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Brave Coward

Brave Coward

Elisabeth imagines I've
A yellow streak

She deems I have no dash and drive,
Jest dogoned weak.

'A man should be a man,' says Liz
'Trade blow for blow.'

Poor kid! What my position is
She jest don't know.

She jest don't know my old man killed,
Yea, slew and slew.

As steamy blood he sweetly spilled,
So could I too.

And though no wrath of heart I show
When I see red,

I fear no S. O. B. but oh
Myself I dread.

Though fellers reckon me a dope
And trigger-shy,

'Tain't nice to dangle on a rope,
And like Pa die.

So as I belly to the bar
Meek is my breath . . .

No guts! --Don't needle me too far,
Elizabeth!
235

Bonehead Bill

Bonehead Bill

I wonder 'oo and wot 'e was,
That 'Un I got so slick.
I couldn't see 'is face because
The night was 'ideous thick.
I just made out among the black
A blinkin' wedge o' white;
Then biff! I guess I got 'im crack --
The man I killed last night.


I wonder if account o' me
Some wench will go unwed,
And 'eaps o' lives will never be,
Because 'e's stark and dead?
Or if 'is missis damns the war,
And by some candle light,
Tow-headed kids are prayin' for
The Fritz I copped last night.


I wonder, 'struth, I wonder why
I 'ad that 'orful dream?
I saw up in the giddy sky
The gates o' God agleam;
I saw the gates o' 'eaven shine
Wiv everlastin' light:
And then . . . I knew that I'd got mine,
As 'e got 'is last night.


Aye, bang beyond the broodin' mists
Where spawn the mother stars,
I 'ammered wiv me bloody fists
Upon them golden bars;
I 'ammered till a devil's doubt
Fair froze me wiv affright:
To fink wot God would say about
The bloke I corpsed last night.


I 'ushed; I wilted wiv despair,
When, like a rosy flame,
I sees a angel standin' there
'Oo calls me by me name.
'E 'ad such soft, such shiny eyes;
'E 'eld 'is 'and and smiled;
And through the gates o' Paradise
'E led me like a child.


'E led me by them golden palms
Wot 'ems that jeweled street;
And seraphs was a-singin' psalms,
You've no ideer 'ow sweet;
Wiv cheroobs crowdin' closer round
Than peas is in a pod,
'E led me to a shiny mound



Where beams the throne o' God.


And then I 'ears God's werry voice:
"Bill 'agan, 'ave no fear.
Stand up and glory and rejoice
For 'im 'oo led you 'ere."
And in a nip I seemed to see:
Aye, like a flash o' light,
My angel pal I knew to be
The chap I plugged last night.


Now, I don't claim to understand --
They calls me Bonehead Bill;
They shoves a rifle in me 'and,
And show me 'ow to kill.
Me job's to risk me life and limb,
But . . . be it wrong or right,
This cross I'm makin', it's for 'im,
The cove I croaked last night.
228

Book Lover

Book Lover

I keep collecting books I know
I'll never, never read;
My wife and daughter tell me so,
And yet I never head.
"Please make me," says some wistful tome,
"A wee bit of yourself."
And so I take my treasure home,
And tuck it in a shelf.


And now my very shelves complain;
They jam and over-spill.
They say: "Why don't you ease our strain?"
"some day," I say, "I will."
So book by book they plead and sigh;
I pick and dip and scan;
Then put them back, distrest that I
Am such a busy man.


Now, there's my Boswell and my Sterne,
my Gibbon and Defoe;
To savour Swift I'll never learn,
Montaigne I may not know.
On Bacon I will never sup,
For Shakespeare I've no time;
Because I'm busy making up
These jingly bits of rhyme.


Chekov is caviare to me,
While Stendhal makes me snore;
Poor Proust is not my cup of tea,
And Balzac is a bore.
I have their books, I love their names,
And yet alas! they head,
With Lawrence, Joyce and Henry James,
My Roster of Unread.


I think it would be very well
If I commit a crime,
And get put in a prison cell
And not allowed to rhyme;
Yet given all these worthy books
According to my need,
I now caress with loving looks,
But never, never read.
188

Birds Of A Feather

Birds Of A Feather

Of bosom friends I've had but seven,
Despite my years are ripe;
I hope they're now enjoying Heaven,
Although they're not the type;
Nor, candidly, no more am I,
Though overdue to die.

For looking back I see that they
Were weak and wasteful men;
They loved a sultry jest alway,
And women now and then.
They smoked and gambled, soused and swore,
--Yet no one was a bore.

'Tis strange I took to lads like these,
On whom the good should frown;
Yet all with poetry would please
To wash his wassail down;
Their temples touched the starry way,
But O what feet of clay!

Well, all are dust, of fame bereft;
They bore a cruel cross,
And I, the canny one, am left,-Yet
as I grieve their loss,
I deem, because they loved me well,
They'll welcome me in Hell.
187

Birthdays

Birthdays


Let us have birthdays every day,
(I had the thought while I was shaving)
Because a birthday should be gay,
And full of grace and good behaving.
We can't have cakes and candles bright,
And presents are beyond our giving,
But let lt us cherish with delight
The birthday way of lovely living.


For I have passed three-score and ten
And I can count upon my fingers
The years I hope to bide with men,
(Though by God's grace one often lingers.)
So in the summers left to me,
Because I'm blest beyond my merit,
I hope with gratitude and glee
To sparkle with the birthday spirit.


Let me inform myself each day
Who's proudmost on the natal roster;
If Washington or Henry Clay,
Or Eugene Field or Stephen Foster.
oh lots of famous folks I'll find
Who more than measure to my rating,
And so thanksgivingly inclined
Their birthdays I'll be celebrating.


For Oh I know the cheery glow|
Of Anniversary rejoicing;
Let me reflect its radiance so
My daily gladness I'll be voicing.
And though I'm stooped and silver-haired,
Let me with laughter make the hearth gay,
So by the gods I may be spared
Each year to hear: "Pop, Happy Birthday."
256

Bindle Stiff

Bindle Stiff

When I was brash and gallant-gay
Just fifty years ago,
I hit the ties and beat my way
From Maine to Mexico;
For though to Glasgow gutter bred
A hobo heart had I,
And followed where adventure led,
Beneath a brazen sky.


And as I tramped the railway track
I owned a single shirt;
Like canny Scot I bought it black
So's not to show the dirt;
A handkerchief held all my gear,
My razor and my comb;
I was a freckless lad, I fear,
With all the world for home.


Yet oh I thought the life was grand
And loved my liberty!
Romance was my bed-fellow and
The stars my company.
And I would think, each diamond dawn,
"How I have forged my fate!
Where are the Gorbals and the Tron,
And where the Gallowgate?"


Oh daft was I to wander wild,
And seek the Trouble Trail,
As weakly as a wayward child,
And darkly doomed to fail . . .
Aye, bindle-stiff I hit the track
Just fifty years ago . . .
Yet now . . . I drive my Cadillac
From Maine to Mexico.
185

Bird Sanctuary

Bird Sanctuary

Between the cliff-rise and the beach
A slip of emerald I own;
With fig and olive, almond, peach,
cherry and plum-tree overgrown;
Glad-watered by a crystal spring
That carols through the silver night,
And populous with birds who sing
Gay madrigals for my delight.


Some merchants fain would buy my land
To build a stately pleasure dome.
Poor fools! they cannot understand
how pricelessly it is my home!
So luminous with living wings,
So musical with feathered joy . . .
Not for all pleasure fortune brings,
Would I such ecstasy destroy.


A thousand birds are in my grove,
Melodious from morn to night;
My fruit trees are their treasure trove,
Their happiness is my delight.
And through the sweet and shining days
They know their lover and their friend;
So I will shield in peace and praise
My innocents unto the end.
267

Bessie's Boil

Bessie's Boil

Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."


So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."


So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."


So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."
265

Bill's Grave

Bill's Grave

I'm gatherin' flowers by the wayside to lay on the grave of Bill;
I've sneaked away from the billet, 'cause Jim wouldn't understand;
'E'd call me a silly fat'ead, and larf till it made 'im ill,
To see me 'ere in the cornfield, wiv a big bookay in me 'and.

For Jim and me we are rough uns, but Bill was one o' the best;
We 'listed and learned together to larf at the wust wot comes;
Then Bill copped a packet proper, and took 'is departure West,
So sudden 'e 'adn't a minit to say good-bye to 'is chums.

And they took me to where 'e was planted, a sort of a measly mound,
And, thinks I, 'ow Bill would be tickled, bein' so soft and queer,
If I gathered a bunch o' them wild-flowers, and sort of arranged them round
Like a kind of a bloody headpiece . . . and that's the reason I'm 'ere.

But not for the love of glory I wouldn't 'ave Jim to know.
'E'd call me a slobberin' Cissy, and larf till 'is sides was sore;
I'd 'ave larfed at meself too, it isn't so long ago;
But some'ow it changes a feller, 'avin' a taste o' war.

It 'elps a man to be 'elpful, to know wot 'is pals is worth
(Them golden poppies is blazin' like lamps some fairy 'as lit);
I'm fond o' them big white dysies. . . . Now Jim's o' the salt o' the earth;
But 'e 'as got a tongue wot's a terror, and 'e ain't sentimental a bit.

I likes them blue chaps wot's 'idin' so shylike among the corn.
Won't Bill be glad! We was allus thicker 'n thieves, us three.
Why! 'Oo's that singin' so 'earty? JIM! And as sure as I'm born
'E's there in the giddy cornfields, a-gatherin' flowers like me.

Quick! Drop me posy be'ind me. I watches 'im for a while,
Then I says: "Wot 'o, there, Chummy! Wot price the little bookay?"
And 'e starts like a bloke wot's guilty, and 'e says with a sheepish smile:
"She's a bit of orl right, the widder wot keeps the estaminay."

So 'e goes away in a 'urry, and I wishes 'im best o' luck,
And I picks up me bunch o' wild-flowers, and the light's gettin' sorto dim,
When I makes me way to the boneyard, and . . . I stares like a man wot's stuck,
For wot do I see? Bill's grave-mound strewn with the flowers of Jim.

Of course I won't never tell 'im, bein' a tactical lad;
And Jim parley-voos to the widder: "Trez beans, lamoor; compree?"
Oh, 'e'd die of shame if 'e knew I knew; but say! won't Bill be glad
When 'e stares through the bleedin' clods and sees the blossoms of Jim and me?
139

Belated Conscience

Belated Conscience

To buy for school a copy-book
I asked my Dad for two-pence;
He gave it with a gentle look,
Although he had but few pence.
'Twas then I proved myself a crook
And came a moral cropper,
I bought a penny copy-book
And blued the other copper.

I spent it on a sausage roll
Gulped down with guilt suggestion,
To the damnation of my soul
And awful indigestion.
Poor Dad! His job was hard to hold;
His mouths to feed were many;
Were he alive a millionfold
I'd pay him for his penny.

Now nigh the grave I think with grief,
Though other sins are many,
I am a liar and a thief
'Cause once I stole a penny:
Yet be he pious as a friar
It is my firm believing,
That every man has been a liar
And most of us done thieving.
219

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.