William Wordsworth

William Wordsworth

1770–1850 · lived 80 years GB GB

William Wordsworth was a pivotal English poet who, along with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature. His poetry is deeply rooted in the natural world, often exploring themes of memory, imagination, and the spiritual connection between humanity and nature. He is celebrated for his lyrical intensity, his profound empathy, and his ability to find extraordinary beauty and meaning in the ordinary experiences of life.

n. 1770-04-07, Cockermouth · m. 1850-04-23, Rydal Mount

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Yarrow Unvisited

Yarrow Unvisited
. From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.
"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?
"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
--Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!
"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.
"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There's such a place as Yarrow.


"Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We'll keep them, winsome Marrow!
For when we'er there, although 'tis fair,
'Twill be another Yarrow!
"If Care with freezing years should come,
And wandering seem but folly,--
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
'Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!"
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Bio

Identification and basic context

William Wordsworth was an English poet who was a key figure in the Romantic movement. He was born in Cockermouth, Cumberland, England. He wrote primarily in English.

Childhood and education

Wordsworth's childhood was marked by the beauty of the Lake District, which profoundly influenced his later poetry. He received a formal education at Hawkshead Grammar School and later attended St John's College, Cambridge. His early exposure to nature and his rigorous education laid the foundation for his literary career.

Literary trajectory

Wordsworth's literary career began with early poems and collaborative works. His collaboration with Samuel Taylor Coleridge on "Lyrical Ballads" (1798) is considered a landmark event, ushering in the Romantic era. He continued to write prolifically throughout his life, publishing major works such as "The Prelude," an autobiographical epic poem.

Works, style, and literary characteristics

Major works include "Lyrical Ballads" (1798), "The Prelude" (completed 1805, published 1850), "Ode: Intimations of Immortality" (1807), and "The Excursion" (1814). His poetry explores themes of nature, memory, childhood, the human mind, and the sublime. Wordsworth's style is characterized by its focus on the language of ordinary people, his deep emotional response to nature, and his philosophical musings. He often used blank verse and lyrical forms, emphasizing sincerity and spontaneity. His innovations included elevating the commonplace and everyday to the level of high art, and exploring the psychological impact of nature.

Cultural and historical context

Wordsworth lived during a period of significant social and political upheaval in Europe, including the French Revolution and the Napoleonic Wars. He was part of the generation of poets that included Coleridge, Byron, Shelley, and Keats. His work often reflected a tension between the revolutionary ideals of his youth and the more conservative political climate that followed.

Personal life

Wordsworth experienced personal tragedies, including the death of his father and the loss of his wife, Mary Hutchinson. His deep love for his sister, Dorothy Wordsworth, is evident in his correspondence and poetry. He lived a relatively secluded life, deeply connected to the landscape of the Lake District, but he also engaged in intellectual and political discussions.

Recognition and reception

While initially met with mixed reviews, Wordsworth's reputation grew steadily throughout his life and posthumously. He was appointed Poet Laureate in 1843. His work came to be recognized for its profound insight into human nature and its celebration of the natural world.

Influences and legacy

Wordsworth was influenced by the poets of the English Renaissance and by the philosophical ideas of his time. He, in turn, profoundly influenced subsequent generations of poets, shaping the trajectory of English Romanticism and beyond. His emphasis on nature and the individual's experience of it remains a powerful legacy.

Interpretation and critical analysis

Wordsworth's poetry is often interpreted through the lens of his Pantheistic leanings, his theories of poetic diction, and his exploration of the development of the poet's mind. Critics have analyzed his complex relationship with memory and imagination, and his philosophical engagement with the ideas of Rousseau and Kant.

Curiosities and lesser-known aspects

Wordsworth was known for his methodical and often solitary habits of composition. He would often pace extensively while composing, sometimes accompanied by his sister Dorothy. He had a strong sense of his own poetic mission and was deeply committed to his principles.

Death and memory

Wordsworth died at Rydal Mount, Ambleside, in 1850. His final great work, "The Prelude," was published posthumously and is now considered his masterpiece. He is buried in Grasmere churchyard.

Poems

114

Three Years She Grew

Three Years She Grew
THREE years she grew in sun and shower,
Then Nature said, 'A lovelier flower
On earth was never sown;
This Child I to myself will take;
She shall be mine, and I will make
A Lady of my own.
'Myself will to my darling be
Both law and impulse: and with me
The Girl, in rock and plain
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.
'She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And her's shall be the breathing balm,
And her's the silence and the calm
Of mute insensate things.
'The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Even in the motions of the Storm
Grace that shall mold the Maiden's form
By silent sympathy.
'The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.
'And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell.'
Thus Nature spake---The work was done---
How soon my Lucy's race was run!
She died, and left to me
This heath, this calm, and quiet scene;
The memory of what has been,
And never more will be.
554

The World Is To Much With Us

The World Is To Much With Us
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune,
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.
280

The world is too much with us; late and soon

The world is too much with us; late and soon
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.--Great God!I'd rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
278

The Two April Mornings

The Two April Mornings
We walked along, while bright and red
Uprose the morning sun;
And Matthew stopped, he looked, and said
`The will of God be done!'
A village schoolmaster was he,
With hair of glittering grey;
As blithe a man as you could see
On a spring holiday.
And on that morning, through the grass
And by the steaming rills
We travelled merrily, to pass
A day among the hills.
`Our work,' said I, `was well begun;
Then, from thy breast what thought,
Beneath so beautiful a sun,
So sad a sigh has brought?'
A second time did Matthew stop;
And fixing still his eye
Upon the eastern mountain-top,
To me he made reply:
`Yon cloud with that long purple cleft
Brings fresh into my mind
A day like this, which I have left
Full thirty years behind.
`And just above yon slope of corn
Such colours, and no other,
Were in the sky, that April morn,
Of this the very brother.
`With rod and line I sued the sport
Which that sweet season gave,
And, to the churchyard come, stopped short
Beside my daughter's grave.
`Nine summers had she scarcely seen,
The pride of all the vale;
And then she sang: -she would have been
A very nightingale.
`Six feet in earth my Emma lay;
And yet I loved her more -
For so it seemed, -than till that day
I e'er had loved before.
`And turning from her grave, I met
Beside the churchyard yew


A blooming girl, whose hair was wet
With points of morning dew.
`A basket on her head she bare;
Her brow was smooth and white:
To see a child so very fair,
It was a pure delight!
`No fountain from its rocky cave
E'er tripped with foot so free;
She seemed as happy as a wave
That dances on the sea.
`There came from me a sigh of pain
Which I could ill confine;
I looked at her, and looked again:
And did not wish her mine!'
- Matthew is in his grave, yet now
Methinks I see him stand
As that moment, with a bough
Of wilding in his hand.
215

The Wishing Gate

The Wishing Gate
[In the vale of Grasmere, by the side of an old highway
leading to Ambleside, is a gate, which, from time out of
mind, has been called the Wishing-gate, from a belief that
wishes formed or indulged there have a favorable issue.]
HOPE rules a land forever green:
All powers that serve the bright-eyed Queen
Are confident and gay;
Clouds at her bidding disappear;
Points she to aught?---the bliss draws near,
And Fancy smooths the way.
Not such the land of Wishes---there
Dwell fruitless day-dreams, lawless prayer,
And thoughts with things at strife;
Yet how forlorn, should ye depart
Ye superstitions of the heart,
How poor, were human life!
When magic lore abjured its might,
Ye did not forfeit one dear right,
One tender claim abate;
Witness this symbol of your sway,
Surnving near the public way,
The rustic Wishing-gate!
Inquire not if the faery race
Shed kindly influence on the place,
Ere northward they retired;
If here a warrior left a spell,
Panting for glory as he fell;
Or here a saint expired.
Enough that all arouud is fair,
Composed with Nature's finest care,
And in her fondest love---
Peace to embosom and content---
To overawe the turbulent,
The selfish to reprove.
Yea! even the Stranger from afar,
Reclining on this moss-grown bar,
Unknowing, and unknown,
The infection of the ground partakes,
Longing for his Beloved---who maker
All happiness her own.
Then why should conscious Spirits fear
The mystic stirrings that are here,
The ancient faith disclaim?
The local Genius ne'er befriends
Desires whose course in folly ends,


Whose just reward is shame.
Smile if thou wilt, but not in scorn,
If some, by ceaseless pains outworn,
Here crave an easier lot;
If some have thirsted to renew
A broken vow, or bind a true,
With firmer, holier knot.
And not in vain, when thoughts are cast
Upon the irrevocable past,
Some Penitent sincere
May for a worthier future sigh,
While trickles from his downcast eye
No unavailing tear.
The Worldling, pining to be freed
From turmoil, who would turn or speed
The current of his fate,
Might stop before this favored scene,
At Nature's call, nor blush to lean
Upon the Wishing-gate.
The Sage, who feels how blind, how weak
Is man, though loth such help to seek,
Yet, passing, here might pause,
And thirst for insight to allay
Misgiving, while the crimson day
In quietness withdraws;
Or when the church-clock's knell profound
To Time's first step across the bound
Of midnight makes reply;
Time pressing on with starry crest,
To filial sleep upon the breast
Of dread eternity.
298

The Sparrow's Nest

The Sparrow's Nest
BEHOLD, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started---seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father' house, in wet or dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later year
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble care, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
282

The Tables Turned

The Tables Turned
Up! up! my Friend, and quit your books;
Or surely you'll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?
The sun above the mountain's head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.
Books! 'tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There's more of wisdom in it.
And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your teacher.
She has a world of ready wealth,
Our minds and hearts to bless--
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.
One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.
Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:--
We murder to dissect.
Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.
243

The Sonnet i

The Sonnet i
NUNS fret not at their convent's narrow room,
And hermits are contented with their cells,
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
High as the highest peak of Furness fells,
Will murmur by the hour in foxglove bells:
In truth the prison unto which we doom
Ourselves no prison is: and hence for me,
In sundry moods, 'twas pastime to be bound
Within the Sonnet's scanty plot of ground;
Pleased if some souls (for such there needs must be)
Who have felt the weight of too much liberty,
Should find brief solace there, as I have found.
186

The Simplon Pass

The Simplon Pass
-Brook and road
Were fellow-travellers in this gloomy Pass,
And with them did we journey several hours
At a slow step. The immeasurable height
Of woods decaying, never to be decayed,
The stationary blasts of waterfalls,
And in the narrow rent, at every turn,
Winds thwarting winds bewildered and forlorn,
The torrents shooting from the clear blue sky,
The rocks that muttered close upon our ears,
Black drizzling crags that spake by the wayside
As if a voice were in them, the sick sight
And giddy prospect of the raving stream,
The unfettered clouds and region of the heavens,
Tumult and peace, the darkness and the light--
Were all like workings of one mind, the features
Of the same face, blossoms upon one tree,
Characters of the great Apocalypse,
The types and symbols of Eternity,
Of first and last, and midst, and without end.
278

The Seven Sisters

The Seven Sisters
Or, The Solitude Of Binnorie
SEVEN Daughter had Lord Archibald,
All children of one mother:
You could not say in one short day
What love they bore each other.
A garland, of seven lilies, wrought!
Seven sisters that together dwell;
But he, bold Knight as ever fought,
Their Father, took of them no thought,
He loved the wars so well.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Fresh blows the wind, a western wind,
And from the shores of Erin,
Across the wave, a Rover brave
To Binnorie is steering:
Right onward to the Scottish strand
The gallant ship is borne;
The warriors leap upon the land,
And hark! the Leader of the band
Hath blown his bugle horn.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Beside a grotto of their own,
With boughs above them closing,
The Seven are laid, and in the shade
They lie like fawns reposing.
But now, upstarting with affright
At noise of man and steed,
Away they fly to left, to rightÑ
Of your fair household, Father-knight,
Methinks you take small heed!
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Away the even fair Campbells fly,
And, over hill and hollow,
With menace proud, and insult loud,
The youthful Rovers follow.
Cried they, 'Your Father loves to roam:
Enough for him to find
The empty house when he comes home;
For us your yellow ringlets comb,
For us be fair and kind!'
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
Some close behind, some side to side,
Like clouds in stormy weather;


They run, and cry, 'Nay, let us die,
And let us die together.'
A lake was near; the shore was steep;
There never foot had been;
They ran, and with a deperate leap
Together plunged into the deep,
Nor ever more were seen.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
The stream that flows out of the lake,
As through the glen it rambles,
Repeats a moan o'er moss and stone,
For those seven lovely Campbells.
Seven little Islands, green and bare,
Have risen from out the deep:
The fishers say, those sisters fair,
By faeries all are buried there,
And there together sleep.
Sing, mournfully, oh! mournfully,
The solitude of Binnorie!
220

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