sudden, a joyous cry;
The tripping of little feet,
The softest, tenderest sigh,
A voice so fresh and sweet;
Clear as a silver bell,
Fresh as the morning dews:
"C'est toi, c'est toi, Marcel!
Mon frère, comme je suis heureuse!"

So over the blanket's rim
I raised my terrible face,
And I saw -- how I envied him!


A girl of such delicate grace;
Sixteen, all laughter and love;
As gay as a linnet, and yet
As tenderly sweet as a dove;
Half woman, half child -- Fleurette.

Then I turned to the wall again.
(I was awfully blue, you see),
And I thought with a bitter pain:
"Such visions are not for me."
So there like a log I lay,
All hidden, I thought, from view,
When sudden I heard her say:
"Ah! Who is that malheureux?"
Then briefly I heard him tell
(However he came to know)
How I'd smothered a bomb that fell
Into the trench, and so
None of my men were hit,
Though it busted me up a bit.

Well, I didn't quiver an eye,
And he chattered and there she sat;
And I fancied I heard her sigh -But
I wouldn't just swear to that.
And maybe she wasn't so bright,
Though she talked in a merry strain,
And I closed my eyes ever so tight,
Yet I saw her ever so plain:
Her dear little tilted nose,
Her delicate, dimpled chin,
Her mouth like a budding rose,

And the glistening pearls within;
Her eyes like the violet:
Such a rare little queen -- Fleurette.

And at last when she rose to go,
The light was a little dim,
And I ventured to peep, and so
I saw her, graceful and slim,
And she kissed him and kissed him, and oh
How I envied and envied him!

So when she was gone I said
In rather a dreary voice
To him of the opposite bed:
"Ah, friend, how you must rejoice!

But me, I'm a thing of dread.
For me nevermore the bliss,
The thrill of a woman's kiss."

Then I stopped, for lo! she was there,


And a great light shone in her eyes;
And me! I could only stare,

I was taken so by surprise,
When gently she bent her head:

"May I kiss you, Sergeant?" she said.

Then she kissed my burning lips

With her mouth like a scented flower,
And I thrilled to the finger-tips,

And I hadn't even the power
To say: "God bless you, dear!"
And I felt such a precious tear

Fall on my withered cheek,

And darn it! I couldn't speak.

And so she went sadly away,

And I knew that my eyes were wet.
Ah, not to my dying day

Will I forget, forget!
Can you wonder now I am gay?

God bless her, that little Fleurette!
288

Flight

Flight


On silver sand where ripples curled
I counted sea-gulls seven;
Shy, secret screened from all the world,
And innocent as heaven.
They did not of my nearness know,
For dawn was barely bright,
And they were still, like spots of snow
In that pale, pearly light.


Then one went forth unto the sea
That rippled up in gold,
And there were rubies flashing free
From out its wing-unfold;
It ducked and dived in pretty play,
The while the other six
So gravely sat it seemed that they
Were marvelled by its tricks.


Then with a sudden flurry each
Down-rushed to join its mate,
And in a flash that sickle beach
With rapture was elate.
With joy they pranked till everyone
Was diamonded with spray,
Then flicked with flame to greet the sun
They rose and winged away.


But with their going, oh, the surge
Of loss they left in me!
For in my heart was born the urge,
The passion to be free.
And where each dawn with terror brings
Some tale of bale and blight,
Who would not envy silver wings,
The sea-gull in its flight!


Let me not know the soils of woe
That chain this stricken earth;
Let me forget the fear and fret
That bind men from their birth;
Let me be the one with wind and sun,
With earth and sky and sea. . . .
Oh, let me teach in living speech
God's glory - Liberty.
257

Fisherfolk

Fisherfolk


I like to look at fishermen
And oftentimes I wish
One would be lucky now and then
And catch a little fish.
I watch them statuesquely stand,
And at the water look;
But if they pull their float to land
It's just to bait a hook.

I ponder the psychology
That roots them in their place;
And wonder at the calm I see
In ever angler's face.
There is such patience in their eyes,
Beside the river's brink;
And waiting for a bite or rise
I do not think they think.

Or else they are just gentle men,
Who love--they know not why,
Greeen grace of trees or water when
It wimples to the sky . . .
Sweet simple souls! As vain I watch
My heart to you is kind:
Most precious prize of all you catch,
--Just Peace of Mind.
202

Finistere

Finistere


Hurrah! I'm off to Finistere, to Finistere, to Finistere;
My satchel's swinging on my back, my staff is in my hand;
I've twenty louis in my purse, I know the sun and sea are there,
And so I'm starting out to-day to tramp the golden land.
I'll go alone and glorying, with on my lips a song of joy;
I'll leave behind the city with its canker and its care;
I'll swing along so sturdily -- oh, won't I be the happy boy!
A-singing on the rocky roads, the roads of Finistere.


Oh, have you been to Finistere, and do you know a whin-gray town
That echoes to the clatter of a thousand wooden shoes?
And have you seen the fisher-girls go gallivantin' up and down,
And watched the tawny boats go out, and heard the roaring crews?
Oh, would you sit with pipe and bowl, and dream upon some sunny quay,
Or would you walk the windy heath and drink the cooler air;
Oh, would you seek a cradled cove and tussle with the topaz sea! --
Pack up your kit to-morrow, lad, and haste to Finistere.


Oh, I will go to Finistere, there's nothing that can hold me back.
I'll laugh with Yves and Le/on, and I'll chaff with Rose and Jeanne;
I'll seek the little, quaint buvette that's kept by Mother Merdrinac,
Who wears a cap of many frills, and swears just like a man.
I'll yarn with hearty, hairy chaps who dance and leap and crack their heels;
Who swallow cupfuls of cognac and never turn a hair;
I'll watch the nut-brown boats come in with mullet, plaice and conger eels,
The jeweled harvest of the sea they reap in Finistere.


Yes, I'll come back from Finistere with memories of shining days,
Of scaly nets and salty men in overalls of brown;
Of ancient women knitting as they watch the tethered cattle graze
By little nestling beaches where the gorse goes blazing down;
Of headlands silvering the sea, of Calvarys against the sky,
Of scorn of angry sunsets, and of Carnac grim and bare;
Oh, won't I have the leaping veins, and tawny cheek and sparkling eye,
When I come back to Montparnasse and dream of Finistere.
265

Finale

Finale


Here is this vale of sweet abiding,
My ultimate and dulcet home,
That gently dreams above the chiding
of restless and impatient foam;
Beyond the hazards of hell weather,
The harceling of wind and sea,
With timbers morticed tight together
My old hulk havens happily.


The dawn exultantly discloses
My lawn lit with mimosa gold;
The joy of January roses
Is with me when rich lands are cold;
Serene with bells of beauty chiming,
This dream domain to be belongs,
By sweet conspiracy of rhyming,
And virtue of some idle songs.


I thank the gracious Lord of Living
Who gave me power and will to write:
May I be worthy of His giving
And win to merit in His sight. . . .
O merciful and mighty Master,
Though I have faltered in the past,
Your scribe I be. . . . Despite disaster
Let me be faithful to the last.
173

Fidelity

Fidelity


Being a shorty, as you see,
A bare five footer,

The why my wife is true to me
Is my six-shooter.

For every time a guy goes by
Who looks like a lover,

I polish it to catch his eye,
And spin it over.

He notes its notches as I say:
'Believe me, Brother,

If Junie ever goes astray,
They'll be another.'

A husband has to have a gun
And guts to pull it:

Few fellows think a bit of fun
Is worth a bullet.

For June would sit on any knee
If it wore pants,

Yet she is faithful unto me,
As gossip grants.

And though I know some six-foot guy
Would better suit her,

Her virtue triumphs, thanks to my
Six shooter.
250

Fallen Leaves

Fallen Leaves

Why should I be the first to fall
Of all the leaves on this old tree?
Though sadly soon I know that all
Will lose their hold and follow me.
While my birth-brothers bravely blow,
Why should I be first to go?


Why should I be the last to cling
Of all the leaves on this bleak bough?
I've fluttered since the fire of Spring
And I am worn and withered now.
I would escape the Winter gale
And sleep soft-silvered by a snail.


When swoop the legions of the snow
To pitch their tents in roaring weather
We fallen leaves will lie below
And rot rejoicingly together;
And from our rich and dark decay
Will laugh our brothers of the May.
259

Farewell To Verse

Farewell To Verse

In youth when oft my muse was dumb,
My fancy nighly dead,
To make my inspiration come
I stood upon my head;
And thus I let the blood down flow
Into my cerebellum,
And published every Spring or so
Slim tomes in vellum.

Alas! I am rheumatic now,
Grey is my crown;
I can no more with brooding brow
Stand upside-down.
I fear I might in such a pose
Burst brain blood-vessel;
And that would be a woeful close
To my rhyme wrestle.

If to write verse I must reverse
I fear I'm stymied;
In ink of prose I must immerse
A pen de-rhymèd.
No more to spank the lyric lyre
Like Keats or Browning,
May I inspire the Sacred Fire
My Upside-downing.
180

Eyrie

Eyrie


Between the mountain and the sea
I've made a happy landing;
And here a peace has come to me
That passeth understanding;
A shining faith and purity
Beyond demanding.

With palm below and pine above,
Where wings of gulls are gleaming;
By orange tree and olive grove,
From walls of airy seeming,
My roses beg me not to rove,
But linger dreaming.

So I'm in love with life again,
And would with joy dissever
My days from ways of worldly men,
And mingle with them never:
Let silken roses to my ken
Whisper forever.
271

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.