Poems List

For A Lady Who Must Write Verse

For A Lady Who Must Write Verse

Unto seventy years and seven,
Hide your double birthright well-

You, that are the brat of Heaven
And the pampered heir to Hell.

Let your rhymes be tinsel treasures,
Strung and seen and thrown aside.

Drill your apt and docile measures
Sternly as you drill your pride.

Show your quick, alarming skill in
Tidy mockeries of art;

Never, never dip your quill in
Ink that rushes from your heart.

When your pain must come to paper,
See it dust, before the day;

Let your night-light curl and caper,
Let it lick the words away.

Never print, poor child, a lay on
Love and tears and anguishing,

Lest a cooled, benignant Phaon
Murmur, "Silly little thing!"
333

Faute De Mieux

Faute De Mieux

Travel, trouble, music, art,
A kiss, a frock, a rhyme-
I never said they feed my heart,
But still they pass my time.
313

Finis

Finis


Now it's over, and now it's done;
Why does everything look the same?
Just as bright, the unheeding sun, -Can't
it see that the parting came?
People hurry and work and swear,
Laugh and grumble and die and wed,
Ponder what they will eat and wear, -Don't
they know that our love is dead?


Just as busy, the crowded street;
Cars and wagons go rolling on,
Children chuckle, and lovers meet, -Don't
they know that our love is gone?
No one pauses to pay a tear;
None walks slow, for the love that's through, --
I might mention, my recent dear,
I've reverted to normal, too.
395

Fable

Fable


Oh, there once was a lady, and so I've been told,
Whose lover grew weary, whose lover grew cold.
"My child," he remarked, "though our episode ends,
In the manner of men, I suggest we be friends."
And the truest of friends ever after they were-
Oh, they lied in their teeth when they told me of her!
293

Epitaph for a Darling Lady

Epitaph for a Darling Lady

All her hours were yellow sands,
Blown in foolish whorls and tassels;
Slipping warmly through her hands;
Patted into little castles.


Shiny day on shiny day
Tumble in a rainbow clutter,
As she flipped them all away,
Sent them spinning down the gutter.


Leave for her a red young rose,
Go your way, and save your pity;
She is happy, for she knows
That her dust is very pretty.
435

Distance

Distance


Were you to cross the world, my dear,
To work or love or fight,

I could be calm and wistful here,
And close my eyes at night.

It were a sweet and gallant pain
To be a sea apart;

But, oh, to have you down the lane
Is bitter to my heart.
333

De Profundis

De Profundis

Oh, is it, then, Utopian
To hope that I may meet a man
Who'll not relate, in accents suave,
The tales of girls he used to have?
400

D.G. Rossetti

D.G. Rossetti
Dante Gabriel Rossetti
Buried all of his libretti,
Thought the matter over - then
Went and dug them up again.
448

Condolence

Condolence


They hurried here, as soon as you had died,
Their faces damp with haste and sympathy,
And pressed my hand in theirs, and smoothed my knee,
And clicked their tongues, and watched me, mournful-eyed.
Gently they told me of that Other Side-
How, even then, you waited there for me,
And what ecstatic meeting ours would be.
Moved by the lovely tale, they broke, and cried.


And when I smiled, they told me I was brave,
And they rejoiced that I was comforted,
And left to tell of all the help they gave.
But I had smiled to think how you, the dead,
So curiously preoccupied and grave,
Would laugh, could you have heard the things they said.
398

Charles Dickens

Charles Dickens

Who call him spurious and shoddy
Shall do it o'er my lifeless body.
I heartily invite such birds
To come outside and say those words!
317

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Identification and basic context

Dorothy Parker, born Dorothy Rothschild, was a renowned American poet, short story writer, critic, and satirist. She is best known for her acerbic wit, her incisive social commentary, and her masterful use of the epigram. Parker was a central figure in the literary scene of New York City during the 1920s and 1930s, particularly associated with the famous Algonquin Round Table. Her work often reflected a disillusionment with conventional societal norms and explored themes of love, loss, and the absurdities of modern life. She was a significant voice of her time, known for her independent spirit and sharp intellect.

Childhood and education

Dorothy Parker's early life was marked by a sense of isolation and a precocious intellect. She received a formal education at the Convent of Mount St. Ursula and the Blessed Sacrament Academy. However, she was largely self-taught, devouring books and developing a keen observational eye from a young age. Her experiences with loss, including the early death of her mother and a difficult relationship with her father and stepmother, contributed to a certain cynicism and independence that would later permeate her writing. She possessed a natural talent for language and a dry sense of humor that set her apart.

Literary trajectory

Parker began her literary career in the advertising world before finding her voice in journalism and poetry. She worked for Vanity Fair and later contributed to The New Yorker, where her reviews and short pieces gained widespread attention. Her first collection of poems, "Enough Rope," published in 1926, was a critical and commercial success, establishing her as a significant literary figure. She continued to publish poetry collections, short stories, and plays throughout her career. Her trajectory saw her evolve from a young writer finding her way to a celebrated, albeit often controversial, literary personality.

Works, style, and literary characteristics

Parker's major works include the poetry collections "Enough Rope" (1926), "Sunset Gun" (1928), and "Death and Taxes" (1931), as well as numerous short stories and essays. Her dominant themes include the disappointments of love, the superficiality of society, disillusionment, and the search for meaning in a seemingly absurd world. Her style is characterized by its brevity, precision, and devastating wit. She was a master of the epigram, crafting memorable lines that often delivered a sharp, ironic punch. Her tone is typically cynical, satirical, and world-weary, though often laced with a profound underlying sadness. Her poetic voice is confessional yet detached, offering keen observations on the human condition. Parker's language is deceptively simple, but her word choices are always deliberate, creating a potent impact. She injected a modern, urban sensibility into her verse, capturing the zeitgeist of her era.

Cultural and historical context

Parker was deeply embedded in the vibrant cultural milieu of New York City during the Roaring Twenties and the Great Depression. She was a central figure in the Algonquin Round Table, a group of writers, critics, and actors who met regularly at the Algonquin Hotel, engaging in witty banter and intellectual sparring. This period fostered a climate of artistic experimentation and social liberation. Parker's work often critiqued the societal conventions and hypocrisies of the time, particularly concerning gender roles and the pressures faced by women. She was also politically active, often aligning with progressive causes, which sometimes led to controversy and blacklisting during the McCarthy era.

Personal life

Dorothy Parker's personal life was often tumultuous, marked by two marriages to Edwin Pond Parker II, and later to Alan Campbell, with whom she shared a complex relationship. Her romantic relationships often served as inspiration for her poignant and often sorrowful poems about love and heartbreak. She struggled with alcoholism and bouts of depression, issues that sometimes surfaced in her writing. Despite her public persona as a sophisticated wit, she harbored a deep sensitivity and a profound empathy for the marginalized. Her friendships within the literary circle were significant, but her sharp tongue also led to rivalries.

Recognition and reception

During her lifetime, Dorothy Parker achieved considerable fame and recognition for her wit and literary contributions. She was a beloved figure for her sharp observations and her ability to articulate the anxieties and ironies of modern life. However, her critical reception was sometimes divided; while admired for her skill, some found her cynicism too pervasive. Posthumously, her reputation as a literary icon has grown, with her works being anthologized and studied for their enduring relevance and stylistic brilliance. She is particularly celebrated for her contributions to the short story and her influence on conversational and ironic modes of writing.

Influences and legacy

Parker was influenced by classical poets and her contemporaries, but she forged a unique style. Her legacy lies in her mastery of wit and irony, and her ability to capture the nuances of human relationships and societal critique with remarkable brevity. She influenced generations of writers who sought to emulate her sharp, epigrammatic style. Her contributions to feminist literature and her outspokenness on social issues have also cemented her place as a significant cultural figure. Her works continue to be read and appreciated for their timeless insights into the human condition.

Interpretation and critical analysis

Parker's work is frequently analyzed for its sophisticated use of irony, its exploration of existential themes, and its critique of social norms. Her poems often reveal a profound sadness beneath the witty surface, exploring the anxieties of modern womanhood and the complexities of love. Critics have debated the extent to which her cynicism reflects genuine despair or a form of protective detachment. Her ability to distill complex emotions into concise, memorable lines continues to fascinate readers and scholars.

Curiosities and lesser-known aspects

Parker was famously known for her sharp retorts and her often-cynical outlook, but she also possessed a deep well of compassion, particularly for social justice causes. She was an ardent supporter of civil rights and a staunch opponent of fascism, actively participating in political activism. Her personal life was often more complex and melancholic than her public persona suggested, marked by struggles with addiction and depression. She was also known for her love of animals, particularly her dogs.

Death and memory

Dorothy Parker died in 1967. In accordance with her wishes, her ashes were sent to the Garden of Remembrance at the All Faiths Cemetery in Queens, New York. Her memory is kept alive through her enduring literary works, which continue to be read, quoted, and admired for their wit, intelligence, and poignant observations on life.