Art

Sweet Singer that I loe the maist
O' ony, sin' wi' eager haste
I smacket bairn-lips ower the taste
O' hinnied sang,
I hail thee, though a blessed ghaist
In Heaven lang!


For weel I ken, nae cantie phrase,
Nor courtly airs, nor lairdly ways,
Could gar me freer blame, or praise,
Or proffer hand,
Where 'Rantin' Robbie' and his lays
Thegither stand.


And sae these hamely lines I send,
Wi' jinglin' words at ilka end,
In echo o' the sangs that wend
Frae thee to me
Like simmer-brooks, wi mony a bend
O' wimplin' glee.


In fancy, as wi' dewy een,
I part the clouds aboon the scene
Where thou wast born, and peer atween,
I see nae spot
In a' the Hielands half sae green
And unforgot?


I see nae storied castle-hall,
Wi' banners flauntin' ower the wall
And serf and page in ready call,
Sae grand to me
As ane puir cotter's hut, wi' all
Its poverty.


There where the simple daisy grew
Sae bonnie sweet, and modest too,
Thy liltin' filled its wee head fu'
O' sic a grace,
It aye is weepin' tears o' dew
Wi' droopit face.


Frae where the heather bluebells fling
Their sangs o' fragrance to the Spring,
To where the lavrock soars to sing,
Still lives thy strain,
For' a' the birds are twittering
Sangs like thine ain.


And aye, by light o' sun or moon,
By banks o' Ayr, or Bonnie Doon,
The waters lilt nae tender tune



But sweeter seems
Because they poured their limpid rune
Through a' thy dreams.


Wi' brimmin' lip, and laughin' ee,
Thou shookest even Grief wi' glee,
Yet had nae niggart sympathy
Where Sorrow bowed,
But gavest a' thy tears as free
As a' thy gowd.


And sae it is we be thy name
To see bleeze up wi' sic a flame,
That a' pretentious stars o' fame
Maun blink asklent,
To see how simple worth may shame
Their brightest glent.

Where are the Poets, unto whom belong
The Olympian heights; whose singing shafts were sent
Straight to the mark, and not from bows half bent,
But with the utmost tension of the thong?
Where are the stately argosies of song,
Whose rushing keels made music as they went
Sailing in search of some new continent,
With all sail set, and steady winds and strong?
Perhaps there lives some dreamy boy, untaught
In schools, some graduate of the field or street,
Who shall become a master of the art,
An admiral sailing the high seas of thought,
Fearless and first, and steering with his fleet
For lands not yet laid down in any chart.

Euclid alone has looked on Beauty bare.
Let all who prate of Beauty hold their peace,
And lay them prone upon the earth and cease
To ponder on themselves, the while they stare
At nothing, intricately drawn nowhere
In shapes of shifting lineage; let geese
Gabble and hiss, but heroes seek release
From dusty bondage into luminous air.
O blinding hour, O holy, terrible day,
When first the shaft into his vision shone
Of light anatomized! Euclid alone
Has looked on Beauty bare. Fortunate they
Who, though once only and then but far away,
Have heard her massive sandal set on stone.

I send Two Sunsets-
Day and I-in competition ran-
I finished Two-and several Stars-
While He-was making One-

His own was ampler-but as I
Was saying to a friend
Mine-
is the more convenient
To Carry in the Hand-

.
All June I bound the rose in sheaves.
Now, rose by rose, I strip the leaves
And strew them where Pauline may pass.
She will not turn aside? Alas!
Let them lie. Suppose they die?
The chance was they might take her eye.
II.
How many a month I strove to suit
These stubborn fingers to the lute!
To-day I venture all I know.
She will not hear my music? So!
Break the string; fold music's wing:
Suppose Pauline had bade me sing!
III.
My whole life long I learned to love.
This hour my utmost art I prove
And speak my passion---heaven or hell?
She will not give me heaven? 'Tis well!
Lose who may---I still can say,
Those who win heaven, blest are they!

In the old churchyard of his native town,
And in the ancestral tomb beside the wall,
We laid him in the sleep that comes to all,
And left him to his rest and his renown.
The snow was falling, as if Heaven dropped down
White flowers of Paradise to strew his pall;--
The dead around him seemed to wake, and call
His name, as worthy of so white a crown.
And now the moon is shining on the scene,
And the broad sheet of snow is written o'er
With shadows cruciform of leafless trees,
As once the winding-sheet of Saladin
With chapters of the Koran; but, ah! more
Mysterious and triumphant signs are these.

Here, shunning idleness at once and praise,
This radiant pile nine rural sisters raise;
The glittering emblem of each spotless dame,
Clear as her soul and shining as her frame;
Beauty which nature only can impart,
And such a polish as disgraces art;
But Fate disposed them in this humble sort,
And hid in deserts what would charm a Court.

This diamond, Juliet, will adorn
Ephemeral beauties yet unborn.
While my strong verse, for ever new,
Shall still adorn immortal you.

Count not the cost of honour to the dead!
The tribute that a mighty nation pays
To those who loved her well in former days
Means more than gratitude for glories fled;
For every noble man that she hath bred,
Lives in the bronze and marble that we raise,
Immortalized by art's immortal praise,
To lead our sons as he our fathers led.


These monuments of manhood strong and high
Do more than forts or battle-ships to keep
Our dear-bought liberty. They fortify
The heart of youth with valour wise and deep;
They build eternal bulwarks, and command
Eternal strength to guard our native land.

It was a man of many parts,
Who in his coffer mind
Had stored the Classics and the Arts
And Sciences combined;
The purest gems of poesy
Came flashing from his pen--
The wholesome truths of History
He gave his fellow men.


He knew the stars from 'Dog' to Mars;
And he could tell you, too,
Their distances--as though the cars
Had often checked him through--
And time 'twould take to reach the sun,
Or by the 'Milky Way,'
Drop in upon the moon, or run
The homeward trip, or stay.


With Logic at his fingers' ends,
Theology in mind,
He often entertained his friends
Until they died resigned;
And with inquiring mind intent
Upon Alchemic arts
A dynamite experiment-.
. . . . . .
A man of many parts!

Mine eye hath played the painter and hath stelled,
Thy beauty's form in table of my heart,
My body is the frame wherein 'tis held,
And perspective it is best painter's art.
For through the painter must you see his skill,
To find where your true image pictured lies,
Which in my bosom's shop is hanging still,
That hath his windows glazed with thine eyes:
Now see what good turns eyes for eyes have done,
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, where-through the sun
Delights to peep, to gaze therein on thee;
Yet eyes this cunning want to grace their art,
They draw but what they see, know not the heart.

And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man-Dark-
complected and sallor too,
And on the consumpted plan.


'Stid o' that you're little and small,
With a milk-and-water face-'
Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.


'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.


Used to teach fer a livelihood-There's
folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!


Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.


He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats



With his 'Do-sol-fa-me-ra!'


Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!


He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.


And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.


He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing-'
Way in the night, you know.


And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.


And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup



On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.

Publication -- is the Auction
Of the Mind of Man --
Poverty -- be justifying
For so foul a thing

Possibly -- but We -- would rather
From Our Garret go
White -- Unto the White Creator --
Than invest -- Our Snow --

Thought belong to Him who gave it --
Then -- to Him Who bear
Its Corporeal illustration -- Sell
The Royal Air --

In the Parcel -- Be the Merchant
Of the Heavenly Grace --
But reduce no Human Spirit
To Disgrace of Price --

I

BIRTHDAY VERSES

Dear Aldrich, now November's mellow days
Have brought another Festa round to you,
You can't refuse a loving-cup of praise
From friends the fleeting years have bound to you.


Here come your Marjorie Daw, your dear Bad Boy,
Prudence, and Judith the Bethulian,
And many more, to wish you birthday joy,
And sunny hours, and sky caerulean!


Your children all, they hurry to your den,
With wreaths of honour they have won for you,
To merry-make your threescore years and ten.
You, old? Why, life has just begun for you!


There's many a reader whom your silver songs
And crystal stories cheer in loneliness.
What though the newer writers come in throngs?
You're sure to keep your charm of only-ness.


You do your work with careful, loving touch, --
An artist to the very core of you, --
You know the magic spell of "not-too-much ":
We read, -- and wish that there was more of you.


And more there is: for while we love your books
Because their subtle skill is part of you;
We love you better, for our friendship looks
Behind them to the human heart of you.


November 24, 1906.


II


MEMORIAL SONNET


THIS is the house where little Aldrich read
The early pages of Life's wonder-book:
With boyish pleasure, in this ingle-nook
He watched the drift-wood fire of Fancy spread
Bright colours on the pictures, blue and red:
Boy-like he skipped the longer words, and took
His happy way, with searching, dreamful look
Among the deeper things more simply said.


Then, came his turn to write: and still the flame
Of Fancy played through all the tales he told,



And still he won the laurelled poet's fame
With simple words wrought into rhymes of gold.
Look, here's the face to which this house is frame, --
A man too wise to let his heart grow old!

In a great land, a new land, a land full of labour
and riches and confusion,
Where there were many running to and fro, and
shouting, and striving together,
In the midst of the hurry and the troubled noise,
I heard the voice of one singing.


"What are you doing there, O man, singing
quietly amid all this tumult?
This is the time for new inventions, mighty
shoutings, and blowings of the trumpet."
But he answered, "I am only shepherding my
sheep with music."


So he went along his chosen way, keeping his
little flock around him;
And he paused to listen, now and then, beside
the antique fountains,
Where the faces of forgotten gods were refreshed
with musically falling waters;


Or he sat for a while at the blacksmith's door,
and heard the cling-clang of the anvils;
Or he rested beneath old steeples full of bells,
that showered their chimes upon him;
Or he walked along the border of the sea,
drinking in the long roar of the billows;


Or he sunned himself in the pine-scented shipyard,
amid the tattoo of the mallets;
Or he leaned on the rail of the bridge, letting
his thoughts flow with the whispering river;
He hearkened also to ancient tales, and made
them young again with his singing.


Then a flaming arrow of death fell on his flock,
and pierced the heart of his dearest!
Silent the music now, as the shepherd entered
the mystical temple of sorrow:
Long he tarried in darkness there: but when he
came out he was singing.


And I saw the faces of men and women and
children silently turning toward him;
The youth setting out on the journey of life, and
the old man waiting beside the last mile-stone;
The toiler sweating beneath his load; and the
happy mother rocking her cradle;


The lonely sailor on far-off seas; and the greyminded
scholar in his book-room;
The mill-hand bound to a clacking machine; and



the hunter in the forest;
And the solitary soul hiding friendless in the
wilderness of the city;


Many human faces, full of care and longing, were
drawn irresistibly toward him,
By the charm of something known to every heart,
yet very strange and lovely,
And at the sound of that singing wonderfully
all their faces were lightened.


"Why do you listen, O you people, to this old
and world-worn music?
This is not for you, in the splendour of a new
age, in the democratic triumph!
Listen to the clashing cymbals, the big drums, the
brazen trumpets of your poets."


But the people made no answer, following in
their hearts the simpler music:
For it seemed to them, noise-weary, nothing
could be better worth the hearing
Than the melodies which brought sweet order
into life's confusion.


So the shepherd sang his way along, until he
came unto a mountain:
And I know not surely whether it was called
Parnassus,
But he climbed it out of sight, and still I heard
the voice of one singing.

I MIND the days when ladies fair
Helped on my overcoat,
And tucked the silken handkerchief
About my precious throat;
They used to see the poet’s soul
In every song I wrote.


They pleaded hard, but I had work
To do, and could not stay
I used to work the whole night through,
And what have you to say?


’Twas clever, handsome woman then,
And I their rising star;
I could not see they worshipped me,
Because I saw too far.
(’Tis well for one or two, I think,
That things are as they are.)


(I used to write for writing’s sake,
I used to write till day,
I loved my prose and poetry,
And what have you to say?)


I guess if one should meet me now
That she would gasp to think,
She ever knew a thing like me,
As down the street I slink,
And trembling cadge from some old pal
The tray-bit for a drink.


I used to drink with gentlemen
To pass an hour away:
I drink long beers in common bars,
And what have you to say?


But often, in the darkest night
(And ’tis a wondrous thing)—
When others see the devils dance,
I hear the angels sing,
And round the drunkard’s lonely bed
Heaven’s nurses whispering.


I wrote for Truth and Right alone,
I wrote from night till day;
I’ll find a drunken pauper grave,
And what have you to say?
Good night!
Good day!
My noble friends,
And what have you to say?

I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.


Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.


My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.


Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.


Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:


And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.


Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.

Muse, 'tis enough: at length thy labour ends,
And thou shalt live, for Buckingham commends.
Let Crowds and Critics now my verse assail,
Let Dennis write, and nameless numbers rail:
This more than pays whole years of thankless pain;
Time, health, and fortune are not lost in vain.
Sheffield approves, consenting Phoebus bends,
And I and Malice from this hour are friends.

A song of Enchantment I sang me there,
In a green-green wood, by waters fair,
Just as the words came up to me
I sang it under the wild wood tree.
Widdershins turned I, singing it low,
Watching the wild birds come and go;
No cloud in the deep dark blue to be seen
Under the thick-thatched branches green.
Twilight came: silence came:
The planet of Evening's silver flame;
By darkening paths I wandered through
Thickets trembling with drops of dew.
But the music is lost and the words are gone
Of the song I sang as I sat alone,
Ages and ages have fallen on me -
On the wood and the pool and the elder tree.

Hot gold runs a winding stream on the inside of a green bowl.


Yellow trickles in a fan figure, scatters a line of skirmishes, spreads a chorus
of dancing girls, performs blazing ochre evolutions, gathers the whole show into
one stream, forgets the past and rolls on.


The sea-mist green of the bowl's bottom is a dark throat of sky crossed by
quarreling forks of umber and ochre and yellow changing faces.

I.
Oft have I seen at some cathedral door
A laborer, pausing in the dust and heat,
Lay down his burden, and with reverent feet
Enter, and cross himself, and on the floor
Kneel to repeat his paternoster o'er;
Far off the noises of the world retreat;
The loud vociferations of the street
Become an undistinguishable roar.
So, as I enter here from day to day,
And leave my burden at this minster gate,
Kneeling in prayer, and not ashamed to pray,
The tumult of the time disconsolate
To inarticulate murmurs dies away,
While the eternal ages watch and wait.
II.
How strange the sculptures that adorn these towers!
This crowd of statues, in whose folded sleeves
Birds build their nests; while canopied with leaves
Parvis and portal bloom like trellised bowers,
And the vast minster seems a cross of flowers!
But fiends and dragons on the gargoyled eaves
Watch the dead Christ between the living thieves,
And, underneath, the traitor Judas lowers!
Ah! from what agonies of heart and brain,
What exultations trampling on despair,
What tenderness, what tears, what hate of wrong,
What passionate outcry of a soul in pain,
Uprose this poem of the earth and air,
This medieval miracle of song!
III.
I enter, and I see thee in the gloom
Of the long aisles, O poet saturnine!
And strive to make my steps keep pace with thine.
The air is filled with some unknown perfume;
The congregation of the dead make room
For thee to pass; the votive tapers shine;
Like rooks that haunt Ravenna's groves of pine
The hovering echoes fly from tomb to tomb.
From the confessionals I hear arise
Rehearsals of forgotten tragedies,
And lamentations from the crypts below;
And then a voice celestial, that begins
With the pathetic words, 'Although your sins
As scarlet be,' and ends with 'as the snow.'
IV.
With snow-white veil and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe

From which thy song and all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain height; and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam,
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoe--the remembered dream
And the forgotten sorrow--bring at last
That perfect pardon which is perfect peace.


V.
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love,
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
VI.
O star of morning and of liberty!
O bringer of the light, whose splendor shines
Above the darkness of the Apennines,
Forerunner of the day that is to be!
The voices of the city and the sea,
The voices of the mountains and the pines,
Repeat thy song, till the familiar lines
Are footpaths for the thought of Italy!
Thy fame is blown abroad from all the heights,
Through all the nations, and a sound is heard,
As of a mighty wind, and men devout,
Strangers of Rome, and the new proselytes,
In their own language hear thy wondrous word,
And many are amazed and many doubt.

LET the Greek his plastic clay

Mould in human fashion,
While his own creation may
Wake his glowing passion;
But it is our joy to court
Great Euphrates' torrent,


Here and there at will to sport
In the Wat'ry current.
Quench'd I thus my spirit's flame,
Songs had soon resounded;


Water drawn by bards whose fame
Pure is, may be rounded.

The audience entire seemed pleased--indeed
_Extremely_ pleased. And little Maymie, freed
From her task of instructing, ran to show
Her wondrous colored picture to and fro
Among the company.

'And how comes it,' said
Some one to Mr. Hammond, 'that, instead
Of the inventor's life you did not choose
The _artist's?_--since the world can better lose
A cutting-box or reaper than it can
A noble picture painted by a man
Endowed with gifts this drawing would suggest'--
Holding the picture up to show the rest.
'_There now!_' chimed in the wife, her pale face lit
Like winter snow with sunrise over it,-'
That's what _I'm_ always asking him.--But _he_-_
Well_, as he's answering _you_, he answers _me_,--
With that same silent, suffocating smile
He's wearing now!'

For quite a little while
No further speech from anyone, although
All looked at Mr. Hammond and that slow,
Immutable, mild smile of his. And then
The encouraged querist asked him yet again
_Why was it_, and etcetera--with all
The rest, expectant, waiting 'round the wall,--
Until the gentle Mr. Hammond said
He'd answer with a '_parable_,' instead--
About 'a dreamer' that he used to know-'
An artist'--'master'--_all_--in _embryo_.

Ha! My dear! I'm back again--
Vendor of Bohemia's wares!
Lordy! How it pants a man
Climbing up those awful stairs!
Well, I've made the dealer say
Your sketch _might_ sell, anyway!
And I've made a publisher
Hear my poem, Kate, my dear.


In Bohemia, Kate, my dear--
Lodgers in a musty flat
On the top floor--living here
Neighborless, and used to that,--
Like a nest beneath the eaves,
So our little home receives
Only guests of chirping cheer-We'll
be happy, Kate, my dear!


Under your north-light there, you
At your easel, with a stain
On your nose of Prussian blue,
Paint your bits of shine and rain;
With my feet thrown up at will
O'er my littered window-sill,
I write rhymes that ring as clear
As your laughter, Kate, my dear.


Puff my pipe, and stroke my hair--
Bite my pencil-tip and gaze
At you, mutely mooning there
O'er your 'Aprils' and your 'Mays!'
Equal inspiration in
Dimples of your cheek and chin,
And the golden atmosphere
Of your paintings, Kate, my dear!


_Trying_! Yes, at times it is,
To clink happy rhymes, and fling
On the canvas scenes of bliss,
When we are half famishing!--
When your 'jersey' rips in spots,
And your hat's 'forget-me-nots'
Have grown tousled, old and sere--
It is trying, Kate, my dear!


But--as sure--_some_ picture sells,
And--sometimes--the poetry--
Bless us! How the parrot yells
His acclaims at you and me!
How we revel then in scenes
Of high banqueting!--sardines-Salads--
olives--and a sheer



Pint of sherry, Kate, my dear!

Even now I cross your palm,
With this great round world of gold!-'
Talking wild?' Perhaps I am--
Then, this little five-year-old!--
Call it anything you will,
So it lifts your face until
I may kiss away that tear
Ere it drowns me, Kate, my dear.