Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

137,390 Views

Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
452

With Scindia To Delhi

With Scindia To Delhi
More than a hundred years ago, in a great battle fought near Delhi,
an Indian Prince rode fifty miles after the day was lost
with a beggar-girl, who had loved him and followed him in all his camps,
on his saddle-bow. He lost the girl when almost within sight of safety.
A Maratta trooper tells the story: --
The wreath of banquet overnight lay withered on the neck,
Our hands and scarfs were saffron-dyed for signal of despair,
When we went forth to Paniput to battle with the ~Mlech~, --
Ere we came back from Paniput and left a kingdom there.
Thrice thirty thousand men were we to force the Jumna fords --
The hawk-winged horse of Damajee, mailed squadrons of the Bhao,
Stark levies of the southern hills, the Deccan's sharpest swords,
And he the harlot's traitor son the goatherd Mulhar Rao!
Thrice thirty thousand men were we before the mists had cleared,
The low white mists of morning heard the war-conch scream and bray;
We called upon Bhowani and we gripped them by the beard,
We rolled upon them like a flood and washed their ranks away.
The children of the hills of Khost before our lances ran,
We drove the black Rohillas back as cattle to the pen;
'Twas then we needed Mulhar Rao to end what we began,
A thousand men had saved the charge; he fled the field with ten!
There was no room to clear a sword -- no power to strike a blow,
For foot to foot, ay, breast to breast, the battle held us fast --
Save where the naked hill-men ran, and stabbing from below
Brought down the horse and rider and we trampled them and passed.
To left the roar of musketry rang like a falling flood --
To right the sunshine rippled red from redder lance and blade --
Above the dark ~Upsaras~* flew, beneath us plashed the blood,
And, bellying black against the dust, the Bhagwa Jhanda swayed.
* The Choosers of the Slain.
I saw it fall in smoke and fire, the banner of the Bhao;
I heard a voice across the press of one who called in vain: --
"Ho! Anand Rao Nimbalkhur, ride! Get aid of Mulhar Rao!
Go shame his squadrons into fight -- the Bhao -- the Bhao is slain!"
Thereat, as when a sand-bar breaks in clotted spume and spray --
When rain of later autumn sweeps the Jumna water-head,
Before their charge from flank to flank our riven ranks gave way;
But of the waters of that flood the Jumna fords ran red.
I held by Scindia, my lord, as close as man might hold;
A Soobah of the Deccan asks no aid to guard his life;
But Holkar's Horse were flying, and our chiefest chiefs were cold,


And like a flame among us leapt the long lean Northern knife.
I held by Scindia -- my lance from butt to tuft was dyed,
The froth of battle bossed the shield and roped the bridle-chain --
What time beneath our horses' feet a maiden rose and cried,
And clung to Scindia, and I turned a sword-cut from the twain.
(He set a spell upon the maid in woodlands long ago,
A hunter by the Tapti banks she gave him water there:
He turned her heart to water, and she followed to her woe.
What need had he of Lalun who had twenty maids as fair?)
Now in that hour strength left my lord; he wrenched his mare aside;
He bound the girl behind him and we slashed and struggled free.
Across the reeling wreck of strife we rode as shadows ride
From Paniput to Delhi town, but not alone were we.
'Twas Lutuf-Ullah Populzai laid horse upon our track,
A swine-fed reiver of the North that lusted for the maid;
I might have barred his path awhile, but Scindia called me back,
And I -- O woe for Scindia! -- I listened and obeyed.
League after league the formless scrub took shape and glided by --
League after league the white road swirled behind the white mare's feet --
League after league, when leagues were done, we heard the Populzai,
Where sure as Time and swift as Death the tireless footfall beat.
Noon's eye beheld that shame of flight, the shadows fell, we fled
Where steadfast as the wheeling kite he followed in our train;
The black wolf warred where we had warred, the jackal mocked our dead,
And terror born of twilight-tide made mad the labouring brain.
I gasped: -- "A kingdom waits my lord; her love is but her own.
A day shall mar, a day shall cure for her, but what for thee?
Cut loose the girl: he follows fast. Cut loose and ride alone!"
Then Scindia 'twixt his blistered lips: -- "My Queens' Queen shall she be!
"Of all who ate my bread last night 'twas she alone that came
To seek her love between the spears and find her crown therein!
One shame is mine to-day, what need the weight of double shame?
If once we reach the Delhi gate, though all be lost, I win!"
We rode -- the white mare failed -- her trot a staggering stumble grew, --
The cooking-smoke of even rose and weltered and hung low;
And still we heard the Populzai and still we strained anew,
And Delhi town was very near, but nearer was the foe.
Yea, Delhi town was very near when Lalun whispered: -- "Slay!
Lord of my life, the mare sinks fast -- stab deep and let me die!"
But Scindia would not, and the maid tore free and flung away,
And turning as she fell we heard the clattering Populzai.


Then Scindia checked the gasping mare that rocked and groaned for breath,
And wheeled to charge and plunged the knife a hand's-breadth in her side --
The hunter and the hunted know how that last pause is death --
The blood had chilled about her heart, she reared and fell and died.
Our Gods were kind. Before he heard the maiden's piteous scream
A log upon the Delhi road, beneath the mare he lay --
Lost mistress and lost battle passed before him like a dream;
The darkness closed about his eyes -- I bore my King away.
592

Wilful Missing

Wilful Missing
(Deserters)
There is a world outside the one you know,
To which for curiousness 'Ell can't compare--
It is the place where "wilful-missings" go,
As we can testify, for we are there.
You may 'ave read a bullet laid us low,
That we was gathered in "with reverent care"
And buried proper. But it was not so,
As we can testify --for we are there!
They can't be certain--faces alter so
After the old aasvogel 'ad 'is share.
The uniform's the mark by which they go--
And--ain't it odd?--the one we best can spare.
We might 'ave seen our chance to cut the show--
Name, number, record, an 'begin elsewhere--
Leaven'' some not too late-lamented foe
One funeral-private-British-for 'is share.
We may 'ave took it yonder in the Low
Bush-veldt that sends men stragglin' 'unaware
Among the Kaffirs, till their columns go,
An 'they are left past call or count or care.
We might 'ave been your lovers long ago,
'Usbands or children--comfort or despair.
Our death (an' burial) settles all we owe,
An' why we done it is our own affair.
Marry again, and we will not say no,
Nor come to barstardise the kids you bear.
Wait on in 'ope--you've all your life below
Before you'll ever 'ear us on the stair.
There is no need to give our reasons, though
Gawd knows we all 'ad reasons which were fair;
But other people might not judge 'em so--
And now it doesn't matter what they were.
What man can weigh or size another's woe:
There are some things too bitter 'ard to bear.
Suffice it we 'ave finished--Domino!
As we can testify, for we are there,
In the side-world where "wilful-missings " go.
440

What Happened

What Happened
Hurree Chunder Mookerjee, pride of Bow Bazaar,
Owner of a native press, "Barrishter-at-Lar,"
Waited on the Government with a claim to wear
Sabres by the bucketful, rifles by the pair.
Then the Indian Government winked a wicked wink,
Said to Chunder Mookerjee: "Stick to pen and ink.
They are safer implements, but, if you insist,
We will let you carry arms wheresoe'er you list."
Hurree Chunder Mookerjee sought the gunsmith and
Bought the tubes of Lancaster, Ballard, Dean, and Bland,
Bought a shiny bowie-knife, bought a town-made sword,
Jingled like a carriage-horse when he went abroad.
But the Indian Government, always keen to please,
Also gave permission to horrid men like these --
Yar Mahommed Yusufzai, down to kill or steal,
Chimbu Singh from Bikaneer, Tantia the Bhil;
Killar Khan the Marri chief, Jowar Singh the Sikh,
Nubbee Baksh Punjabi Jat, Abdul Huq Rafiq --
He was a Wahabi; last, little Boh Hla-oo
Took advantage of the Act -- took a Snider too.
They were unenlightened men, Ballard knew them not.
They procured their swords and guns chiefly on the spot;
And the lore of centuries, plus a hundred fights,
Made them slow to disregard one another's rights.
With a unanimity dear to patriot hearts
All those hairy gentlemen out of foreign parts
Said: "The good old days are back -- let us go to war!"
Swaggered down the Grand Trunk Road into Bow Bazaar,
Nubbee Baksh Punjabi Jat found a hide-bound flail;
Chimbu Singh from Bikaneer oiled his Tonk jezail;
Yar Mahommed Yusufzai spat and grinned with glee
As he ground the butcher-knife of the Khyberee.
Jowar Singh the Sikh procured sabre, quoit, and mace,
Abdul Huq, Wahabi, jerked his dagger from its place,
While amid the jungle-grass danced and grinned and jabbered
Little Boh Hla-oo and cleared his dah-blade from the scabbard.
What became of Mookerjee? Smoothly, who can say?
Yar Mahommed only grins in a nasty way,
Jowar Singh is reticent, Chimbu Singh is mute.
But the belts of all of them simply bulge with loot.
What became of Ballard's guns? Afghans black and grubby


Sell them for their silver weight to the men of Pubbi;
And the shiny bowie-knife and the town-made sword are
Hanging in a Marri camp just across the Border.
What became of Mookerjee? Ask Mahommed Yar
Prodding Siva's sacred bull down the Bow Bazaar.
Speak to placid Nubbee Baksh -- question land and sea --
Ask the Indian Congressmen -- only don't ask me!
488

When Earth's Last Picture Is Painted

When Earth's Last Picture Is Painted
When Earth's last picture is painted
And the tubes are twisted and dried
When the oldest colors have faded
And the youngest critic has died
We shall rest, and faith, we shall need it
Lie down for an aeon or two
'Till the Master of all good workmen
Shall put us to work anew
And those that were good shall be happy
They'll sit in a golden chair
They'll splash at a ten league canvas
With brushes of comet's hair
They'll find real saints to draw from
Magdalene, Peter, and Paul
They'll work for an age at a sitting
And never be tired at all.
And only the Master shall praise us.
And only the Master shall blame.
And no one will work for the money.
No one will work for the fame.
But each for the joy of the working,
And each, in his separate star,
Will draw the thing as he sees it.
For the God of things as they are!
410

Untimely

Untimely
Nothing in life has been made by man for man's using
But it was shown long since to man in ages
Lost as the name of the maker of it,
Who received oppression and shame for his wages--
Hate, avoidance, and scorn in his daily dealings--
Until he perished, wholly confounded
More to be pitied than he are the wise
Souls which foresaw the evil of loosing
Knowledge or Art before time, and aborted
Noble devices and deep-wrought healings,
Lest offense should arise.
Heaven delivers on earth the Hour that cannot be
thwarted,
Neither advanced, at the price of a world nor a soul,
and its Prophet
Comes through the blood of the vanguards who
dreamed--too soon--it had sounded.
461

Ulster

Ulster
("Their webs shall not become garments, neither shall they
cover themselves with their works: their works are works
of inquity and the act of violence is in their hands." --
Isaiah lix. .)
The dark eleventh hour
Draws on and sees us sold
To every evil power
We fought against of old.
Rebellion, rapine hate
Oppression, wrong and greed
Are loosed to rule our fate,
By England's act and deed.
The Faith in which we stand,
The laws we made and guard,
Our honour, lives, and land
Are given for reward
To Murder done by night,
To Treason taught by day,
To folly, sloth, and spite,
And we are thrust away.
The blood our fathers spilt,
Our love, our toils, our pains,
Are counted us for guilt,
And only bind our chains.
Before an Empire's eyes
The traitor claims his price.
What need of further lies?
We are the sacrifice.
We asked no more than leave
To reap where we had sown,
Through good and ill to cleave
To our own flag and throne.
Now England's shot and steel
Beneath that flag must show
How loyal hearts should kneel
To England's oldest foe.
We know the war prepared
On every peaceful home,
We know the hells declared
For such as serve not Rome --
The terror, threats, and dread
In market, hearth, and field --
We know, when all is said,
We perish if we yield.
Believe, we dare not boast,


Believe, we do not fear --
We stand to pay the cost
In all that men hold dear.
What answer from the North?
One Law, one Land, one Throne.
If England drive us forth
We shall not fall alone!
518

Toomai of the Elephants

Toomai of the Elephants
I will remember what I was. I am sick of rope and chain--
I will remember my old strength and all my forest-affairs.
I will not sell my back to man for a bundle of sugarcane.
I will go out to my own kind, and the wood-folk in their lairs.
I will go out until the day, until the morning break,
Out to the winds 'untainted kiss, the waters' clean caress.
I will forget my ankle-ring and snap my picket-stake.
I will revisit my lost loves, and playmates masterless!
549

Two Kopjes

Two Kopjes
(Made Yeomanry towards End of Boer War)
Only two African kopjes,
Only the cart-tracks that wind
Empty and open between 'em,
Only the Transvaal behind;
Only an Aldershot column
Marching to conquer the land . . .
Only a sudden and solemn
Visit, unarmed, to the Rand.
Then scorn not the African kopje,
The kopje that smiles in the heat,
The wholly unoccupied kopje,
The home of Cornelius and Piet.
You can never be sure of your kopje,
But of this be you blooming well sure,
A kopje is always a kopje,
And a Boojer is always a Boer!
Only two African kopjes,
Only the vultures above,
Only baboons--at the bottom,
Only some buck on the move;
Only a Kensington draper
Only pretending to scout . . .
.Only bad news for the paper,
Only another knock-out.
Then mock not the African kopje,
And rub not your flank on its side,
The silent and simmering kopje,
The kopje beloved by the guide.
You can never be, etc.
Only two African kopjes,
Only the dust of their wheels,
Only a bolted commando,
Only our guns at their heels . . .
Only a little barb-wire,
Only a natural fort,
Only "by sections retire,"
Only "regret to report! "
Then mock not the .African kopje,
Especially when it is twins,
One sharp and one table-topped kopje
For that's where the trouble begins.
You never can be, etc.


Only two African kopjes
Baited the same as before--
Only we've had it so often,
Only we're taking no more . . .
Only a wave to our troopers,
Only our flanks swinging past,
Only a dozen voorloopers,.
Only we've learned it at last!
Then mock not the African kopje,
But take off your hat to the same,
The patient, impartial old kopje,
The kopje that taught us the game!
For all that we knew in the Columns,
And all they've forgot on the Staff,
We learned at the Fight o' Two Kopjes,
Which lasted two years an' a half.
mock not the African kopje,
Not even when peace has been signed--
The kopje that isn't a kopje--
The kopje that copies its kind.
You can never be sure of your kopje,
But of this be you blooming well sure,
That a kopje is always a kopje,
And a Boojer is always a Boer!
439

To Wolcott Balestier

To Wolcott Balestier
Beyond the path of the outmost sun through utter darkness hurled --
Further than ever comet flared or vagrant star-dust swirled --
Live such as fought and sailed and ruled and loved and made our world.
They are purged of pride because they died, they know the worth of their bays,
They sit at wine with the Maidens Nine and the Gods of the Elder Days,
It is their will to serve or be still as fitteth our Father's praise.
'Tis theirs to sweep through the ringing deep where Azrael's outposts are,
Or buffet a path through the Pit's red wrath when God goes out to war,
Or hang with the reckless Seraphim on the rein of a red-maned star.
They take their mirth in the joy of the Earth --
they dare not grieve for her pain --
They know of toil and the end of toil, they know God's law is plain,
So they whistle the Devil to make them sport who know that Sin is vain.
And ofttimes cometh our wise Lord God, master of every trade,
And tells them tales of His daily toil, of Edens newly made;
And they rise to their feet as He passes by, gentlemen unafraid.
To these who are cleansed of base Desire, Sorrow and Lust and Shame --
Gods for they knew the hearts of men, men for they stooped to Fame,
Borne on the breath that men call Death, my brother's spirit came.
He scarce had need to doff his pride or slough the dross of Earth --
E'en as he trod that day to God so walked he from his birth,
In simpleness and gentleness and honour and clean mirth.
So cup to lip in fellowship they gave him welcome high
And made him place at the banquet board -- the Strong Men ranged thereby,
Who had done his work and held his peace and had no fear to die.
Beyond the loom of the last lone star, through open darkness hurled,
Further than rebel comet dared or hiving star-swarm swirled,
Sits he with those that praise our God for that they served His world.
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