Poems List

The Barefoot Boy

The Barefoot Boy

Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, I
was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, Outward
sunshine, inward joy:
Blessings on thee, barefoot boy!


Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, Blessings
on the barefoot boy!


Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,



Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!


Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!


Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.



Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
307

The Angels of Buena Vista

The Angels of Buena Vista

Speak and tell us, our Ximena, looking northward far away,
O'er the camp of the invaders, o'er the Mexican array,
Who is losing? who is winning? are they far or come they near?
Look abroad, and tell us, sister, whither rolls the storm we hear.


Down the hills of Angostura still the storm of battle rolls;
Blood is flowing, men are dying; God have mercy on their souls!
'Who is losing? who is winning?' Over hill and over plain,
I see but smoke of cannon clouding through the mountain rain.'


Holy Mother! keep our brothers! Look, Ximena, look once more.
'Still I see the fearful whirlwind rolling darkly as before,
Bearing on, in strange confusion, friend and foeman, foot and horse,
Like some wild and troubled torrent sweeping down its mountain course.'


Look forth once more, Ximena! 'Ah! the smoke has rolled away;
And I see the Northern rifles gleaming down the ranks of gray.
Hark! that sudden blast of bugles! there the troop of Minon wheels;
There the Northern horses thunder, with the cannon at their heels.


'Jesu, pity I how it thickens I now retreat and now advance!
Bight against the blazing cannon shivers Puebla's charging lance!
Down they go, the brave young riders; horse and foot together fall;
Like a ploughshare in the fallow, through them ploughs the Northern ball.'


Nearer came the storm and nearer, rolling fast and frightful on!
Speak, Ximena, speak and tell us, who has lost, and who has won?
Alas! alas! I know not; friend and foe together fall,
O'er the dying rush the living: pray, my sisters, for them all!


'Lo! the wind the smoke is lifting. Blessed Mother, save my brain!
I can see the wounded crawling slowly out from heaps of slain.
Now they stagger, blind and bleeding; now they fall, and strive to rise;
Hasten, sisters, haste and save them, lest they die before our eyes!


'O my hearts love! O my dear one! lay thy poor head on my knee;
Dost thou know the lips that kiss thee? Canst thou hear me? canst thou see?
O my husband, brave and gentle! O my Bernal, look once more
On the blessed cross before thee! Mercy! all is o'er!'


Dry thy tears, my poor Ximena; lay thy dear one down to rest;
Let his hands be meekly folded, lay the cross upon his breast;
Let his dirge be sung hereafter, and his funeral masses said;
To-day, thou poor bereaved one, the living ask thy aid.


Close beside her, faintly moaning, fair and young, a soldier lay,
Torn with shot and pierced with lances, bleeding slow his life away;
But, as tenderly before him the lorn Ximena knelt,
She saw the Northern eagle shining on his pistol-belt.


With a stifled cry of horror straight she turned away her head;
With a sad and bitter feeling looked she back upon her dead;



But she heard the youth's low moaning, and his struggling breath of pain,
And she raised the cooling water to his parching lips again.


Whispered low the dying soldier, pressed her hand and faintly smiled;
Was that pitying face his mother's? did she watch beside her child?
All his stranger words with meaning her woman's heart supplied;
With her kiss upon his forehead, 'Mother!' murmured he, and died!


'A bitter curse upon them, poor boy, who led thee forth,
From some gentle, sad-eyed mother, weeping, lonely, in the North!'
Spake the mournful Mexic woman, as she laid him with her dead,
And turned to soothe the living, and bind the wounds which bled.


'Look forth once more, Ximena!' Like a cloud before the wind
Rolls the battle down the mountains, leaving blood and death behind;
Ah! they plead in vain for mercy; in the dust the wounded strive;
'Hide your faces, holy angels! O thou Christ of God, forgive!'


Sink, O Night, among thy mountains! let the cool, gray shadows fall;
Dying brothers, fighting demons, drop thy curtain over all!
Through the thickening winter twilight, wide apart the battle rolled,
In its sheath the sabre rested, and the cannon's lips grew cold.


But the noble Mexic women still their holy task pursued,
Through that long, dark night of sorrow, worn and faint and lacking food.
Over weak and suffering brothers, with a tender care they hung,
And the dying foeman blessed them in a strange and Northern tongue.


Not wholly lost, O Father! is this evil world of ours;
Upward, through its blood and ashes, spring afresh the Eden flowers;
From its smoking hell of battle, Love and Pity send their prayer,
And still thy white-winged angels hover dimly in our air!
360

The

The


Weary of jangling noises never stilled,
The skeptic's sneer, the bigot's hate, the din
Of clashing texts, the webs of creed men spin
Round simple truth, the children grown who build
With gilded cards their new Jerusalem,
Busy, with sacerdotal tailorings
And tinsel gauds, bedizening holy things,
I turn, with glad and grateful heart, from them
To the sweet story of the Florentine
Immortal in her blameless maidenhood,
Beautiful as God's angels and as good;
Feeling that life, even now, may be divine
With love no wrong can ever change to hate,
No sin make less than all-compassionate!
220

Tauler

Tauler


Tauler, the preacher, walked, one autumn day,
Without the walls of Strasburg, by the Rhine,
Pondering the solemn Miracle of Life;
As one who, wandering in a starless night,
Feels momently the jar of unseen waves,
And hears the thunder of an unknown sea,
Breaking along an unimagined shore.


And as he walked he prayed. Even the same
Old prayer with which, for half a score of years,
Morning, and noon, and evening, lip and heart
Had groaned: 'Have pity upon me, Lord!
Thou seest, while teaching others, I am blind.
Send me a man who can direct my steps!'


Then, as he mused, he heard along his path
A sound as of an old man's staff among
The dry, dead linden-leaves; and, looking up,
He saw a stranger, weak, and poor, and old.


'Peace be unto thee, father!' Tauler said,
'God give thee a good day!' The old man raised
Slowly his calm blue eyes. 'I thank thee, son;
But all my days are good, and none are ill.'


Wondering thereat, the preacher spake again,
'God give thee happy life.' The old man smiled,
'I never am unhappy.'


Tauler laid
His hand upon the stranger's coarse gray sleeve
'Tell me, O father, what thy strange words mean.
Surely man's days are evil, and his life
Sad as the grave it leads to.' 'Nay, my son,
Our times are in God's hands, and all our days
Are as our needs; for shadow as for sun,
For cold as heat, for want as wealth, alike
Our thanks are due, since that is best which is;
And that which is not, sharing not His life,
Is evil only as devoid of good.
And for the happiness of which I spake,
I find it in submission to his will,
And calm trust in the holy Trinity
Of Knowledge, Goodness, and Almighty Power.'


Silently wondering, for a little space,
Stood the great preacher; then he spake as one
Who, suddenly grappling with a haunting thought
Which long has followed, whispering through the dark
Strange terrors, drags it, shrieking, into light
'What if God's will consign thee hence to Hell?'



'Then,' said the stranger, cheerily, 'be it so.
What Hell may be I know not; this I know,I
cannot lose the presence of the Lord.
One arm, Humility, takes hold upon
His dear Humanity; the other, Love,
Clasps his Divinity. So where I go
He goes; and better fire-walled Hell with Him
Than golden-gated Paradise without.'


Tears sprang in Tauler's eyes. A sudden light,
Like the first ray which fell on chaos, clove
Apart the shadow wherein he had walked
Darkly at noon. And, as the strange old man
Went his slow way, until his silver hair
Set like the white moon where the hills of vine
Slope to the Rhine, he bowed his head and said
'My prayer is answered. God hath sent the man
Long sought, to teach me, by his simple trust,
Wisdom the weary schoolmen never knew.'


So, entering with a changed and cheerful step
The city gates, he saw, far down the street,
A mighty shadow break the light of noon,
Which tracing backward till its airy lines
Hardened to stony plinths, he raised his eyes
O'er broad facade and lofty pediment,
O'er architrave and frieze and sainted niche,
Up the stone lace-work chiselled by the wise
Erwin of Steinbach, dizzily up to where
In the noon-brightness the great Minster's tower,
Jewelled with sunbeams on its mural crown,
Rose like a visible prayer. 'Behold!' he said,
'The stranger's faith made plain before mine eyes.
As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top,
So, darkness in the pathway of Man's life
Is but the shadow of God's providence,
By the great Sun of Wisdom cast thereon;
And what is dark below is light in Heaven.'
247

Sunset On The Bearcamp

Sunset On The Bearcamp

A gold fringe on the purpling hem
Of hills the river runs,
As down its long, green valley falls
The last of summer's suns.


Along its tawny gravel-bed
Broad-flowing, swift, and still,
As if its meadow levels felt
The hurry of the hill,
Noiseless between its banks of green
From curve to curve it slips;
The drowsy maple-shadows rest
Like fingers on its lips.


A waif from Carroll's wildest hills,
Unstoried and unknown;
The ursine legend of its name
Prowls on its banks alone.
Yet flowers as fair its slopes adorn
As ever Yarrow knew,
Or, under rainy Irish skies,
By Spenser's Mulla grew;
And through the gaps of leaning trees
Its mountain cradle shows
The gold against the amethyst,
The green against the rose.


Touched by a light that hath no name,
A glory never sung,
Aloft on sky and mountain wall
Are God's great pictures hung.
How changed the summits vast and old!
No longer granite-browed,
They melt in rosy mist; the rock
Is softer than the cloud;
The valley holds its breath; no leaf
Of all its elms is twirled
The silence of eternity
Seems falling on the world.


The pause before the breaking seals
Of mystery is this;
Yon miracle-play of night and day
Makes dumb its witnesses.
What unseen altar crowns the hills
That reach up stair on stair?
What eyes look through, what white wings fan
These purple veils of air?
What Presence from the heavenly heights
To those of earth stoops down?
Not vainly Hellas dreamed of gods
On Ida's snowy crown!



Slow fades the vision of the sky,
The golden water pales,
And over all the valley-land
A gray-winged vapor sails.
I go the common way of all;
The sunset fires will burn,
The flowers will blow, the river flow,
When I no more return.
No whisper from the mountain pine
Nor lapsing stream shall tell
The stranger, treading where I tread,
Of him who loved them well.


But beauty seen is never lost,
God's colors all are fast;
The glory of this sunset heaven
Into my soul has passed,
A sense of gladness unconfined
To mortal date or clime;
As the soul liveth, it shall live
Beyond the years of time.
Beside the mystic asphodels
Shall bloom the home-born flowers,
And new horizons flush and glow
With sunset hues of ours.


Farewell! these smiling hills must wear
Too soon their wintry frown,
And snow-cold winds from off them shake
The maple's red leaves down.
But I shall see a summer sun
Still setting broad and low;
The mountain slopes shall blush and bloom,
The golden water flow.
A lover's claim is mine on all
I see to have and hold,-The
rose-light of perpetual hills,
And sunsets never cold!
269

Stanzas for the Times

Stanzas for the Times

Is this the land our fathers loved,
The freedom which they toiled to win?
Is this the soil whereon they moved?
Are these the graves they slumber in?
Are we the sons by whom are borne
The mantles which the dead have worn?


And shall we crouch above these graves,
With craven soul and fettered lip?
Yoke in with marked and branded slaves,
And tremble at the driver's whip?
Bend to the earth our pliant knees,
And speak but as our masters please?


Shall outraged Nature cease to feel?
Shall Mercy's tears no longer flow?
Shall ruffian threats of cord and steel,
The dungeon's gloom, the assassin's blow,
Turn back the spirit roused to save
The Truth, our Country, and the slave?


Of human skulls that shrine was made,
Round which the priests of Mexico
Before their loathsome idol prayed;
Is Freedom's altar fashioned so?
And must we yield to Freedom's God,
As offering meet, the negro's blood?


Shall tongue be mute, when deeds are wrought
Which well might shame extremest hell?
Shall freemem lock the indignant thought?
Shall Pity's bosom cease to swell?
Shall Honor bleed?- shall Truth succumb?
Shall pen, and press, and soul be dumb?


No; by each spot of haunted ground,
Where Freedom weeps her children's fall;
By Plymouth's rock, and Bunker's mound;
By Griswold's stained and shattered wall;
By Warren's ghost, by Langdon's shade;
By all the memories of our dead!


By their enlarging souls, which burst
The bands and fetters round them set;
By the free Pilgrim spirit nursed
Within our inmost bosoms, yet,
By all above, around, below,
Be ours the indignant answer,- No!


No; guided by our country's laws,
For truth, and right, and suffering man,
Be ours to strive in Freedom's cause,



As Christians may, as freemen can!
Still pouring on unwilling ears
That truth oppression only fears.


What! shall we guard our neighbor still,
While woman shrieks beneath his rod,
And while he trampels down at will
The image of a common God?
Shall watch and ward be round him set,
Of Northern nerve and bayonet?


And shall we know and share with him
The danger and the growing shame?
And see our Freedom's light grow dim,
Which should have filled the world with flame?
And, writhing, feel, where'er we turn,
A world's reproach around us burn?


Is't not enough that this is borne?
And asks our haughty neighbor more?
Must fetters which his slaves have worn
Clank round the Yankee farmer's door?
Must he be told, beside his plough,
What he must speak, and when, and how?


Must he be told his freedom stands
On Slavery's dark foundations strong;
On breaking hearts and fettered hands,
On robbery, and crime, and wrong?
That all his fathers taught is vain,That
Freedom's emblem is the chain?


Its life, its soul, from slavery drawn!
False, foul, profane! Go, teach as well
Of holy Truth from Falsehood born!
Of Heaven refreshed by airs from Hell!
Of Virtue in the arms of Vice!
Of Demons planting Paradise!


Rail on, then, brethren of the South,
Ye shall not hear the truth the less;
No seal is on the Yankee's mouth,
No fetter on the Yankee's press!
From our Green Mountains to the sea,
One voice shall thunder, We are free!
320

Summer By The Lakeside: Lake Winnipesaukee

Summer By The Lakeside: Lake Winnipesaukee

I. NOON.
White clouds, whose shadows haunt the deep,
Light mists, whose soft embraces keep
The sunshine on the hills asleep!
O isles of calm! O dark, still wood!
And stiller skies that overbrood
Your rest with deeper quietude!


O shapes and hues, dim beckoning, through
Yon mountain gaps, my longing view
Beyond the purple and the blue,


To stiller sea and greener land,
And softer lights and airs more bland,
And skies,--the hollow of God's hand!


Transfused through you, O mountain friends!
With mine your solemn spirit blends,
And life no more hath separate ends.


I read each misty mountain sign,
I know the voice of wave and pine,
And I am yours, and ye are mine.


Life's burdens fall, its discords cease,
I lapse into the glad release
Of Nature's own exceeding peace.


O welcome calm of heart and mind!
As falls yon fir-tree's loosened rind
To leave a tenderer growth behind,


So fall the weary years away;
A child again, my head I lay
Upon the lap of this sweet day.


This western wind hath Lethean powers,
Yon noonday cloud nepenthe showers,
The lake is white with lotus-flowers!


Even Duty's voice is faint and low,
And slumberous Conscience, waking slow,
Forgets her blotted scroll to show.


The Shadow which pursues us all,
Whose ever-nearing steps appall,
Whose voice we hear behind us call,-


That Shadow blends with mountain gray,
It speaks but what the light waves say,-Death
walks apart from Fear to-day!



Rocked on her breast, these pines and I
Alike on Nature's love rely;
And equal seems to live or die.


Assured that He whose presence fills
With light the spaces of these hills
No evil to His creatures wills,


The simple faith remains, that He
Will do, whatever that may be,
The best alike for man and tree.


What mosses over one shall grow,
What light and life the other know,
Unanxious, leaving Him to show.


II. EVENING.
Yon mountain's side is black with night,
While, broad-orhed, o'er its gleaming crown
The moon, slow-rounding into sight,
On the hushed inland sea looks down.
How start to light the clustering isles,
Each silver-hemmed! How sharply show
The shadows of their rocky piles,
And tree-tops in the wave below!


How far and strange the mountains seem,
Dim-looming through the pale, still light
The vague, vast grouping of a dream,
They stretch into the solemn night.


Beneath, lake, wood, and peopled vale,
Hushed by that presence grand and grave,
Are silent, save the cricket's wail,
And low response of leaf and wave.


Fair scenes! whereto the Day and Night
Make rival love, I leave ye soon,
What time before the eastern light
The pale ghost of the setting moon


Shall hide behind yon rocky spines,
And the young archer, Morn, shall break
His arrows on the mountain pines,
And, golden-sandalled, walk the lake!


Farewell! around this smiling bay
Gay-hearted Health, and Life in bloom,
With lighter steps than mine, may stray



In radiant summers yet to come.


But none shall more regretful leave
These waters and these hills than I
Or, distant, fonder dream how eve
Or dawn is painting wave and sky;


How rising moons shine sad and mild
On wooded isle and silvering bay;
Or setting suns beyond the piled
And purple mountains lead the day;


Nor laughing girl, nor bearding boy,
Nor full-pulsed manhood, lingering here,
Shall add, to life's abounding joy,
The charmed repose to suffering dear.


Still waits kind Nature to impart
Her choicest gifts to such as gain
An entrance to her loving heart
Through the sharp discipline of pain.


Forever from the Hand that takes
One blessing from us others fall;
And, soon or late, our Father makes
His perfect recompense to all!


Oh, watched by Silence and the Night,
And folded in the strong embrace
Of the great mountains, with the light
Of the sweet heavens upon thy face,


Lake of the Northland! keep thy dower
Of beauty still, and while above
Thy solemn mountains speak of power,
Be thou the mirror of God's love.
206

Song Of The Negro Boatman

Song Of The Negro Boatman

Oh, praise an' tanks! De Lord he come
To set de people free;
An' massa tink it day ob doom,
An' we ob jubilee.
De Lord dat heap de Red Sea waves
He jus' as 'trong as den;
He say de word: we las' night slaves;
To-day, de Lord's freemen.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
Ole massa on he trabbels gone;
He leaf de land behind:
De Lord's breff blow him furder on,
Like corn-shuck in de wind.
We own de hoe, we own de plough,
We own de hands dat hold;
We sell de pig, we sell de cow,
But nebber chile be sold.
De yam will grow, de cotton blow,
We'll hab de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We pray de Lord: he gib us signs
Dat some clay we be free;
De norf-wind tell it to de pines,
De wild-duck to de sea;
We tink it when de church-bell ring,
We dream it in de dream;
De rice-bird mean it when he sing,
De eagle when he scream.
De yam will grow, de cotton blow,
We'll hab de rice an' corn:
Oh nebber you fear, if nebber you hear
De driver blow his horn!
We know de promise nebber fail,
An' nebber lie de word;
So like de 'postles in de jail,
We waited for de Lord
An' now he open ebery door,
An' trow away de key;
He tink we lub him so before,
We lub him better free.
De yam will grow, de cotton blow,
He'll gib de rice an' corn;
Oh nebber you fear, if nebber you hear
De driver blow his horn!
So sing our dusky gondoliers;
And with a secret pain,
And smiles that seem akin to tears,
We hear the wild refrain.



We dare not share the negro's trust,
Nor yet his hope deny;
We only know that God is just,
And every wrong shall die.
Rude seems the song; each swarthy face,
Flame-lighted, ruder still:
We start to think that hapless race
Must shape our good or ill;
That laws of changeless justice bind
Oppressor with oppressed;
And, close as sin and suffering joined,
We march to Fate abreast.
Sing on, poor hearts! your chant shall be
Our sign of blight or bloom,
The Vala-song of Liberty,
Or death-rune of our doom!
307

St. Martin's Summer

St. Martin's Summer

Though flowers have perished at the touch
Of Frost, the early comer,
I hail the season loved so much,
The good St. Martin's summer.


O gracious morn, with rose-red dawn,
And thin moon curving o'er it!
The old year's darling, latest born,
More loved than all before it!


How flamed the sunrise through the pines!
How stretched the birchen shadows,
Braiding in long, wind-wavered lines
The westward sloping meadows!


The sweet day, opening as a flower
Unfolds its petals tender,
Renews for us at noontide's hour
The summer's tempered splendor.


The birds are hushed; alone the wind,
That through the woodland searches,
The red-oak's lingering leaves can find,
And yellow plumes of larches.


But still the balsam-breathing pine
Invites no thought of sorrow,
No hint of loss from air like wine
The earth's content can borrow.


The summer and the winter here
Midway a truce are holding,
A soft, consenting atmosphere
Their tents of peace enfolding.


The silent woods, the lonely hills,
Rise solemn in their gladness;
The quiet that the valley fills
Is scarcely joy or sadness.


How strange! The autumn yesterday
In winter's grasp seemed dying;
On whirling winds from skies of gray
The early snow was flying.


And now, while over Nature's mood
There steals a soft relenting,
I will not mar the present good,
Forecasting or lamenting.


My autumn time and Nature's hold
A dreamy tryst together,



And, both grown old, about us fold
The golden-tissued weather.


I lean my heart against the day
To feel its bland caressing;
I will not let it pass away
Before it leaves its blessing.


God's angels come not as of old
The Syrian shepherds knew them;
In reddening dawns, in sunset gold,
And warm noon lights I view them.


Nor need there is, in times like this
When heaven to earth draws nearer,
Of wing or song as witnesses
To make their presence clearer.


O stream of life, whose swifter flow
Is of the end forewarning,
Methinks thy sundown afterglow
Seems less of night than morning!


Old cares grow light; aside I lay
The doubts and fears that troubled;
The quiet of the happy day
Within my soul is doubled.


That clouds must veil this fair sunshine
Not less a joy I find it;
Nor less yon warm horizon line
That winter lurks behind it.


The mystery of the untried days
I close my eyes from reading;
His will be done whose darkest ways
To light and life are leading!


Less drear the winter night shall be,
If memory cheer and hearten
Its heavy hours with thoughts of thee,
Sweet summer of St. Martin!
234

Seed-Time And Harvest

Seed-Time And Harvest

As o'er his furrowed fields which lie
Beneath a coldly dropping sky,
Yet chill with winter's melted snow,
The husbandman goes forth to sow,
Thus, Freedom, on the bitter blast
The ventures of thy seed we cast,
And trust to warmer sun and rain
To swell the germs and fill the grain.
Who calls thy glorious service hard?
Who deems it not its own reward?
Who, for its trials, counts it less
A cause of praise and thankfulness?
It may not be our lot to wield
The sickle in the ripened field;
Nor ours to hear, on summer eves,
The reaper's song among the sheaves.
Yet where our duty's task is wrought
In unison with God's great thought,
The near and future blend in one,
And whatsoe'er is willed, is done!
And ours the grateful service whence
Comes day by day the recompense;
The hope, the trust, the purpose stayed,
The fountain and the noonday shade.
And were this life the utmost span,
The only end and aim of man,
Better the toil of fields like these
Than waking dream and slothful ease.
But life, though falling like our grain,
Like that revives and springs again;
And, early called, how blest are they
Who wait in heaven their harvest-day!
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Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.