Poems List

Back To The Army Again

"Back To The Army Again
I'm 'ere in a ticky ulster an' a broken billycock 'at,
A-layin' on to the sergeant I don't know a gun from a bat;
My shirt's doin' duty for jacket, my sock's stickin' out o' my boots,
An' I'm learnin' the damned old goose-step along o' the new recruits!
Back to the Army again, sergeant,
Back to the Army again.
Don't look so 'ard, for I 'aven't no card,
I'm back to the Army again!
I done my six years' service. 'Er Majesty sez: "Good-day --
You'll please to come when you're rung for, an' 'ere's your 'ole back-pay;
An' fourpence a day for baccy -- an' bloomin' gen'rous, too;
An' now you can make your fortune -- the same as your orf'cers do."
Back to the Army again, sergeant,
Back to the Army again;
'Ow did I learn to do right-about turn?
I'm back to the Army again!
A man o' four-an'-twenty that 'asn't learned of a trade --
Beside "Reserve" agin' him -- 'e'd better be never made.
I tried my luck for a quarter, an' that was enough for me,
An' I thought of 'Er Majesty's barricks, an' I thought I'd go an' see.
Back to the Army again, sergeant,
Back to the Army again;
'Tisn't my fault if I dress when I 'alt --
I'm back to the Army again!
The sergeant arst no questions, but 'e winked the other eye,
'E sez to me, "'Shun!" an' I shunted, the same as in days gone by;
For 'e saw the set o' my shoulders, an' I couldn't 'elp 'oldin' straight
When me an' the other rookies come under the barrick-gate.
Back to the Army again, sergeant,
Back to the Army again;
'Oo would ha' thought I could carry an' port?
I'm back to the Army again!
I took my bath, an' I wallered -- for, Gawd, I needed it so!
I smelt the smell o' the barricks, I 'eard the bugles go.
I 'eard the feet on the gravel -- the feet o' the men what drill --
An' I sez to my flutterin' 'eart-strings, I sez to 'em, "Peace, be still!"
Back to the Army again, sergeant,
Back to the Army again;
'Oo said I knew when the ~Jumner~ was due?
I'm back to the Army again!
I carried my slops to the tailor; I sez to 'im, "None o' your lip!
You tight 'em over the shoulders, an' loose 'em over the 'ip,


For the set o' the tunic's 'orrid." An' 'e sez to me, "Strike me dead,
But I thought you was used to the business!" an' so 'e done what I said.
Back to the Army again, sergeant,
Back to the Army again.
Rather too free with my fancies? Wot -- me?
I'm back to the Army again!
Next week I'll 'ave 'em fitted; I'll buy me a swagger-cane;
They'll let me free o' the barricks to walk on the Hoe again
In the name o' William Parsons, that used to be Edward Clay,
An' -- any pore beggar that wants it can draw my fourpence a day!
Back to the Army again, sergeant,
Back to the Army again:
Out o' the cold an' the rain, sergeant,
Out o' the cold an' the rain.
'Oo's there?
A man that's too good to be lost you,
A man that is 'andled an' made --
A man that will pay what 'e cost you
In learnin' the others their trade -- parade!
You're droppin' the pick o' the Army
Because you don't 'elp 'em remain,
But drives 'em to cheat to get out o' the street
An' back to the Army again!
488

A Servant When He Reigneth

"A Servant When He Reigneth"
Three things make earth unquiet
And four she cannot brook
The godly Agur counted them
And put them in a book --
Those Four Tremendous Curses
With which mankind is cursed;
But a Servant when He Reigneth
Old Agur entered first.
An Handmaid that is Mistress
We need not call upon.
A Fool when he is full of Meat
Will fall asleep anon.
An Odious Woman Married
May bear a babe and mend;
But a Servant when He Reigneth
Is Confusion to the end.
His feet are swift to tumult,
His hands are slow to toil,
His ears are deaf to reason,
His lips are loud in broil.
He knows no use for power
Except to show his might.
He gives no heed to judgment
Unless it prove him right.
Because he served a master
Before his Kingship came,
And hid in all disaster
Behind his master's name,
So, when his Folly opens
The unnecessary hells,
A Servant when He Reigneth
Throws the blame on some one else.
His vows are lightly spoken,
His faith is hard to bind,
His trust is easy boken,
He fears his fellow-kind.
The nearest mob will move him
To break the pledge he gave --
Oh, a Servant when he Reigneth
Is more than ever slave!
465

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.