Poems List

Interior

Interior


Her mind lives in a quiet room,
A narrow room, and tall,
With pretty lamps to quench the gloom
And mottoes on the wall.


There all the things are waxen neat
And set in decorous lines;
And there are posies, round and sweet,
And little, straightened vines.


Her mind lives tidily, apart
From cold and noise and pain,
And bolts the door against her heart,
Out wailing in the rain.
331

Indian Summer

Indian Summer

In youth, it was a way I had
To do my best to please,
And change, with every passing lad,
To suit his theories.

But now I know the things I know,
And do the things I do;
And if you do not like me so,
To hell, my love, with you!
424

I Shall Come Back

I Shall Come Back

I shall come back without fanfaronade
Of wailing wind and graveyard panoply;
But, trembling, slip from cool Eternity-
A mild and most bewildered little shade.
I shall not make sepulchral midnight raid,
But softly come where I had longed to be
In April twilight's unsung melody,
And I, not you, shall be the one afraid.


Strange, that from lovely dreamings of the dead
I shall come back to you, who hurt me most.
You may not feel my hand upon your head,
I'll be so new and inexpert a ghost.
Perhaps you will not know that I am near-
And that will break my ghostly heart, my dear.
366

Harriet Beecher Stowe

Harriet Beecher Stowe

The pure and worthy Mrs. Stowe
Is one we all are proud to know
As mother, wife, and authoress-
Thank God, I am content with less!
309

Hearthside

Hearthside


Half across the world from me
Lie the lands I'll never see-
I, whose longing lives and dies
Where a ship has sailed away;
I, that never close my eyes
But to look upon Cathay.


Things I may not know nor tell
Wait, where older waters swell;
Ways that flowered at Sappho's tread,
Winds that sighed in Homer's strings,
Vibrant with the singing dead,
Golden with the dust of wings.


Under deeper skies than mine,
Quiet valleys dip and shine.
Where their tender grasses heal
Ancient scars of trench and tomb
I shall never walk: nor kneel
Where the bones of poets bloom.


If I seek a lovelier part,
Where I travel goes my heart;
Where I stray my thought must go;
With me wanders my desire.
Best to sit and watch the snow,
Turn the lock, and poke the fire.
451

George Sand

George Sand

What time the gifted lady took
Away from paper, pen, and book,
She spent in amorous dalliance
(They do those things so well in France).
316

Godspeed

Godspeed


Oh, seek, my love, your newer way;
I'll not be left in sorrow.
So long as I have yesterday,
Go take your damned tomorrow!
320

Garden-Spot

Garden-Spot


God's acre was her garden-spot, she said;
She sat there often, of the Summer days,
Little and slim and sweet, among the dead,
Her hair a fable in the leveled rays.

She turned the fading wreath, the rusted cross,
And knelt to coax about the wiry stem.
I see her gentle fingers on the moss
Now it is anguish to remember them.

And once I saw her weeping, when she rose
And walked a way and turned to look around-
The quick and envious tears of one that knows
She shall not lie in consecrated ground.
337

Frustration

Frustration


If I had a shiny gun,
I could have a world of fun
Speeding bullets through the brains
Of the folk who give me pains;


Or had I some poison gas,
I could make the moments pass
Bumping off a number of
People whom I do not love.


But I have no lethal weapon-
Thus does Fate our pleasure step on!
So they still are quick and well
Who should be, by rights, in hell.
777

For An Unknown Lady

For An Unknown Lady

Lady, if you'd slumber sound,
Keep your eyes upon the ground.
If you'd toss and turn at night,
Slip your glances left and right.
Would the mornings find you gay,
Never give your heart away.
Would they find you pale and sad,
Fling it to a whistling lad.
Ah, but when his pleadings burn,
Will you let my words return?
Will you lock your pretty lips,
And deny your finger-tips,
Veil away your tender eyes,
Just because some words were wise?
If he whistles low and clear
When the insistent moon is near
And the secret stars are known-
Will your heart be still your own
Just because some words were true? ...
Lady, I was told them, too!
361

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Identification and basic context

Dorothy Parker, born Dorothy Rothschild, was a renowned American poet, short story writer, critic, and satirist. She is best known for her acerbic wit, her incisive social commentary, and her masterful use of the epigram. Parker was a central figure in the literary scene of New York City during the 1920s and 1930s, particularly associated with the famous Algonquin Round Table. Her work often reflected a disillusionment with conventional societal norms and explored themes of love, loss, and the absurdities of modern life. She was a significant voice of her time, known for her independent spirit and sharp intellect.

Childhood and education

Dorothy Parker's early life was marked by a sense of isolation and a precocious intellect. She received a formal education at the Convent of Mount St. Ursula and the Blessed Sacrament Academy. However, she was largely self-taught, devouring books and developing a keen observational eye from a young age. Her experiences with loss, including the early death of her mother and a difficult relationship with her father and stepmother, contributed to a certain cynicism and independence that would later permeate her writing. She possessed a natural talent for language and a dry sense of humor that set her apart.

Literary trajectory

Parker began her literary career in the advertising world before finding her voice in journalism and poetry. She worked for Vanity Fair and later contributed to The New Yorker, where her reviews and short pieces gained widespread attention. Her first collection of poems, "Enough Rope," published in 1926, was a critical and commercial success, establishing her as a significant literary figure. She continued to publish poetry collections, short stories, and plays throughout her career. Her trajectory saw her evolve from a young writer finding her way to a celebrated, albeit often controversial, literary personality.

Works, style, and literary characteristics

Parker's major works include the poetry collections "Enough Rope" (1926), "Sunset Gun" (1928), and "Death and Taxes" (1931), as well as numerous short stories and essays. Her dominant themes include the disappointments of love, the superficiality of society, disillusionment, and the search for meaning in a seemingly absurd world. Her style is characterized by its brevity, precision, and devastating wit. She was a master of the epigram, crafting memorable lines that often delivered a sharp, ironic punch. Her tone is typically cynical, satirical, and world-weary, though often laced with a profound underlying sadness. Her poetic voice is confessional yet detached, offering keen observations on the human condition. Parker's language is deceptively simple, but her word choices are always deliberate, creating a potent impact. She injected a modern, urban sensibility into her verse, capturing the zeitgeist of her era.

Cultural and historical context

Parker was deeply embedded in the vibrant cultural milieu of New York City during the Roaring Twenties and the Great Depression. She was a central figure in the Algonquin Round Table, a group of writers, critics, and actors who met regularly at the Algonquin Hotel, engaging in witty banter and intellectual sparring. This period fostered a climate of artistic experimentation and social liberation. Parker's work often critiqued the societal conventions and hypocrisies of the time, particularly concerning gender roles and the pressures faced by women. She was also politically active, often aligning with progressive causes, which sometimes led to controversy and blacklisting during the McCarthy era.

Personal life

Dorothy Parker's personal life was often tumultuous, marked by two marriages to Edwin Pond Parker II, and later to Alan Campbell, with whom she shared a complex relationship. Her romantic relationships often served as inspiration for her poignant and often sorrowful poems about love and heartbreak. She struggled with alcoholism and bouts of depression, issues that sometimes surfaced in her writing. Despite her public persona as a sophisticated wit, she harbored a deep sensitivity and a profound empathy for the marginalized. Her friendships within the literary circle were significant, but her sharp tongue also led to rivalries.

Recognition and reception

During her lifetime, Dorothy Parker achieved considerable fame and recognition for her wit and literary contributions. She was a beloved figure for her sharp observations and her ability to articulate the anxieties and ironies of modern life. However, her critical reception was sometimes divided; while admired for her skill, some found her cynicism too pervasive. Posthumously, her reputation as a literary icon has grown, with her works being anthologized and studied for their enduring relevance and stylistic brilliance. She is particularly celebrated for her contributions to the short story and her influence on conversational and ironic modes of writing.

Influences and legacy

Parker was influenced by classical poets and her contemporaries, but she forged a unique style. Her legacy lies in her mastery of wit and irony, and her ability to capture the nuances of human relationships and societal critique with remarkable brevity. She influenced generations of writers who sought to emulate her sharp, epigrammatic style. Her contributions to feminist literature and her outspokenness on social issues have also cemented her place as a significant cultural figure. Her works continue to be read and appreciated for their timeless insights into the human condition.

Interpretation and critical analysis

Parker's work is frequently analyzed for its sophisticated use of irony, its exploration of existential themes, and its critique of social norms. Her poems often reveal a profound sadness beneath the witty surface, exploring the anxieties of modern womanhood and the complexities of love. Critics have debated the extent to which her cynicism reflects genuine despair or a form of protective detachment. Her ability to distill complex emotions into concise, memorable lines continues to fascinate readers and scholars.

Curiosities and lesser-known aspects

Parker was famously known for her sharp retorts and her often-cynical outlook, but she also possessed a deep well of compassion, particularly for social justice causes. She was an ardent supporter of civil rights and a staunch opponent of fascism, actively participating in political activism. Her personal life was often more complex and melancholic than her public persona suggested, marked by struggles with addiction and depression. She was also known for her love of animals, particularly her dogs.

Death and memory

Dorothy Parker died in 1967. In accordance with her wishes, her ashes were sent to the Garden of Remembrance at the All Faiths Cemetery in Queens, New York. Her memory is kept alive through her enduring literary works, which continue to be read, quoted, and admired for their wit, intelligence, and poignant observations on life.