Poems

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Hymn to Intellectual Beauty

Hymn to Intellectual Beauty
The awful shadow of some unseen Power
Floats through unseen among us, -- visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower, --
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening, --
Like clouds in starlight widely spread, --
Like memory of music fled, --
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, -- where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, -- why man has such a scope
For love and hate, despondency and hope?
No voice from some sublimer world hath ever
To sage or poet these responses given --
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells -- whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone -- like mist oe'er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.
Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers' eyes --
Thou -- that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not -- lest the grave should be,
Like life and fear, a dark reality.


While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard -- I saw them not --
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming, --
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!
I vowed that I would dedicate my powers
To thee and thine -- have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight
Outwatched with me the envious night --
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou - O awful Loveliness,
Wouldst give whate'er these words cannot express.
The day becomes more solemn and serene
When noon is past -- there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm -- to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
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The Golden Gate - I (A novel in verse)

The Golden Gate - I (A novel in verse)

1.1.
To make a start more swift and weighty,
Hail Muse. Dear Reader, once upon
A time, say, circa 1980,
There lived a man. His name was John.
Successful in his field though only
Twenty-six, respected, lonely,
One evening as he walked across
Golden Gate Park, the ill-judged toss
Of a red frisbee almost brained him.
He thought, "Who'd gloat? Who would be glad?
Would anybody? " As it pained him,
He turned from this dispiriting theme
To ruminations less extreme.
1.2.
He tuned his thoughts to electronic
Circuitry. This soothed his mind.
He left irregular (moronic)
Sentimentality behind.
He thought of or-gates and of and-gates,
Of ROMs, of nor-gates, and of nand-gates,
Of nanoseconds, megabytes,
And bits and nibbles… but as flights
Of silhouetted birds move cawing
Across the pine-serrated sky,
Dragged from his cove, not knowing why,
He feels an urgent riptide drawing
Him far out, where, caught in the kelp
Of loneliness, he cries for help.
1.3.
John's looks are good. His dress is formal.
His voice is low. His mind is sound.
His appetite for work's abnormal.
A plastic name tag hangs around
His collar like a votive necklace.
Though well-paid, he is far from reckless,
Pays his rent promptly, jogs, does not
Smoke cigarettes, and rarely pot,
Eschews both church and heavy drinking,
Enjoys his garden, like to read
Eclectically from Mann to Bede.
(A surrogate, some say, for thinking.)
friends claim he's grown aloof and prim.
(His boss, though, is well-pleased with him.)
1.4.
Grey-eyed, blond-haired, aristocratic
In height, impatience, views, and face,
Discriminating though dogmatic,
Tender beneath a carapace

Of well-groomed tastes and tasteful grooming,
John, though his corporate stock is booming,
For all his mohair, serge, and tweed,
Senses his life has run to seed.
A passionate man, with equal parts of
Irritability and charm,
Without as such intending harm,
His flaring temper singed the hearts of
Several woman in the days
Before his chaste, ambitious phase.


1.5.
John notes the late September showers
Have tinged the blond hills round the bay
With a new green. He notes the flowers
In their pre-winter bloom. The way
That, when he was a child, the mystery
Of San Francisco's restless spark,
It strikes him now as, through the park,
Wrested from old dunes by the westward
Thrust of the greenbelt to the slow
Pacific swell, his footsteps go.
But it is late. The birds fly nestward
Towards the sunset, and the arc
Of darkness drifts across the park.
1.6.
It's Friday night. The unfettered city
Resounds with hedonistic glee.
John feels a cold cast of self-pity
Envelop him. No family
Cushions his solitude, or rather,
His mother's dead, his English father,
Retired in his native Kent,
Rarely responds to letters sent
(If rarely) by his transatlantic
Offspring. In letters to The Times
He rails against the nameless crimes
Of the post office. Waxing frantic
About delays from coast to coast,
He hones his wit and damns the post.
1.7.
A linkless node, no spouse or sibling,
No children - John wanders alone
Into an ice cream parlor. Nibbling
The edges of a sugar cone
By turns, a pair of high school lovers
Stand giggling. John, uncharmed, discovers
His favorite flavors, Pumpkin Pie
And Bubble Gum, decides to buy
A double scoop; sits down; but whether

His eyes fall on a knot of three
Schoolgirls, a clamorous family,
Or, munching cheerfully together,
A hippie and a Castro clone,
It hurts that only he's alone.


1.8.
He goes home, seeking consolation
Among old Beatles and Pink Floyd —
But "Girl" elicits mere frustration,
While "Money" leaves him more annoyed.
Alas, he hungers less for money
Than for a fleeting Taste of Honey.
Murmuring, "Money — it's a gas! …
The lunatic is on the grass,"
He pours himself a beer. Desires
And reminiscences intrude
Upon his unpropitious mood
Until he feels that he requires
A one-way Ticket to Ride — and soon —
Across the Dark Side of the Moon.
1.9.
He thinks back to his day at college,
To Phil, to Berkeley friends, to nights
When the pursuit of grades and knowledge
Foundered in beery jokes and fights.
Eheu fugaces… Silicon Valley
Lures to ambition's ulcer alley
Young graduates with siren screams
Of power and wealth beyond their dreams,
Ejects the lax, and drives the driven,
Burning their candles at both ends.
Thus files take precedence over friends,
Labor is lauded, leisure riven.
John kneels bareheaded and unshod
Before the Chip, a jealous God.
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Beware My Captain

Beware My Captain

You have to cross the darkness of the night
A desert vast and a hill of great height,
And an ocean, fathomless and dark.
Travellers, beware and look sharp.


The boat is trembling,
The water is swelling,
The sail is torn asunder,
And the boatman is losing his way,
Who will sit at the helm at this hour?
Who has the courage and the power?
The future calls your,
Come forward, all who are bold and true.


The night is dark, the storm is great,
You must look sharp, there is no time to hesitate.
You must make haste or it would be too late
To ferry the boat across the other side.
The night is dark, Be your own guard.
your, soldiers of the country,
Age old grievances have declared a fight,
The deprived heart is demanding its right.
You must take them along, the poor and the weak,
You must make them strong, no longer mild and meek


You must lead them to victory.
O Captain, my captain,
The helpless nation is going under water,
It does not know how to swim.
I shall watch tonight
Your determination, grim yet bright,
To free the country from slavery.
'Are they Hindus or Muslims? '
Who ask this question, I say.
Tell him, my Captain,
The children of the motherland are drowning today.


Doubts assail the mind of the travelers still,
There is thunder in the sky and danger over the hill.
Captain, will you lose the way
And leave us in the lurch?
You must not waver or sway,
You must carry on the march.


Those who sang the victory of life
With the nose of the gallows round their neck
Come and gather round quietly today.
What price do you pay for that, friends,
What sacrifice do you make?
It is a test, dear Captain,
Do you save the country or the cast at this hour?
The boat is trembling,



The water is swelling,
Beware, my Captain, beware.
[Translation: Kabir Chowdhury]
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Strange Meeting

Strange Meeting
It seemed that out of the battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which Titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then, as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands as if to bless.
And by his smile, I knew that sullen hall;
With a thousand fears that vision's face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the fluies made moan.
"Strange, friend," I said, "Here is no cause to mourn."
"None," said the other, "Save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something has been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress,
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery;
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.
I am the enemy you killed, my friend.
I knew you in this dark; for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now ...
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Nina's Reply (Les Reparties De Nina)

Nina's Reply (Les Reparties De Nina)

HE - Your breast on my breast,
Eh ? We could go,
With our nostrils full of air,
Into the cool light


Of the blue good morning that bathes you
In the wine of daylight ?…
When the whole shivering wood bleeds,
Dumb with love


From every branch green drops,
Pale buds,
You can feel in things unclosing
The quivering flesh :


You would bury in the lucerne
Your white gown,
Changing to rose-colour in the fresh air the blue tint which encircles
Your great black eyes,


In love with the country,
Scattering everywhere,
Like champagne bubbles,
Your crazy laughter :


breast,
Mingling our voices,
Slowly we'd reach the stream,
Then the great woods !…


Then, like a little ghost,
Your heart fainting,
You'd tell me to carry you,
Your eyes half closed…


I'd carry your quivering body
Along the path :
The bird would sping out his andante :
Hard by the hazeltree…


I'd speak into your mouth ;
And go on, pressing
Your body like a little girl's I was putting to bed,
Drunk with the blood


That runs blue under your white skin
With its tints of rose :
And speaking to you in that frank tongue…
There !… - that you understand…


Our great woods would smell of sap,
And the sunlight



Would dust with fine gold their great
Green and bronze dream.


……………………………………………


In the evening ?… We'd take the white road
Which meanders,
Like a grazing herd,
All over the place


Oh the pleasant orchards with blue grass,
And twisted apple trees !
How you can smell a whole league
Off their strong perfume !


We'd get back to the village
When the sky was half dark ;
And there'd be a smell of milking
In the evening air ;


It would smell of the cowshed, full
Of warm manure,
Filled with the slow rythm of breathing,
And with great backs


Gleaming under some light or other ;
And, right down at the far end,
There'd be a cow dunging proudly
At every step…


-Grandmother's spectacles
And her long nose
Deep in her missal ; the jug of beer
Circled with pewter
Foaming among the big-bowled pipes
Gallantly smoking :
And the frightfull blubber lips
Which, still puffing,


Snatch ham from forks :
So much, and more :
The fire lighting up the bunks
And the cupboards.


The shining fat buttocks
Of the fat baby
On his hands and knees, who nuzzles into the cups,
His white snout


Tickled by a gently
Growling muzzle,



That licks all over the round face
Of the little darling…


Black and haughty on her chair's edge,
A terrifying profile,
And old woman in front of the embers,
Spinning


What sights we shall see, dearest,
In those hovels,
When the bright fire lights up
The grey window panes !…


-And then, small and nestling
Inside the cool
Dark lilacs : the hidden window
Smiling in there…
You'll come, you will come, I love you so !
It will be lovely.
You will come, won't you ? and even…


ELLE : - And what about my office ?


Original French


Les reparties de Nina


LUI - Ta poitrine sur ma poitrine,
Hein ? nous irions,
Ayant de l'air plein la narine,
Aux frais rayons


Du bon matin bleu, qui vous baigne
Du vin de jour ?...
Quand tout le bois frissonnant saigne
Muet d'amour


De chaque branche, gouttes vertes,
Des bourgeons clairs,
On sent dans les choses ouvertes
Frémir des chairs :


Tu plongerais dans la luzerne
Ton blanc peignoir,
Rosant à l'air ce bleu qui cerne
Ton grand oeil noir,


Amoureuse de la campagne,
Semant partout,



Comme une mousse de champagne,
Ton rire fou :


Riant à moi, brutal d'ivresse,
Qui te prendrais
Comme cela, - la belle tresse,
Oh ! - qui boirais


Ton goût de framboise et de fraise,
O chair de fleur !
Riant au vent vif qui te baise
Comme un voleur,


Au rose, églantier qui t'embête
Aimablement :
Riant surtout, ô folle tête,
À ton amant !....


........................................................


-Ta poitrine sur ma poitrine,
Mêlant nos voix,
Lents, nous gagnerions la ravine,
Puis les grands bois !...
Puis, comme une petite morte,
Le coeur pâmé,
Tu me dirais que je te porte,
L'oeil mi-fermé...


Je te porterais, palpitante,
Dans le sentier :
L'oiseau filerait son andante
Au Noisetier...


Je te parlerais dans ta bouche..
J'irais, pressant
Ton corps, comme une enfant qu'on couche,
Ivre du sang


Qui coule, bleu, sous ta peau blanche
Aux tons rosés.
Et te parlant la langue franche - .....
Tiens !... - que tu sais...


Nos grands bois sentiraient la sève,
Et le soleil
Sablerait d'or fin leur grand rêve
Vert et vermeil


........................................................



Le soir ?... Nous reprendrons la route
Blanche qui court
Flânant, comme un troupeau qui broute,
Tout à l'entour


Les bons vergers à l'herbe bleue,
Aux pommiers tors !
Comme on les sent toute une lieue
Leurs parfums forts !


Nous regagnerons le village
Au ciel mi-noir ;
Et ça sentira le laitage
Dans l'air du soir ;


Ca sentira l'étable, pleine
De fumiers chauds,
Pleine d'un lent rythme d'haleine,
Et de grands dos


Blanchissant sous quelque lumière ;
Et, tout là-bas,
Une vache fientera, fière,
À chaque pas...


-Les lunettes de la grand-mère
Et son nez long
Dans son missel ; le pot de bière
Cerclé de plomb,
Moussant entre les larges pipes
Qui, crânement,
Fument : les effroyables lippes
Qui, tout fumant,


Happent le jambon aux fourchettes
Tant, tant et plus :
Le feu qui claire les couchettes
Et les bahuts.


Les fesses luisantes et grasses
D'un gros enfant
Qui fourre, à genoux, dans les tasses,
Son museau blanc


Frôlé par un mufle qui gronde
D'un ton gentil,
Et pourlèche la face ronde
Du cher petit.....


Que de choses verrons-nous, chère,
Dans ces taudis,



Quand la flamme illumine, claire,
Les carreaux gris !...

-Puis, petite et toute nichée,
Dans les lilas
Noirs et frais : la vitre cachée,
Qui rit là-bas....
Tu viendras, tu viendras, je t'aime !
Ce sera beau.
Tu viendras, n'est-ce pas, et même...


Elle - Et mon bureau ?
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The Charge Of The Light Brigade

The Charge Of The Light Brigade

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
'Forward, the Light Brigade!
Charge for the guns!' he said:
Into the valley of Death
Rode the six hundred.


'Forward, the Light Brigade!'
Was there a man dismay'd ?
Not tho' the soldier knew
Some one had blunder'd:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
Rode the six hundred.


Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.


Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke
Shatter'd and sunder'd.
Then they rode back, but not
Not the six hundred.


Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of Hell,
All that was left of them,



Left of six hundred.


When can their glory fade ?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
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