William Wordsworth

William Wordsworth

1770–1850 · lived 80 years GB GB

William Wordsworth was a pivotal English poet who, along with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature. His poetry is deeply rooted in the natural world, often exploring themes of memory, imagination, and the spiritual connection between humanity and nature. He is celebrated for his lyrical intensity, his profound empathy, and his ability to find extraordinary beauty and meaning in the ordinary experiences of life.

n. 1770-04-07, Cockermouth · m. 1850-04-23, Rydal Mount

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Yarrow Unvisited

Yarrow Unvisited
. From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.
"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?
"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
--Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!
"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.
"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There's such a place as Yarrow.


"Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We'll keep them, winsome Marrow!
For when we'er there, although 'tis fair,
'Twill be another Yarrow!
"If Care with freezing years should come,
And wandering seem but folly,--
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
'Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!"
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Bio

Identification and basic context

William Wordsworth was an English poet who was a key figure in the Romantic movement. He was born in Cockermouth, Cumberland, England. He wrote primarily in English.

Childhood and education

Wordsworth's childhood was marked by the beauty of the Lake District, which profoundly influenced his later poetry. He received a formal education at Hawkshead Grammar School and later attended St John's College, Cambridge. His early exposure to nature and his rigorous education laid the foundation for his literary career.

Literary trajectory

Wordsworth's literary career began with early poems and collaborative works. His collaboration with Samuel Taylor Coleridge on "Lyrical Ballads" (1798) is considered a landmark event, ushering in the Romantic era. He continued to write prolifically throughout his life, publishing major works such as "The Prelude," an autobiographical epic poem.

Works, style, and literary characteristics

Major works include "Lyrical Ballads" (1798), "The Prelude" (completed 1805, published 1850), "Ode: Intimations of Immortality" (1807), and "The Excursion" (1814). His poetry explores themes of nature, memory, childhood, the human mind, and the sublime. Wordsworth's style is characterized by its focus on the language of ordinary people, his deep emotional response to nature, and his philosophical musings. He often used blank verse and lyrical forms, emphasizing sincerity and spontaneity. His innovations included elevating the commonplace and everyday to the level of high art, and exploring the psychological impact of nature.

Cultural and historical context

Wordsworth lived during a period of significant social and political upheaval in Europe, including the French Revolution and the Napoleonic Wars. He was part of the generation of poets that included Coleridge, Byron, Shelley, and Keats. His work often reflected a tension between the revolutionary ideals of his youth and the more conservative political climate that followed.

Personal life

Wordsworth experienced personal tragedies, including the death of his father and the loss of his wife, Mary Hutchinson. His deep love for his sister, Dorothy Wordsworth, is evident in his correspondence and poetry. He lived a relatively secluded life, deeply connected to the landscape of the Lake District, but he also engaged in intellectual and political discussions.

Recognition and reception

While initially met with mixed reviews, Wordsworth's reputation grew steadily throughout his life and posthumously. He was appointed Poet Laureate in 1843. His work came to be recognized for its profound insight into human nature and its celebration of the natural world.

Influences and legacy

Wordsworth was influenced by the poets of the English Renaissance and by the philosophical ideas of his time. He, in turn, profoundly influenced subsequent generations of poets, shaping the trajectory of English Romanticism and beyond. His emphasis on nature and the individual's experience of it remains a powerful legacy.

Interpretation and critical analysis

Wordsworth's poetry is often interpreted through the lens of his Pantheistic leanings, his theories of poetic diction, and his exploration of the development of the poet's mind. Critics have analyzed his complex relationship with memory and imagination, and his philosophical engagement with the ideas of Rousseau and Kant.

Curiosities and lesser-known aspects

Wordsworth was known for his methodical and often solitary habits of composition. He would often pace extensively while composing, sometimes accompanied by his sister Dorothy. He had a strong sense of his own poetic mission and was deeply committed to his principles.

Death and memory

Wordsworth died at Rydal Mount, Ambleside, in 1850. His final great work, "The Prelude," was published posthumously and is now considered his masterpiece. He is buried in Grasmere churchyard.

Poems

114

Yarrow Unvisited

Yarrow Unvisited
. From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.
"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?
"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
--Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!
"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.
"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There's such a place as Yarrow.


"Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We'll keep them, winsome Marrow!
For when we'er there, although 'tis fair,
'Twill be another Yarrow!
"If Care with freezing years should come,
And wandering seem but folly,--
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
'Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!"
282

Written in London. September,

Written in London. September,
. O Friend! I know not which way I must look
For comfort, being, as I am, opprest,
To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom! -- We must run glittering like a brook
In the open sunshine, or we are unblest:
The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
This is idolatry; and these we adore:
Plain living and high thinking are no more:
The homely beauty of the good old cause
Is gone; our peace, our fearful innocence,
And pure religion breathing household laws.
209

Written With a Pencil Upon a Stone In The Wall of The House, On The Island

Written With a Pencil Upon a Stone In The Wall of The House, On The Island
at Grasmere
Rude is this Edifice, and Thou hast seen
Buildings, albeit rude, that have maintained
Proportions more harmonious, and approached
To closer fellowship with ideal grace.
But take it in good part:--alas! the poor
Vitruvius of our village had no help
From the great City; never, upon leaves
Of red Morocco folio, saw displayed,
In long succession, pre-existing ghosts
Of Beauties yet unborn--the rustic Lodge
Antique, and Cottage with verandah graced,
Nor lacking, for fit company, alcove,
Green-house, shell-grot, and moss-lined hermitage.
Thou see'st a homely Pile, yet to these walls
The heifer comes in the snow-storm, and here
The new-dropped lamb finds shelter from the wind.
And hither does one Poet sometimes row
His pinnace, a small vagrant barge, up-piled
With plenteous store of heath and withered fern,
(A lading which he with his sickle cuts,
Among the mountains) and beneath this roof
He makes his summer couch, and here at noon
Spreads out his limbs, while, yet unshorn, the Sheep,
Panting beneath the burthen of their wool,
Lie round him, even as if they were a part
Of his own Household: nor, while from his bed
He looks, through the open door-place, toward the lake
And to the stirring breezes, does he want
Creations lovely as the work of sleep--
Fair sights, and visions of romantic joy!
211

With ships the sea was sprinkled

With ships the sea was sprinkled
WITH ships the sea was sprinkled far and nigh,
Like stars in heaven, and joyously it showed;
Some lying fast at anchor in the road,
Some veering up and down, one knew not why.
A goodly vessel did I then espy
Come like a giant from a haven broad;
And lustily along the bay she strode,
Her tackling rich, and of apparel high.
The ship was nought to me, nor I to her,
Yet I pursued her with a lover's look;
This ship to all the rest did I prefer:
When will she turn, and whither? She will brook
No tarrying; where she comes the winds must stir:
On went she, and due north her journey took.
195

Written in Early Spring

Written in Early Spring
I heard a thousand blended notes
While in a grove I sat reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What Man has made of Man.
Through primrose tufts, in that sweet bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure -
But the least motion which they made
It seemed a thrill of pleasure.
The budding twigs spread out their fan
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What Man has made of Man?
370

Wishing-gate, The

Wishing-gate, The
Hope rules a land forever green:
All powers that serve the bright-eyed Queen
Are confident and gay;
Clouds at her bidding disappear;
Points she to aught?---the bliss draws near,
And Fancy smooths the way.
Not such the land of Wishes---there
Dwell fruitless day-dreams, lawless prayer,
And thoughts with things at strife;
Yet how forlorn, should ye depart
Ye superstitions of the heart,
How poor, were human life!
When magic lore abjured its might,
Ye did not forfeit one dear right,
One tender claim abate;
Witness this symbol of your sway,
Surnving near the public way,
The rustic Wishing-gate!
Inquire not if the faery race
Shed kindly influence on the place,
Ere northward they retired;
If here a warrior left a spell,
Panting for glory as he fell;
Or here a saint expired.
Enough that all arouud is fair,
Composed with Nature's finest care,
And in her fondest love---
Peace to embosom and content---
To overawe the turbulent,
The selfish to reprove.
Yea! even the Stranger from afar,
Reclining on this moss-grown bar,
Unknowing, and unknown,
The infection of the ground partakes,
Longing for his Beloved---who maker
All happiness her own.
Then why should conscious Spirits fear
The mystic stirrings that are here,
The ancient faith disclaim?
The local Genius ne'er befriends
Desires whose course in folly ends,
Whose just reward is shame.
Smile if thou wilt, but not in scorn,
If some, by ceaseless pains outworn,
Here crave an easier lot;


If some have thirsted to renew
A broken vow, or bind a true,
With firmer, holier knot.
And not in vain, when thoughts are cast
Upon the irrevocable past,
Some Penitent sincere
May for a worthier future sigh,
While trickles from his downcast eye
No unavailing tear.
The Worldling, pining to be freed
From turmoil, who would turn or speed
The current of his fate,
Might stop before this favored scene,
At Nature's call, nor blush to lean
Upon the Wishing-gate.
The Sage, who feels how blind, how weak
Is man, though loth such help to seek,
Yet, passing, here might pause,
And thirst for insight to allay
Misgiving, while the crimson day
In quietness withdraws;
Or when the church-clock's knell profound
To Time's first step across the bound
Of midnight makes reply;
Time pressing on with starry crest,
To filial sleep upon the breast
Of dread eternity.
253

Waterfall and The Eglantine, The

Waterfall and The Eglantine, The
"Begone, thou fond presumptuous Elf,"
Exclaimed an angry Voice,
"Nor dare to thrust thy foolish self
Between me and my choice!"
A small Cascade fresh swoln with snows
Thus threatened a poor Briar-rose,
That, all bespattered with his foam,
And dancing high and dancing low,
Was living, as a child might know,
In an unhappy home.
II
"Dost thou presume my course to block?
Off, off! or, puny Thing!
I'll hurl thee headlong with the rock
To which thy fibres cling."
The Flood was tyrannous and strong;
The patient Briar suffered long,
Nor did he utter groan or sigh,
Hoping the danger would be past;
But, seeing no relief, at last,
He ventured to reply.
III
"Ah!" said the Briar, "blame me not;
Why should we dwell in strife?
We who in this sequestered spot
Once lived a happy life!
You stirred me on my rocky bed--
What pleasure through my veins you spread
The summer long, from day to day,
My leaves you freshened and bedewed;
Nor was it common gratitude
That did your cares repay.
IV
"When spring came on with bud and bell,
Among these rocks did I
Before you hang my wreaths to tell
That gentle days were nigh!
And in the sultry summer hours,
I sheltered you with leaves and flowers;
And in my leaves--now shed and gone,
The linnet lodged, and for us two
Chanted his pretty songs, when you
Had little voice or none.
V


"But now proud thoughts are in your breast--
What grief is mine you see,
Ah! would you think, even yet how blest
Together we might be!
Though of both leaf and flower bereft,
Some ornaments to me are left--
Rich store of scarlet hips is mine,
With which I, in my humble way,
Would deck you many a winter day,
A happy Eglantine!"
VI
What more he said I cannot tell,
The Torrent down the rocky dell
Came thundering loud and fast;
I listened, nor aught else could hear;
The Briar quaked--and much I fear
Those accents were his last.
315

Two April Mornings, The

Two April Mornings, The
We walked along, while bright and red
Uprose the morning sun;
And Matthew stopped, he looked, and said,
"The will of God be done!"
A village schoolmaster was he,
With hair of glittering grey;
As blithe a man as yon could see
On a spring holiday.
And on that morning, through the grass,
And by the steaming rills,
We travelled merrily, to pass
A day among the hills.
"Our work," said I, "was well begun,
Then, from thy breast what thought,
Beneath so beautiful a sun,
So sad a sigh has brought?"
A second time did Matthew stop;
And fixing still his eye
Upon the eastern mountain-top,
To me he made reply:
"Yon cloud with that long purple cleft
Brings fresh into my mind
A day like this which I have left
Full thirty years behind.
"And just above yon slope of corn
Such colours, and no other,
Were in the sky, that April morn,
Of this the very brother.
"With rod and line I sued the sport
Which that sweet season gave,
And, to the church-yard come, stopped short
Beside my daughter's grave.
"Nine summers had she scarcely seen,
The pride of all the vale;
And then she sang;--she would have been
A very nightingale.
"Six feet in earth my Emma lay;
And yet I loved her more,
For so it seemed, than till that day
I e'er had loved before.
"And, turning from her grave, I met,
Beside the church-yard yew,


A blooming Girl, whose hair was wet
With points of morning dew.
"A basket on her head she bare;
Her brow was smooth and white:
To see a child so very fair,
It was a pure delight!
"No fountain from its rocky cave
E'er tripped with foot so free;
She seemed as happy as a wave
That dances on the sea.
"There came from me a sigh of pain
Which I could ill confine;
I looked at her, and looked again:
And did not wish her mine!"
Matthew is in his grave, yet now,
Methinks, I see him stand,
As at that moment, with a bough
Of wilding in his hand.
230

Upon Westminster Bridge

Upon Westminster Bridge
EARTH has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth like a garment wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
257

To The Daisy (third poem)

To The Daisy (third poem)
Bright Flower! whose home is everywhere,
Bold in maternal Nature's care,
And all the long year through the heir
Of joy or sorrow;
Methinks that there abides in thee
Some concord with humanity,
Given to no other flower I see
The forest thorough!
Is it that Man is soon deprest?
A thoughtless Thing! who, once unblest,
Does little on his memory rest,
Or on his reason,
And Thou would'st teach him how to find
A shelter under every wind,
A hope for times that are unkind
And every season?
Thou wander'st the wide world about,
Uncheck'd by pride or scrupulous doubt,
With friend to greet thee, or without,
Yet pleased and willing;
Meek, yielding to the occasion's call,
And all things suffering from all,
Thy function apostolical
In peace fulfilling.
287

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