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John Greenleaf Whittier

John Greenleaf Whittier

1807–1892 · lived 84 years -- --

John Greenleaf Whittier was an American poet and abolitionist, celebrated for his lyrical verse that often depicted rural New England life and championed social reform. His poetry evoked strong imagery of nature, home, and the changing seasons, resonating deeply with readers. A staunch advocate against slavery, Whittier used his literary platform to promote abolitionist ideals, making his work a significant voice in the moral and political landscape of 19th-century America. His legacy endures through his evocative poems and his commitment to justice.

n. 1807-12-17, Haverhill · m. 1892-09-07, Hampton Falls

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Derne

NIGHT on the city of the Moor!
On mosque and tomb, and white-walled shore,
On sea-waves, to whose ceaseless knock
The narrow harbor gates unlock,
On corsair's galley, carack tall,
And plundered Christian caraval!
The sounds of Moslem life are still;
No mule-bell tinkles down the hill;
Stretched in the broad court of the khan,
The dusty Bornou caravan
Lies heaped in slumber, beast and man;
The Sheik is dreaming in his tent,
His noisy Arab tongue o'erspent;
The kiosk's glimmering lights are gone,
The merchant with his wares withdrawn;
Rough pillowed on some pirate breast,
The dancing-girl has sunk to rest;
And, save where measured footsteps fall
Along the Bashaw's guarded wall,
Or where, like some bad dream, the Jew
Creeps stealthily his quarter through,
Or counts with fear his golden heaps,
The City of the Corsair sleeps!
But where yon prison long and low
Stands black against the pale star-glow,
Chafed by the ceaseless wash of waves,
There watch and pine the Christian slaves;
Rough-bearded men, whose far-off wives
Wear out with grief their lonely lives;
And youth, still flashing from his eyes
The clear blue of New England skies,
A treasured lock of whose soft hair
Now wakes some sorrowing mother's prayer;
Or, worn upon some maiden breast,
Stirs with the loving heart's unrest!
A bitter cup each life must drain,
The groaning earth is cursed with pain,
And, like the scroll the angel bore
The shuddering Hebrew seer before,
O'erwrit alike, without, within,
With all the woes which follow sin;
But, bitterest of the ills beneath
Whose load man totters down to death,
Is that which plucks the regal crown
Of Freedom from his forehead down,
And snatches from his powerless hand
The sceptred sign of self-command,
Effacing with the chain and rod
The image and the seal of God;
Till from his nature, day by day,
The manly virtues fall away,
And leave him naked, blind and mute,



The godlike merging in the brute!
Why mourn the quiet ones who die
Beneath affection's tender eye,
Unto their household and their kin
Like ripened corn-sheaves gathered in?
O weeper, from that tranquil sod,
That holy harvest-home of God,
Turn to the quick and suffering, shed
Thy tears upon the living dead!
Thank God above thy dear ones' graves,
They sleep with Him, they are not slaves.
What dark mass, down the mountain-sides
Swift-pouring, like a stream divides?
A long, loose, straggling caravan,
Camel and horse and armëd man.
The moon's low crescent, glimmering o'er
Its grave of waters to the shore,
Lights up that mountain cavalcade,
And gleams from gun and spear and blade
Near and more near! now o'er them falls
The shadow of the city walls.
Hark to the sentry's challenge, drowned
In the fierce trumpet's charging sound!
The rush of men, the musket's peal,
The short, sharp clang of meeting steel!
Vain, Moslem, vain thy lifeblood poured
So freely on thy foeman's sword!
Not to the swift nor to the strong
The battles of the right belong;
For he who strikes for Freedom wears
The armor of the captive's prayers,
And Nature proffers to his cause
The strength of her eternal laws;
While he whose arm essays to bind
And herd with common brutes his kind
Strives evermore at fearful odds
With Nature and the jealous gods,
And dares the dread recoil which late
Or soon their right shall vindicate.
'T is done, the hornëd crescent falls!
The star-flag flouts the broken walls!
Joy to the captive husband! joy
To thy sick heart, O brown-locked boy!
In sullen wrath the conquered Moor
Wide open flings your dungeon-door,
And leaves ye free from cell and chain,
The owners of yourselves again.
Dark as his allies desert-born,
Soiled with the battle's stain, and worn
With the long marches of his band
Through hottest wastes of rock and sand,
Scorched by the sun and furnace-breath



Of the red desert's wind of death,
With welcome words and grasping hands,
The victor and deliverer stands!
The tale is one of distant skies;
The dust of half a century lies
Upon it; yet its hero's name
Still lingers on the lips of Fame.
Men speak the praise of him who gave
Deliverance to the Moorman's slave,
Yet dare to brand with shame and crime
The heroes of our land and time, —
The self-forgetful ones, who stake
Home, name, and life for Freedom's sake.
God mend his heart who cannot feel
The impulse of a holy zeal,
And sees not, with his sordid eyes,
The beauty of self-sacrifice!
Though in the sacred place he stands,
Uplifting consecrated hands,
Unworthy are his lips to tell
Of Jesus' martyr-miracle,
Or name aright that dread embrace
Of suffering for a fallen race!
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Bio

Identification and basic context

John Greenleaf Whittier was an influential American poet and a prominent abolitionist. Born into a Quaker family in Haverhill, Massachusetts, he became one of the most widely read poets of his time. His work often reflected his deep connection to New England, its landscapes, and its people, while also serving as a powerful vehicle for his social and political convictions, particularly his fervent opposition to slavery.

Childhood and education

Whittier grew up on a farm, receiving a limited formal education. He attended local schools but was largely self-taught, fueled by a passion for reading. His early exposure to poetry, particularly that of Robert Burns, had a significant impact. His Quaker upbringing instilled in him a strong sense of moral duty, equality, and pacifism, which profoundly shaped his worldview and his future activism.

Literary trajectory

Whittier began writing poetry in his youth, initially contributing to local newspapers. His early work focused on descriptive and lyrical themes. However, his career took a significant turn with his involvement in the abolitionist movement. He became a prolific writer of anti-slavery poetry, essays, and articles, using his literary skills to advocate for the emancipation of enslaved people. He also served as an editor for several abolitionist publications. Throughout his life, he continued to produce poetry that celebrated nature, history, and the human spirit.

Works, style, and literary characteristics

Among Whittier's most famous works are 'Snow-Bound: A Winter Idyl,' a semi-autobiographical narrative poem depicting a New England blizzard; 'The Barefoot Boy,' a nostalgic reflection on childhood; and numerous anti-slavery poems such as 'Ichabod!' and 'The Slave Ships.' His style is characterized by its clarity, simplicity, and vivid imagery, often drawing upon the rhythms of folk songs and hymns. His dominant themes include the beauty of rural life, the virtues of hard work, the passage of time, and the moral imperative of justice and equality. He often employed a lyrical and sometimes elegiac tone, but his abolitionist poems could be passionate and indignant.

Cultural and historical context

Whittier was a key figure in the 'Fireside Poets,' a group of New England writers whose works were popular for home readings. He was deeply immersed in the social and political struggles of 19th-century America, particularly the anti-slavery movement. His writings engaged directly with contemporary issues, advocating for social reform and moral progress. He was a contemporary of other prominent writers and activists, and his work contributed to the broader cultural and intellectual discourse of the era.

Personal life

Whittier remained unmarried and dedicated much of his life to his writing and his abolitionist activities. He maintained close relationships with his family and friends, and his home in Amesbury, Massachusetts, became a hub for literary and intellectual discussions. Despite facing personal challenges and the constant pressures of his activism, he found solace and inspiration in nature and his Quaker faith.

Recognition and reception

Whittier achieved considerable fame during his lifetime, becoming one of America's most beloved poets. His works were widely read and admired, both for their aesthetic qualities and their moral messages. He was recognized for his contributions to literature and his role as a voice for social justice. While some of his abolitionist poems were controversial at the time, his overall reputation as a significant American poet has endured.

Influences and legacy

Whittier was influenced by earlier poets like Robert Burns and later poets were influenced by his lyrical depiction of American life and his commitment to reform. His legacy lies in his contribution to American poetry, particularly his ability to capture the essence of rural New England, and his unwavering dedication to the abolitionist cause. He is remembered as a poet of conscience and a significant figure in the fight for human rights.

Interpretation and critical analysis

Interpretations of Whittier's work often highlight his role as a chronicler of rural American life and a moral voice of his generation. Critics analyze his use of nature imagery, his religious and philosophical underpinnings (rooted in Quakerism), and the effectiveness of his abolitionist poetry as a form of social protest. His nostalgic portrayals of rural life are sometimes contrasted with the harsher realities of the industrializing nation.

Curiosities and lesser-known aspects

Whittier was a lifelong vegetarian and a teetotaler, reflecting his Quaker principles. He was also an early advocate for women's suffrage. An interesting aspect of his life was his near-miss with a railroad accident, which he later commemorated in a poem. Despite his fame, he was known for his humility and his aversion to public accolades.

Death and memory

John Greenleaf Whittier died in Hampton Falls, New Hampshire. His passing was widely mourned, and he was memorialized as a significant American literary figure and a champion of human rights. His poems continue to be read and appreciated, particularly for their evocative descriptions of nature and their enduring moral messages.

Poems

241

The Conquest Of Finland

ACROSS the frozen marshes
The winds of autumn blow,
And the fen-lands of the Wetter
Are white with early snow.
But where the low, gray headlands
Look o'er the Baltic brine,
A bark is sailing in the track
Of England's battle-line.
No wares hath she to barter
For Bothnia's fish and grain;
She saileth not for pleasure,
She saileth not for gain.
But still by isle or mainland
She drops her, anchor down,
Where'er the British cannon
Rained fire on tower and town.
Outspake the ancient Amtman,
At the gate of Helsingfors:
'Why comes this ship a-spying
In the track of England's wars?'
'God bless her,' said the coast-guard, —
'God bless the ship, I say.
The holy angels trim the sails
That speed her on her way!
'Where'er she drops her anchor,
The peasant's heart is glad;
Where'er she spreads her parting sail,
The peasant's heart is sad.
'Each wasted town and hamlet
She visits to restore;
To roof the shattered cabin,
And feed the starving poor.
' The sunken boats of fishers,
The foraged beeves and grain,
The spoil of flake and storehouse,
The good ship brings again.
'And so to Finland's sorrow
The sweet amend is made,
As if the healing hand of Christ
Upon her wounds were laid!'
Then said the gray old Amtman,
'The will of God be done!
The battle lost by England's hate,
By England's love is won!
'We braved the iron tempest
That thundered on our shore;
But when did kindness fail to find
The key to Finland's door?
'No more from Aland's ramparts
Shall warning signal come,
Nor startled Sweaborg hear again
The roll of midnight drum.



'Beside our fierce Black Eagle
The Dove of Peace shall rest;
And in the mouths of cannon
The sea-bird make her nest.
'For Finland, looking seaward,
No coming foe shall scan;
And the holy bells of Abo
Shall ring, 'Good-will to man!'
'Then row thy boat, O fisher!
In peace on lake and bay;
And thou, young maiden, dance again
Around the poles of May!
'Sit down, old men, together,
Old wives, in quiet spin;
Henceforth the Anglo-Saxon
Is the brother of the Finn!'
271

By Their Works

Call him not heretic whose works attest
His faith in goodness by no creed confessed.
Whatever in love's name is truly done
To free the bound and lift the fallen one
Is done to Christ. Whoso in deed and word
Is not against Him labours for our Lord.
When he, who, sad and weary, longing sore
For love's sweet service sought the sisters' door
One saw the heavenly, one the human guest
But who shall say which loved the master best?
271

The Garrison of Cape Ann

From the hills of home forth looking, far beneath the tent-like span
Of the sky, I see the white gleam of the headland of Cape Ann.
Well I know its coves and beaches to the ebb-tide glimmering down,
And the white-walled hamlet children of its ancient fishing town.


Long has passed the summer morning, and its memory waxes old,
When along yon breezy headlands with a pleasant friend I strolled.
Ah! the autumn sun is shining, and the ocean wind blows cool,
And the golden-rod and aster bloom around thy grave, Rantoul!


With the memory of that morning by the summer sea I blend
A wild and wondrous story, by the younger Mather penned,
In that quaint Magnalia Christi, with all strange and marvellous things,
Heaped up huge and undigested, like the chaos Ovid sings.


Dear to me these far, faint glimpses of the dual life of old,
Inward, grand with awe and reverence; outward, mean and coarse and cold;
Gleams of mystic beauty playing over dull and vulgar clay,
Golden-threaded fancies weaving in a web of hodden gray.


The great eventful Present hides the Past; but through the din
Of its loud life hints and echoes from the life behind steal in;
And the lore of homeland fireside, and the legendary rhyme,
Make the task of duty lighter which the true man owes his time.


So, with something of the feeling which the Covenanter knew,
When with pious chisel wandering Scotland's moorland graveyards through,
From the graves of old traditions I part the black- berry-vines,
Wipe the moss from off the headstones, and retouch the faded lines.


Where the sea-waves back and forward, hoarse with rolling pebbles, ran,
The garrison-house stood watching on the gray rocks of Cape Ann;
On its windy site uplifting gabled roof and palisade,
And rough walls of unhewn timber with the moonlight overlaid.


On his slow round walked the sentry, south and eastward looking forth
O'er a rude and broken coast-line, white with breakers stretching north,
Wood
and rock and gleaming sand-drift, jagged capes, with bush and tree,
Leaning inland from the smiting of the wild and gusty sea.


Before the deep-mouthed chimney, dimly lit by dying brands,
Twenty soldiers sat and waited, with their muskets in their hands;
On the rough-hewn oaken table the venison haunch was shared,
And the pewter tankard circled slowly round from beard to beard.


Long they sat and talked together,-talked of wizards Satan-sold;
Of all ghostly sights and noises,-signs and wonders manifold;
Of the spectre-ship of Salem, with the dead men in her shrouds,
Sailing sheer above the water, in the loom of morning clouds;


Of the marvellous valley hidden in the depths of Gloucester woods,
Full of plants that love the summer,-blooms of warmer latitudes;



Where the Arctic birch is braided by the tropic's flowery vines,
And the white magnolia-blossoms star the twilight of the pines!


But their voices sank yet lower, sank to husky tones of fear,
As they spake of present tokens of the powers of evil near;
Of a spectral host, defying stroke of steel and aim of gun;
Never yet was ball to slay them in the mould of mortals run.


Thrice, with plumes and flowing scalp-locks, from the midnight wood they came,
Thrice
around the block-house marching, met, unharmed, its volleyed flame;
Then, with mocking laugh and gesture, sunk in earth or lost in air,
All the ghostly wonder vanished, and the moonlit sands lay bare.


Midnight came; from out the forest moved a dusky mass that soon
Grew to warriors, plumed and painted, grimly marching in the moon.
'Ghosts or witches,' said the captain, 'thus I foil the Evil One!'
And he rammed a silver button, from his doublet, down his gun.


Once again the spectral horror moved the guarded wall about;
Once again the levelled muskets through the palisades flashed out,
With that deadly aim the squirrel on his tree-top might not shun,
Nor the beach-bird seaward flying with his slant wing to the sun.


Like the idle rain of summer sped the harmless shower of lead.
With a laugh of fierce derision, once again the phantoms fled;
Once again, without a shadow on the sands the moonlight lay,
And the white smoke curling through it drifted slowly down the bay!


'God preserve us!' said the captain; 'never mortal foes were there;
They have vanished with their leader, Prince and Power of the air!
Lay aside your useless weapons; skill and prowess naught avail;
They who do the Devil's service wear their master's coat of mail!'


So the night grew near to cock-crow, when again a warning call
Roused the score of weary soldiers watching round the dusky hall
And they looked to flint and priming, and they longed for break of day;
But the captain closed his Bible: 'Let us cease from man, and pray!'


To the men who went before us, all the unseen powers seemed near,
And their steadfast strength of courage struck its roots in holy fear.
Every hand forsook the musket, every head was bowed and bare,
Every stout knee pressed the flag-stones, as the captain led in prayer.


Ceased thereat the mystic marching of the spectres round the wall,
But a sound abhorred, unearthly, smote the ears and hearts of all,
Howls
of rage and shrieks of anguish! Never after mortal man
Saw the ghostly leaguers marching round the block-house of Cape Ann.


So to us who walk in summer through the cool and sea-blown town,
From the childhood of its people comes the solemn legend down.
Not in vain the ancient fiction, in whose moral lives the youth
And the fitness and the freshness of an undecaying truth.



Soon or late to all our dwellings come the spectres of the mind,
Doubts and fears and dread forebodings, in the darkness undefined;
Round us throng the grim projections of the heart and of the brain,
And our pride of strength is weakness, and the cunning hand is vain.


In the dark we cry like children; and no answer from on high
Breaks the crystal spheres of silence, and no white wings downward fly;
But the heavenly help we pray for comes to faith, and not to sight,
And our prayers themselves drive backward all the spirits of the night!
271

Elliott

Hands off! thou tithe-fat plunderer! play
No trick of priestcraft here!
Back, puny lordling! darest thou lay
A hand on Elliott's bier?
Alive, your rank and pomp, as dust,
Beneath his feet he trod.


He knew the locust swarm that cursed
The harvest-fields of God.
On these pale lips, the smothered thought
Which England's millions feel,
A fierce and fearful splendor caught,
As from his forge the steel.
Strong-armed as Thor, a shower of fire
His smitten anvil flung;
God's curse, Earth's wrong, dumb Hunger's ire,
He gave them all a tongue!


Then let the poor man's horny hands
Bear up the mighty dead,
And labor's swart and stalwart bands
Behind as mourners tread.
Leave cant and craft their baptized bounds,
Leave rank its minster floor;
Give England's green and daisied grounds
The poet of the poor!


Lay down upon his Sheaf's green verge
That brave old heart of oak,
With fitting dirge from sounding forge,
And pall of furnace smoke!
Where whirls the stone its dizzy rounds,
And axe and sledge are swung,
And, timing to their stormy sounds,
His stormy lays are sung.


There let the peasant's step be heard,
The grinder chant his rhyme,
Nor patron's praise nor dainty word
Befits the man or time.
No soft lament nor dreamer's sigh
For him whose words were bread;
The Runic rhyme and spell whereby
The foodless poor were fed!


Pile up the tombs of rank and pride,
O England, as thou wilt!
With pomp to nameless worth denied,
Emblazon titled guilt!
No part or lot in these we claim;
But, o'er the sounding wave,
A common right to Elliott's name,



A freehold in his grave!
269

Barclay Of Ury

Up the streets of Aberdeen,
By the kirk and college green,
Rode the Laird of Ury;
Close behind him, close beside,
Foul of mouth and evil-eyed,
Pressed the mob in fury.


Flouted him the drunken churl,
Jeered at him the serving-girl,
Prompt to please her master;
And the begging carlin, late
Fed and clothed at Ury's gate,
Cursed him as he passed her.


Yet, with calm and stately mien,
Up the streets of Aberdeen
Came he slowly riding;
And, to all he saw and heard,
Answering not with bitter word,
Turning not for chiding.


Came a troop with broad swords swinging,
Bits and bridles sharply ringing,
Loose and free and forward;
Quoth the foremost, 'Ride him down!
Push him! prick him! through the town
Drive the Quaker coward!'


But from out the thickening crowd
Cried a sudden voice and loud:
'Barclay! Ho! a Barclay!
And the old man at his side
Saw a comrade, battle tried,
Scarred and sunburned darkly,


Who with ready weapon bare,
Fronting to the troopers there,
Cried aloud: 'God save us,
Call ye coward him who stood
Ankle deep in Lutzen's blood,
With the brave Gustavus?'


'Nay, I do not need thy sword,
Comrade mine,' said Ury's lord.
'Put it up, I pray thee:
Passive to His holy will,
Trust I in my Master still,
Even though He slay me.


'Pledges of thy love and faith,
Proved on many a field of death,
Not by me are needed.'



Marvelled much that henchman bold,
That his laird, so stout of old,
Now so meekly pleaded.


'Woe's the day!' he sadly said,
With a slowly shaking head,
And a look of pity;
'Ury's honest lord reviled,
Mock of knave and sport of child,
In his own good city!


'Speak the word, and, master mine,
As we charged on Tilly's line,
And his Walloon lancers,
Smiting through their midst we'll teach
Civil look and decent speech
To these boyish prancers!'


'Marvel not, mine ancient friend,
Like beginning, like the end,'
Quoth the Laird of Ury;
'Is the sinful servant more
Than his gracious Lord who bore
Bonds and stripes in Jewry?


'Give me joy that in his name
I can bear, with patient frame,
All these vain ones offer;
While for them He suffereth long,
Shall I answer wrong with wrong,
Scoffing with the scoffer?


'Happier I, with loss of all,
Hunted, outlawed, held in thrall,
With few friends to greet me,
Than when reeve and squire were seen,
Riding our from Aberdeen,
With bared heads to meet me.


'When each goodwife, o'er and o'er,
Blessed me as I passed her door;
And the snooded daughter,
Through her casement glancing down,
Smiled on him who bore renown
From red fields of slaughter.


'Hard to feel the stranger's scoff,
Hard the old friend's falling off,
Hard to learn forgiving;
But the Lord His own rewards,
And His love with theirs accords,
Warm and fresh and living.



'Through this dark and stormy night
Faith beholds a feeble light
Up the blackness streaking;
Knowing God's own time is best,
In a patient hope I rest
For the full day-breaking!'


So the Laird of Ury said,
Turning slow his horse's head
Towards the Tolbooth prison,
Where, through iron gates, he heard
Poor disciples of thee Word
Preach of Christ arisen!


Not in vain, Confessor old,
Unto us the tale is told
Of thy day of trial;
Every age on him who strays
From its broad and beaten ways
Pours its seven-fold vial.


Happy he whose inward ear
Angel comfortings can hear,
O'er the rabble's laughter;
And while Hatred's fagots burn,
Glimpses through the smoke discern
Of the good hereafter.


Knowing this, that never yet
Share of Truth was vainly set
In the world's wide fallow;
After hands shall sow the seed,
After hands from hill and mead
Reap the harvests yellow.


Thus, with somewhat of the Seer,
Must the moral pioneer
From the Future borrow;
Clothe the waste with dreams of grain,
And, on midnight's sky of rain,
Paint the golden morrow!
270

The Wish Of To-Day

I ask not now for gold to gild
With mocking shine a weary frame;
The yearning of the mind is stilled,
I ask not now for Fame.


A rose-cloud, dimly seen above,
Melting in heaven's blue depths away;
Oh, sweet, fond dream of human Love
For thee I may not pray.


But, bowed in lowliness of mind,
I make my humble wishes known;
I only ask a will resigned,
O Father, to Thine own!


To-day, beneath Thy chastening eye
I crave alone for peace and rest,
Submissive in Thy hand to lie,
And feel that it is best.


A marvel seems the Universe,
A miracle our Life and Death;
A mystery which I cannot pierce,
Around, above, beneath.


In vain I task my aching brain,
In vain the sage's thought I scan,
I only feel how weak and vain,
How poor and blind, is man.


And now my spirit sighs for home,
And longs for light whereby to see,
And, like a weary child, would come,
O Father, unto Thee!


Though oft, like letters traced on sand,
My weak resolves have passed away,
In mercy lend Thy helping hand
Unto my prayer to-day!
268

The Pressed Gentian

The time of gifts has come again,
And, on my northern window-pane,
Outlined against the day's brief light,
A Christmas token hangs in sight.


The wayside travellers, as they pass,
Mark the gray disk of clouded glass;
And the dull blankness seems, perchance,
Folly to their wise ignorance.


They cannot from their outlook see
The perfect grace it hath for me;
For there the flower, whose fringes through
The frosty breath of autumn blew,
Turns from without its face of bloom
To the warm tropic of my room,
As fair as when beside its brook
The hue of bending skies it took.


So from the trodden ways of earth,
Seem some sweet souls who veil their worth,
And offer to the careless glance
The clouding gray of circumstance.
They blossom best where hearth-fires burn,
To loving eyes alone they turn
The flowers of inward grace, that hide
Their beauty from the world outside.


But deeper meanings come to me,
My half-immortal flower, from thee!
Man judges from a partial view,
None ever yet his brother knew;
The Eternal Eye that sees the whole
May better read the darkened soul,
And find, to outward sense denied,
The flower upon its inmost side
267

Tauler

Tauler, the preacher, walked, one autumn day,
Without the walls of Strasburg, by the Rhine,
Pondering the solemn Miracle of Life;
As one who, wandering in a starless night,
Feels momently the jar of unseen waves,
And hears the thunder of an unknown sea,
Breaking along an unimagined shore.


And as he walked he prayed. Even the same
Old prayer with which, for half a score of years,
Morning, and noon, and evening, lip and heart
Had groaned: 'Have pity upon me, Lord!
Thou seest, while teaching others, I am blind.
Send me a man who can direct my steps!'


Then, as he mused, he heard along his path
A sound as of an old man's staff among
The dry, dead linden-leaves; and, looking up,
He saw a stranger, weak, and poor, and old.


'Peace be unto thee, father!' Tauler said,
'God give thee a good day!' The old man raised
Slowly his calm blue eyes. 'I thank thee, son;
But all my days are good, and none are ill.'


Wondering thereat, the preacher spake again,
'God give thee happy life.' The old man smiled,
'I never am unhappy.'


Tauler laid
His hand upon the stranger's coarse gray sleeve
'Tell me, O father, what thy strange words mean.
Surely man's days are evil, and his life
Sad as the grave it leads to.' 'Nay, my son,
Our times are in God's hands, and all our days
Are as our needs; for shadow as for sun,
For cold as heat, for want as wealth, alike
Our thanks are due, since that is best which is;
And that which is not, sharing not His life,
Is evil only as devoid of good.
And for the happiness of which I spake,
I find it in submission to his will,
And calm trust in the holy Trinity
Of Knowledge, Goodness, and Almighty Power.'


Silently wondering, for a little space,
Stood the great preacher; then he spake as one
Who, suddenly grappling with a haunting thought
Which long has followed, whispering through the dark
Strange terrors, drags it, shrieking, into light
'What if God's will consign thee hence to Hell?'



'Then,' said the stranger, cheerily, 'be it so.
What Hell may be I know not; this I know,
I
cannot lose the presence of the Lord.
One arm, Humility, takes hold upon
His dear Humanity; the other, Love,
Clasps his Divinity. So where I go
He goes; and better fire-walled Hell with Him
Than golden-gated Paradise without.'


Tears sprang in Tauler's eyes. A sudden light,
Like the first ray which fell on chaos, clove
Apart the shadow wherein he had walked
Darkly at noon. And, as the strange old man
Went his slow way, until his silver hair
Set like the white moon where the hills of vine
Slope to the Rhine, he bowed his head and said
'My prayer is answered. God hath sent the man
Long sought, to teach me, by his simple trust,
Wisdom the weary schoolmen never knew.'


So, entering with a changed and cheerful step
The city gates, he saw, far down the street,
A mighty shadow break the light of noon,
Which tracing backward till its airy lines
Hardened to stony plinths, he raised his eyes
O'er broad facade and lofty pediment,
O'er architrave and frieze and sainted niche,
Up the stone lace-work chiselled by the wise
Erwin of Steinbach, dizzily up to where
In the noon-brightness the great Minster's tower,
Jewelled with sunbeams on its mural crown,
Rose like a visible prayer. 'Behold!' he said,
'The stranger's faith made plain before mine eyes.
As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top,
So, darkness in the pathway of Man's life
Is but the shadow of God's providence,
By the great Sun of Wisdom cast thereon;
And what is dark below is light in Heaven.'
267

How The Robin Came

AN ALGONQUIN LEGEND.

HAPPY young friends, sit by me,
Under May's blown apple-tree,
While these home-birds in and out
Through the blossoms flit about.
Hear a story, strange and old,
By the wild red Indians told,
How the robin came to be:


Once a great chief left his son,-Well-
beloved, his only one,-When
the boy was well-nigh grown,
In the trial-lodge alone.
Left for tortures long and slow
Youths like him must undergo,
Who their pride of manhood test,
Lacking water, food, and rest.


Seven days the fast he kept,
Seven nights he never slept.
Then the young boy, wrung with pain,
Weak from nature's overstrain,
Faltering, moaned a low complaint
'Spare me, father, for I faint!'
But the chieftain, haughty-eyed,
Hid his pity in his pride.
'You shall be a hunter good,
Knowing never lack of food;
You shall be a warrior great,
Wise as fox and strong as bear;
Many scalps your belt shall wear,
If with patient heart you wait
Bravely till your task is done.
Better you should starving die
Than that boy and squaw should cry
Shame upon your father's son!'


When next morn the sun's first rays
Glistened on the hemlock sprays,
Straight that lodge the old chief sought,
And boiled sainp and moose meat brought.
'Rise and eat, my son!' he said.
Lo, he found the poor boy dead!


As with grief his grave they made,
And his bow beside him laid,
Pipe, and knife, and wampum-braid,
On the lodge-top overhead,
Preening smooth its breast of red
And the brown coat that it wore,
Sat a bird, unknown before.



And as if with human tongue,
'Mourn me not,' it said, or sung;
'I, a bird, am still your son,
Happier than if hunter fleet,
Or a brave, before your feet
Laying scalps in battle won.
Friend of man, my song shall cheer
Lodge and corn-land; hovering near,
To each wigwam I shall bring
Tidings of the corning spring;
Every child my voice shall know
In the moon of melting snow,
When the maple's red bud swells,
And the wind-flower lifts its bells.
As their fond companion
Men shall henceforth own your son,
And my song shall testify
That of human kin am I.'


Thus the Indian legend saith
How, at first, the robin came
With a sweeter life from death,
Bird for boy, and still the same.
If my young friends doubt that this
Is the robin's genesis,
Not in vain is still the myth
If a truth be found therewith
Unto gentleness belong
Gifts unknown to pride and wrong;
Happier far than hate is praise,-He
who sings than he who slays.
269

The Vanishers

Sweetest of all childlike dreams
In the simple Indian lore
Still to me the legend seems
Of the shapes who flit before.


Flitting, passing, seen and gone,
Never reached nor found at rest,
Baffling search, but beckoning on
To the Sunset of the Blest.


From the clefts of mountain rocks,
Through the dark of lowland firs,
Flash the eyes and flow the locks
Of the mystic Vanishers!


And the fisher in his skiff,
And the hunter on the moss,
Hear their call from cape and cliff,
See their hands the birch-leaves toss.


Wistful, longing, through the green
Twilight of the clustered pines,
In their faces rarely seen
Beauty more than mortal shines.


Fringed with gold their mantles flow
On the slopes of westering knolls;
In the wind they whisper low
Of the Sunset Land of Souls.


Doubt who may, O friend of mine!
Thou and I have seen them too;
On before with beck and sign
Still they glide, and we pursue.


More than clouds of purple trail
In the gold of setting day;
More than gleams of wing or sail
Beckon from the sea-mist gray.


Glimpses of immortal youth,
Gleams and glories seen and flown,
Far-heard voices sweet with truth,
Airs from viewless Eden blown;


Beauty that eludes our grasp,
Sweetness that transcends our taste,
Loving hands we may not clasp,
Shining feet that mock our haste;


Gentle eyes we closed below,
Tender voices heard once more,



Smile and call us, as they go
On and onward, still before.

Guided thus, O friend of mine
Let us walk our little way,
Knowing by each beckoning sign
That we are not quite astray.

Chase we still, with baffled feet,
Smiling eye and waving hand,
Sought and seeker soon shall meet,
Lost and found, in Sunset Land
269

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