John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Derne

Derne


NIGHT on the city of the Moor!
On mosque and tomb, and white-walled shore,
On sea-waves, to whose ceaseless knock
The narrow harbor gates unlock,
On corsair's galley, carack tall,
And plundered Christian caraval!
The sounds of Moslem life are still;
No mule-bell tinkles down the hill;
Stretched in the broad court of the khan,
The dusty Bornou caravan
Lies heaped in slumber, beast and man;
The Sheik is dreaming in his tent,
His noisy Arab tongue o'erspent;
The kiosk's glimmering lights are gone,
The merchant with his wares withdrawn;
Rough pillowed on some pirate breast,
The dancing-girl has sunk to rest;
And, save where measured footsteps fall
Along the Bashaw's guarded wall,
Or where, like some bad dream, the Jew
Creeps stealthily his quarter through,
Or counts with fear his golden heaps,
The City of the Corsair sleeps!
But where yon prison long and low
Stands black against the pale star-glow,
Chafed by the ceaseless wash of waves,
There watch and pine the Christian slaves;
Rough-bearded men, whose far-off wives
Wear out with grief their lonely lives;
And youth, still flashing from his eyes
The clear blue of New England skies,
A treasured lock of whose soft hair
Now wakes some sorrowing mother's prayer;
Or, worn upon some maiden breast,
Stirs with the loving heart's unrest!
A bitter cup each life must drain,
The groaning earth is cursed with pain,
And, like the scroll the angel bore
The shuddering Hebrew seer before,
O'erwrit alike, without, within,
With all the woes which follow sin;
But, bitterest of the ills beneath
Whose load man totters down to death,
Is that which plucks the regal crown
Of Freedom from his forehead down,
And snatches from his powerless hand
The sceptred sign of self-command,
Effacing with the chain and rod
The image and the seal of God;
Till from his nature, day by day,
The manly virtues fall away,
And leave him naked, blind and mute,



The godlike merging in the brute!
Why mourn the quiet ones who die
Beneath affection's tender eye,
Unto their household and their kin
Like ripened corn-sheaves gathered in?
O weeper, from that tranquil sod,
That holy harvest-home of God,
Turn to the quick and suffering, shed
Thy tears upon the living dead!
Thank God above thy dear ones' graves,
They sleep with Him, they are not slaves.
What dark mass, down the mountain-sides
Swift-pouring, like a stream divides?
A long, loose, straggling caravan,
Camel and horse and armëd man.
The moon's low crescent, glimmering o'er
Its grave of waters to the shore,
Lights up that mountain cavalcade,
And gleams from gun and spear and blade
Near and more near! now o'er them falls
The shadow of the city walls.
Hark to the sentry's challenge, drowned
In the fierce trumpet's charging sound!
The rush of men, the musket's peal,
The short, sharp clang of meeting steel!
Vain, Moslem, vain thy lifeblood poured
So freely on thy foeman's sword!
Not to the swift nor to the strong
The battles of the right belong;
For he who strikes for Freedom wears
The armor of the captive's prayers,
And Nature proffers to his cause
The strength of her eternal laws;
While he whose arm essays to bind
And herd with common brutes his kind
Strives evermore at fearful odds
With Nature and the jealous gods,
And dares the dread recoil which late
Or soon their right shall vindicate.
'T is done, the hornëd crescent falls!
The star-flag flouts the broken walls!
Joy to the captive husband! joy
To thy sick heart, O brown-locked boy!
In sullen wrath the conquered Moor
Wide open flings your dungeon-door,
And leaves ye free from cell and chain,
The owners of yourselves again.
Dark as his allies desert-born,
Soiled with the battle's stain, and worn
With the long marches of his band
Through hottest wastes of rock and sand,
Scorched by the sun and furnace-breath



Of the red desert's wind of death,
With welcome words and grasping hands,
The victor and deliverer stands!
The tale is one of distant skies;
The dust of half a century lies
Upon it; yet its hero's name
Still lingers on the lips of Fame.
Men speak the praise of him who gave
Deliverance to the Moorman's slave,
Yet dare to brand with shame and crime
The heroes of our land and time, —
The self-forgetful ones, who stake
Home, name, and life for Freedom's sake.
God mend his heart who cannot feel
The impulse of a holy zeal,
And sees not, with his sordid eyes,
The beauty of self-sacrifice!
Though in the sacred place he stands,
Uplifting consecrated hands,
Unworthy are his lips to tell
Of Jesus' martyr-miracle,
Or name aright that dread embrace
Of suffering for a fallen race!
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Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

242

Pentucket

Pentucket


How sweetly on the wood-girt town
The mellow light of sunset shone!
Each small, bright lake, whose waters still
Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west,
Glorious as if a glimpse were given
Within the western gates of heaven,
Left, by the spirit of the star
Of sunset's holy hour, ajar!


Beside the river's tranquil flood
The dark and low-walled dwellings stood,
Where many a rood of open land
Stretched up and down on either hand,
With corn-leaves waving freshly green
The thick and blackened stumps between.
Behind, unbroken, deep and dread,
The wild, untravelled forest spread,
Back to those mountains, white and cold,
Of which the Indian trapper told,
Upon whose summits never yet
Was mortal foot in safety set.


Quiet and calm without a fear,
Of danger darkly lurking near,
The weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or tones of mirth.


At length the murmur died away,
And silence on that village lay.
-So slept Pompeii, tower and hall,
Ere the quick earthquake swallowed all,
Undreaming of the fiery fate
Which made its dwellings desolate.


Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and wood,
Silent, beneath that tranquil beam,
As the hushed grouping of a dream.
Yet on the still air crept a sound,
No bark of fox, nor rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in midnight breezes blowing.


Was that the tread of many feet,
Which downward from the hillside beat?
What forms were those which darkly stood



Just on the margin of the wood?Charred
tree-stumps in the moonlight dim,
Or paling rude, or leafless limb?
No,-through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native wilderness,
With painted limbs and battle-dress.


A yell the dead might wake to hear
Swelled on the night air, far and clear;
Then smote the Indian tomahawk
On crashing door and shattering lock;


Then rang the rifle-shot, and then
The shrill death-scream of stricken men,Sank
the red axe in woman's brain,
And childhood's cry arose in vain.
Bursting through roof and window came,
Red, fast, and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared.


The morning sun looked brightly through
The river willows, wet with dew.
No sound of combat filled the air,
No shout was heard, nor gunshot there;
Yet still the thick and sullen smoke
From smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight bolt had sped
Pentucket, on thy fated head.


Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal death-shot broke,
And point the curious stranger where
De Rouville's corse lay grim and bare;
Whose hideous head, in death still feared,
Bore not a trace of hair or beard;
And still, within the churchyard ground,
Heaves darkly up the ancient mound,
Whose grass-grown surface overlies
The victims of that sacrifice.
314

Palestine

Palestine


Blest land of Judea! thrice hallowed of song,
Where the holiest of memories pilgrim-like throng;
In the shade of thy palms, by the shores of thy sea,
On the hills of thy beauty, my heart is with thee.


With the eye of a spirit I look on that shore,
Where pilgrim and prophet have lingered before;
With the glide of a spirit, I traverse the sod
Made bright by the steps of the angels of God.


Blue sea of the hills! in my spirit I hear
Thy waters, Genasseret, chime on my ear;
Where the Lowly and Just with the people sat down,
And thy spray on the dust of His sandals was thrown.


Beyond are Bethulia's mountains of green,
And the desolate hills of the wild Godarene;
And I pause on the goat-crags of Tabor to see
The gleam of thy waters, oh dark Gallilee!


Hark, a sound in the vallies! where, swollen and strong,
Thy river, oh Kishon, is sweeping along;
Where the Canaanite strove with Jehovah in vain,
And thy torrent grew dark with the blood of the slain.


There down from his mountains stern Zebulon came,
And Naphtali's stag, with his eye-balls of flame,
And the chariots of Jabin rolled harmlessly on,
For the arm of the Lord was Abinoam's son!


There sleep the still rocks and the caverns which rang
To the song which the beautiful Prophetess sang,
When the Princes of Issachar stood by her side,
And the shout of a host in its triumph replied.


Lo! Bethlehem's hill-site before me is seen,
With the mountains around, and the vallies between;
There rested the shepherds of Judah, and there
The song of the angels rose sweet on the air.


And Bethany's palm-trees in beauty still throw
Their shadows at noon on the ruins below;
But where are the sisters who hastened to greet
The lowly Redeemer, and sit at His feet?


I tread where the TWELVE in their wayfaring trod;
I stand where they stood with the CHOSEN of GOD!
Where his blessing was heard, and his lessons were taught,
Where the blind were restored, and the healing was wrought.


Oh, here with his flock the sad Wanderer came,
These hills he toiled over in grief are the same



The founts where he drank by the wayside still flow,
And the same airs are blowing which breathed on his brow.


And throned on her hills sits Jerusalem yet,
But with dust on her forehead, and chains on her feet:
For the crown of her pride to the mocker hath gone,
And the holy Shechinah is dark where it shone!


But wherefore this dream of the earthly abode
Of Humanity clothed in the brightness of God?
Were my spirit but turned from the outward and dim,
It could gaze, even now, on the presence of Him!


Not in clouds and in terrors, but gentle as when
In love and in meekness he moved among men;
And the voice which breathed peace to the waves of the sea,
In the hush of my spirit would whisper to me!


And what if my feet may not tread where He stood,
Nor my ears hear the dashing of Gallilee's flood,
Nor my eyes see the cross which He bowed him to bear,
Nor my knees press Gethsemane's garden of prayer.


Yet, Loved of the Father, Thy spirit is near
To the meek, and the lowly, and penitent here;
And the voice of thy love is the same even now,
As at Bethany's tomb, or on Olivet's brow,mdash;


Oh, the outward hath gone!-but in glory and power,
The SPIRIT surviveth the things of an hour;
Unchanged, undecaying, its Pentecost flame
On the heart's secret altar is burning the same!
276

Overruled

Overruled


The threads our hands in blindness spin
No self-determined plan weaves in;
The shuttle of the unseen powers
Works out a pattern not as ours.


Ah! small the choice of him who sings
What sound shall leave the smitten strings;
Fate holds and guides the hand of art;
The singer's is the servant's part.


The wind-harp chooses not the tone
That through its trembling threads is blown;
The patient organ cannot guess
What hand its passive keys shall press.


Through wish, resolve, and act, our will
Is moved by undreamed forces still;
And no man measures in advance
His strength with untried circumstance.


As streams take hue from shade and sun,
As runs the life the song must run;
But, glad or sad, to His good end
God grant the varying notes may tend!
325

Our River

Our River

FOR A SUMMER FESTIVAL AT 'THE LAURELS' ON THE MERRIMAC.

Once more on yonder laurelled height
The summer flowers have budded;
Once more with summer's golden light
The vales of home are flooded;
And once more, by the grace of Him
Of every good the Giver,
We sing upon its wooded rim
The praises of our river,


Its pines above, its waves below,
The west-wind down it blowing,
As fair as when the young Brissot
Beheld it seaward flowing,-And
bore its memory o'er the deep,
To soothe a martyr's sadness,
And fresco, hi his troubled sleep,
His prison-walls with gladness.


We know the world is rich with streams
Renowned in song and story,
Whose music murmurs through our dreams
Of human love and glory
We know that Arno's banks are fair,
And Rhine has castled shadows,
And, poet-tuned, the Doon and Ayr
Go singing down their meadows.


But while, unpictured and unsung
By painter or by poet,
Our river waits the tuneful tongue
And cunning hand to show it,-We
only know the fond skies lean
Above it, warm with blessing,
And the sweet soul of our Undine
Awakes to our caressing.


No fickle sun-god holds the flocks
That graze its shores in keeping;
No icy kiss of Dian mocks
The youth beside it sleeping
Our Christian river loveth most
The beautiful and human;
The heathen streams of Naiads boast,
But ours of man and woman.


The miner in his cabin hears
The ripple we are hearing;
It whispers soft to homesick ears
Around the settler's clearing
In Sacramento's vales of corn,



Or Santee's bloom of cotton,
Our river by its valley-born
Was never yet forgotten.


The drum rolls loud, the bugle fills
The summer air with clangor;
The war-storm shakes the solid hills
Beneath its tread of anger;
Young eyes that last year smiled in ours
Now point the rifle's barrel,
And hands then stained with fruits and flowers
Bear redder stains of quarrel.


But blue skies smile, and flowers bloom on,
And rivers still keep flowing,
The dear God still his rain and sun
On good and ill bestowing.
His pine-trees whisper, 'Trust and wait!'
His flowers are prophesying
That all we dread of change or fate
His live is underlying.


And thou, O Mountain-born!--no more
We ask the wise Allotter
Than for the firmness of thy shore,
The calmness of thy water,
The cheerful lights that overlay,
Thy rugged slopes with beauty,
To match our spirits to our day
And make a joy of duty.
287

Our Country

Our Country

WE give thy natal day to hope,
O Country of our love and prayer!
Thy way is down no fatal slope,
But up to freer sun and air.
Tried as by furnace-fires, and yet
By God's grace only stronger made,
In future tasks before thee set
Thou shalt not lack the old-time aid.
The fathers sleep, but men remain
As wise, as true, and brave as they;
Why count the loss and not the gain?
The best is that we have to-day.
Whate'er of folly, shame, or crime,
Withhin thy mighty bounds transpires,
With speed defying space and time
Comes to us on the accusing wires;
While of thy wealth of noble deeds,
Thy homes of peace, thy votes unsold,
The love that pleads for human needs,
The wrong redressed, but half is told!
We read each felon's chronicle,
His acts, his words, his gallows-mood;
We know the single sinner well
And not the nine and ninety good.
Yet if, on daily scandals fed,
We seem at times to doubt thy worth,
We know thee still, when all is said,
The best and dearest spot on earth.
From the warm Mexic Gulf, or where
Belted with flowers Los Angeles
Basks in the semi-tropic air,
To where Katahdin's cedar trees
Are dwarfed and bent by Northern winds,
Thy plenty's horn is yearly filled;
Alone, the rounding century finds
Thy liberal soil by free hands tilled.
A refuge for the wronged and poor,
Thy generous heart has borne the blame
That, with them, through thy open door,
The old world's evil outcasts came.
But, with thy just and equal rule,
And labor's need and breadth of lands,
Free press and rostrum, church and school,
Thy sure, if slow, transforming hands
Shall mould even them to thy design,
Making a blessing of the ban;
And Freedom's chemistry combine
The alien elements of man.
The power that broke their prison bar
And set the dusky millions free,
And welded in the flame of war
The Union fast to Liberty,



Shall if not deal with other ills,
Redress the red man's grievance, break
The Circean cup which shames and kills
And Labor full requital make?
Alone to such as fitly bear
Thy civic honors bid them fall?
And call thy daughters forth to share
The rights and duties pledged to all?
Give every child his right of school,
Merge private greed in public good,
And spare a treasury overfull
The tax upon a poor man's food?
No lack was in thy primal stock,
No weakling founders builded here;
Thine were the men of Plymouth Rock,
The Huguenot and Cavalier;
And they whose firm endurance gained
The freedom of the souls of men,
Whose hands, unstained with blood, maintained
The swordless commonwealth of Penn.
And thine shall be the power of all
To do the work which duty bids,
And make the people's council hall
As lasting as the Pyramids!
Well have thy later years made good
Thy brave-said word a century back,
The pledge of human brotherhood,
The equal claim of white and black.
That word still echoes round the world,
And all who hear it turn to thee,
And read upon thy flag unfurled
The prophecies of destiny.
Thy great world-lesson all shall learn,
The nations in thy school shall sit,
Earth's farthest mountain-tops shall burn
With watch-fires from thy own uplit.
Great without seeking to be great
By fraud or conquest, rich in gold,
But richer in the large estate
Of virtue which thy children hold,
With peace that comes of purity
And strength to simple justice due,
So runs our loyal dream of thee;
God of our fathers! make it true.
O Land of lands! to thee we give
Our prayers, our hopes, our service free;
For thee thy sons shall nobly live,
And at thy need shall die for thee!
294

One Of The Signers

One Of The Signers

O storied vale of Merrimac
Rejoice through all thy shade and shine,
And from his century's sleep call back
A brave and honored son of thine.


Unveil his effigy between
The living and the dead to-day;
The fathers of the Old Thirteen
Shall witness bear as spirits may.


Unseen, unheard, his gray compeers
The shades of Lee and Jefferson,
Wise Franklin reverend with his years
And Carroll, lord of Carrollton!


Be thine henceforth a pride of place
Beyond thy namesake's over-sea,
Where scarce a stone is left to trace
The Holy House of Amesbury.


A prouder memory lingers round
The birthplace of thy true man here
Than that which haunts the refuge found
By Arthur's mythic Guinevere.


The plain deal table where he sat
And signed a nation's title-deed
Is dearer now to fame than that
Which bore the scroll of Runnymede.


Long as, on Freedom's natal morn,
Shall ring the Independence bells,
Give to thy dwellers yet unborn
The lesson which his image tells.


For in that hour of Destiny,
Which tried the men of bravest stock,
He knew the end alone must be
A free land or a traitor's block.


Among those picked and chosen men
Than his, who here first drew his breath,
No firmer fingers held the pen
Which wrote for liberty or death.


Not for their hearths and homes alone,
But for the world their work was done;
On all the winds their thought has flown
Through all the circuit of the sun.


We trace its flight by broken chains,
By songs of grateful Labor still;



To-day, in all her holy fanes,
It rings the bells of freed Brazil.


O hills that watched his boyhood's home,
O earth and air that nursed him, give,
In this memorial semblance, room
To him who shall its bronze outlive!


And thou, O Land he loved, rejoice
That in the countless years to come,
Whenever Freedom needs a voice,
These sculptured lips shall not be dumb!
330

On Receiving An Eagle's Quill From Lake Superior

On Receiving An Eagle's Quill From Lake Superior

All day the darkness and the cold
Upon my heart have lain,
Like shadows on the winter sky,
Like frost upon the pane;


But now my torpid fancy wakes,
And, on thy Eagle's plume,
Rides forth, like Sindbad on his bird,
Or witch upon her broom!


Below me roar the rocking pines,
Before me spreads the lake
Whose long and solemn-sounding waves
Against the sunset break.


I hear the wild Rice-Eater thresh
The grain he has not sown;
I see, with flashing scythe of fire,
The prairie harvest mown!


I hear the far-off voyager's horn;
I see the Yankee's trail,-His
foot on every mountain-pass,
On every stream his sail.


By forest, lake, and waterfall,
I see his pedler show;
The mighty mingling with the mean,
The lofty with the low.


He's whittling by St. Mary's Falls,
Upon his loaded wain;
He's measuring o'er the Pictured Rocks,
With eager eyes of gain.


I hear the mattock in the mine,
The axe-stroke in the dell,
The clamor from the Indian lodge,
The Jesuit chapel bell!


I see the swarthy trappers come
From Mississippi's springs;
And war-chiefs with their painted brows,
And crests of eagle wings.


Behind the scared squaw's birch canoe,
The steamer smokes and raves;
And city lots are staked for sale
Above old Indian graves.


I hear the tread of pioneers
Of nations yet to be;



The first low wash of waves, where soon
Shall roll a human sea.


The rudiments of empire here
Are plastic yet and warm;
The chaos of a mighty world
Is rounding into form!


Each rude and jostling fragment soon
Its fitting place shall find,-The
raw material of a State,
Its muscle and its mind!


And, westering still, the star which leads
The New World in its train
Has tipped with fire the icy spears
Of many a mountain chain.


The snowy cones of Oregon
Are kindling on its way;
And California's golden sands
Gleam brighter in its ray!


Then blessings on thy eagle quill,
As, wandering far and wide,
I thank thee for this twilight dream
And Fancy's airy ride!


Yet, welcomer than regal plumes,
Which Western trappers find,
Thy free and pleasant thoughts, chance sown,
Like feathers on the wind.


Thy symbol be the mountain-bird,
Whose glistening quill I hold;
Thy home the ample air of hope,
And memory's sunset gold!


In thee, let joy with duty join,
And strength unite with love,
The eagle's pinions folding round
The warm heart of the dove!


So, when in darkness sleeps the vale
Where still the blind bird clings
The sunshine of the upper sky
Shall glitter on thy wings!
326

Norumbega Hall

Norumbega Hall

Not on Penobscot's wooded bank the spires
Of the sought City rose, nor yet beside
The winding Charles, nor where the daily tide
Of Naumkeag's haven rises and retires,
The vision tarried; but somewhere we knew
The beautiful gates must open to our quest,
Somewhere that marvellous City of the West
Would lift its towers and palace domes in view,
And, to! at last its mystery is made known-Its
only dwellers maidens fair and young,
Its Princess such as England's Laureate sung;
And safe from capture, save by love alone,
It lends its beauty to the lake's green shore,
And Norumbega is a myth no more.
251

Official Piety

Official Piety

A PIOUS magistrate! sound his praise throughout
The wondering churches. Who shall henceforth doubt
That the long-wished millennium draweth nigh?
Sin in high places has become devout,
Tithes mint, goes painful-faced, and prays its lie
Straight up to Heaven, and calls it piety!
The pirate, watching from his bloody deck
The weltering galleon, heavy with the gold
Of Acapulco, holding death in check
While prayers are said, brows crossed, and beads are told;
The robber, kneeling where the wayside cross
On dark Abruzzo tells of life's dread loss
From his own carbine, glancing still abroad
For some new victim, offering thanks to God!
Rome, listening at her altars to the cry
Of midnight Murder, while her hounds of hell
Scour France, from baptized cannon and holy bell
And thousand-throated priesthood, loud and high,
Pealing Te Deums to the shuddering sky,
'Thanks to the Lord, who giveth victory!'
What prove these, but that crime was ne'er so black
As ghostly cheer and pious thanks to lack?
Satan is modest. At Heaven's door he lays
His evil offspring, and, in Scriptural phrase
And saintly posture, gives to God the praise
And honor of the monstrous progeny.
What marvel, then, in our own time to see
His old devices, smoothly acted o'er, —
Official piety, locking fast the door
Of Hope against three million souls of men, —
Brothers, God's children, Christ's redeemed, — and then,
With uprolled eyeballs and on bended knee,
Whining a prayer for help to hide the key!
303

New Hampshire

New Hampshire

GOD bless New Hampshire! from her granite peaks
Once more the voice of Stark and Langdon speaks.
The long-bound vassal of the exulting South
For very shame her self-forged chain has broken;
Turn the black seal of slavery from her mouth,
And in the clear tones of her old time spoken!
Oh, all undreamed-of, all unhoped for changes!
The tyrants's ally proves his sternest foe;
To all his biddings, from her mountain ranges,
New Hampshire thunders an indignant No!
Who is it now despairs? Oh, faint of heart,
Look upward to those Northern mountain cold,
Flouted by Freedom's victor-flag unrolled
And gather strength to bear a manlier part!
All is not lost. The angel of God's blessing
Encamps with Freedom on the field of fight;
Still to her banner, day by day, are pressing,
Unlooked-for allies, striking for the right!
Courage, then, Northern hearts! Be firm, be true:
What one brave State hath done, can ye not also do?
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