Poems List

Personal

Personal


In an envelope marked:
PERSONAL
God addressed me a letter.
In an envelope marked:
PERSONAL
I have given my answer.
418

Oppression

Oppression


Now dreams
Are not available
To the dreamers,
Nor songs
To the singers.

In some lands
Dark night
And cold steel
Prevail
But the dream
Will come back,
And the song
Break
Its jail.
410

My People

My People

The night is beautiful,
So the faces of my people.


The stars are beautiful,
So the eyes of my people.


Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
402

Negro Speaks of Rivers

Negro Speaks of Rivers

I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human veins

My soul has grown deep like the rivers.


I bathed in the Euphrates when dawns were young
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln


went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.
453

Mother to Son

Mother to Son

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
486

Minstrel Man

Minstrel Man

Because my mouth
Is wide with laughter
And my throat
Is deep with song,
You do not think
I suffer after
I have held my pain
So long?


Because my mouth
Is wide with laughter,
You do not hear
My inner cry?
Because my feet
Are gay with dancing,
You do not know
I die?
500

Madam and The Rent Man

Madam and The Rent Man

The rent man knocked.
He said, Howdy-do?
I said, What
Can I do for you?
He said, You know
Your rent is due.


I said, Listen,
Before I'd pay
I'd go to Hades
And rot away!


The sink is broke,
The water don't run,
And you ain't done a thing
You promised to've done.


Back window's cracked,
Kitchen floor squeaks,
There's rats in the cellar,
And the attic leaks.


He said, Madam,
It's not up to me.
I'm just the agent,
Don't you see?


I said, Naturally,
You pass the buck.
If it's money you want
You're out of luck.


He said, Madam,
I ain't pleased!
I said, Neither am I.
So we agrees!
502

Me And The Mule

Me And The Mule

My old mule,
He's gota grin on his face.
He's been a mule so long
He's forgotten about his race.


I'm like that old mule --
Black -- and don't give a damn!
You got to take me
Like I am.
442

Madam and the Census Man

Madam and the Census Man

The census man,
The day he came round,
Wanted my name
To put it down.


I said, Johnson,
Alberta K.
But he hated to write
The K that way.


He said, What
Does K stand for?
I said, K--
And nothing more.


He said, I'm gonna put it
KÐAÐY.
I said, If you do,
You lie.


My mother christened me
Alberta K.
You leave my name
Just that way!


He said, Mrs.,
(With a snort)
Just a K
Makes your name too short.


I said, I don't
Give a damn!
Leave me and my name
Just like I am!


Furthermore, rub out
That MRS., too-I'll
have you know
I'm Madam to you!
391

Love Song for Lucinda

Love Song for Lucinda

Love
Is a ripe plum
Growing on a purple tree.
Taste it once
And the spell of its enchantment
Will never let you be.

Love
Is a bright star
Glowing in far Southern skies.
Look too hard
And its burning flame
Will always hurt your eyes.

Love
Is a high mountain
Stark in a windy sky.
If you
Would never lose your breath
Do not climb too high.
402

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

James Mercer Langston Hughes was an American poet, social-class activist, novelist, playwright, and columnist. He is widely regarded as a central figure of the Harlem Renaissance. Born in Joplin, Missouri, he later established his primary residence in Harlem, New York City. Hughes wrote in English and became a powerful voice for Black Americans.

Childhood and education

Hughes's childhood was marked by frequent moves and instability. He attended high school in Cleveland, Ohio, where he began writing poetry. He briefly attended Columbia University in New York City but felt more connected to the vibrant cultural life of Harlem. He graduated from Lincoln University, a historically black college, where he continued to develop his writing.

Literary trajectory

Hughes's literary career began to flourish in the 1920s during the Harlem Renaissance. His first collection of poetry, The Weary Blues (1926), was critically acclaimed and established his distinctive voice. He went on to publish numerous poetry collections, novels, plays, essays, and an autobiography. He also worked as a journalist and editor, further solidifying his influence.

Works, style, and literary characteristics

Hughes's major works include The Weary Blues, Fine Clothes to the Jew, The Dream Keeper and Other Poems, and Montage of a Dream Deferred. His poetry is characterized by its focus on the lives and experiences of ordinary Black Americans, its use of blues and jazz rhythms, and its accessible language. Themes include racial injustice, the dreams and struggles of Black people, the beauty of Black culture, and the search for identity. His style is often described as lyrical, musical, and direct. He embraced various forms, from traditional verse to free verse, incorporating colloquialisms and African American vernacular.

Cultural and historical context

Hughes was a pivotal figure during the Harlem Renaissance, a period of immense artistic and intellectual flowering for Black Americans in the 1920s and 1930s. He actively engaged with the social and political issues of his time, including racism, economic inequality, and the fight for civil rights. His work reflects the Great Migration, the urban experiences of Black Americans, and the cultural pride of the era.

Personal life

Hughes traveled extensively, living in various parts of the United States and abroad, including time in Africa and Europe. His personal life was marked by a commitment to his community and a dedication to his art. He maintained strong connections with other artists and intellectuals of the Harlem Renaissance.

Recognition and reception

Hughes received significant recognition during his lifetime and posthumously. He won numerous awards for his poetry and was widely celebrated for his contributions to American literature and his role in promoting Black culture and consciousness. His work continues to be studied, performed, and admired.

Influences and legacy

Hughes was influenced by poets like Carl Sandburg and Vachel Lindsay, as well as the musical traditions of blues and jazz. His legacy is profound; he is credited with shaping modern Black literature and bringing the experiences of Black Americans to a national audience. His innovative use of musical forms in poetry and his consistent advocacy for racial equality have had a lasting impact on subsequent generations of writers and activists.

Interpretation and critical analysis

Hughes's poetry is often analyzed for its powerful portrayal of the Black experience in America, its celebration of Black culture, and its subtle yet firm critique of racial injustice. His use of blues and jazz structures is frequently examined for its contribution to the musicality and emotional depth of his verse.

Curiosities and lesser-known aspects

Hughes was a prolific writer who also worked as a translator, a lyricist for musical productions, and wrote a popular newspaper column, "The Hughes", under various pseudonyms. He often drew inspiration from everyday conversations and observations.

Death and memory

Langston Hughes died in New York City in 1967. He is remembered as one of America's most important poets, a key figure of the Harlem Renaissance, and a tireless advocate for civil rights and Black identity.