Walt Whitman

Walt Whitman

1819–1892 · lived 72 years US US

Walt Whitman was an American poet, essayist, journalist, and a deliberate humanist who became one of the most influential figures in American poetry. He is often called the "father of free verse." His seminal work, "Leaves of Grass," was a radical departure from the conventional poetry of its time, celebrating the individual, democracy, the body, and the spirit in expansive, cataloging lines. Whitman's poetry embraced a wide range of subjects, from the natural world and urban life to the experiences of laborers and soldiers. His work is characterized by its inclusive spirit, its celebration of the sensual and the spiritual, and its democratic vision. He sought to capture the diverse American experience in all its complexity and vitality, making him a truly unique voice in literature.

n. 1819-05-31, West Hills · m. 1892-03-26, Camden

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Year Of Meteors, 1859 '60

Year Of Meteors, 1859 '60

YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair, mounted the


scaffold in Virginia;
(I was at hand--silent I stood, with teeth shut close--I watch'd;
I stood very near you, old man, when cool and indifferent, but


trembling with age and your unheal'd wounds, you mounted the

scaffold;)
--I would sing in my copious song your census returns of The States,
The tables of population and products--I would sing of your ships and


their cargoes,
The proud black ships of Manhattan, arriving, some fill'd with
immigrants, some from the isthmus with cargoes of gold;
Songs thereof would I sing--to all that hitherward comes would I
welcome give; 10
And you would I sing, fair stripling! welcome to you from me, sweet
boy of England!
Remember you surging Manhattan's crowds, as you pass'd with your


cortege of nobles?
There in the crowds stood I, and singled you out with attachment;
I know not why, but I loved you... (and so go forth little song,
Far over sea speed like an arrow, carrying my love all folded,
And find in his palace the youth I love, and drop these lines at his


feet;)
--Nor forget I to sing of the wonder, the ship as she swam up my bay,
Well-shaped and stately the Great Eastern swam up my bay, she was 600

feet long,
Her, moving swiftly, surrounded by myriads of small craft, I forget
not to sing;
--Nor the comet that came unannounced out of the north, flaring in
heaven; 20
Nor the strange huge meteor procession, dazzling and clear, shooting
over our heads,
(A moment, a moment long, it sail'd its balls of unearthly light over


our heads,
Then departed, dropt in the night, and was gone;)
--Of such, and fitful as they, I sing--with gleams from them would I


gleam and patch these chants;
Your chants, O year all mottled with evil and good! year of
forebodings! year of the youth I love!
Year of comets and meteors transient and strange!--lo! even here, one
equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this
book,
What am I myself but one of your meteors?
Read full poem
Bio

Identification and basic context

Walt Whitman was an American poet, essayist, journalist, and humanist. Born on Long Island, New York, he is considered one of the most influential figures in American literature. He wrote in English.

Childhood and education

Whitman's formal schooling was limited; he left school at the age of eleven to work. He became a printer and later worked as a journalist, editor, and teacher. This practical experience exposed him to a wide range of society and ideas, which deeply informed his writing. He was largely self-educated, voraciously reading literature, philosophy, and the Bible, and absorbing the democratic ideals of his time.

Literary trajectory

Whitman began his literary career as a journalist and editor, writing essays, short stories, and editorials. His major turning point was the publication of the first edition of 'Leaves of Grass' in 1855, a collection of poems that he would revise and expand throughout his life. This work was controversial but also groundbreaking, establishing his unique voice and style. He continued to write and publish new poems and editions of 'Leaves of Grass' for the rest of his life, self-publishing some editions and revising extensively.

Works, style, and literary characteristics

Whitman's magnum opus is 'Leaves of Grass,' first published in 1855 and issued in numerous expanded editions until his death. Other notable works include 'Democratic Vistas' (prose essays) and 'Specimen Days' (autobiographical sketches). Whitman's poetry is characterized by its radical use of free verse, lengthy, incantatory lines, and an expansive, catalogues approach to imagery. He celebrated the "self" as a microcosm of humanity and the cosmos, championing democracy, equality, the physical body, sensuality, nature, and the spiritual interconnectedness of all things. His tone is often prophetic, embracing, and deeply democratic. His language is robust, colloquial, and American, incorporating a vast vocabulary and a direct, unadorned style that sought to capture the essence of American experience.

Cultural and historical context

Whitman lived and wrote during a period of immense national transformation in the United States, including westward expansion, industrialization, and the tumultuous lead-up to and aftermath of the Civil War. He was a staunch advocate for democracy and envisioned a uniquely American poetry that reflected the diverse peoples and landscapes of the nation. His work was informed by Transcendentalist ideas, particularly the writings of Emerson, and he engaged with the social and political issues of his day, notably abolitionism.

Personal life

Whitman's personal life was complex and somewhat elusive. He never married and had no children. He served as a volunteer nurse in army hospitals during the Civil War, an experience that deeply affected him and led to poems like "The Wound-Dresser." His intense friendships, often with men, were significant, and he celebrated physical and spiritual connection. He lived a relatively simple life, often in poverty, but remained committed to his poetic vision.

Recognition and reception

Whitman's work was met with both fierce criticism and enthusiastic praise during his lifetime. While initially seen as scandalous and incomprehensible by many, he gradually gained recognition from literary figures like Emerson and was eventually hailed as a major American poet. His reputation grew posthumously, and he is now considered a cornerstone of American literature.

Influences and legacy

Whitman was influenced by Emerson, the Bible, and classical literature, but he forged a completely new poetic voice. He profoundly influenced the development of American poetry, paving the way for free verse and modern poetic sensibilities. His celebration of the individual, democracy, and the body continues to inspire poets and thinkers worldwide.

Interpretation and critical analysis

Critical interpretations of Whitman's poetry often center on his innovative use of free verse, his democratic ideals, his embrace of the body and sexuality, and his complex exploration of American identity. Debates have occurred regarding the sincerity of his democratic vision and the autobiographical elements within his work.

Curiosities and lesser-known aspects

Whitman was known for his distinctive appearance, often sporting a beard and informal clothing. He was also a skilled carpenter and builder in his youth. His extensive revisions of 'Leaves of Grass' show his meticulous attention to craft, despite his unconventional style.

Death and memory

Whitman died in Camden, New Jersey. He is remembered as one of America's most important and original poets, a visionary voice who captured the spirit of a nation in transformation and celebrated the inherent dignity of all human beings.

Poems

168

Had I the Choice

Had I the Choice

Had I the choice to tally greatest bards,
To limn their portraits, stately, beautiful, and emulate at will,
Homer with all his wars and warriors--Hector, Achilles, Ajax,
Or Shakespeare's woe-entangled Hamlet, Lear, Othello--Tennyson's fair ladies,
Meter or wit the best, or choice conceit to weild in perfect rhyme, delight of singers;
These, these, O sea, all these I'd gladly barter,
Would you the undulation of one wave, its trick to me transfer,
Or breathe one breath of yours upon my verse,
And leave its odor there.
354

God

God

THOUGHT of the Infinite--the All!
Be thou my God.


Lover Divine, and Perfect Comrade!
Waiting, content, invisible yet, but certain,
Be thou my God.


Thou--thou, the Ideal Man!
Fair, able, beautiful, content, and loving,
Complete in Body, and dilate in Spirit,
Be thou my God.


O Death--(for Life has served its turn;) 10
Opener and usher to the heavenly mansion!
Be thou my God.


Aught, aught, of mightiest, best, I see, conceive, or know,
(To break the stagnant tie--thee, thee to free, O Soul,)
Be thou my God.


Or thee, Old Cause, when'er advancing;
All great Ideas, the races' aspirations,
All that exalts, releases thee, my Soul!
All heroisms, deeds of rapt enthusiasts,
Be ye my Gods! 20


Or Time and Space!
Or shape of Earth, divine and wondrous!
Or shape in I myself--or some fair shape, I, viewing, worship,
Or lustrous orb of Sun, or star by night:
Be ye my Gods.
490

Full Of Life, Now

Full Of Life, Now

FULL of life, now, compact, visible,
I, forty years old the Eighty-third Year of The States,
To one a century hence, or any number of centuries hence,
To you, yet unborn, these, seeking you.


When you read these, I, that was visible, am become invisible;
Now it is you, compact, visible, realizing my poems, seeking me;
Fancying how happy you were, if I could be with you, and become your


comrade;
Be it as if I were with you. (Be not too certain but I am now with
you.)
507

Give Me The Splendid, Silent Sun

Give Me The Splendid, Silent Sun

GIVE me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmow'd grass grows;
Give me an arbor, give me the trellis'd grape;
Give me fresh corn and wheat--give me serene-moving animals, teaching


content;
Give me nights perfectly quiet, as on high plateaus west of the
Mississippi, and I looking up at the stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can
walk undisturb'd;
Give me for marriage a sweet-breath'd woman, of whom I should never
tire;
Give me a perfect child--give me, away, aside from the noise of the
world, a rural, domestic life;
Give me to warble spontaneous songs, reliev'd, recluse by myself, for
my own ears only; 10
Give me solitude--give me Nature--give me again, O Nature, your
primal sanities!
--These, demanding to have them, (tired with ceaseless excitement,

and rack'd by the war-strife;)
These to procure, incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain'd a certain time, refusing to give me up;
Yet giving to make me glutted, enrich'd of soul--you give me forever


faces;
(O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it ask'd for.)


Keep your splendid, silent sun; 20
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your corn-fields and


orchards;
Keep the blossoming buckwheat fields, where the Ninth-month bees hum;
Give me faces and streets! give me these phantoms incessant and

endless along the trottoirs!
Give me interminable eyes! give me women! give me comrades and lovers
by the thousand!
Let me see new ones every day! let me hold new ones by the hand every

day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching--give me the sound of


the trumpets and drums!
(The soldiers in companies or regiments--some, starting away, flush'd
and reckless;
Some, their time up, returning, with thinn'd ranks--young, yet very
old, worn, marching, noticing nothing;) 30
--Give me the shores and the wharves heavy-fringed with the black
ships!
O such for me! O an intense life! O full to repletion, and varied!



The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the torchlight
procession!
The dense brigade, bound for the war, with high piled military wagons

following;
People, endless, streaming, with strong voices, passions, pageants;
Manhattan streets, with their powerful throbs, with the beating

drums, as now;
The endless and noisy chorus, the rustle and clank of muskets, (even
the sight of the wounded;)
Manhattan crowds, with their turbulent musical chorus--with varied
chorus, and light of the sparkling eyes;
Manhattan faces and eyes forever for me. 40
418

From Far Dakota's Canons

From Far Dakota's Canons

FROM far Dakota's cañons,
Lands of the wild ravine, the dusky Sioux, the lonesome stretch, the
silence,
Haply to-day a mournful wail, haply a trumpet-note for heroes.

The battle-bulletin,
The Indian ambuscade, the craft, the fatal environment,
The cavalry companies fighting to the last in sternest heroism,
In the midst of their little circle, with their slaughter'd horses


for breastworks,
The fall of Custer and all his officers and men.


Continues yet the old, old legend of our race,
The loftiest of life upheld by death, 10
The ancient banner perfectly maintain'd,
O lesson opportune, O how I welcome thee!
As sitting in dark days,
Lone, sulky, through the time's thick murk looking in vain for light,


for hope,
From unsuspected parts a fierce and momentary proof,
(The sun there at the centre though conceal'd,
Electric life forever at the centre,)
Breaks forth a lightning flash.


Thou of the tawny flowing hair in battle,
I erewhile saw, with erect head, pressing ever in front, bearing a


bright sword in thy hand, 20
Now ending well in death the splendid fever of thy deeds,
(I bring no dirge for it or thee, I bring a glad triumphal sonnet,)
Desperate and glorious, aye in defeat most desperate, most glorious,
After thy many battles in which never yielding up a gun or a color
Leaving behind thee a memory sweet to soldiers,
Thou yieldest up thyself.
435

From Paumanok Starting

From Paumanok Starting

FROM Paumanock starting, I fly like a bird,
Around and around to soar, to sing the idea of all;
To the north betaking myself, to sing there arctic songs,
To Kanada, till I absorb Kanada in myself--to Michigan then,
To Wisconsin, Iowa, Minnesota, to sing their songs, (they are


inimitable;)
Then to Ohio and Indiana to sing theirs--to Missouri and Kansas and
Arkansas, to sing theirs,
To Tennessee and Kentucky--to the Carolinas and Georgia, to sing
theirs,
To Texas, and so along up toward California, to roam accepted

everywhere;
To sing first, (to the tap of the war-drum, if need be,)
The idea of all--of the western world, one and inseparable. 10
And then the song of each member of These States.
439

Facing West From California's Shores

Facing West From California's Shores

FACING west, from California's shores,
Inquiring, tireless, seeking what is yet unfound,
I, a child, very old, over waves, towards the house of maternity, the


land of migrations, look afar,
Look off the shores of my Western Sea--the circle almost circled;
For, starting westward from Hindustan, from the vales of Kashmere,
From Asia--from the north--from the God, the sage, and the hero,
From the south--from the flowery peninsulas, and the spice islands;
Long having wander'd since--round the earth having wander'd,
Now I face home again--very pleas'd and joyous;
(But where is what I started for, so long ago? 10
And why is it yet unfound?)
366

For Him I Sing

For Him I Sing

FOR him I sing,
I raise the Present on the Past,
(As some perennial tree, out of its roots, the present on the past:)
With time and space I him dilate--and fuse the immortal laws,
To make himself, by them, the law unto himself.
466

Ethiopia Saluting The Colors

Ethiopia Saluting The Colors

WHO are you, dusky woman, so ancient, hardly human,
With your woolly-white and turban'd head, and bare bony feet?
Why, rising by the roadside here, do you the colors greet?


('Tis while our army lines Carolina's sand and pines,
Forth from thy hovel door, thou, Ethiopia, com'st to me,
As, under doughty Sherman, I march toward the sea.)


Me, master, years a hundred, since from my parents sunder'd,
A little child, they caught me as the savage beast is caught;
Then hither me, across the sea, the cruel slaver brought.


No further does she say, but lingering all the day, 10
Her high-borne turban'd head she wags, and rolls her darkling eye,
And curtseys to the regiments, the guidons moving by.


What is it, fateful woman--so blear, hardly human?
Why wag your head, with turban bound--yellow, red and green?
Are the things so strange and marvelous, you see or have seen?
412

Excelsior

Excelsior

WHO has gone farthest? For lo! have not I gone farther?
And who has been just? For I would be the most just person of the


earth;
And who most cautious? For I would be more cautious;
And who has been happiest? O I think it is I! I think no one was ever


happier than I;
And who has lavish'd all? For I lavish constantly the best I have;
And who has been firmest? For I would be firmer;
And who proudest? For I think I have reason to be the proudest son


alive--for I am the son of the brawny and tall-topt city;
And who has been bold and true? For I would be the boldest and truest
being of the universe;
And who benevolent? For I would show more benevolence than all the
rest;

And who has projected beautiful words through the longest time? Have
I not outvied him? have I not said the words that shall stretch
through longer time? 10

And who has receiv'd the love of the most friends? For I know what it
is to receive the passionate love of many friends;
And who possesses a perfect and enamour'd body? For I do not believe
any one possesses a more perfect or enamour'd body than mine;
And who thinks the amplest thoughts? For I will surround those
thoughts;
And who has made hymns fit for the earth? For I am mad with devouring
extasy to make joyous hymns for the whole earth!
478

Quotes

40

Videos

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