John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Yorktown

Yorktown


YORKTOWN.
FROM Yorktown's ruins, ranked and still,
Two lines stretch far o'er vale and hill:
Who curbs his steed at head of one?
Hark! the low murmur: Washington!
Who bends his keen, approving glance,
Where down the gorgeous line of France
Shine knightly star and plume of snow?
Thou too art victor, Rochambeau!
The earth which bears this calm array
Shook with the war-charge yesterday,
Ploughed deep with hurrying hoof and wheel,
Shot-sown and bladed thick with steel;
October's clear and noonday sun
Paled in the breath-smoke of the gun,
And down night's double blackness fell,
Like a dropped star, the blazing shell.
Now all is hushed: the gleaming lines
Stand moveless as the neighboring pines;
While through them, sullen, grim, and slow,
The conquered hosts of England go:
O'Hara's brow belies his dress,
Gay Tarleton's troop rides bannerless:
Shout, from thy fired and wasted homes,
Thy scourge, Virginia, captive comes!
Nor thou alone: with one glad voice
Let all thy sister States rejoice;
Let Freedom, in whatever clime
She waits with sleepless eye her time,
Shouting from cave and mountain wood
Make glad her desert solitude,
While they who hunt her quail with fear;
The New World's chain lies broken here!
But who are they, who, cowering, wait
Within the shattered fortress gate?
Dark tillers of Virginia's soil,
Classed with the battle's common spoil,
With household stuffs, and fowl, and swine,
With Indian weed and planters' wine,
With stolen beeves, and foraged corn, —
Are they not men, Virginian born?
Oh, veil your faces, young and brave!
Sleep, Scammel, in thy soldier grave!
Sons of the Northland, ye who set
Stout hearts against the bayonet,
And pressed with steady footfall near
The moated battery's blazing tier,
Turn your scarred faces from the sight,
Let shame do homage to the right!
Lo! fourscore years have passed; and where
The Gallic bugles stirred the air,
And, through breached batteries, side by side,



To victory stormed the hosts allied,
And brave foes grounded, pale with pain,
The arms they might not lift again,
As abject as in that old day
The slave still toils his life away.
Oh, fields still green and fresh in story,
Old days of pride, old names of glory,
Old marvels of the tongue and pen,
Old thoughts which stirred the hearts of men,
Ye spared the wrong; and over all
Behold the avenging shadow fall!
Your world-wide honor stained with shame, —
Your freedom's self a hollow name!
Where's now the flag of that old war?
Where flows its stripe? Where burns its star?
Bear witness, Palo Alto's day,
Dark Vale of Palms, red Monterey,
Where Mexic Freedom, young and weak,
Fleshes the Northern eagle's beak;
Symbol of terror and despair,
Of chains and slaves, go seek it there!
Laugh, Prussia, midst thy iron ranks!
Laugh, Russia, from thy Neva's banks!
Brave sport to see the fledgling born
Of freedom by its parent torn!
Safe now is Speilberg's dungeon cell,
Safe drear Siberia's frozen hell:
With Slavery's flag o'er both unrolled,
What of the New World fears the Old?
Read full poem
Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

Seed-Time And Harvest

Seed-Time And Harvest

As o'er his furrowed fields which lie
Beneath a coldly dropping sky,
Yet chill with winter's melted snow,
The husbandman goes forth to sow,
Thus, Freedom, on the bitter blast
The ventures of thy seed we cast,
And trust to warmer sun and rain
To swell the germs and fill the grain.
Who calls thy glorious service hard?
Who deems it not its own reward?
Who, for its trials, counts it less
A cause of praise and thankfulness?
It may not be our lot to wield
The sickle in the ripened field;
Nor ours to hear, on summer eves,
The reaper's song among the sheaves.
Yet where our duty's task is wrought
In unison with God's great thought,
The near and future blend in one,
And whatsoe'er is willed, is done!
And ours the grateful service whence
Comes day by day the recompense;
The hope, the trust, the purpose stayed,
The fountain and the noonday shade.
And were this life the utmost span,
The only end and aim of man,
Better the toil of fields like these
Than waking dream and slothful ease.
But life, though falling like our grain,
Like that revives and springs again;
And, early called, how blest are they
Who wait in heaven their harvest-day!
303

Ritner

Ritner


THANK God for the token! one lip is still free,
One spirit untrammelled, unbending one knee!
Like the oak of the mountain, deep-rooted and firm,
Erect, when the multitude bends to the storm;
When traitors to Freedom, and Honor, and God,
Are bowed at an Idol polluted with blood;
When the recreant North has forgotten her trust,
And the lip of her honor is low in the dust, —
Thank God, that one arm from the shackle has broken!
Thank God, that one man as a freeman has spoken!
O'er thy crags, Alleghany, a blast has been blown!
Down thy tide, Susquehanna, the murmur has gone!
To the land of the South, of the charter and chain,
Of Liberty sweetened with Slavery's pain;
Where the cant of Democracy dwells on the lips
Of the forgers of fetters, and wielders of whips!
Where 'chivalric' honor means really no more
Than scourging of women, and robbing the poor!
Where the Moloch of Slavery sitteth on high,
And the words which he utters, are — Worship, or die!
Right onward, oh, speed it! Wherever the blood
Of the wronged and the guiltless is crying to God;
Wherever a slave in his fetters is pining;
Wherever the lash of the driver is twining;
Wherever from kindred, torn rudely apart,
Comes the sorrowful wail of the broken of heart;
Wherever the shackles of tyranny bind,
In silence and darkness, the God-given mind;
There, God speed it onward! its truth will be felt,
The bonds shall be loosened, the iron shall melt!
And oh, will the land where the free soul of Penn
Still lingers and breathes over mountain and glen;
Will the land where a Benezet's spirit went forth
To the peeled and the meted, and outcast of Earth;
Where the words of the Charter of Liberty first
From the soul of the sage and the patriot burst;
Where first for the wronged and the weak of their kind,
The Christian and statesman their efforts combined;
Will that land of the free and the good wear a chain?
Will the call to the rescue of Freedom be vain?
No, Ritner! her 'Friends' at thy warning shall stand
Erect for the truth, like their ancestral band;
Forgetting the feuds and the strife of past time,
Counting coldness injustice, and silence a crime;
Turning back from the cavil of creeds, to unite
Once again for the poor in defence of the Right;
Breasting calmly, but firmly, the full tide of Wrong,
Overwhelmed, but not borne on its surges along;
Unappalled by the danger, the shame, and the pain,
And counting each trial for Truth as their gain!
And that bold-hearted yeomanry, honest and true,
Who, haters of fraud, give to labor its due;



Whose fathers, of old, sang in concert with thine,
On the banks of Swetara, the songs of the Rhine, —
The German-born pilgrims, who first dared to brave
The scorn of the proud in the cause of the slave;
Will the sons of such men yield the lords of the South
One brow for the brand, for the padlock one mouth?
They cater to tyrants? They rivet the chain,
Which their fathers smote off, on the negro again?
No, never! one voice, like the sound in the cloud,
When the roar of the storm waxes loud and more loud,
Wherever the foot of the freeman hath pressed
From the Delaware's marge to the Lake of the West,
On the South-going breezes shall deepen and grow
Till the land it sweeps over shall tremble below!
The voice of a people, uprisen, awake,
Pennsylvania's watchword, with Freedom at stake,
Thrilling up from each valley, flung down from each height,
'Our Country and Liberty! God for the Right!'
357

Revelation

Revelation


Still, as of old, in Beavor's Vale,
O man of God! our hope and faith
The Elements and Stars assail,
And the awed spirit holds its breath,
Blown over by a wind of death.


Takes Nature thought for such as we,
What place her human atom fills,
The weed-drift of her careless sea,
The mist on her unheeding hills?
What reeks she of our helpless wills?


Strange god of Force, with fear, not love,
Its trembling worshipper! Can prayer
Reach the shut ear of Fate, or move
Unpitying Energy to spare?
What doth the cosmic Vastness care?


In vain to this dread Unconcern
For the All-Father's love we look;
In vain, in quest of it, we turn
The storied leaves of Nature's book,
The prints her rocky tablets took.


I pray for faith, I long to trust;
I listen with my heart, and hear
A Voice without a sound: 'Be just,
Be true, be merciful, revere
The Word within thee: God is near!


'A light to sky and earth unknown
Pales all their lights: a mightier force
Than theirs the powers of Nature own,
And, to its goal as at its source,
His Spirit moves the Universe.


'Believe and trust. Through stars and suns,
Through life and death, through soul and sense,
His wise, paternal purpose runs;
The darkness of His providence
Is star-lit with benign intents.'


O joy supreme! I know the Voice,
Like none beside on earth or sea;
Yea, more, O soul of mine, rejoice,
By all that He requires of me,
I know what God himself must be.


No picture to my aid I call,
I shape no image in my prayer;
I only know in Him is all
Of life, light, beauty, everywhere,



Eternal Goodness here and there!


I know He is, and what He is,
Whose one great purpose is the good
Of all. I rest my soul on His
Immortal Love and Fatherhood;
And trust Him, as His children should.


I fear no more. The clouded face
Of Nature smiles; through all her things
Of time and space and sense I trace
The moving of the Spirit's wings,
And hear the song of hope she sings.
229

Remembrance

Remembrance


WITH COPIES OF THE AUTHOR'S WRITINGS.

Friend of mine! whose lot was cast
With me in the distant past;
Where, like shadows flitting fast,


Fact and fancy, thought and theme,
Word and work, begin to seem
Like a half-remembered dream!


Touched by change have all things been,
Yet I think of thee as when
We had speech of lip and pen.


For the calm thy kindness lent
To a path of discontent,
Rough with trial and dissent;


Gentle words where such were few,
Softening blame where blame was true,
Praising where small praise was due;


For a waking dream made good,
For an ideal understood,
For thy Christian womanhood;


For thy marvellous gift to cull
From our common life and dull
Whatsoe'er is beautiful;


Thoughts and fancies, Hybla's bees
Dropping sweetness; true heart's-ease
Of congenial sympathies;-


Still for these I own my debt;
Memory, with her eyelids wet,
Fain would thank thee even yet!


And as one who scatters flowers
Where the Queen of May's sweet hours
Sits, o'ertwined with blossomed bowers,


In superfluous zeal bestowing
Gifts where gifts are overflowing,
So I pay the debt I'm owing.


To thy full thoughts, gay or sad,
Sunny-hued or sober clad,
Something of my own I add;


Well assured that thou wilt take
Even the offering which I make



Kindly for the giver's sake.
278

Requital

Requital


As Islam's Prophet, when his last day drew
Nigh to its close, besought all men to say
Whom he had wronged, to whom he then should pay
A debt forgotten, or for pardon sue,
And, through the silence of his weeping friends,
A strange voice cried: 'Thou owest me a debt,'
'Allah be praised!' he answered. 'Even yet
He gives me power to make to thee amends.
O friend! I thank thee for thy timely word.'
So runs the tale. Its lesson all may heed,
For all have sinned in thought, or word, or deed,
Or, like the Prophet, through neglect have erred.
All need forgiveness, all have debts to pay
Ere the night cometh, while it still is day.
335

Raphael

Raphael


I shall not soon forget that sight
The glow of Autumn's westering day,
A hazy warmth, a dreamy light,
On Raphael's picture lay.


It was a simple print I saw,
The fair face of a musing boy;
Yet, while I gazed, a sense of awe
Seemed blending with my joy.


A simple print,--the graceful flow
Of boyhood's soft and wavy hair,
And fresh young lip and cheek, and brow
Unmarked and clear, were there.


Yet through its sweet and calm repose
I saw the inward spirit shine;
It was as if before me rose
The white veil of a shrine.


As if, as Gothland's sage has told,
The hidden life, the man within,
Dissevered from its frame and mould,
By mortal eye were seen.


Was it the lifting of that eye,
The waving of that pictured hand?
Loose as a cloud-wreath on the sky,
I saw the walls expand.


The narrow room had vanished,--space,
Broad, luminous, remained alone,
Through which all hues and shapes of grace
And beauty looked or shone.


Around the mighty master came
The marvels which his pencil wrought,
Those miracles of power whose fame
Is wide as human thought.


There drooped thy more than mortal face,
O Mother, beautiful and mild
Enfolding in one dear embrace
Thy Saviour and thy Child!


The rapt brow of the Desert John;
The awful glory of that day
When all the Father's brightness shone
Through manhood's veil of clay.


And, midst gray prophet forms, and wild
Dark visions of the days of old,



How sweetly woman's beauty smiled
Through locks of brown and gold!


There Fornarina's fair young face
Once more upon her lover shone,
Whose model of an angel's grace
He borrowed from her own.


Slow passed that vision from my view,
But not the lesson which it taught;
The soft, calm shadows which it threw
Still rested on my thought:


The truth, that painter, bard, and sage,
Even in Earth's cold and changeful clime,
Plant for their deathless heritage
The fruits and flowers of time.


We shape ourselves the joy or fear
Of which the coming life is made,
And fill our Future's atmosphere
With sunshine or with shade.


The tissue of the Life to be
We weave with colors all our own,
And in the field of Destiny
We reap as we have sown.


Still shall the soul around it call
The shadows which it gathered here,
And, painted on the eternal wall,
The Past shall reappear.


Think ye the notes of holy song
On Milton's tuneful ear have died?
Think ye that Raphael's angel throng
Has vanished from his side?


Oh no!--We live our life again;
Or warmly touched, or coldly dim,
The pictures of the Past remain,--Man's
works shall follow him!
224

Randolph Of Roanoke

Randolph Of Roanoke

O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.


Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,
Press down his lids in blindness.


There, where with living ear and eye
He heard Potomac's flowing,
And, through his tall ancestral trees,
Saw autumn's sunset glowing,
He sleeps, still looking to the west,
Beneath the dark wood shadow,
As if he still would see the sun
Sink down on wave and meadow.


Bard, Sage, and Tribune! in himself
All moods of mind contrasting, The
tenderest wail of human woe,
The scorn like lightning blasting;
The pathos which from rival eyes
Unwilling tears could summon,
The stinging taunt, the fiery burst
Of hatred scarcely human!


Mirth, sparkling like a diamond shower,
From lips of life-long sadness;
Clear picturings of majestic thought
Upon a ground of madness;
And over all Romance and Song
A classic beauty throwing,
And laurelled Clio at his side
Her storied pages showing.


All parties feared him: each in turn
Beheld its schemes disjointed,
As right or left his fatal glance
And spectral finger pointed.
Sworn foe of Cant, he smote it down
With trenchant wit unsparing,
And, mocking, rent with ruthless hand



The robe Pretence was wearing.


Too honest or too proud to feign
A love he never cherished,
Beyond Virginia's border line
His patriotism perished.
While others hailed in distant skies
Our eagle's dusky pinion,
He only saw the mountain bird
Stoop o'er his Old Dominion!


Still through each change of fortune strange
Racked nerve, and brain all burning,
His loving faith in Mother-land
Knew never shade of turning;
By Britain's lakes, by Neva's tide,
Whatever sky was o'er him,
He heard her rivers' rushing sound,
Her blue peaks rose before him.


He held his slaves, yet made withal
No false and vain pretences,
Nor paid a lying priest to seek
For Scriptural defences.
His harshest words of proud rebuke,
His bitterest taunt and scorning,
Fell fire-like on the Northern brow
That bent to him in fawning.


He held his slaves; yet kept the while
His reverence for the Human;
In the dark vassals of his will
He saw but Man and Woman!
No hunter of God's outraged poor
His Roanoke valley entered;
No trader in the souls of men
Across his threshold ventured.


And when the old and wearied man
Lay down for his last sleeping,
And at his side, a slave no more,
His brother-man stood weeping,
His latest thought, his latest breath,
To Freedom's duty giving,
With failing tongue and trembling hand
The dying blest the living.


Oh, never bore his ancient State
A truer son or braver!
None trampling with a calmer scorn
On foreign hate or favor.
He knew her faults, yet never stooped



His proud and manly feeling
To poor excuses of the wrong
Or meanness of concealing.


But none beheld with clearer eye
The plague-spot o'er her spreading
None heard more sure the steps of Doom
Along her future treading.
For her as for himself he spake,
When, his gaunt frame upbracing,
He traced with dying hand 'Remorse!'
And perished in the tracing.


As from the grave where Henry sleeps,
From Vernon's weeping willow,
And from the grassy pall which hides
The Sage of Monticello,
So from the leaf-strewn burial-stone
Of Randolph's lowly dwelling,
Virginia! o'er thy land of slaves
A warning voice is swelling!


And hark! from thy deserted fields
Are sadder warnings spoken,
From quenched hearths, where thy exiled sons
Their household gods have broken.
The curse is on thee, - wolves for men,
And briers for corn-sheaves giving!
Oh, more than all thy dead renown
Were now one hero living!
293

Proem

Proem


I LOVE the old melodious lays
Which softly melt the ages through,
The songs of Spenser’s golden days,
Arcadian Sidney’s silvery phrase,
Sprinkling our noon of time with freshest morning dew.


Yet, vainly in my quiet hours
To breathe their marvellous notes I try;
I feel them, as the leaves and flowers
In silence feel the dewy showers,
And drink with glad, still lips the blessing of the sky.


The rigor of a frozen clime,
The harshness of an untaught ear,
The jarring words of one whose rhyme
Beat often Labor’s hurried time,
Or Duty’s rugged march through storm and strife, are here.


Of mystic beauty, dreamy grace,
No rounded art the lack supplies;
Unskilled the subtle lines to trace,
Or softer shades of Nature’s face,
I view her common forms with unanointed eyes.


Nor mine the seer-like power to show
The secrets of the heart and mind;
To drop the plummet-line below
Our common world of joy and woe,
A more intense despair or brighter hope to find.


Yet here at least an earnest sense
Of human right and weal is shown;
A hate of tyranny intense,
And hearty in its vehemence,
As if my brother’s pain and sorrow were my own.


O Freedom! if to me belong
Nor mighty Milton’s gift divine,
Nor Marvell’s wit and graceful song,
Still with a love as deep and strong
As theirs, I lay, like them, my best gifts on thy shrine!
295

R. S. S., At Deer Island On The Merrimac

R. S. S., At Deer Island On The Merrimac
Make, for he loved thee well, our Merrimac,
From wave and shore a low and long lament
For him, whose last look sought thee, as he went
The unknown way from which no step comes back.
And ye, O ancient pine-trees, at whose feet
He watched in life the sunset's reddening glow,
Let the soft south wind through your needles blow
A fitting requiem tenderly and sweet!
No fonder lover of all lovely things
Shall walk where once he walked, no smile more glad
Greet friends than his who friends in all men had,
Whose pleasant memory, to that Island clings,
Where a dear mourner in the home he left
Of love's sweet solace cannot be bereft.
289

Pentucket

Pentucket


How sweetly on the wood-girt town
The mellow light of sunset shone!
Each small, bright lake, whose waters still
Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west,
Glorious as if a glimpse were given
Within the western gates of heaven,
Left, by the spirit of the star
Of sunset's holy hour, ajar!


Beside the river's tranquil flood
The dark and low-walled dwellings stood,
Where many a rood of open land
Stretched up and down on either hand,
With corn-leaves waving freshly green
The thick and blackened stumps between.
Behind, unbroken, deep and dread,
The wild, untravelled forest spread,
Back to those mountains, white and cold,
Of which the Indian trapper told,
Upon whose summits never yet
Was mortal foot in safety set.


Quiet and calm without a fear,
Of danger darkly lurking near,
The weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or tones of mirth.


At length the murmur died away,
And silence on that village lay.
-So slept Pompeii, tower and hall,
Ere the quick earthquake swallowed all,
Undreaming of the fiery fate
Which made its dwellings desolate.


Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and wood,
Silent, beneath that tranquil beam,
As the hushed grouping of a dream.
Yet on the still air crept a sound,
No bark of fox, nor rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in midnight breezes blowing.


Was that the tread of many feet,
Which downward from the hillside beat?
What forms were those which darkly stood



Just on the margin of the wood?Charred
tree-stumps in the moonlight dim,
Or paling rude, or leafless limb?
No,-through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native wilderness,
With painted limbs and battle-dress.


A yell the dead might wake to hear
Swelled on the night air, far and clear;
Then smote the Indian tomahawk
On crashing door and shattering lock;


Then rang the rifle-shot, and then
The shrill death-scream of stricken men,Sank
the red axe in woman's brain,
And childhood's cry arose in vain.
Bursting through roof and window came,
Red, fast, and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared.


The morning sun looked brightly through
The river willows, wet with dew.
No sound of combat filled the air,
No shout was heard, nor gunshot there;
Yet still the thick and sullen smoke
From smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight bolt had sped
Pentucket, on thy fated head.


Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal death-shot broke,
And point the curious stranger where
De Rouville's corse lay grim and bare;
Whose hideous head, in death still feared,
Bore not a trace of hair or beard;
And still, within the churchyard ground,
Heaves darkly up the ancient mound,
Whose grass-grown surface overlies
The victims of that sacrifice.
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