Poems List

On Being A Woman

On Being A Woman

Why is it, when I am in Rome,
I'd give an eye to be at home,
But when on native earth I be,
My soul is sick for Italy?


And why with you, my love, my lord,
Am I spectacularly bored,
Yet do you up and leave me- then
I scream to have you back again?
356

News Item

News Item

Men seldom make passes
At girls who wear glasses.
363

Nocturne

Nocturne


Always I knew that it could not last

(Gathering clouds, and the snowflakes flying),
Now it is part of the golden past

(Darkening skies, and the night-wind sighing);
It is but cowardice to pretend.

Cover with ashes our love's cold crater-
Always I've known that it had to end

Sooner or later.

Always I knew it would come like this

(Pattering rain, and the grasses springing),
Sweeter to you is a new love's kiss

(Flickering sunshine, and young birds singing).
Gone are the raptures that once we knew,

Now you are finding a new joy greater-
Well, I'll be doing the same thing, too,

Sooner or later.
341

Midnight

Midnight


The stars are soft as flowers, and as near;
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.


No moonbeam cuts the air; a sapphire light
Rolls lazily. and slips again to rest.
There is no edged thing in all this night,
Save in my breast.
346

My Own

My Own

Then let them point my every tear,
And let them mock and moan;
Another week, another year,
And I'll be with my own

Who slumber now by night and day
In fields of level brown;
Whose hearts within their breasts were clay
Before they laid them down.
330

Lullaby

Lullaby


Sleep, pretty lady, the night is enfolding you;
Drift, and so lightly, on crystalline streams.
Wrapped in its perfumes, the darkness is holding you;
Starlight bespangles the way of your dreams.
Chorus the nightingales, wistfully amorous;
Blessedly quiet, the blare of the day.
All the sweet hours may your visions be glamorous-
Sleep, pretty lady, as long as you may.


Sleep, pretty lady, the night shall be still for you;
Silvered and silent, it watches you rest.
Each little breeze, in its eagerness, will for you
Murmur the melodies ancient and blest.
So in the midnight does happiness capture us;
Morning is dim with another day's tears.
Give yourself sweetly to images rapturous-
Sleep, pretty lady, a couple of years.


Sleep, pretty lady, the world awaits day with you;
Girlish and golden, the slender young moon.
Grant the fond darkness its mystical way with you;
Morning returns to us ever too soon.
Roses unfold, in their loveliness, all for you;
Blossom the lilies for hope of your glance.
When you're awake, all the men go and fall for you-
Sleep, pretty lady, and give me a chance.
457

Little Words

Little Words

When you are gone, there is nor bloom nor leaf,
Nor singing sea at night, nor silver birds;
And I can only stare, and shape my grief
In little words.


I cannot conjure loveliness, to drown
The bitter woe that racks my cords apart.
The weary pen that sets my sorrow down
Feeds at my heart.


There is no mercy in the shifting year,
No beauty wraps me tenderly about.
I turn to little words- so you, my dear,
Can spell them out.
327

Light Of Love

Light Of Love

Joy stayed with me a night --
Young and free and fair --
And in the morning light
He left me there.


Then Sorrow came to stay,
And lay upon my breast
He walked with me in the day.
And knew me best.


I'll never be a bride,
Nor yet celibate,
So I'm living now with Pride --
A cold bedmate.


He must not hear nor see,
Nor could he forgive
That Sorrow still visits me
Each day I live.
443

Landscape

Landscape


Now this must be the sweetest place
From here to heaven's end;
The field is white and flowering lace,
The birches leap and bend,


The hills, beneath the roving sun,
From green to purple pass,
And little, trifling breezes run
Their fingers through the grass.


So good it is, so gay it is,
So calm it is, and pure.
A one whose eyes may look on this
Must be the happier, sure.


But me- I see it flat and gray
And blurred with misery,
Because a lad a mile away
Has little need of me.
298

Inventory

Inventory


Four be the things I am wiser to know:
Idleness, sorrow, a friend, and a foe.

Four be the things I’d been better without:
Love, curiosity, freckles, and doubt.

Three be the things I shall never attain:
Envy, content, and sufficient champagne.

Three be the things I shall have till I die:
Laughter and hope and a sock in the eye.
358

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Identification and basic context

Dorothy Parker, born Dorothy Rothschild, was a renowned American poet, short story writer, critic, and satirist. She is best known for her acerbic wit, her incisive social commentary, and her masterful use of the epigram. Parker was a central figure in the literary scene of New York City during the 1920s and 1930s, particularly associated with the famous Algonquin Round Table. Her work often reflected a disillusionment with conventional societal norms and explored themes of love, loss, and the absurdities of modern life. She was a significant voice of her time, known for her independent spirit and sharp intellect.

Childhood and education

Dorothy Parker's early life was marked by a sense of isolation and a precocious intellect. She received a formal education at the Convent of Mount St. Ursula and the Blessed Sacrament Academy. However, she was largely self-taught, devouring books and developing a keen observational eye from a young age. Her experiences with loss, including the early death of her mother and a difficult relationship with her father and stepmother, contributed to a certain cynicism and independence that would later permeate her writing. She possessed a natural talent for language and a dry sense of humor that set her apart.

Literary trajectory

Parker began her literary career in the advertising world before finding her voice in journalism and poetry. She worked for Vanity Fair and later contributed to The New Yorker, where her reviews and short pieces gained widespread attention. Her first collection of poems, "Enough Rope," published in 1926, was a critical and commercial success, establishing her as a significant literary figure. She continued to publish poetry collections, short stories, and plays throughout her career. Her trajectory saw her evolve from a young writer finding her way to a celebrated, albeit often controversial, literary personality.

Works, style, and literary characteristics

Parker's major works include the poetry collections "Enough Rope" (1926), "Sunset Gun" (1928), and "Death and Taxes" (1931), as well as numerous short stories and essays. Her dominant themes include the disappointments of love, the superficiality of society, disillusionment, and the search for meaning in a seemingly absurd world. Her style is characterized by its brevity, precision, and devastating wit. She was a master of the epigram, crafting memorable lines that often delivered a sharp, ironic punch. Her tone is typically cynical, satirical, and world-weary, though often laced with a profound underlying sadness. Her poetic voice is confessional yet detached, offering keen observations on the human condition. Parker's language is deceptively simple, but her word choices are always deliberate, creating a potent impact. She injected a modern, urban sensibility into her verse, capturing the zeitgeist of her era.

Cultural and historical context

Parker was deeply embedded in the vibrant cultural milieu of New York City during the Roaring Twenties and the Great Depression. She was a central figure in the Algonquin Round Table, a group of writers, critics, and actors who met regularly at the Algonquin Hotel, engaging in witty banter and intellectual sparring. This period fostered a climate of artistic experimentation and social liberation. Parker's work often critiqued the societal conventions and hypocrisies of the time, particularly concerning gender roles and the pressures faced by women. She was also politically active, often aligning with progressive causes, which sometimes led to controversy and blacklisting during the McCarthy era.

Personal life

Dorothy Parker's personal life was often tumultuous, marked by two marriages to Edwin Pond Parker II, and later to Alan Campbell, with whom she shared a complex relationship. Her romantic relationships often served as inspiration for her poignant and often sorrowful poems about love and heartbreak. She struggled with alcoholism and bouts of depression, issues that sometimes surfaced in her writing. Despite her public persona as a sophisticated wit, she harbored a deep sensitivity and a profound empathy for the marginalized. Her friendships within the literary circle were significant, but her sharp tongue also led to rivalries.

Recognition and reception

During her lifetime, Dorothy Parker achieved considerable fame and recognition for her wit and literary contributions. She was a beloved figure for her sharp observations and her ability to articulate the anxieties and ironies of modern life. However, her critical reception was sometimes divided; while admired for her skill, some found her cynicism too pervasive. Posthumously, her reputation as a literary icon has grown, with her works being anthologized and studied for their enduring relevance and stylistic brilliance. She is particularly celebrated for her contributions to the short story and her influence on conversational and ironic modes of writing.

Influences and legacy

Parker was influenced by classical poets and her contemporaries, but she forged a unique style. Her legacy lies in her mastery of wit and irony, and her ability to capture the nuances of human relationships and societal critique with remarkable brevity. She influenced generations of writers who sought to emulate her sharp, epigrammatic style. Her contributions to feminist literature and her outspokenness on social issues have also cemented her place as a significant cultural figure. Her works continue to be read and appreciated for their timeless insights into the human condition.

Interpretation and critical analysis

Parker's work is frequently analyzed for its sophisticated use of irony, its exploration of existential themes, and its critique of social norms. Her poems often reveal a profound sadness beneath the witty surface, exploring the anxieties of modern womanhood and the complexities of love. Critics have debated the extent to which her cynicism reflects genuine despair or a form of protective detachment. Her ability to distill complex emotions into concise, memorable lines continues to fascinate readers and scholars.

Curiosities and lesser-known aspects

Parker was famously known for her sharp retorts and her often-cynical outlook, but she also possessed a deep well of compassion, particularly for social justice causes. She was an ardent supporter of civil rights and a staunch opponent of fascism, actively participating in political activism. Her personal life was often more complex and melancholic than her public persona suggested, marked by struggles with addiction and depression. She was also known for her love of animals, particularly her dogs.

Death and memory

Dorothy Parker died in 1967. In accordance with her wishes, her ashes were sent to the Garden of Remembrance at the All Faiths Cemetery in Queens, New York. Her memory is kept alive through her enduring literary works, which continue to be read, quoted, and admired for their wit, intelligence, and poignant observations on life.