Fear and Anxiety
Rabindranath Tagore
Hard Times
Music is silenced, the dark descending slowly
Has stripped unending skies of all companions.
Weariness grips your limbs and within the locked horizons
Dumbly ring the bells of hugely gathering fears.
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
It's not melodious woodlands but the leaps and falls
Of an ocean's drowsy booming,
Not a grove bedecked with flowers but a tumult flecked with foam.
Where is the shore that stored your buds and leaves?
Where the nest and the branch's hold?
Still, O bird, my sightless bird,
Not yet, not yet the time to furl your wings.
Stretching in front of you the night's immensity
Hides the western hill where sleeps the distant sun;
Still with bated breath the world is counting time and swimming
Across the shoreless dark a crescent moon
Has thinly just appeared upon the dim horizon.
-But O my bird, O sightless bird,
Not yet, not yet the time to furl your wings.
From upper skies the stars with pointing fingers
Intently watch your course and death's impatience
Lashes at you from the deeps in swirling waves;
And sad entreaties line the farthest shore
With hands outstretched and crooning 'Come, O come!'
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
All that is past: your fears and loves and hopes;
All that is lost: your words and lamentation;
No longer yours a home nor a bed composed of flowers.
For wings are all you have, and the sky's broadening countryard,
And the dawn steeped in darkness, lacking all direction.
Dear bird, my sightless bird,
Not yet, not yet the time to furl your wings!
Has stripped unending skies of all companions.
Weariness grips your limbs and within the locked horizons
Dumbly ring the bells of hugely gathering fears.
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
It's not melodious woodlands but the leaps and falls
Of an ocean's drowsy booming,
Not a grove bedecked with flowers but a tumult flecked with foam.
Where is the shore that stored your buds and leaves?
Where the nest and the branch's hold?
Still, O bird, my sightless bird,
Not yet, not yet the time to furl your wings.
Stretching in front of you the night's immensity
Hides the western hill where sleeps the distant sun;
Still with bated breath the world is counting time and swimming
Across the shoreless dark a crescent moon
Has thinly just appeared upon the dim horizon.
-But O my bird, O sightless bird,
Not yet, not yet the time to furl your wings.
From upper skies the stars with pointing fingers
Intently watch your course and death's impatience
Lashes at you from the deeps in swirling waves;
And sad entreaties line the farthest shore
With hands outstretched and crooning 'Come, O come!'
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
All that is past: your fears and loves and hopes;
All that is lost: your words and lamentation;
No longer yours a home nor a bed composed of flowers.
For wings are all you have, and the sky's broadening countryard,
And the dawn steeped in darkness, lacking all direction.
Dear bird, my sightless bird,
Not yet, not yet the time to furl your wings!
619
Allen Ginsberg
Mugging (I)
I
Tonite I walked out of my red apartment door on East tenth street’s dusk—
Walked out of my home ten years, walked out in my honking neighborhood
Tonite at seven walked out past garbage cans chained to concrete anchors
Walked under black painted fire escapes, giant castiron plate covering a hole in ground
—Crossed the street, traffic lite red, thirteen bus roaring by liquor store,
past corner pharmacy iron grated, past Coca Cola & Mylai posters fading scraped on
brick
Past Chinese Laundry wood door’d, & broken cement stoop steps For Rent hall painted
green & purple Puerto Rican style
Along E. 10th’s glass splattered pavement, kid blacks & Spanish oiled hair adolescents’
crowded house fronts—
Ah, tonite I walked out on my block NY City under humid summer sky Halloween,
thinking what happened Timothy Leary joining brain police for a season?
thinking what’s all this Weathermen, secrecy & selfrighteousness beyond reason—F.B.I.
plots?
Walked past a taxicab controlling the bottle strewn curb—
past young fellows with their umbrella handles & canes leaning against a ravaged Buick
—and as I looked at the crowd of kids on the stoop—a boy stepped up, put his arm
around my neck
tenderly I thought for a moment, squeezed harder, his umbrella handle against my
skull,
and his friends took my arm, a young brown companion tripped his foot ’gainst my
ankle—
as I went down shouting Om Ah Hūm to gangs of lovers on the stoop watching
slowly appreciating, why this is a raid, these strangers mean strange business
with what—my pockets, bald head, broken-healed-bone leg, my softshoes, my heart—
Have they knives? Om Ah Hūm—Have they sharp metal wood to shove in eye
ear ass? Om Ah Hūm
& slowly reclined on the pavement, struggling to keep my woolen bag of poetry
address calendar & Leary-lawyer notes hung from my shoulder
dragged in my neat orlon shirt over the crossbar of a broken metal door
dragged slowly onto the fire-soiled floor an abandoned store, laundry candy counter
1929—
now a mess of papers & pillows & plastic car seat covers cracked cockroach-corpsed
ground—
my wallet back pocket passed over the iron foot step guard
and fell out, stole by God Muggers’ lost fingers, Strange—
Couldn’t tell—snakeskin wallet actually plastic, 70 dollars my bank money for a week,
old broken wallet—and dreary plastic contents—Amex card & Manf. Hanover Trust
Credit too—business card from Mr. Spears British Home Minister Drug Squad—my draft
card—membership ACLU & Naropa Institute Instructor’s identification
Om Ah Hūm I continued chanting Om Ah Hūm
Putting my palm on the neck of an 18 year old boy fingering my back pocket crying
“Where’s the money”
“Om Ah Hūm there isn’t any”
My card Chief Boo-Hoo Neo American Church New Jersey & Lower East Side
Om Ah Hūm —what not forgotten crowded wallet—Mobil Credit, Shell? old lovers
addresses on cardboard pieces, booksellers calling cards—
—“Shut up or we’ll murder you”—“Om Ah Hūm take it easy”
Lying on the floor shall I shout more loud?—the metal door closed on blackness
one boy felt my broken healed ankle, looking for hundred dollar bills behind my
stocking weren’t even there—a third boy untied my Seiko Hong Kong watch rough from
right wrist leaving a clasp-prick skin tiny bruise
“Shut up and we’ll get out of here”—and so they left,
as I rose from the cardboard mattress thinking Om Ah Hūm didn’t stop em
enough,
the tone of voice too loud—my shoulder bag with 10,000 dollars full of poetry left on
the broken floor—
Tonite I walked out of my red apartment door on East tenth street’s dusk—
Walked out of my home ten years, walked out in my honking neighborhood
Tonite at seven walked out past garbage cans chained to concrete anchors
Walked under black painted fire escapes, giant castiron plate covering a hole in ground
—Crossed the street, traffic lite red, thirteen bus roaring by liquor store,
past corner pharmacy iron grated, past Coca Cola & Mylai posters fading scraped on
brick
Past Chinese Laundry wood door’d, & broken cement stoop steps For Rent hall painted
green & purple Puerto Rican style
Along E. 10th’s glass splattered pavement, kid blacks & Spanish oiled hair adolescents’
crowded house fronts—
Ah, tonite I walked out on my block NY City under humid summer sky Halloween,
thinking what happened Timothy Leary joining brain police for a season?
thinking what’s all this Weathermen, secrecy & selfrighteousness beyond reason—F.B.I.
plots?
Walked past a taxicab controlling the bottle strewn curb—
past young fellows with their umbrella handles & canes leaning against a ravaged Buick
—and as I looked at the crowd of kids on the stoop—a boy stepped up, put his arm
around my neck
tenderly I thought for a moment, squeezed harder, his umbrella handle against my
skull,
and his friends took my arm, a young brown companion tripped his foot ’gainst my
ankle—
as I went down shouting Om Ah Hūm to gangs of lovers on the stoop watching
slowly appreciating, why this is a raid, these strangers mean strange business
with what—my pockets, bald head, broken-healed-bone leg, my softshoes, my heart—
Have they knives? Om Ah Hūm—Have they sharp metal wood to shove in eye
ear ass? Om Ah Hūm
& slowly reclined on the pavement, struggling to keep my woolen bag of poetry
address calendar & Leary-lawyer notes hung from my shoulder
dragged in my neat orlon shirt over the crossbar of a broken metal door
dragged slowly onto the fire-soiled floor an abandoned store, laundry candy counter
1929—
now a mess of papers & pillows & plastic car seat covers cracked cockroach-corpsed
ground—
my wallet back pocket passed over the iron foot step guard
and fell out, stole by God Muggers’ lost fingers, Strange—
Couldn’t tell—snakeskin wallet actually plastic, 70 dollars my bank money for a week,
old broken wallet—and dreary plastic contents—Amex card & Manf. Hanover Trust
Credit too—business card from Mr. Spears British Home Minister Drug Squad—my draft
card—membership ACLU & Naropa Institute Instructor’s identification
Om Ah Hūm I continued chanting Om Ah Hūm
Putting my palm on the neck of an 18 year old boy fingering my back pocket crying
“Where’s the money”
“Om Ah Hūm there isn’t any”
My card Chief Boo-Hoo Neo American Church New Jersey & Lower East Side
Om Ah Hūm —what not forgotten crowded wallet—Mobil Credit, Shell? old lovers
addresses on cardboard pieces, booksellers calling cards—
—“Shut up or we’ll murder you”—“Om Ah Hūm take it easy”
Lying on the floor shall I shout more loud?—the metal door closed on blackness
one boy felt my broken healed ankle, looking for hundred dollar bills behind my
stocking weren’t even there—a third boy untied my Seiko Hong Kong watch rough from
right wrist leaving a clasp-prick skin tiny bruise
“Shut up and we’ll get out of here”—and so they left,
as I rose from the cardboard mattress thinking Om Ah Hūm didn’t stop em
enough,
the tone of voice too loud—my shoulder bag with 10,000 dollars full of poetry left on
the broken floor—
620
Roger Mcgough
Survivor
Everyday,
I think about dying.
About disease, starvation,
violence, terrorism, war,
the end of the world.
It helps
keep my mind off things.
I think about dying.
About disease, starvation,
violence, terrorism, war,
the end of the world.
It helps
keep my mind off things.
602
Arthur Rimbaud
The Accursed Cherub
Bluish roofs and white doors
As on nocturnal Sundays,
At the town's end,
the road without Sound is white,
and it is night.
The street has strange houses
With shutters of angels.
But look how he runs towards a Boundary-stone,
evil and shivering, A dark cherub who staggers,
Having eaten too many jububes.
He does a cack : then disappears :
But his cursed cack appears,
Under the holy empty moon,
A slight cesspool of dirty blood !
Louis Ratisbonne.
Original French
L'angelot maudit
Toits bleuâtres et portes blanches
Comme en de nocturnes dimanches,
Au bout de la ville sans bruit
La Rue est blanche, et c'est la nuit.
La Rue a des maisons étranges
Avec des persiennes d'Anges.
Mais, vers une borne, voici
Accourir, mauvais et transi,
Un noir Angelot qui titube,
Ayant trop mangé de jujube.
Il fait caca : puis disparaît :
Mais son caca maudit paraît,
Sous la lune sainte qui vaque,
De sang sale un léger cloaque
As on nocturnal Sundays,
At the town's end,
the road without Sound is white,
and it is night.
The street has strange houses
With shutters of angels.
But look how he runs towards a Boundary-stone,
evil and shivering, A dark cherub who staggers,
Having eaten too many jububes.
He does a cack : then disappears :
But his cursed cack appears,
Under the holy empty moon,
A slight cesspool of dirty blood !
Louis Ratisbonne.
Original French
L'angelot maudit
Toits bleuâtres et portes blanches
Comme en de nocturnes dimanches,
Au bout de la ville sans bruit
La Rue est blanche, et c'est la nuit.
La Rue a des maisons étranges
Avec des persiennes d'Anges.
Mais, vers une borne, voici
Accourir, mauvais et transi,
Un noir Angelot qui titube,
Ayant trop mangé de jujube.
Il fait caca : puis disparaît :
Mais son caca maudit paraît,
Sous la lune sainte qui vaque,
De sang sale un léger cloaque
611
Rabindranath Tagore
Friend
Art thou abroad on this stormy night
on thy journey of love, my friend?
The sky groans like one in despair.
I have no sleep tonight.
Ever and again I open my door and look out on
the darkness, my friend!
I can see nothing before me.
I wonder where lies thy path!
By what dim shore of the ink-black river,
by what far edge of the frowning forest,
through what mazy depth of gloom art thou threading
thy course to come to me, my friend?
on thy journey of love, my friend?
The sky groans like one in despair.
I have no sleep tonight.
Ever and again I open my door and look out on
the darkness, my friend!
I can see nothing before me.
I wonder where lies thy path!
By what dim shore of the ink-black river,
by what far edge of the frowning forest,
through what mazy depth of gloom art thou threading
thy course to come to me, my friend?
595
Ezra Pound
A Song Of The Degrees
I
Rest me with Chinese colours,
For I think the glass is evil.
II
The wind moves above the wheat-
With a silver crashing,
A thin war of metal.
I have known the golden disc,
I have seen it melting above me.
I have known the stone-bright place,
The hall of clear colours.
III
O glass subtly evil, O confusion of colours !
O light bound and bent in, soul of the captive,
Why am I warned? Why am I sent away?
Why is your glitter full of curious mistrust?
O glass subtle and cunning, O powdery gold!
O filaments of amber, two-faced iridescence!
Rest me with Chinese colours,
For I think the glass is evil.
II
The wind moves above the wheat-
With a silver crashing,
A thin war of metal.
I have known the golden disc,
I have seen it melting above me.
I have known the stone-bright place,
The hall of clear colours.
III
O glass subtly evil, O confusion of colours !
O light bound and bent in, soul of the captive,
Why am I warned? Why am I sent away?
Why is your glitter full of curious mistrust?
O glass subtle and cunning, O powdery gold!
O filaments of amber, two-faced iridescence!
599
Charles Baudelaire
De Profundis Clamavi
Have pity, You alone whom I adore
From down this black pit where my heart is sped,
A sombre universe ringed round with lead
Where fear and curses the long night explore.
Six months a cold sun hovers overhead;
The other six is night upon this land.
No beast; no stream; no wood; no leaves expand.
The desert Pole is not a waste so dead.
Now in the whole world there's no horror quite
so cold and cruel as this glacial sun,
So like old Chaos as this boundless night;
I envy the least animals that run,
Which can find respite in brute slumber drowned,
So slowly is the skein of time unwound.
From down this black pit where my heart is sped,
A sombre universe ringed round with lead
Where fear and curses the long night explore.
Six months a cold sun hovers overhead;
The other six is night upon this land.
No beast; no stream; no wood; no leaves expand.
The desert Pole is not a waste so dead.
Now in the whole world there's no horror quite
so cold and cruel as this glacial sun,
So like old Chaos as this boundless night;
I envy the least animals that run,
Which can find respite in brute slumber drowned,
So slowly is the skein of time unwound.
584
Boris Pasternak
A Sultrier Dawn
All morning high up on the eaves
Above your window
A dove kept cooing.
Like shirtsleeves The boughs seemed frayed.
It drizzled. Clouds came low to raid
The dusty marketplace.
My anguish on a peddlar's tray
They rocked;
I was afraid.
I begged the clouds that they should stop.
It seemed that they could hear me.
Dawn was as grey as in the shrub
Grey prisoners' angry murmur.
I pleaded with them to bring near
The hour when I would hear
Tidbits of shattered songs
And your wash-basin's roar and splash
Like mountain torrents' headlong rush,
The heat of cheek and brow
On glass as hot as ice and on
The pier-glass table flow.
My plea could not be heard on high
Because the clouds
Talked much too loud
Behind their flag in powdered quiet
Wet like a heavy army coat,
Like threshed sheaves' dusty rub-a-dub
Or like a quarrel in the shrub.
I pleaded with them
Don't
torment me!
I can't sleep.
But-it was drizzling; dragging feet,
The clouds marched down the dusty street
Like recruits from the village in the morning.
They dragged themselves along
An hour or an age,
Like prisoners of war,
Or like the dying wheeze:
'Nurse please,
Some water.'
Above your window
A dove kept cooing.
Like shirtsleeves The boughs seemed frayed.
It drizzled. Clouds came low to raid
The dusty marketplace.
My anguish on a peddlar's tray
They rocked;
I was afraid.
I begged the clouds that they should stop.
It seemed that they could hear me.
Dawn was as grey as in the shrub
Grey prisoners' angry murmur.
I pleaded with them to bring near
The hour when I would hear
Tidbits of shattered songs
And your wash-basin's roar and splash
Like mountain torrents' headlong rush,
The heat of cheek and brow
On glass as hot as ice and on
The pier-glass table flow.
My plea could not be heard on high
Because the clouds
Talked much too loud
Behind their flag in powdered quiet
Wet like a heavy army coat,
Like threshed sheaves' dusty rub-a-dub
Or like a quarrel in the shrub.
I pleaded with them
Don't
torment me!
I can't sleep.
But-it was drizzling; dragging feet,
The clouds marched down the dusty street
Like recruits from the village in the morning.
They dragged themselves along
An hour or an age,
Like prisoners of war,
Or like the dying wheeze:
'Nurse please,
Some water.'
576
Paul Laurence Dunbar
The Haunted Oak
Pray why are you so bare, so bare,
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.
Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?
And now they beat at the prison door,
"Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away
"From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,
And the rope they bear is long."
They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,
And the great door open flies.
Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,
As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.
Oh, foolish man, why weep you now?
'Tis but a little space,
And the time will come when these shall dread
The mem'ry of your face.
I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.
And never more shall leaves come forth
On the bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.
And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.
And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.
Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
Runs a shudder over me?
My leaves were green as the best, I trow,
And sap ran free in my veins,
But I say in the moonlight dim and weird
A guiltless victim's pains.
They'd charged him with the old, old crime,
And set him fast in jail:
Oh, why does the dog howl all night long,
And why does the night wind wail?
He prayed his prayer and he swore his oath,
And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
And the steady tread drew nigh.
Who is it rides by night, by night,
Over the moonlit road?
And what is the spur that keeps the pace,
What is the galling goad?
And now they beat at the prison door,
"Ho, keeper, do not stay!
We are friends of him whom you hold within,
And we fain would take him away
"From those who ride fast on our heels
With mind to do him wrong;
They have no care for his innocence,
And the rope they bear is long."
They have fooled the jailer with lying words,
They have fooled the man with lies;
The bolts unbar, the locks are drawn,
And the great door open flies.
Now they have taken him from the jail,
And hard and fast they ride,
And the leader laughs low down in his throat,
As they halt my trunk beside.
Oh, the judge, he wore a mask of black,
And the doctor one of white,
And the minister, with his oldest son,
Was curiously bedight.
Oh, foolish man, why weep you now?
'Tis but a little space,
And the time will come when these shall dread
The mem'ry of your face.
I feel the rope against my bark,
And the weight of him in my grain,
I feel in the throe of his final woe
The touch of my own last pain.
And never more shall leaves come forth
On the bough that bears the ban;
I am burned with dread, I am dried and dead,
From the curse of a guiltless man.
And ever the judge rides by, rides by,
And goes to hunt the deer,
And ever another rides his soul
In the guise of a mortal fear.
And ever the man he rides me hard,
And never a night stays he;
For I feel his curse as a haunted bough,
On the trunk of a haunted tree.
556
Pablo Neruda
The Fear
They all ask me to jump
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
to invigorate and to play soccer,
to run, to swim and to fly.
Very well.
They all advise me rest,
they all send me to the doctor,
looking at me a certain way.
What happens?
They all advise me to travel,
to come and to leave, to stay,
to die and not to die.
It does not matter.
They all see the difficulties
of my surprised bowels
by awful X-rayed portraits.
I do not agree.
They all sting my poetry
with relentless forks
seeking, without doubt, a fly,
I Am afraid.
I am afraid of everyone,
of the cold water, of the death.
I am like all the mortals,
unavoidable.
And for that, in these short days
I am not going to pay attention to them,
I am going to open myself up and shut myself in
with my more perfidious enemy,
Pablo Neruda.
560
Rabindranath Tagore
The Gardener XXXIV: Do Not Go, My Love
Do not go, my love, without asking
my leave.
I have watched all night, and now
my eyes are heavy with sleep.
I fear lest I lose you when I'm
sleeping.
Do not go, my love, without asking
my leave.
I start up and stretch my hands to
touch you. I ask myself, "Is it a
dream?"
Could I but entangle your feet with
my heart and hold them fast to my
breast!
Do not go, my love, without asking
my leave.
my leave.
I have watched all night, and now
my eyes are heavy with sleep.
I fear lest I lose you when I'm
sleeping.
Do not go, my love, without asking
my leave.
I start up and stretch my hands to
touch you. I ask myself, "Is it a
dream?"
Could I but entangle your feet with
my heart and hold them fast to my
breast!
Do not go, my love, without asking
my leave.
543
Rudyard Kipling
Helen All Alone
There was darkness under Heaven
For an hour's space--
Darkness that we knew was given
Us for special grace.
Sun and noon and stars were hid,
God had left His Throne,
When Helen came to me, she did,
Helen all alone!
Side by side (because our fate
Damned us ere our birth)
We stole out of Limbo Gate
Looking for the Earth.
Hand in pulling hand amid
Fear no dreams have known,
Helen ran with me, she did,
Helen all alone!
When the Horror passing speech
Hunted us along,
Each laid hold on each, and each
Found the other strong.
In the teeth of Things forbid
And Reason overthrown,
Helen stood by me, she did,
Helen all alone!
When, at last, we heard those Fires
Dull and die away,
When, at last, our linked desires
Dragged us up to day;
When, at last, our souls were rid
Of what that Night had shown,
Helen passed from me, she did,
Helen all alone!
Let her go and find a mate,
As I will find a bride,
Knowing naught of Limbo Gate
Or Who are penned inside.
There is knowledge God forbid
More than one should own.
So Helen went from me, she did,
Oh, my soul, be glad she did!
Helen all alone!
For an hour's space--
Darkness that we knew was given
Us for special grace.
Sun and noon and stars were hid,
God had left His Throne,
When Helen came to me, she did,
Helen all alone!
Side by side (because our fate
Damned us ere our birth)
We stole out of Limbo Gate
Looking for the Earth.
Hand in pulling hand amid
Fear no dreams have known,
Helen ran with me, she did,
Helen all alone!
When the Horror passing speech
Hunted us along,
Each laid hold on each, and each
Found the other strong.
In the teeth of Things forbid
And Reason overthrown,
Helen stood by me, she did,
Helen all alone!
When, at last, we heard those Fires
Dull and die away,
When, at last, our linked desires
Dragged us up to day;
When, at last, our souls were rid
Of what that Night had shown,
Helen passed from me, she did,
Helen all alone!
Let her go and find a mate,
As I will find a bride,
Knowing naught of Limbo Gate
Or Who are penned inside.
There is knowledge God forbid
More than one should own.
So Helen went from me, she did,
Oh, my soul, be glad she did!
Helen all alone!
528
Claude Mckay
Tormented
I will not reason, wrestle here with you,
Though you pursue and worry me about;
As well put forth my swarthy arm to stop
The wild wind howling, darkly mad without.
The night is yours for revels; day will light.
I will not fight you, bold and tigerish,
For I am weak, while you are gaining strength;
Peace! cease tormenting me to have your wish.
But when you're filled and sated with the flesh,
I shall go swiftly to the silver stream,
To cleanse my body for the spirit's sake,
And sun my limbs, and close my eyes to dream.
Though you pursue and worry me about;
As well put forth my swarthy arm to stop
The wild wind howling, darkly mad without.
The night is yours for revels; day will light.
I will not fight you, bold and tigerish,
For I am weak, while you are gaining strength;
Peace! cease tormenting me to have your wish.
But when you're filled and sated with the flesh,
I shall go swiftly to the silver stream,
To cleanse my body for the spirit's sake,
And sun my limbs, and close my eyes to dream.
521
Edgar Allan Poe
Alone
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
523
Bertolt Brecht
To Be Read in the Morning and at Night
[Original]
Morgens und abends zu lesen
Der, den ich liebe
Hat mir gesagt
Daß er mich braucht.
Darum
Gebe ich auf mich acht
Sehe auf meinen Weg und
Fürchte von jedem Regentropfen
Daß er mich erschlagen könnte.
[Translation]
To read in the morning and at night
My love
Has told me
That he needs me.
That's why
I take good care of myself
Watch out where I'm going and
Fear that any drop of rain
Might kill me.
Morgens und abends zu lesen
Der, den ich liebe
Hat mir gesagt
Daß er mich braucht.
Darum
Gebe ich auf mich acht
Sehe auf meinen Weg und
Fürchte von jedem Regentropfen
Daß er mich erschlagen könnte.
[Translation]
To read in the morning and at night
My love
Has told me
That he needs me.
That's why
I take good care of myself
Watch out where I'm going and
Fear that any drop of rain
Might kill me.
519
Sara Teasdale
At Sea
In the pull of the wind I stand, lonely,
On the deck of a ship, rising, falling,
Wild night around me, wild water under me,
Whipped by the storm, screaming and calling.
Earth is hostile and the sea hostile,
Why do I look for a place to rest?
I must fight always and die fighting
With fear an unhealing wound in my breast.
On the deck of a ship, rising, falling,
Wild night around me, wild water under me,
Whipped by the storm, screaming and calling.
Earth is hostile and the sea hostile,
Why do I look for a place to rest?
I must fight always and die fighting
With fear an unhealing wound in my breast.
514
Charles Baudelaire
Overcast
Are they blue, gray or green? Mysterious eyes
(as if in fact you were looking through a mist)
in alternation tender, dreamy, grim
to match the shiftless pallor of the sky.
That's what you're like- these warm white afternoons
which make the ravished heart dissolve in tears,
the nerves, inexplicably overwrought,
outrage the dozing mind.
Not always, though-sometimes
you're like the horizon when the sun
ignites our cloudy autumn-how you glow!
A sodden countryside in sudden rout,
turned incandescent by a changing wind.
Dangerous woman-demoralizing days!
Will I adore your killing frost as much,
and in that implacable winter, when it comes,
discover pleasures sharper than iron and ice?
(as if in fact you were looking through a mist)
in alternation tender, dreamy, grim
to match the shiftless pallor of the sky.
That's what you're like- these warm white afternoons
which make the ravished heart dissolve in tears,
the nerves, inexplicably overwrought,
outrage the dozing mind.
Not always, though-sometimes
you're like the horizon when the sun
ignites our cloudy autumn-how you glow!
A sodden countryside in sudden rout,
turned incandescent by a changing wind.
Dangerous woman-demoralizing days!
Will I adore your killing frost as much,
and in that implacable winter, when it comes,
discover pleasures sharper than iron and ice?
508
Rabindranath Tagore
We Are To Play The Game Of Death
WE are to play the game of death to-night, my bride and I.
The night is black, the clouds in the sky are capricious, and the waves are raving at
sea.
We have left our bed of dreams, flung open the door and come out, my bride and I.
We sit upon a swing, and the storm winds give us a wild push from behind.
My bride starts up with fear and delight, she trembles and clings to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut out the rude light from
her eyes.
I kissed her gently on her lips and whispered softly in her ears till she half swooned in
languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and come out.
Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.
The night is black, the clouds in the sky are capricious, and the waves are raving at
sea.
We have left our bed of dreams, flung open the door and come out, my bride and I.
We sit upon a swing, and the storm winds give us a wild push from behind.
My bride starts up with fear and delight, she trembles and clings to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut out the rude light from
her eyes.
I kissed her gently on her lips and whispered softly in her ears till she half swooned in
languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and come out.
Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.
507
Safo
He is more than a hero
He is more than a hero
he is a god in my eyes--
the man who is allowed
to sit beside you -- he
who listens intimately
to the sweet murmur of
your voice, the enticing
laughter that makes my own
heart beat fast. If I meet
you suddenly, I can'
speak -- my tongue is broken;
a thin flame runs under
my skin; seeing nothing,
hearing only my own ears
drumming, I drip with sweat;
trembling shakes my body
and I turn paler than
dry grass. At such times
death isn't far from me
he is a god in my eyes--
the man who is allowed
to sit beside you -- he
who listens intimately
to the sweet murmur of
your voice, the enticing
laughter that makes my own
heart beat fast. If I meet
you suddenly, I can'
speak -- my tongue is broken;
a thin flame runs under
my skin; seeing nothing,
hearing only my own ears
drumming, I drip with sweat;
trembling shakes my body
and I turn paler than
dry grass. At such times
death isn't far from me
497
Boris Pasternak
So they begin. With two years gone...
So they begin. With two years gone
From nurse to countless tunes they scuttle.
They chirp and whistle. Then comes on
The third year, and they start to prattle.
So they begin to see and know.
In din of started turbines roaring
Mother seems not their mother now,
And you not you, and home is foreign.
What meaning has the menacing
Beauty beneath the lilac seated,
If to steal children's not the thing?
So first they fear that they are cheated.
So ripen fears. Can he endure
A star to beat him in successes,
When he's a Faust, a sorcerer?
So first his gipsy life progresses.
So from the fence where home should lie
In flight above are found to hover
Seas unexpected as a sigh.
So first iambics they discover.
So summer nights fall down and pray
'Thy will be done' where oats are sprouting,
And menace with your eyes the day.
So with the sun they start disputing.
So verses start them on their way.
From nurse to countless tunes they scuttle.
They chirp and whistle. Then comes on
The third year, and they start to prattle.
So they begin to see and know.
In din of started turbines roaring
Mother seems not their mother now,
And you not you, and home is foreign.
What meaning has the menacing
Beauty beneath the lilac seated,
If to steal children's not the thing?
So first they fear that they are cheated.
So ripen fears. Can he endure
A star to beat him in successes,
When he's a Faust, a sorcerer?
So first his gipsy life progresses.
So from the fence where home should lie
In flight above are found to hover
Seas unexpected as a sigh.
So first iambics they discover.
So summer nights fall down and pray
'Thy will be done' where oats are sprouting,
And menace with your eyes the day.
So with the sun they start disputing.
So verses start them on their way.
484
Hilaire Belloc
[Month of] January
It freezes- all across a soundless sky
The birds go home. The governing dark's begun:
The steadfast dark that waits not for a sun;
The ultimate dark wherein the race shall die.
Death, with his evil finger to his lip,
Leers in at human windows, turning spy
To learn the country where his rule shall lie
When he assumes perpetual generalship.
The undefeated enemy, the chill
That shall benumb the voiceful earth at last,
Is master of our moment, and has bound
The viewless wind it-self. There is no sound.
It freezes. Every friendly stream is fast.
It freezes; and the graven twigs are still.
The birds go home. The governing dark's begun:
The steadfast dark that waits not for a sun;
The ultimate dark wherein the race shall die.
Death, with his evil finger to his lip,
Leers in at human windows, turning spy
To learn the country where his rule shall lie
When he assumes perpetual generalship.
The undefeated enemy, the chill
That shall benumb the voiceful earth at last,
Is master of our moment, and has bound
The viewless wind it-self. There is no sound.
It freezes. Every friendly stream is fast.
It freezes; and the graven twigs are still.
483
William Blake
Mad Song
The wild winds weep
And the night is a-cold;
Come hither, Sleep,
And my griefs infold:
But lo! the morning peeps
Over the eastern steeps,
And the rustling birds of dawn
The earth do scorn.
Lo! to the vault
Of paved heaven,
With sorrow fraught
My notes are driven:
They strike the ear of night,
Make weep the eyes of day;
They make mad the roaring winds,
And with tempests play.
Like a fiend in a cloud,
With howling woe,
After night I do crowd,
And with night will go;
I turn my back to the east,
From whence comforts have increas'd;
For light doth seize my brain
With frantic pain.
And the night is a-cold;
Come hither, Sleep,
And my griefs infold:
But lo! the morning peeps
Over the eastern steeps,
And the rustling birds of dawn
The earth do scorn.
Lo! to the vault
Of paved heaven,
With sorrow fraught
My notes are driven:
They strike the ear of night,
Make weep the eyes of day;
They make mad the roaring winds,
And with tempests play.
Like a fiend in a cloud,
With howling woe,
After night I do crowd,
And with night will go;
I turn my back to the east,
From whence comforts have increas'd;
For light doth seize my brain
With frantic pain.
479
Lord Byron
The Eve Of Waterloo
There was a sound of revelry by night,
And Belgium's capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men.
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage bell;
But hush! hark! a deep sound strikes like a rising knell!
Did ye not hear it? No;
'twas but the wind,
Or the car rattling o'er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when youth and pleasure meet
To chase the glowing hours with flying feet.
But hark! that
heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before;
Arm! arm! it is it
is the
cannon's opening roar!
Within a windowed niche of that high hall
Sate Brunswick's fated chieftain; he did hear
That sound the first amidst the festival,
And caught its tone with death's prophetic ear;
And when they smiled because he deemed it near,
His heart more truly knew that peal too well
Which stretched his father on a bloody bier,
And roused the vengeance blood alone could quell;
He rushed into the field, and, foremost fighting, fell.
Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale, which, but an hour ago,
Blushed at the praise of their own loveliness.
And there were sudden partings, such as press
The life from out young hearts, and choking sighs
Which ne'er might be repeated; who would guess
If ever more should meet those mutual eyes,
Since upon night so sweet such awful morn could rise!
And there was mounting in hot haste; the steed,
The mustering squadron, and the clattering car,
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder, peal on peal afar;
And near, the beat of the alarming drum
Roused up the soldier ere the morning star;
While thronged the citizens with terror dumb,
Or whispering, with white lips '
The foe! they come! they come!'
And Belgium's capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men.
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage bell;
But hush! hark! a deep sound strikes like a rising knell!
Did ye not hear it? No;
'twas but the wind,
Or the car rattling o'er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when youth and pleasure meet
To chase the glowing hours with flying feet.
But hark! that
heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before;
Arm! arm! it is it
is the
cannon's opening roar!
Within a windowed niche of that high hall
Sate Brunswick's fated chieftain; he did hear
That sound the first amidst the festival,
And caught its tone with death's prophetic ear;
And when they smiled because he deemed it near,
His heart more truly knew that peal too well
Which stretched his father on a bloody bier,
And roused the vengeance blood alone could quell;
He rushed into the field, and, foremost fighting, fell.
Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale, which, but an hour ago,
Blushed at the praise of their own loveliness.
And there were sudden partings, such as press
The life from out young hearts, and choking sighs
Which ne'er might be repeated; who would guess
If ever more should meet those mutual eyes,
Since upon night so sweet such awful morn could rise!
And there was mounting in hot haste; the steed,
The mustering squadron, and the clattering car,
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder, peal on peal afar;
And near, the beat of the alarming drum
Roused up the soldier ere the morning star;
While thronged the citizens with terror dumb,
Or whispering, with white lips '
The foe! they come! they come!'
473
Boris Pasternak
Here will be echoes in the mountains...
Here will be echoes in the mountains,
The distant landslides' rumbling boom,
The rocks, the dwellings in the village,
The sorry little inn, the gloom
Of something black beyond the Terek,
Clouds moving heavily. Up there
The day was breaking very slowly;
It dawned, but light was nowhere near.
One sensed the heaviness of darkness
For miles ahead around Kazbek
Wound on the heights: though some were trying
To throw the halter from their neck.
As if cemented in an oven,
In the strange substance of a dream,
A pot of poisoned food, the region
Of Daghestan there slowly steamed.
Its towering peaks towards us rolling,
All black from top to foot, it strained
To meet our car, if not with clashing
Of daggers, then with pouring rain.
The mountains were preparing trouble.
The handsome giants, fierce and black,
Each one more evil than the other
Were closing down upon our track.
The distant landslides' rumbling boom,
The rocks, the dwellings in the village,
The sorry little inn, the gloom
Of something black beyond the Terek,
Clouds moving heavily. Up there
The day was breaking very slowly;
It dawned, but light was nowhere near.
One sensed the heaviness of darkness
For miles ahead around Kazbek
Wound on the heights: though some were trying
To throw the halter from their neck.
As if cemented in an oven,
In the strange substance of a dream,
A pot of poisoned food, the region
Of Daghestan there slowly steamed.
Its towering peaks towards us rolling,
All black from top to foot, it strained
To meet our car, if not with clashing
Of daggers, then with pouring rain.
The mountains were preparing trouble.
The handsome giants, fierce and black,
Each one more evil than the other
Were closing down upon our track.
475