Humanity and Solidarity

I.
I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark . . .
I look on the sky and the sea.
II.
O pilgrim-souls, I speak to you!
I see you come out proud and slow
From the land of the spirits pale as dew. . .
And round me and round me ye go!
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe.
III.
And thus I thought that I would come
And kneel here where I knelt before,
And feel your souls around me hum
In undertone to the ocean's roar;
And lift my black face, my black hand,
Here, in your names, to curse this land
Ye blessed in freedom's evermore.
IV.
I am black, I am black;
And yet God made me, they say.
But if He did so, smiling back
He must have cast His work away
Under the feet of His white creatures,
With a look of scorn,--that the dusky features
Might be trodden again to clay.
V.
And yet He has made dark things
To be glad and merry as light.
There's a little dark bird sits and sings;
There's a dark stream ripples out of sight;
And the dark frogs chant in the safe morass,
And the sweetest stars are made to pass
O'er the face of the darkest night.
VI.
But we who are dark, we are dark!
Ah, God, we have no stars!
About our souls in care and cark
Our blackness shuts like prison bars:
The poor souls crouch so far behind,
That never a comfort can they find

By reaching through the prison-bars.

VII.
Indeed, we live beneath the sky, . . .
That great smooth Hand of God, stretched out
On all His children fatherly,
To bless them from the fear and doubt,
Which would be, if, from this low place,
All opened straight up to His face
Into the grand eternity.
VIII.
And still God's sunshine and His frost,
They make us hot, they make us cold,
As if we were not black and lost:
And the beasts and birds, in wood and fold,
Do fear and take us for very men!
Could the weep-poor-will or the cat of the glen
Look into my eyes and be bold?
IX.
I am black, I am black!--
But, once, I laughed in girlish glee;
For one of my colour stood in the track
Where the drivers drove, and looked at me--
And tender and full was the look he gave:
Could a slave look so at another slave?--
I look at the sky and the sea.
X.
And from that hour our spirits grew
As free as if unsold, unbought:
Oh, strong enough, since we were two
To conquer the world, we thought!
The drivers drove us day by day;
We did not mind, we went one way,
And no better a liberty sought.
XI.
In the sunny ground between the canes,
He said 'I love you' as he passed:
When the shingle-roof rang sharp with the rains,
I heard how he vowed it fast:
While others shook, he smiled in the hut
As he carved me a bowl of the cocoa-nut,
Through the roar of the hurricanes.
XII.
I sang his name instead of a song;
Over and over I sang his name--
Upward and downward I drew it along
My various notes; the same, the same!

I sang it low, that the slave-girls near
Might never guess from aught they could hear,
It was only a name.


XIII.
I look on the sky and the sea--
We were two to love, and two to pray,--
Yes, two, O God, who cried to Thee,
Though nothing didst Thou say.
Coldly Thou sat'st behind the sun!
And now I cry who am but one,
How wilt Thou speak to-day?--
XIV.
We were black, we were black!
We had no claim to love and bliss:
What marvel, if each turned to lack?
They wrung my cold hands out of his,--
They dragged him . . . where ? . . . I crawled to touch
His blood's mark in the dust! . . . not much,
Ye pilgrim-souls, . . . though plain as this!
XV.
Wrong, followed by a deeper wrong!
Mere grief's too good for such as I.
So the white men brought the shame ere long
To strangle the sob of my agony.
They would not leave me for my dull
Wet eyes!--it was too merciful
To let me weep pure tears and die.
XVI.
I am black, I am black!--
I wore a child upon my breast
An amulet that hung too slack,
And, in my unrest, could not rest:
Thus we went moaning, child and mother,
One to another, one to another,
Until all ended for the best:
XVII.
For hark ! I will tell you low . . . Iow . . .
I am black, you see,--
And the babe who lay on my bosom so,
Was far too white . . . too white for me;
As white as the ladies who scorned to pray
Beside me at church but yesterday;
Though my tears had washed a place for my knee.
XVIII.
My own, own child! I could not bear
To look in his face, it was so white.

I covered him up with a kerchief there;
I covered his face in close and tight:
And he moaned and struggled, as well might be,
For the white child wanted his liberty--
Ha, ha! he wanted his master right.


XIX.
He moaned and beat with his head and feet,
His little feet that never grew--
He struck them out, as it was meet,
Against my heart to break it through.
I might have sung and made him mild--
But I dared not sing to the white-faced child
The only song I knew.
XX.
I pulled the kerchief very close:
He could not see the sun, I swear,
More, then, alive, than now he does
From between the roots of the mango . . . where
. . . I know where. Close! a child and mother
Do wrong to look at one another,
When one is black and one is fair.
XXI.
Why, in that single glance I had
Of my child's face, . . . I tell you all,
I saw a look that made me mad . . .
The master's look, that used to fall
On my soul like his lash . . . or worse!
And so, to save it from my curse,
I twisted it round in my shawl.
XXII.
And he moaned and trembled from foot to head,
He shivered from head to foot;
Till, after a time, he lay instead
Too suddenly still and mute.
I felt, beside, a stiffening cold, . . .
I dared to lift up just a fold . . .
As in lifting a leaf of the mango-fruit.
XXIII.
But my fruit . . . ha, ha!--there, had been
(I laugh to think on't at this hour! . . .)
Your fine white angels, who have seen
Nearest the secret of God's power, . . .
And plucked my fruit to make them wine,
And sucked the soul of that child of mine,
As the humming-bird sucks the soul of the flower.
XXIV.

Ha, ha, for the trick of the angels white!
They freed the white child's spirit so.
I said not a word, but, day and night,
I carried the body to and fro;
And it lay on my heart like a stone . . . as chill.
--The sun may shine out as much as he will:
I am cold, though it happened a month ago.


XXV.
From the white man's house, and the black man's hut,
I carried the little body on,
The forest's arms did round us shut,
And silence through the trees did run:
They asked no question as I went,--
They stood too high for astonishment,--
They could see God sit on His throne.
XXVI.
My little body, kerchiefed fast,
I bore it on through the forest . . . on:
And when I felt it was tired at last,
I scooped a hole beneath the moon.
Through the forest-tops the angels far,
With a white sharp finger from every star,
Did point and mock at what was done.
XXVII.
Yet when it was all done aright, . . .
Earth, 'twixt me and my baby, strewed,
All, changed to black earth, . . . nothing white, . . .
A dark child in the dark,--ensued
Some comfort, and my heart grew young:
I sate down smiling there and sung
The song I learnt in my maidenhood.
XXVIII.
And thus we two were reconciled,
The white child and black mother, thus:
For, as I sang it, soft and wild
The same song, more melodious,
Rose from the grave whereon I sate!
It was the dead child singing that,
To join the souls of both of us.
XXIX.
I look on the sea and the sky!
Where the pilgrims' ships first anchored lay,
The free sun rideth gloriously;
But the pilgrim-ghosts have slid away
Through the earliest streaks of the morn.
My face is black, but it glares with a scorn
Which they dare not meet by day.

XXX.
Ah!--in their 'stead, their hunter sons!
Ah, ah! they are on me--they hunt in a ring--
Keep off! I brave you all at once--
I throw off your eyes like snakes that sting!
You have killed the black eagle at nest, I think:
Did you never stand still in your triumph, and shrink
From the stroke of her wounded wing?
XXXI.
(Man, drop that stone you dared to lift!--)
I wish you, who stand there five a-breast,
Each, for his own wife's joy and gift,
A little corpse as safely at rest
As mine in the mangos!--Yes, but she
May keep live babies on her knee,
And sing the song she liketh best.
XXXll.
I am not mad: I am black.
I see you staring in my face--
I know you, staring, shrinking back--
Ye are born of the Washington-race:
And this land is the free America:
And this mark on my wrist . . . (I prove what I say)
Ropes tied me up here to the flogging-place.


XXXIII.
You think I shrieked then? Not a sound!
I hung, as a gourd hangs in the sun.
I only cursed them all around,
As softly as I might have done
My very own child!--From these sands
Up to the mountains, lift your hands,
O slaves, and end what I begun!
XXXIV.
Whips, curses; these must answer those!
For in this UNION, you have set
Two kinds of men in adverse rows,
Each loathing each: and all forget
The seven wounds in Christ's body fair;
While HE sees gaping everywhere
Our countless wounds that pay no debt.
XXXV.
Our wounds are different. Your white men
Are, after all, not gods indeed,
Nor able to make Christs again
Do good with bleeding. We who bleed . . .
(Stand off!) we help not in our loss!

We are too heavy for our cross,
And fall and crush you and your seed.


XXXVI.
I fall, I swoon! I look at the sky:
The clouds are breaking on my brain;
I am floated along, as if I should die
Of liberty's exquisite pain--
In the name of the white child, waiting for me
In the death-dark where we may kiss and agree,
White men, I leave you all curse-free
In my broken heart's disdain!

AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
(Arous'd and angry, I'd thought to beat the alarum, and urge relentless war,
but soon my fingers fail'd me, my face droop'd and I resign'd myself,
To sit by the wounded and soothe them, or silently watch the dead
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave
Now be witness again—paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains?


2


O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
Soldier alert I arrive, after a long march, cover’d with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful
charge;
Enter the captur’d works.... yet lo! like a swift-running river, they fade;
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’ joys;
(Both I remember well—many the hardships, few the joys, yet I was content.)


But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
With hinged knees returning, I enter the doors—(while for you up there,
Whoever you are, follow me without noise, and be of strong heart.)


3


Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near—not one do I miss;



An attendant follows, holding a tray—he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.


I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each—the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes—(poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.)


On, on I go!—(open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand, tear not the bandage away
The neck of the cavalry-man, with the bullet through and through, I examine;
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard;
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.)


From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curv’d neck, and side-falling head;
His eyes are closed, his face is pale, he dares not look on the bloody stump,
And has not yet look’d on it.


I dress a wound in the side, deep, deep;
But a day or two more—for see, the frame all wasted already, and sinking,
And the yellow-blue countenance see.


I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me, holding the tray and pail.


I am faithful, I do not give out;
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand, (yet deep in my breast a fire, a burning
flame.)


4



Thus in silence, in dreams’ projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night—some are so young;
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)

Arise to birth with me, my brother.
Give me your hand out of the depths
sown by your sorrows.
You will not return from these stone fastnesses.
You will not emerge from subterranean time.
Your rasping voice will not come back,
nor your pierced eyes rise from their sockets.


Look at me from the depths of the earth,
tiller of fields, weaver, reticent shepherd,
groom of totemic guanacos,
mason high on your treacherous scaffolding,
iceman of Andean tears,
jeweler with crushed fingers,
farmer anxious among his seedlings,
potter wasted among his clays-bring
to the cup of this new life
your ancient buried sorrows.
Show me your blood and your furrow;
say to me: here I was scourged
because a gem was dull or because the earth
failed to give up in time its tithe of corn or stone.
Point out to me the rock on which you stumbled,
the wood they used to crucify your body.
Strike the old flints
to kindle ancient lamps, light up the whips
glued to your wounds throughout the centuries
and light the axes gleaming with your blood.


I come to speak for your dead mouths.


Throughout the earth
let dead lips congregate,
out of the depths spin this long night to me
as if I rode at anchor here with you.


And tell me everything, tell chain by chain,
and link by link, and step by step;
sharpen the knives you kept hidden away,
thrust them into my breast, into my hands,
like a torrent of sunbursts,
an Amazon of buried jaguars,
and leave me cry: hours, days and years,
blind ages, stellar centuries.


And give me silence, give me water, hope.


Give me the struggle, the iron, the volcanoes.


Let bodies cling like magnets to my body.


Come quickly to my veins and to my mouth.



Speak through my speech, and through my blood.

WHO includes diversity, and is Nature,

Who is the amplitude of the earth, and the coarseness and sexuality
of the earth, and the great charity of the earth, and the
equilibrium also,

Who has not look'd forth from the windows, the eyes, for nothing, or
whose brain held audience with messengers for nothing;
Who contains believers and disbelievers--Who is the most majestic
lover;
Who holds duly his or her triune proportion of realism, spiritualism,

and of the aesthetic, or intellectual,
Who, having consider'd the Body, finds all its organs and parts good;
Who, out of the theory of the earth, and of his or her body,

understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of These
States;
Who believes not only in our globe, with its sun and moon, but in
other globes, with their suns and moons;
Who, constructing the house of himself or herself, not for a day, but
for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable
together.

I SIT and look out upon all the sorrows of the world, and upon all
oppression and shame;
I hear secret convulsive sobs from young men, at anguish with
themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying,
neglected, gaunt, desperate;
I see the wife misused by her husband--I see the treacherous seducer
of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be
hid--I see these sights on the earth;
I see the workings of battle, pestilence, tyranny--I see martyrs and
prisoners;
I observe a famine at sea--I observe the sailors casting lots who
shall be kill'd, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon
laborers, the poor, and upon negroes, and the like;
All these--All the meanness and agony without end, I sitting, look
out upon,
See, hear, and am silent.

These children-suffering
from a lack of mother's care,
in rags, their bodies covered with dirt,
faces dried up from starving all day, scornful,
their bodies feverish, skin chapped all over.
They can't even get a meager meal
from laboring all day.
Ignoring them-O Rich, O Ruler,
how can you stand the taste of monda, mithai, khaja?
Starving, when they see you-eating,
they beg silently with their pathetic eyes.
Shame on you!-How do you still go on gorging?
All that rice you store in your binsjust
a portion of it could save them.
You have such a wide variety of clothing;
these children do not have even as much
as the rag you polish your shoes with.
You've trunk loads of clothing,
while these children freeze to death all night long
with their mothers lying in corridors and lanes.


You feel so happy from hugs and kisses
from your children,
their mothers weep holding them in their bosoms.
Your children have no dearth of toys,
their toys are what's been thrown outan
embarrassment for their mothers.
Their unkempt hair, turning brownish and matted,
their skin blackened from roaming about in the sun,
for no reason they get beaten and scolded by people.
Your children cry 'bloody murder' for minor incidents,
whereas they have at most a sombre face
even when their hearts break from sadness.
The mothers of these unfortunate childrenstanding
aloof-who understands how much pain there is
in their tearful eyes?
If there's a slight touch of fever
in your children, ten doctors come rushing to check them.
But for these children-even when they have a high temperature,
there's none to offer them even a sip of water;
reduced to skeletons, they die in their mothers' arms.
They don't eat pomegranates or grapes when they are sick;
they think they have the world
by getting just a piece of sugar candy.
Your children go to sleep in rocking cradles,
these children sleep under the tamarind tree;
even the most stone-hearted aught to be moved to see this.


Nobody understands their misery,
everybody despises them
and thinks, 'Why do they litter the streets?'
So take heed, a burning stomach needs to complain;



I don't wish that even on my enemies. .
Even in such misery,
God will supposedly grant them welfare-that's
the only consolation for the poor.


[Original: Goriber baytha; Translation: Sajed Kamal]

Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.


My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,



your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.


But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.

Come hither, the 'fallen', the 'impure', the 'outcastes'!
Let us all worship The Holy Mother together!


Only when all castes and all nations
Assemble at Her feet, side by side without fear;
Only where we are not bound by temple, priest or scriptures
Can we properly worship the Goddess


Only when brothers sit side by side, worshiping together
Will she embrace those who call Her by name
Descending from Her throne in the heavens,
Sitting amongst us on the dusty earthly ground.
The Goddess' altar will become sacred only when
Her holy water is blessed by the touch of us all.


Because we have ignored Her true message,
Brother has turned against brother
Today, upon seeing the Goddess in Her full splendor,
You will realize that we are all children of the same Mother


And heaven, earth and the entire universe will erupt in awe,
Awoken by our invocation to the Holy Mother
Fearlessly chanted by all in unison.


[Translated by: Udayan Chattopadhyay]

Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.


Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.


Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the Negro mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --
For I will be with you till no white brother
Dares keep down the children of the Negro Mother.

The People of the Eastern Ice, they are melting like the snow--
They beg for coffee and sugar; they go where the white men go.
The People of the Western Ice, they learn to steal and fight;
They sell their furs to the trading-post; they sell their souls to
the white.
The People of the Southern Ice, they trade with the whaler's
crew;
Their women have many ribbons, but their tents are torn and few.
But the People of the Elder Ice, beyond the white man's ken--
Their spears are made of the narwhal-horn, and they are the last
of the Men!

I HEARD a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.
To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.
Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure:---
But the least motion which they made,
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?

when serpents bargain for the right to squirm
and the sun strikes to gain a living wage when
thorns regard their roses with alarm
and rainbows are insured against old age


when every thrush may sing no new moon in
if all screech-owls have not okayed his voice


-and any wave signs on the dotted line
or else an ocean is compelled to close
when the oak begs permission of the birch
to make an acorn - valleys accuse their
mountains of having altitude - and march
denounces april as a saboteur


then we'll believe in that incredible
unanimal mankind (and not until)

What it takes on this planet,
to make love to each other in peace.
Everyone pries under your sheets,
everyone interferes with your loving.
They say terrible things about a man and a woman,
who after much milling about,
all sorts of compunctions,
do something unique,
they both lie with each other in one bed.
I ask myself whether frogs are so furtive,
or sneeze as they please.
Whether they whisper to each other in swamps about illegitimate frogs,
or the joys of amphibious living.
I ask myself if birds single out enemy birds,
or bulls gossip with bullocks before they go out in public with cows.
Even the roads have eyes and the parks their police.
Hotels spy on their guests,
windows name names,
canons and squadrons debark on missions to liquidate love.
All those ears and those jaws working incessantly,
till a man and his girl
have to raise their climax,
full tilt,
on a bicycle.

. "What is the price of Experience? do men buy it for a song?
. Or wisdom for a dance in the street? No, it is bought with the price
. Of all that a man hath, his house, his wife, his children.
. Wisdom is sold in the desolate market where none come to buy,
. And in the wither'd field where the farmer plows for bread in vain.
. It is an easy thing to triumph in the summer's sun
. And in the vintage and to sing on the waggon loaded with corn.
. It is an easy thing to talk of patience to the afflicted,
. To speak the laws of prudence to the houseless wanderer,
. To listen to the hungry raven's cry in wintry season
. When the red blood is fill'd with wine and with the marrow of lambs.
. It is an easy thing to laugh at wrathful elements,
. To hear the dog howl at the wintry door, the ox in the slaughter house moan;
. To see a god on every wind and a blessing on every blast;
. To hear sounds of love in the thunder storm that destroys our enemies' house;
. To rejoice in the blight that covers his field, and the sickness that cuts off his
children,
. While our olive and vine sing and laugh round our door, and our children bring
fruits and flowers.
. Then the groan and the dolor are quite forgotten, and the slave grinding at the
mill,
. And the captive in chains, and the poor in the prison, and the soldier in the field
. When the shatter'd bone hath laid him groaning among the happier dead.
. It is an easy thing to rejoice in the tents of prosperity:
. Thus could I sing and thus rejoice: but it is not so with me."
. "Compel the poor to live upon a crust of bread, by soft mild arts.
. Smile when they frown, frown when they smile; and when a man looks pale
. With labour and abstinence, say he looks healthy and happy;
. And when his children sicken, let them die; there are enough
. Born, even too many, and our earth will be overrun
. Without these arts. If you would make the poor live with temper,
. With pomp give every crust of bread you give; with gracious cunning
. Magnify small gifts; reduce the man to want a gift, and then give with pomp.
. Say he smiles if you hear him sigh. If pale, say he is ruddy.
. Preach temperance: say he is overgorg'd and drowns his wit
. In strong drink, though you know that bread and water are all
. He can afford. Flatter his wife, pity his children, till we can
. Reduce all to our will, as spaniels are taught with art."
. The sun has left his blackness and has found a fresher morning,
. And the mild moon rejoices in the clear and cloudless night,
. And Man walks forth from midst of the fires: the evil is all consum'd.
. His eyes behold the Angelic spheres arising night and day;
. The stars consum'd like a lamp blown out, and in their stead, behold
. The expanding eyes of Man behold the depths of wondrous worlds!
. One Earth, one sea beneath; nor erring globes wander, but stars
. Of fire rise up nightly from the ocean; and one sun


. Each morning, like a new born man, issues with songs and joy
. Calling the Plowman to his labour and the Shepherd to his rest.
. He walks upon the Eternal Mountains, raising his heavenly voice,
. Conversing with the animal forms of wisdom night and day,
. That, risen from the sea of fire, renew'd walk o'er the Earth;
. For Tharmas brought his flocks upon the hills, and in the vales
. Around the Eternal Man's bright tent, the little children play
. Among the woolly flocks. The hammer of Urthona sounds
. In the deep caves beneath; his limbs renew'd, his Lions roar
. Around the Furnaces and in evening sport upon the plains.
. They raise their faces from the earth, conversing with the Man:
. "How is it we have walk'd through fires and yet are not consum'd?
. How is it that all things are chang'd, even as in ancient times?"

Rise up to be born with me, brother.
Give me your hand from the deep
Zone seeded by your sorrow.
You won’t return from under the rocks.
You won’t return from your subterranean time.
Your hardened voice won’t return.
Your gouged-out eyes won’t return.


Look at me from the depth of the earth,
laborer, weaver, silent shepherd:
tamer of wild llamas like spirit images:
construction worker on a daring scaffold:
waterer of the tears of the Andes:
jeweler with broken fingers:
farmer trembling as you sow:
potter, poured out into your clay:
bring to the cup of this new life
your old buried sorrows.
Show me your blood and your furrow,
Tell me, “Here I was punished,
Because the jewel didn’t shine or the earth
Didn’t yield grain or stones on time.”
Show me the stone you fell over
And the wood on which they crucified you,
Make a spark from the old flints for me,
For the old lamps to show the whips still stuck
After centuries in the old wounds
And the axes shining with blood.
I come to speak for your dead mouth.
Across the earth come together all
The silent worn-out lips
And from the depth speak to me all this long night
Like I was pinned down there with you.
Tell me all, chain by chain,
Link by link and step by step,
Sharpen the knives which you hid,
Put them in my breast and in my hand,
Like a river of yellow lighting
Like a river of buried jaguars
And let me weep, hours, days, years,
For blind ages, cycles of stars.


Give me silence, water, hope.


Give me struggle, iron, volcanoes.


Stick bodies to me like magnets.


Draw near to my veins and my mouth.


Speak through my words and my blood.

The Four Archangels, so the legends tell,
Raphael, Gabriel, Michael, Azrael,
Being first of those to whom the Power was shown
Stood first of all the Host before The Throne,
And, when the Charges were allotted, burst
Tumultuous-winged from out the assembly first.
Zeal was their spur that bade them strictly heed
Their own high judgment on their lightest deed.
Zeal was their spur that, when relief was given,
Urged them unwearied to new toils in Heaven;
For Honour's sake perfecting every task
Beyond what e 'en Perfection's self could ask. . .
And Allah, Who created Zeal and Pride,
Knows how the twain are perilous-near allied.
It chanced on one of Heaven's long-lighted days,
The Four and all the Host being gone their ways
Each to his Charge, the shining Courts were void
Save for one Seraph whom no charge employed,
With folden wings and slumber-threatened brow,
To whom The Word: "Beloved, what dost thou?"
"By the Permission," came the answer soft,
Little I do nor do that little oft.
As is The Will in Heaven so on Earth
Where by The Will I strive to make men mirth"
He ceased and sped, hearing The Word once more:
" Beloved, go thy way and greet the Four."
Systems and Universes overpast,
The Seraph came upon the Four, at last,
Guiding and guarding with devoted mind
The tedious generations of mankind
Who lent at most unwilling ear and eye
When they could not escape the ministry. . . .
Yet, patient, faithful, firm, persistent, just
Toward all that gross, indifferent, facile dust,
The Archangels laboured to discharge their trust
By precept and example, prayer and law,
Advice, reproof, and rule, but, labouring, saw
Each in his fellows' countenance confessed,
The Doubt that sickens: "Have I done my best?"
Even as they sighed and turned to toil anew,
The Seraph hailed them with observance due;
And, after some fit talk of higher things,
Touched tentative on mundane happenings.
This they permitting, he, emboldened thus,
Prolused of humankind promiscuous,
And, since the large contention less avails
Than instances observed, he told them tales--
Tales of the shop, the bed, the court, the street,


Intimate, elemental, indiscreet:
Occasions where Confusion smiting swift
Piles jest on jest as snow-slides pile the drift
Whence, one by one, beneath derisive skies,
The victims' bare, bewildered heads arise--
Tales of the passing of the spirit, graced
With humour blinding as the doom it faced--
Stark tales of ribaldy that broke aside
To tears, by laughter swallowed ere they dried-
Tales to which neither grace nor gain accrue,
But Only (Allah be exalted!) true,
And only, as the Seraph showed that night,
Delighting to the limits of delight.
These he rehearsed with artful pause and halt,
And such pretence of memory at fault,
That soon the Four--so well the bait was thrown--
Came to his aid with memories of their own--
Matters dismissed long since as small or vain,
Whereof the high significance had lain
Hid, till the ungirt glosses made it plain.
Then, as enlightenment came broad and fast,
Each marvelled at his own oblivious past
Until--the Gates of Laughter opened wide--
The Four, with that bland Seraph at their side,
While they recalled, compared, and amplified,
In utter mirth forgot both Zeal and Pride!
High over Heaven the lamps of midnight burned
Ere, weak with merriment, the Four returned,
Not in that order they were wont to keep--
Pinion to pinion answering, sweep for sweep,
In awful diapason heard afar--
But shoutingly adrift 'twixt star and star;
Reeling a planet's orbit left or right
As laughter took them in the abysmal Night;
Or, by the point of some remembered jest,
Winged and brought helpless down through gulfs unguessed,
Where the blank worlds that gather to the birth
Leaped in the Womb of Darkness at their mirth,
And e'en Gehenna's bondsmen understood.
They were not damned from human brotherhood . . .
Not first nor last of Heaven's high Host, the Four
That night took place beneath The Throne once more.
lovelier than their morning majesty,
The understanding light behind the eye!
more compelling than their old command,
The new-learned friendly gesture of the hand!
sweeter than their zealous fellowship,


The wise half-smile that passed from lip to lip!
well and roundly, when Command was given,
They told their tale against themselves to Heaven,
And in the silence, waiting on The Word,
Received the Peace and Pardon of The Lord!

Read here:
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.
Because the city gave him of her gold,
Because the caravans brought turquoises,
Because his life was sheltered by the King,
So that no man should maim him, none should steal,
Or break his rest with babble in the streets
When he was weary after toil, he made
An image of his God in gold and pearl,
With turquoise diadem and human eyes,
A wonder in the sunshine, known afar,
And worshipped by the King; but, drunk with pride,
Because the city bowed to him for God,
He wrote above the shrine: "Thus Gods are made,
And whoso makes them otherwise shall die."
And all the city praised him. . . . Then he died.
Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.
Because the city had no wealth to give,
Because the caravans were spoiled afar,
Because his life was threatened by the King,
So that all men despised him in the streets,
He hewed the living rock, with sweat and tears,
And reared a God against the morning-gold,
A terror in the sunshine, seen afar,
And worshipped by the King; but, drunk with pride,
Because the city fawned to bring him back,
He carved upon the plinth: "Thus Gods are made,
And whoso makes them otherwise shall die."
And all the people praised him. . . . Then he died.
Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.
Because he lived among a simple folk,
Because his village was between the hills,
Because he smeared his cheeks with blood of ewes,
He cut an idol from a fallen pine,
Smeared blood upon its cheeks, and wedged a shell
Above its brows for eyes, and gave it hair
Of trailing moss, and plaited straw for crown.
And all the village praised him for this craft,
And brought him butter, honey, milk, and curds.
Wherefore, because the shoutings drove him mad,
He scratched upon that log: "Thus Gods are made,
And whoso makes them otherwise shall die."
And all the people praised him. . . . Then he died.
Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.
Because his God decreed one clot of blood


Should swerve one hair's-breadth from the pulse's path,
And chafe his brain, Evarra mowed alone,
Rag-wrapped, among the cattle in the fields,
Counting his fingers, jesting with the trees,
And mocking at the mist, until his God
Drove him to labour. Out of dung and horns
Dropped in the mire he made a monstrous God,
Abhorrent, shapeless, crowned with plantain tufts,
And when the cattle lowed at twilight-time,
He dreamed it was the clamour of lost crowds,
And howled among the beasts: "Thus Gods are made,
And whoso makes them otherwise shall die."
Thereat the cattle bellowed. . . . Then he died.
Yet at the last he came to Paradise,
And found his own four Gods, and that he wrote;
And marvelled, being very near to God,
What oaf on earth had made his toil God's law,
Till God said mocking: "Mock not. These be thine."
Then cried Evarra: "I have sinned!" -- "Not so.
If thou hadst written otherwise, thy Gods
Had rested in the mountain and the mine,
And I were poorer by four wondrous Gods,
And thy more wondrous law, Evarra. Thine,
Servant of shouting crowds and lowing kine."
Thereat, with laughing mouth, but tear-wet eyes,
Evarra cast his Gods from Paradise.
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.

We are the people who once sacrificed their lives

for truth and righteousness.
We brought to this earth equality and fraternity,
We bound her in a bond of friendliness and unity.
From underneath the fiery desert sand

we brought forth cool soothing waters
and quenched the thirst of the sin-ridden universe
We are the people who broke down the walls
that had put the poor below
and the rich above.
We preached the doctrine of equality and love.

Not for the Muslims alone had Islam come.
One who owed allegiance to Allah
and sought truth above all things

was indeed a true Muslim.
We belong to the same people
who once wiped out the difference

between the prince and the pauper.
To us all men are free and equal.
We were the first to liberate the female,
we gave her equal rights with the male.
We demolished the false barriers
that men had built to keep men apart.
We removed the veil

from the face of the night,
and brought to the world the light
of hope and happiness.

[Original: Dharmer pathe shahid jahara; Translation: Kabir Chowdhury]

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and


stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!


The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,


The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,

The night pervades them and infolds them.

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,

The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.


The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?


The female that loves unrequited sleeps,
And the male that loves unrequited sleeps,
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the

most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.


Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is


beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,

each in turn,
I dream in my dream all the dreams of the other dreamers,
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and


resume the way;
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.


Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.


I roll myself upon you, as upon a bed--I resign myself to the
dusk.

He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.


Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic!
O for pity's sake, no one must see me now! my clothes were stolen



while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!

Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,

I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.

The cloth laps a first sweet eating and drinking,

Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;

The white teeth stay, and the boss-tooth advances in darkness,

And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward.

I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,

I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,

It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,

Whoever is not in his coffin and the dark grave, let him know he has
enough.

I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,

His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,

I see his white body--I see his undaunted eyes,

I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of



his middle age?

Steady and long he struggles,

He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,

The slapping eddies are spotted with his blood--they bear him away-they
roll him, swing him, turn him,

His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks,

Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.


The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.


I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.


I search with the crowd--not one of the company is wash'd to us
alive;

In the morning I help pick up the dead and lay them in rows in a
barn.

Now of the older war-days, the defeat at Brooklyn,

Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,

His face is cold and damp--he cannot repress the weeping drops,

He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,

He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,

He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,

The officers speechless and slow draw near in their turns,

The chief encircles their necks with his arm, and kisses them on the
cheek,

He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army.

Now I tell what my mother told me to-day as we sat at dinner
together,


Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her


face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and

pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity,
She made her sit on a bench by the jamb of the fireplace--she cook'd

food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the

afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.

Now Lucifer was not dead--or if he was, I am his sorrowful terrible

heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me.

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.

A show of the summer softness! a contact of something unseen! an

amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me!
Autumn and winter are in the dreams--the farmer goes with his thrift,


The droves and crops increase, and the barns are well-fill'd.

Elements merge in the night--ships make tacks in the dreams,

The sailor sails--the exile returns home,

The fugitive returns unharm'd--the immigrant is back beyond months
and years,

The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,

They warmly welcome him--he is barefoot again, he forgets he is well
off;

The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,

To every port of England, France, Spain, enter well-fill'd ships,

The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way,

The Swede returns, and the Dane and Norwegian return.

The homeward bound, and the outward bound,

The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,

The actor and actress, those through with their parts, and those
waiting to commence,

The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,

The great already known, and the great any time after to-day,

The stammerer, the sick, the perfect-form'd, the homely,

The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,

The laugher and weeper, the dancer, the midnight widow, the red
squaw,

The consumptive, the erysipelite, the idiot, he that is wrong'd,

The antipodes, and every one between this and them in the dark,

I swear they are averaged now--one is no better than the other,

The night and sleep have liken'd them and restored them.

I swear they are all beautiful;

Every one that sleeps is beautiful--everything in the dim light is
beautiful,

The wildest and bloodiest is over, and all is peace.

Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;

The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind,

It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,

Perfect and clean the genitals previously jetting, and perfect and


clean the womb cohering,

The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.

The Soul is always beautiful,

The universe is duly in order, everything is in its place,

What has arrived is in its place, and what waits is in its place;

The twisted skull waits, the watery or rotten blood waits,

The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,

The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,

The diverse shall be no less diverse, but they shall flow and unite-they
unite now.

The sleepers are very beautiful as they lie unclothed,

They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,

The Asiatic and African are hand in hand--the European and American
are hand in hand,

Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,

The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,

The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,

The white hair of the mother shines on the white wrist of the
daughter,

The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,

The scholar kisses the teacher, and the teacher kisses the scholar-the
wrong'd is made right,

The call of the slave is one with the master's call, and the master
salutes the slave,

The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,

The sweatings and fevers stop--the throat that was unsound is sound-the
lungs of the consumptive are resumed--the poor distress'd
head is free,

The joints of the rheumatic move as smoothly as ever, and smoother
than ever,

Stiflings and passages open--the paralyzed become supple,

The swell'd and convuls'd and congested awake to themselves in
condition,

They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.


Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you;
I love the rich running day, but I do not desert her in whom I lay so


long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.



Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope



Good morning.

I recall that man and not two centuries
have passed since I saw him,
he went neither by horse nor by carriage:
purely on foot
he outstripped
distances,
and carried no sword or armour,
only nets on his shoulder,
axe or hammer or spade,
never fighting the rest of his species:
his exploits were with water and earth,
with wheat so that it turned into bread,
with giant trees to render them wood,
with walls to open up doors,
with sand to construct the walls,
and with ocean for it to bear.


I knew him and he is still not cancelled in me.


The carriages fell to pieces,
war destroyed doors and walls,
the city was a handful of ashes,
all the clothes turned to dust,
and he remains to me,
he survives in the sand,
when everything before
seemed imperishable but him.


In the going and coming of families
at times he was my father or kinsman
or perhaps it was scarcely him or not
the one who did not return to his house
because water or earth swallowed him up
or a tree or an engine killed him,
or he was the saddened carpenter
who went behind the coffin, without tears,
someone in the end who had no name,
except those that metal or timber have,
and on whom others gazed from on high
without seeing the ant
for the anthill
and so that when his feet did not stir,
because the poor exhausted one had died,
they never saw what they had not seen:
already there were other feet where he'd been.


The other feet were still his,
and the other hands,
the man remained:
when it seemed that now he was done for
he was the same once more,
there he was digging again at the earth,



cutting cloth, minus a shirt,
there he was and was not, like before,
he had gone down and was once more,
and since he never owned graveyards,
or tombs, nor was his name carved
on the stone he sweated to quarry,
no one knew he had come
and no one knew when he died,
so that only when the poor man could
he returned to life once more, without it being noted.


He was the man, no doubt of it, without heritage,
without cattle, without a flag,
and he was not distinguished from others,
the others who were him,
from the heights he was grey like the subsoil,
tanned like the leather,
he was yellow reaping the wheat,
he was black down in the mine,
he was the colour of stone on the fortress,
in the fishing boat the colour of tuna,
and the colour of horses in the meadow:
how could anyone distinguish him
if he was inseparable, elemental,
earth, coal or sea vested in man?


Where he lived whatever
a man touched grew:
the hostile stones,
quarried
by his hands,
took on order
and one by one formed
the right clarity of a building,
he made bread with his hands,
moved the engines,
the distances peopled themselves with towns,
other men grew,
bees arrived,
and by man's creating and breeding
spring walked the market squares
between bakeries and doves.


The maker of loaves was forgotten,
he who quarried and journeyed, beating down
and opening furrows, transporting sand,
when everything existed he no longer existed,
he gave his existence, that's all.
He went elsewhere to labour, and at last
he was dead, rolling
like a stone in the river:
death carried him downstream.



I, who knew him, saw him descend
till he was no longer except what he left:
roads he could scarcely know,
houses he never ever would live in.


I turn to see him, and I await him


I see him in his grave and resurrected.


I distinguish him among all
who are his equals
and it seems to me it cannot be,
that like this we go nowhere,
that to survive like this holds no glory.


I believe that this man
must be enthroned, rightly shod and crowned.
I believe that those who made such things
must be the masters of all these things.
And that those who made bread should eat!


And those in the mines must have light!


Enough now of grey men enslaved!


Enough of the pale 'missing ones'!


Not another man passes except as a king.


Not a single woman without her crown.


Golden gauntlets for every hand.


Fruits of the sun for all the unknowns!


I knew that man and when I could,
when he still had eyes in his head,
when he still had a voice in his mouth
I searched for him among tombs, and I said
grasping his arm that was not yet dust:


'All will be gone, you will live on,


You ignite life.


You made what is yours.'


So let no one trouble themselves when
I seem to be alone and am not alone,
I am with no one and speak for them all:



Some listen to me, without knowing,
but those I sing, those who do know
go on being born, and will fill up the Earth.

I.
The morning watch was come; the vessel lay
Her course, and gently made her liquid way;
The cloven billow flashed from off her prow
In furrows formed by that majestic plough;
The waters with their world were all before;
Behind, the South Sea's many an islet shore.
The quiet night, now dappling, 'gan to wane,
Dividing darkness from the dawning main;
The dolphins, not unconscious of the day,
Swam high, as eager of the coming ray;
The stars from broader beams began to creep,
And lift their shining eyelids from the deep;
The sail resumed its lately shadowed white,
And the wind fluttered with a freshening flight;
The purpling Ocean owns the coming Sun,
But ere he breaka
deed is to be done.
e
II.
The gallant Chief within his cabin slept,
Secure in those by whom the watch was kept:
His dreams were of Old England's welcome shore,
Of toils rewarded, and of dangers o'er;
His name was added to the glorious roll
Of those who search the stormsurrounded
Pole.
The worst was over, and the rest seemed sure,
And why should not his slumber be secure?
Alas! his deck was trod by unwilling feet,
And wilder hands would hold the vessel's sheet;
Young hearts, which languished for some sunny isle,
Where summer years and summer women smile;
Men without country, who, too long estranged,
Had found no native home, or found it changed,
And, half uncivilised, preferred the cave
Of some soft savage to the uncertain wave
The
gushing fruits that nature gave untilled;
The wood without a pathbut
where they willed;
The field o'er which promiscuous Plenty poured
Her horn; the equal land without a lord;
The wishwhich
ages have not yet subdued
In manto
have no master save his mood
The earth, whose mine was on its face, unsold,
The glowing sun and produce all its gold;
The Freedom which can call each grot a home;
The general garden, where all steps may roam,
Where Nature owns a nation as her child,
Exulting in the enjoyment of the wild
Their shells, their fruits, the only wealth they know,
Their unexploring navy, the canoe
Their sport, the dashing breakers and the chase;
Their strangest sight, an European face
Such was the country which these strangers yearned

To see againa
sight they dearly earned.

III.
Awake, bold Bligh! the foe is at the gate!
Awake! awake!
Alas!
it is too late!
Fiercely beside thy cot the mutineer
Stands, and proclaims the reign of rage and fear.
Thy limbs are bound, the bayonet at thy breast;
The hands, which trembled at thy voice, arrest;
Dragged o'er the deck, no more at thy command
The obedient helm shall veer, the sail expand;
That savage Spirit, which would lull by wrath
Its desperate escape from Duty's path,
Glares round thee, in the scarce believing eyes
Of those who fear the Chief they sacrifice:
For ne'er can Man his conscience all assuage,
Unless he drain the wine of PassionRage.
IV.
In vain, not silenced by the eye of Death,
Thou call'st the loyal with thy menaced breath
They come not; they are few, and, overawed,
Must acquiesce, while sterner hearts applaud.
In vain thou dost demand the cause: a curse
Is all the answer, with the threat of worse.
Full in thine eyes is waved the glittering blade,
Close to thy throat the pointed bayonet laid.
The levelled muskets circle round thy breast
In hands as steeled to do the deadly rest.
Thou dar'st them to their worst, exclaiming'
Fire!'
But they who pitied not could yet admire;
Some lurking remnant of their former awe
Restrained them longer than their broken law;
They would not dip their souls at once in blood,
But left thee to the mercies of the flood.
V.
'Hoist out the boat!' was now the leader's cry;
And who dare answer 'No!' to Mutiny,
In the first dawning of the drunken hour,
The Saturnalia of unhopedfor
power?
The boat is lowered with all the haste of hate,
With its slight plank between thee and thy fate;
Her only cargo such a scant supply
As promises the death their hands deny;
And just enough of water and of bread
To keep, some days, the dying from the dead:
Some cordage, canvass, sails, and lines, and twine,
But treasures all to hermits of the brine,
Were added after, to the earnest prayer
Of those who saw no hope, save sea and air;
And last, that trembling vassal of the Pole
The feeling compass
Navigation's
soul.

VI.
And now the selfelected
Chief finds time
To stun the first sensation of his crime,
And raise it in his followers'
Ho! the bowl!'
Lest passion should return to reason's shoal.
'Brandy for heroes!' Burke could once exclaim
No
doubt a liquid path to Epic fame;
And such the newborn
heroes found it here,
And drained the draught with an applauding cheer,
'Huzza! for Otaheite!' was the cry.
How strange such shouts from sons of Mutiny!
The gentle island, and the genial soil,
The friendly hearts, the feasts without a toil,
The courteous manners but from nature caught,
The wealth unhoarded, and the love unbought; sic
Could these have charms for rudest seaboys,
driven
Before the mast by every wind of heaven?
And now, even now prepared with others' woes
To earn mild Virtue's vain desire, repose?
Alas! such is our nature! all but aim
At the same end by pathways not the same;
Our meansour
birthour
nation, and our name,
Our fortunetempereven
our outward frame,
Are far more potent o'er our yielding clay
Than aught we know beyond our little day.
Yet still there whispers the small voice within,
Heard through Gain's silence, and o'er Glory's din:
Whatever creed be taught, or land be trod,
Man's conscience is the Oracle of God.
VII.
The launch is crowded with the faithful few
Who wait their Chief, a melancholy crew:
But some remained reluctant on the deck
Of that proud vesselnow
a moral wreck
And
viewed their Captain's fate with piteous eyes;
While others scoffed his augured miseries,
Sneered at the prospect of his pigmy sail,
And the slight bark so laden and so frail.
The tender nautilus, who steers his prow,
The seaborn
sailor of his shell canoe,
The ocean Mab, the fairy of the sea,
Seems far less fragile, and, alas! more free.
He, when the lightningwinged
Tornados sweep
The surge, is safehis
port is in the deep
And
triumphs o'er the armadas of Mankind,
Which shake the World, yet crumble in the wind.
VIII.
When all was now prepared, the vessel clear

Which hailed her master in the mutineer,
A seaman, less obdurate than his mates,
Showed the vain pity which but irritates;
Watched his late Chieftain with exploring eye,
And told, in signs, repentant sympathy;
Held the moist shaddock to his parchéd mouth,
Which felt Exhaustion's deep and bitter drouth.
But soon observed, this guardian was withdrawn,
Nor further Mercy clouds Rebellion's dawn.
Then forward stepped the bold and froward boy
His Chief had cherished only to destroy,
And, pointing to the helpless prow beneath,
Exclaimed, 'Depart at once! delay is death!'
Yet then, even then, his feelings ceased not all:
In that last moment could a word recall
Remorse for the black deed as yet half done,
And what he hid from many showed to one:
When Bligh in stern reproach demanded where
Was now his grateful sense of former care?
Where all his hopes to see his name aspire,
And blazon Britain's thousand glories higher?
His feverish lips thus broke their gloomy spell,
''Tis that! 'Tis that! I am in hell! in hell!'
No more he said; but urging to the bark
His Chief, commits him to his fragile ark;
These the sole accents from his tongue that fell,
But volumes lurked below his fierce farewell.


IX.
The arctic Sun rose broad above the wave;
The breeze now sank, now whispered from his cave;
As on the Aeolian harp, his fitful wings
Now swelled, now fluttered o'er his Ocean strings.
With slow, despairing oar, the abandoned skiff
Ploughs its drear progress to the scarce seen cliff,
Which lifts its peak a cloud above the main:
That boat and ship shall never meet again!
But 'tis not mine to tell their tale of grief,
Their constant peril, and their scant relief;
Their days of danger, and their nights of pain;
Their manly courage even when deemed in vain;
The sapping famine, rendering scarce a son
Known to his mother in the skeleton;
The ills that lessened still their little store,
And starved even Hunger till he wrung no more;
The varying frowns and favours of the deep,
That now almost ingulfs, then leaves to creep
With crazy oar and shattered strength along
The tide that yields reluctant to the strong;
The incessant fever of that arid thirst
Which welcomes, as a well, the clouds that burst



Above their naked bones, and feels delight
In the cold drenching of the stormy night,
And from the outspread canvass gladly wrings
A drop to moisten Life's allgasping
springs;
The savage foe escaped, to seek again
More hospitable shelter from the main;
The ghastly Spectres which were doomed at last
To tell as true a tale of dangers past,
As ever the dark annals of the deep
Disclosed for man to dread or woman weep.


X.
We leave them to their fate, but not unknown
Nor unredressed. Revenge may have her own:
Roused Discipline aloud proclaims their cause,
And injured Navies urge their broken laws.
Pursue we on his track the mutineer,
Whom distant vengeance had not taught to fear.
Wide o'er the waveaway!
away! away!
Once more his eyes shall hail the welcome bay;
Once more the happy shores without a law
Receive the outlaws whom they lately saw;
Nature, and Nature's goddess
Womanwoos
To lands where, save their conscience, none accuse;
Where all partake the earth without dispute,
And bread itself is gathered as a fruit;
Where none contest the fields, the woods, the streams
The goldless Age, where Gold disturbs no dreams,
Inhabits or inhabited the shore,
Till Europe taught them better than before;
Bestowed her customs, and amended theirs,
But left her vices also to their heirs.
Away with this! behold them as they were,
Do good with Nature, or with Nature err.
'Huzza! for Otaheite!' was the cry,
As stately swept the gallant vessel by.
The breeze springs up; the lately flapping sail
Extends its arch before the growing gale;
In swifter ripples stream aside the seas,
Which her bold bow flings off with dashing ease.
Thus Argo ploughed the Euxine's virgin foam,
But those she wafted still looked back to home;
These spurn their country with their rebel bark,
And fly her as the raven fled the Ark;
And yet they seek to nestle with the dove,
And tame their fiery spirits down to Love.

Encircled by the water-waves of suffering the
shoal of quicksand,
O insane! Who built a shack there

with your precious hand?
Lightening reveals a new attitude,
Leave this neighborhood, O destitute!
The flowing tear of motherly cloud

is raining over your head; and
The land over there is calling you,
waving its plants and trees' band.
Your daughters are flood-slaughtered weeping
bitterly,
They are being invited today
by the ocean, motherly.
O boatman! O boatman!
Lift your sail - delay? - no more you can,
Your ride is like a stormy fan,
swinging on the waves of sea.
O boatman! Why more delay?
Lift your anchor, let it be free.
Here in the broken life's span,
your time is almost gone!
Look, your gazelle, O boatman,


eyes at the shore for a new dawn.
Your friends have already begun the voyage,
as the night sets its dark stage,
mat-bound your shoulder's edge,

Don't, any more, live in yawn!
To give up the tie of this bondage,
how much more you need to be overdrawn?
Diamond or jewels, you didn't seek;
Millionaire's rich you didn't cherish;
Your want is of a miserable meek


That's as small as a potter's dish.
You sought to sleep in peace,
And, a small mat, even if torn, apiece,
A lamp offering light's kiss,

A small shack with a door, is what you wish!
Enough of death's hanging shadow, or illness' hiss,
No more burglars stealing your fish.
O boatman, sail your boat now
toward land, ashore.
From the hard soil

let your soft feet be bloodied, like never before!
You will roam around as a storm;
You will traverse through places of soft or rugged form;
Approaching rains, like dance they perform,

as they swirl from the Indus river's floor.
Come on, the riders of water now
to the land that invites you to its door.

[Original: Sharbohara (Bengali) , Translation by: Mohammad Omar Farooq]

What is the song the children sing,
When doorway lilacs bloom in Spring,
And the Schools are loosed, and the games are played
That were deadly earnest when Earth was made?
Hear them chattering, shrill and hard,
After dinner-time, out in the yard,
As the sides are chosen and all submit
To the chance of the lot that shall make them "It."
(Singing) "Eenee, Meenee, Mainee, Mo!
Catch a nigger by the toe!
(If he hollers let him go!)
Eenee, Meenee. Mainee, Mo!
You-are-It!"
Eenee, Meenee, Mainee, and Mo
Were the First Big Four of the Long Ago,
When the Pole of the Earth sloped thirty degrees,
And Central Europe began to freeze,
And they needed Ambassadors staunch and stark
To steady the Tribes in the gathering dark:
But the frost was fierce and flesh was frail,
So they launched a Magic that could not fail.
(Singing) "Eenee, Meenee, Mainee, Mo!
Hear the wolves across the snow!
Some one has to kill 'em--so
Eenee, Meenee, Mainee, Mo
Make--you--It!"
Slowly the Glacial Epoch passed,
Central Europe thawed out at last;
And, under the slush of the melting snows
The first dim shapes of the Nations rose.
Rome, Britannia, Belgium, Gaul--
Flood and avalanche fathered them all;
And the First Big Four, as they watched the mess,
Pitied Man in his helplessness.
(Singing) "Eenee, Meenee, Mainee, Mo!
Trouble starts When Nations grow,
Some one has to stop it--so
Eenee, Meenee, Mainee, Mo!
Make-you-It!"
Thus it happened, but none can tell
What was the Power behind the spell--
Fear, or Duty, or Pride, or Faith--
That sent men shuddering out to death--
To cold and watching, and, worse than these,
Work, more work, when they looked for ease--
To the days discomfort, the nights despair,
In the hope of a prize that they never could share,
(Singing) "Eenee, Meenee, Mainee, Mo!
Man is born to Toil and Woe.


One will cure another--so
Eenee, Meenee, Mainee, Mo
Make--you--It!"
Once and again, as the Ice went North
The grass crept up to the Firth of Forth.
Once and again, as the Ice came South
The glaciers ground over Lossiemouth.
But, grass or glacier, cold or hot,
The men went out who would rather not,
And fought with the Tiger, the Pig and the Ape,
To hammer the world into decent shape.
(Singing) "Eenee, Meenee, Mainee, Mo!
What's the use of doing so?
Ask the Gods, for we don't know;
But Eenee, Meenee, Mainee, Mo
Make-us-It!"
Nothing is left of that terrible rune
But a tag of gibberish tacked to a tune
That ends the waiting and settles the claims
Of children arguing over their games;
For never yet has a boy been found
To shirk his turn when the turn came round;
Nor even a girl has been known to say
"If you laugh at me I shan't play."
For-- "Eenee, Meenee, Mainee, Mo,
(Don't you let the grown-ups know!)
You may hate it ever so,
But if you're chose you're bound to go,
When Eenee, Meenee, Mainee, Mo
Make-you-It!"