Poems List

Droning a drowsy syncopated tune, Rocking back and forth to a mellow croon, I heard a Negro play. Down on Lenox Avenue the other night By the pale dull pallor of an old gas light He did a lazy sway… He did a lazy sway… To the tune o’ those Weary Blues.

The Weary Blues [1926]

I got the Weary Blues And I can’t be satisfied.

The Weary Blues

1

Rest at pale evening… A tall slim tree… Night coming tenderly Black like me.

Dream Variations [1926]

I am a Negro:

Negro [1926]

2

I’ve known rivers: I’ve known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers.

The Negro Speaks of Rivers [1926]

2

Wisdom and War

Wisdom and War

We do not care-
That much is clear.
Not enough
Of us care
Anywhere.
We are not wise-
For that reason,
Mankind dies.
To think
Is much against
The will.
Better-
And easier-
To kill.
325

Walkers with the Dawn

Walkers with the Dawn

Being walkers with the dawn and morning,
Walkers with the sun and morning,
We are not afraid of night,
Nor days of gloom,
Nor darkness--
Being walkers with the sun and morning.
322

When Sue Wears Red

When Sue Wears Red

When Susanna Jones wears red
her face is like an ancient cameo
Turned brown by the ages.
Come with a blast of trumphets, Jesus!


When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.
Blow trumphets, Jesus!


And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like a pain.
Sweet silver trumphets, Jesus!
337

Trumpet Player

Trumpet Player

The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs

The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jetwere
jet a crown

the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-

Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size

The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips

It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note
409

To Artina

To Artina

I will take you heart.
I will take your soul out of your body
As though I were God.
I will not be satisfied
With the touch of your hand
Nor the sweet of your lips alone.
I will take your heart for mine.
I will take your soul.
I will be God when it comes to you.
472

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Identification and basic context

James Mercer Langston Hughes was an American poet, social-class activist, novelist, playwright, and columnist. He is widely regarded as a central figure of the Harlem Renaissance. Born in Joplin, Missouri, he later established his primary residence in Harlem, New York City. Hughes wrote in English and became a powerful voice for Black Americans.

Childhood and education

Hughes's childhood was marked by frequent moves and instability. He attended high school in Cleveland, Ohio, where he began writing poetry. He briefly attended Columbia University in New York City but felt more connected to the vibrant cultural life of Harlem. He graduated from Lincoln University, a historically black college, where he continued to develop his writing.

Literary trajectory

Hughes's literary career began to flourish in the 1920s during the Harlem Renaissance. His first collection of poetry, The Weary Blues (1926), was critically acclaimed and established his distinctive voice. He went on to publish numerous poetry collections, novels, plays, essays, and an autobiography. He also worked as a journalist and editor, further solidifying his influence.

Works, style, and literary characteristics

Hughes's major works include The Weary Blues, Fine Clothes to the Jew, The Dream Keeper and Other Poems, and Montage of a Dream Deferred. His poetry is characterized by its focus on the lives and experiences of ordinary Black Americans, its use of blues and jazz rhythms, and its accessible language. Themes include racial injustice, the dreams and struggles of Black people, the beauty of Black culture, and the search for identity. His style is often described as lyrical, musical, and direct. He embraced various forms, from traditional verse to free verse, incorporating colloquialisms and African American vernacular.

Cultural and historical context

Hughes was a pivotal figure during the Harlem Renaissance, a period of immense artistic and intellectual flowering for Black Americans in the 1920s and 1930s. He actively engaged with the social and political issues of his time, including racism, economic inequality, and the fight for civil rights. His work reflects the Great Migration, the urban experiences of Black Americans, and the cultural pride of the era.

Personal life

Hughes traveled extensively, living in various parts of the United States and abroad, including time in Africa and Europe. His personal life was marked by a commitment to his community and a dedication to his art. He maintained strong connections with other artists and intellectuals of the Harlem Renaissance.

Recognition and reception

Hughes received significant recognition during his lifetime and posthumously. He won numerous awards for his poetry and was widely celebrated for his contributions to American literature and his role in promoting Black culture and consciousness. His work continues to be studied, performed, and admired.

Influences and legacy

Hughes was influenced by poets like Carl Sandburg and Vachel Lindsay, as well as the musical traditions of blues and jazz. His legacy is profound; he is credited with shaping modern Black literature and bringing the experiences of Black Americans to a national audience. His innovative use of musical forms in poetry and his consistent advocacy for racial equality have had a lasting impact on subsequent generations of writers and activists.

Interpretation and critical analysis

Hughes's poetry is often analyzed for its powerful portrayal of the Black experience in America, its celebration of Black culture, and its subtle yet firm critique of racial injustice. His use of blues and jazz structures is frequently examined for its contribution to the musicality and emotional depth of his verse.

Curiosities and lesser-known aspects

Hughes was a prolific writer who also worked as a translator, a lyricist for musical productions, and wrote a popular newspaper column, "The Hughes", under various pseudonyms. He often drew inspiration from everyday conversations and observations.

Death and memory

Langston Hughes died in New York City in 1967. He is remembered as one of America's most important poets, a key figure of the Harlem Renaissance, and a tireless advocate for civil rights and Black identity.