Change and Transformation
Pablo Neruda
Enigma with Flower
Victory. It has come late, I had not learnt
how to arrive, like the lily, at will,
the white figure, that pierces
the motionless eternity of earth,
pushing at clear, faint, form,
till the hour strikes: that clay,
with a white ray, or a spur of milk.
Shedding of clothing, the thick darkness of soil,
on whose cliff the fair flower advances,
till the flag of its whiteness
defeats the contemptible deep of night,
and, from the motion of light,
spills itself in astonished seed.
how to arrive, like the lily, at will,
the white figure, that pierces
the motionless eternity of earth,
pushing at clear, faint, form,
till the hour strikes: that clay,
with a white ray, or a spur of milk.
Shedding of clothing, the thick darkness of soil,
on whose cliff the fair flower advances,
till the flag of its whiteness
defeats the contemptible deep of night,
and, from the motion of light,
spills itself in astonished seed.
617
Pablo Neruda
‘In the wave-strike over unquiet stones’
In the wave-strike over unquiet stones
the brightness bursts and bears the rose
and the ring of water contracts to a cluster
to one drop of azure brine that falls.
O magnolia radiance breaking in spume,
magnetic voyager whose death flowers
and returns, eternal, to being and nothingness:
shattered brine, dazzling leap of the ocean.
Merged, you and I, my love, seal the silence
while the sea destroys its continual forms,
collapses its turrets of wildness and whiteness,
because in the weft of those unseen garments
of headlong water, and perpetual sand,
we bear the sole, relentless tenderness.
the brightness bursts and bears the rose
and the ring of water contracts to a cluster
to one drop of azure brine that falls.
O magnolia radiance breaking in spume,
magnetic voyager whose death flowers
and returns, eternal, to being and nothingness:
shattered brine, dazzling leap of the ocean.
Merged, you and I, my love, seal the silence
while the sea destroys its continual forms,
collapses its turrets of wildness and whiteness,
because in the weft of those unseen garments
of headlong water, and perpetual sand,
we bear the sole, relentless tenderness.
621
Rudyard Kipling
The Palace
When I was a King and a Mason -- a Master proven and skilled --
I cleared me ground for a Palace such as a King should build.
I decreed and dug down to my levels. Presently, under the silt,
I came on the wreck of a Palace such as a King had built.
There was no worth in the fashion -- there was no wit in the plan --
Hither and thither, aimless, the ruined footings ran --
Masonry, brute, mishandled, but carven on every stone:
"After me cometh a Builder. Tell him, I too have known."
Swift to my use in my trenches, where my well-planned ground-works grew,
I tumbled his quoins and his ashlars, and cut and reset them anew.
Lime I milled of his marbles; burned it, slacked it, and spread;
Taking and leaving at pleasure the gifts of the humble dead.
Yet I despised not nor gloried; yet, as we wrenched them apart,
I read in the razed foundations the heart of that builder's heart.
As he had risen and pleaded, so did I understand
The form of the dream he had followed in the face of the thing he had planned.
* * * * *
When I was a King and a Mason -- in the open noon of my pride,
They sent me a Word from the Darkness. They whispered and called me aside.
They said -- "The end is forbidden." They said -- "Thy use is fulfilled.
"Thy Palace shall stand as that other's -- the spoil of a King who shall build."
I called my men from my trenches, my quarries, my wharves, and my sheers.
All I had wrought I abandoned to the faith of the faithless years.
Only I cut on the timber -- only I carved on the stone:
"After me cometh a Builder. Tell him, I too have known!"
I cleared me ground for a Palace such as a King should build.
I decreed and dug down to my levels. Presently, under the silt,
I came on the wreck of a Palace such as a King had built.
There was no worth in the fashion -- there was no wit in the plan --
Hither and thither, aimless, the ruined footings ran --
Masonry, brute, mishandled, but carven on every stone:
"After me cometh a Builder. Tell him, I too have known."
Swift to my use in my trenches, where my well-planned ground-works grew,
I tumbled his quoins and his ashlars, and cut and reset them anew.
Lime I milled of his marbles; burned it, slacked it, and spread;
Taking and leaving at pleasure the gifts of the humble dead.
Yet I despised not nor gloried; yet, as we wrenched them apart,
I read in the razed foundations the heart of that builder's heart.
As he had risen and pleaded, so did I understand
The form of the dream he had followed in the face of the thing he had planned.
* * * * *
When I was a King and a Mason -- in the open noon of my pride,
They sent me a Word from the Darkness. They whispered and called me aside.
They said -- "The end is forbidden." They said -- "Thy use is fulfilled.
"Thy Palace shall stand as that other's -- the spoil of a King who shall build."
I called my men from my trenches, my quarries, my wharves, and my sheers.
All I had wrought I abandoned to the faith of the faithless years.
Only I cut on the timber -- only I carved on the stone:
"After me cometh a Builder. Tell him, I too have known!"
611
Arthur Rimbaud
After The Flood
As soon as the idea of the Deluge had subsided,
A hare stopped in the clover and swaying flowerbells,
and said a prayer to the rainbow,
through the spider's web.
Oh! the precious stones that began to hide,-and
the flowers that already looked around.
In the dirty main street, stalls were set up
and boats were hauled toward the sea,
high tiered as in old prints.
Blood flowed at Blue Beard's,-through
slaughterhouses, in circuses,
where the windows were blanched by God's seal.
Blood and milk flowed. Beavers built.
'Mazagrans' smoked in the little bars.
In the big glass house, still dripping,
children in mourning looked
at the marvelous pictures.
A door banged; and in the village square
the little boy waved his arms,
understood by weather vanes
and cocks on steeples everywhere,
in the bursting shower.
Madame *** installed a piano in the Alps.
Mass and first communions were celebrated
at the hundred thousand altars of the cathedral.
Caravans set out. And Hotel Splendid was built
in the chaos of ice and of the polar night.
Ever after the moon heard jackals howling
across the deserts of thyme,
and eclogues in wooden shoes growling in the orchard.
Then in the violet and budding forest,
Eucharis told me it was spring.
Gush, pond,-- Foam, roll on the bridge and over the woods;-black
palls and organs, lightening and thunder, rise and roll;-waters
and sorrows rise and launch the Floods again.
For since they have been dissipated-oh!
the precious stones being buried and the opened flowers!-it's
unbearable! and the Queen, the Witch who lights her fire
in the earthen pot will never tell us what she knows,
and what we do not know.
A hare stopped in the clover and swaying flowerbells,
and said a prayer to the rainbow,
through the spider's web.
Oh! the precious stones that began to hide,-and
the flowers that already looked around.
In the dirty main street, stalls were set up
and boats were hauled toward the sea,
high tiered as in old prints.
Blood flowed at Blue Beard's,-through
slaughterhouses, in circuses,
where the windows were blanched by God's seal.
Blood and milk flowed. Beavers built.
'Mazagrans' smoked in the little bars.
In the big glass house, still dripping,
children in mourning looked
at the marvelous pictures.
A door banged; and in the village square
the little boy waved his arms,
understood by weather vanes
and cocks on steeples everywhere,
in the bursting shower.
Madame *** installed a piano in the Alps.
Mass and first communions were celebrated
at the hundred thousand altars of the cathedral.
Caravans set out. And Hotel Splendid was built
in the chaos of ice and of the polar night.
Ever after the moon heard jackals howling
across the deserts of thyme,
and eclogues in wooden shoes growling in the orchard.
Then in the violet and budding forest,
Eucharis told me it was spring.
Gush, pond,-- Foam, roll on the bridge and over the woods;-black
palls and organs, lightening and thunder, rise and roll;-waters
and sorrows rise and launch the Floods again.
For since they have been dissipated-oh!
the precious stones being buried and the opened flowers!-it's
unbearable! and the Queen, the Witch who lights her fire
in the earthen pot will never tell us what she knows,
and what we do not know.
602
Dylan Thomas
A Grief Ago
A grief ago,
She who was who I hold, the fats and the flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, master venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Road east to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drives on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shape that leaps her, time and acid;
I tell her this: before the suncock cast
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
She who was who I hold, the fats and the flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, master venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Road east to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drives on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shape that leaps her, time and acid;
I tell her this: before the suncock cast
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
604
Kazi Nazrul Islam
The Ecstasy of Destruction
Come, make merry and rejoice.
There rages the summer storm
flying the flag of the New and the Young,
There comes he who had not come so long;
Dancing merrily
drink we will the joy of destruction.
There comes the Terrible
like the fierce executioner of eternal time
across the dark well of death
through smouldering smoke
lighting the torch of thunder.
There, listen to his ringing laughter.
Come, make merry and rejoice!
The wavy locks of his hair
make the sky rock and swing.
Even the ominous comet is at his service.
His blood, like an unsheathed sword,
rocks the bosom of the father of the universe.
Look, this wild tumultuous tunnoil
has made the sky and the earth still and numb
Come, make merry and rejoice.
A dozen suns glitter and shine in his burning eyes
And the sorrows of the world cluster in his
tangled and disheveled hair.
A single dropp of his tear
makes the seven seas roll and swell.
In his giant arms he crakles the mother-earth
and cries out, 'Welcome, Destruction! '
Come, comrades, make merry and rejoice, '
Oh, have no fear!
The deluge will soon overtake the universe.
The final hour is fast drawing near.
The rotting old and the dying decrepit
will now be wiped out for good.
Now at last at the end of the long night of darkness
The glorious dawn will come with a smile
in her soft and tender dress.
Look, there the young moon shines in his unkempt hair.
Its light will fill your room
and make it glow with a strange radiance,
Come, make merry and rejoice!
There he comes flashing his whip of blood and lightning,
directing the passage of eternity.
The neighing of his horse reverberates in the stormy wind
and in the song of thunder.
The blast of his hoofs hits the stars
and scatters them shooting
through the columns of the blue-domed sky.
The gods are all lying in the dead well
of a dark dungeon.
They are tied to the cold stony pillar
of the sacriticial altar.
Indeed this is the time for him
to come triumphantly riding his gorgeous chariot.
O comrades, come, make merry and rejoice!
Why should the sight of destruction frighten you?
All this upheaval is but the birth pain
of a new creation.
There comes the bold new youth
eager to wipe out all that is ugly and decayed.
He comes with' his unkempt hair and careless dress
on the wings of the Deluge
with a smile on his lips.
He is the eternal beauty
who knows how to destroy and build again,
Come, make merry and rejoice!
What fear has he
for whom all this destruction and rebuilding
is but a game?
Come, make merry and rejoice,
and welcome the Beautiful
who comes today in the garb of the Terrible.
[Translation: Kabir Chowdhury]
There rages the summer storm
flying the flag of the New and the Young,
There comes he who had not come so long;
Dancing merrily
drink we will the joy of destruction.
There comes the Terrible
like the fierce executioner of eternal time
across the dark well of death
through smouldering smoke
lighting the torch of thunder.
There, listen to his ringing laughter.
Come, make merry and rejoice!
The wavy locks of his hair
make the sky rock and swing.
Even the ominous comet is at his service.
His blood, like an unsheathed sword,
rocks the bosom of the father of the universe.
Look, this wild tumultuous tunnoil
has made the sky and the earth still and numb
Come, make merry and rejoice.
A dozen suns glitter and shine in his burning eyes
And the sorrows of the world cluster in his
tangled and disheveled hair.
A single dropp of his tear
makes the seven seas roll and swell.
In his giant arms he crakles the mother-earth
and cries out, 'Welcome, Destruction! '
Come, comrades, make merry and rejoice, '
Oh, have no fear!
The deluge will soon overtake the universe.
The final hour is fast drawing near.
The rotting old and the dying decrepit
will now be wiped out for good.
Now at last at the end of the long night of darkness
The glorious dawn will come with a smile
in her soft and tender dress.
Look, there the young moon shines in his unkempt hair.
Its light will fill your room
and make it glow with a strange radiance,
Come, make merry and rejoice!
There he comes flashing his whip of blood and lightning,
directing the passage of eternity.
The neighing of his horse reverberates in the stormy wind
and in the song of thunder.
The blast of his hoofs hits the stars
and scatters them shooting
through the columns of the blue-domed sky.
The gods are all lying in the dead well
of a dark dungeon.
They are tied to the cold stony pillar
of the sacriticial altar.
Indeed this is the time for him
to come triumphantly riding his gorgeous chariot.
O comrades, come, make merry and rejoice!
Why should the sight of destruction frighten you?
All this upheaval is but the birth pain
of a new creation.
There comes the bold new youth
eager to wipe out all that is ugly and decayed.
He comes with' his unkempt hair and careless dress
on the wings of the Deluge
with a smile on his lips.
He is the eternal beauty
who knows how to destroy and build again,
Come, make merry and rejoice!
What fear has he
for whom all this destruction and rebuilding
is but a game?
Come, make merry and rejoice,
and welcome the Beautiful
who comes today in the garb of the Terrible.
[Translation: Kabir Chowdhury]
602
Rabindranath Tagore
Roaming Cloud
I am like a remnant of a cloud of autumn
uselessly roaming in the sky, O my sun ever-glorious!
Thy touch has not yet melted my vapor,
making me one with thy light,
and thus I count months and years separated from thee.
If this be thy wish and if this be thy play,
then take this fleeting emptiness of mine,
paint it with colors, gild it with gold,
float it on the wanton wind and spread it in varied wonders.
And again when it shall be thy wish to end this play at night,
I shall melt and vanish away in the dark,
or it may be in a smile of the white morning,
in a coolness of purity transparent.
uselessly roaming in the sky, O my sun ever-glorious!
Thy touch has not yet melted my vapor,
making me one with thy light,
and thus I count months and years separated from thee.
If this be thy wish and if this be thy play,
then take this fleeting emptiness of mine,
paint it with colors, gild it with gold,
float it on the wanton wind and spread it in varied wonders.
And again when it shall be thy wish to end this play at night,
I shall melt and vanish away in the dark,
or it may be in a smile of the white morning,
in a coolness of purity transparent.
615
William Shakespeare
Sonnet 11: As fast as thou shalt wane, so fast thou grow'st
As fast as thou shalt wane, so fast thou grow'st
In one of thine, from that which thou departest,
And that fresh blood which youngly thou bestow'st,
Thou mayst call thine when thou from youth convertest.
Herein lives wisdom, beauty, and increase;
Without this folly, age, and cold decay,
If all were minded so, the times should cease,
And threescore year would make the world away.
Let those whom Nature hath not made for store,
Harsh, featureless, and rude, barrenly perish;
Look whom she best endowed, she gave the more,
Which bounteous gift thou shouldst in bounty cherish.
She carved thee for her seal, and meant thereby,
Thou shouldst print more, not let that copy die.
In one of thine, from that which thou departest,
And that fresh blood which youngly thou bestow'st,
Thou mayst call thine when thou from youth convertest.
Herein lives wisdom, beauty, and increase;
Without this folly, age, and cold decay,
If all were minded so, the times should cease,
And threescore year would make the world away.
Let those whom Nature hath not made for store,
Harsh, featureless, and rude, barrenly perish;
Look whom she best endowed, she gave the more,
Which bounteous gift thou shouldst in bounty cherish.
She carved thee for her seal, and meant thereby,
Thou shouldst print more, not let that copy die.
595
Kazi Nazrul Islam
Life
An awakening pervades
The meadows and wilderness
Let not your slumber
Make it go in vain.
The lightning is beckoning
With thunder and rain.
The heaven is awake
The earth is awake
Oh, wake up for heaven's sake.
Beneath the earth
And under the feet
Those who lay dead
They shall now sprout
Like the green grass
With new blades.
A verdant earth is awaiting
The advent of a spring-shower.
The bud that the thunder
Failed to burst into new blossom
Out of joy, it will now bloom.
[Original: Jibon; Translation: Syed Mujibul Huq]
The meadows and wilderness
Let not your slumber
Make it go in vain.
The lightning is beckoning
With thunder and rain.
The heaven is awake
The earth is awake
Oh, wake up for heaven's sake.
Beneath the earth
And under the feet
Those who lay dead
They shall now sprout
Like the green grass
With new blades.
A verdant earth is awaiting
The advent of a spring-shower.
The bud that the thunder
Failed to burst into new blossom
Out of joy, it will now bloom.
[Original: Jibon; Translation: Syed Mujibul Huq]
591
Pablo Neruda
Entrance Of The Rivers
Beloved of the rivers,beset
By azure water and transparent drops,
Like a tree of veins your spectre
Of dark goddess biting apples:
And then awakening naked
To be tattoed by the rivers,
And in the wet heights your head
Filled the world with new dew.
Water rose to your waist,
You are made of wellsprings
And lakes shone on your forehead.
From your sources of density you drew
Water like vital tears
And hauled the riverbeds to the sand
Across the planetary night,
Crossing rough, dilated stone,
Breaking down on the way
All the salt of geology,
Cutting through forests of compact walls
Dislodging the muscles of quartz.
By azure water and transparent drops,
Like a tree of veins your spectre
Of dark goddess biting apples:
And then awakening naked
To be tattoed by the rivers,
And in the wet heights your head
Filled the world with new dew.
Water rose to your waist,
You are made of wellsprings
And lakes shone on your forehead.
From your sources of density you drew
Water like vital tears
And hauled the riverbeds to the sand
Across the planetary night,
Crossing rough, dilated stone,
Breaking down on the way
All the salt of geology,
Cutting through forests of compact walls
Dislodging the muscles of quartz.
579
William Butler Yeats
Sailing To Byzantium
I
That is no country for old men. The young
In one another's arms, birds in the trees
---Those dying generations---at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unaging intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
That is no country for old men. The young
In one another's arms, birds in the trees
---Those dying generations---at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unaging intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
580
Robert Louis Stevenson
The Wind Is Without There And Howls In The Trees
THE wind is without there and howls in the trees,
And the rain-flurries drum on the glass:
Alone by the fireside with elbows on knees
I can number the hours as they pass.
Yet now, when to cheer me the crickets begin,
And my pipe is just happily lit,
Believe me, my friend, tho' the evening draws in,
That not all uncontested I sit.
Alone, did I say? O no, nowise alone
With the Past sitting warm on my knee,
To gossip of days that are over and gone,
But still charming to her and to me.
With much to be glad of and much to deplore,
Yet, as these days with those we compare,
Believe me, my friend, tho' the sorrows seem more
They are somehow more easy to bear.
And thou, faded Future, uncertain and frail,
As I cherish thy light in each draught,
His lamp is not more to the miner - their sail
Is not more to the crew on the raft.
For Hope can make feeble ones earnest and brave,
And, as forth thro' the years I look on,
Believe me, my friend, between this and the grave,
I see wonderful things to be done.
To do or to try; and, believe me, my friend,
If the call should come early for me,
I can leave these foundations uprooted, and tend
For some new city over the sea.
To do or to try; and if failure be mine,
And if Fortune go cross to my plan,
Believe me, my friend, tho' I mourn the design
I shall never lament for the man.
And the rain-flurries drum on the glass:
Alone by the fireside with elbows on knees
I can number the hours as they pass.
Yet now, when to cheer me the crickets begin,
And my pipe is just happily lit,
Believe me, my friend, tho' the evening draws in,
That not all uncontested I sit.
Alone, did I say? O no, nowise alone
With the Past sitting warm on my knee,
To gossip of days that are over and gone,
But still charming to her and to me.
With much to be glad of and much to deplore,
Yet, as these days with those we compare,
Believe me, my friend, tho' the sorrows seem more
They are somehow more easy to bear.
And thou, faded Future, uncertain and frail,
As I cherish thy light in each draught,
His lamp is not more to the miner - their sail
Is not more to the crew on the raft.
For Hope can make feeble ones earnest and brave,
And, as forth thro' the years I look on,
Believe me, my friend, between this and the grave,
I see wonderful things to be done.
To do or to try; and, believe me, my friend,
If the call should come early for me,
I can leave these foundations uprooted, and tend
For some new city over the sea.
To do or to try; and if failure be mine,
And if Fortune go cross to my plan,
Believe me, my friend, tho' I mourn the design
I shall never lament for the man.
572
Kazi Nazrul Islam
The Eternal Child
O the nameless eternal child
you have come across unknown lands,
what ornament of name you have put on!
What a prison it is for the chainless!
Tell me, by what name I'll call you again
to my heart's content,
you lost your way from this home
where you lived, where you do come back
over and over again losing your own name.
O my sweet dear,
you are the radiant pearl of my dark home
filling the hungry home with little butter
your tiny hand has brought.
That today in intimate happiness
a sea of wailing swells up in my bosom
to call you by a new name,
who is there to stop my voice
my mind, too, utterly dejected.
You came from settling down, O traveller
stepping toward rising up.
[Original: Chiro Shishu; Translation: Mohammad Nurul Huda]
you have come across unknown lands,
what ornament of name you have put on!
What a prison it is for the chainless!
Tell me, by what name I'll call you again
to my heart's content,
you lost your way from this home
where you lived, where you do come back
over and over again losing your own name.
O my sweet dear,
you are the radiant pearl of my dark home
filling the hungry home with little butter
your tiny hand has brought.
That today in intimate happiness
a sea of wailing swells up in my bosom
to call you by a new name,
who is there to stop my voice
my mind, too, utterly dejected.
You came from settling down, O traveller
stepping toward rising up.
[Original: Chiro Shishu; Translation: Mohammad Nurul Huda]
578
Emily Dickinson
Nature—sometimes sears a Sapling
Nature—sometimes sears a Sapling—
Sometimes—scalps a Tree—
Her Green People recollect it
When they do not die—
Fainter Leaves—to Further Seasons—
Dumbly testify—
We—who have the Souls—
Die oftener—Not so vitally—
Sometimes—scalps a Tree—
Her Green People recollect it
When they do not die—
Fainter Leaves—to Further Seasons—
Dumbly testify—
We—who have the Souls—
Die oftener—Not so vitally—
571
William Carlos Williams
Overture to a Dance of Locomotives
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.
The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.
Covertly the hands of a great clock
go round and round! Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.
A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated--
two--twofour--twoeight!
Porters in red hats run on narrow platforms.
This way ma'am!
--important not to take
the wrong train!
Lights from the concrete
ceiling hang crooked but--
Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow--inviting entry--
pull against the hour. But brakes can
hold a fixed posture till--
The whistle!
Not twoeight. Not twofour. Two!
Gliding windows. Colored cooks sweating
in a small kitchen. Taillights--
In time: twofour!
In time: twoeight!
--rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
The dance is sure.
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.
The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.
Covertly the hands of a great clock
go round and round! Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.
A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated--
two--twofour--twoeight!
Porters in red hats run on narrow platforms.
This way ma'am!
--important not to take
the wrong train!
Lights from the concrete
ceiling hang crooked but--
Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow--inviting entry--
pull against the hour. But brakes can
hold a fixed posture till--
The whistle!
Not twoeight. Not twofour. Two!
Gliding windows. Colored cooks sweating
in a small kitchen. Taillights--
In time: twofour!
In time: twoeight!
--rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
The dance is sure.
566
Arthur Rimbaud
Drunken Morning
Oh, my Beautiful! Oh, my Good!
Hideous fanfare where yet I do not stumble!
Oh, rack of enchantments!
For the first time, hurrah for the unheard-of work,
For the marvelous body! For the first time!
It began with the laughter of children, and there it will end.
This poison will stay in our veins even when, as the fanfares depart,
We return to our former disharmony.
Oh, now, we who are so worthy of these tortures!
Let us re-create ourselves after that superhuman promise
Made to our souls and our bodies at their creation:
That promise, that madness!
Elegance, silence, violence!
They promised to bury in shadows the tree of good and evil,
To banish tyrannical honesty,
So that we might flourish in our very pure love.
It began with a certain disgust, and it ended -
Since we could not immediately seize upon eternity -
It ended in a scattering of perfumes.
Laughter of children, discretion of slaves, austerity of virgins,
Horror of faces and objects here below,
Be sacred in the memory of the evening past.
It began in utter boorishness, and now it ends
In angels of fire and ice.
Little drunken vigil, blessed!
If only for the mask you have left us!
Method, we believe in you! We never forgot that yesterday
You glorified all of our ages.
We have faith in poison.
We will give our lives completely, every day.
FOR THIS IS THE ASSASSIN'S HOUR.
(translated by Paul Schmidt)
Hideous fanfare where yet I do not stumble!
Oh, rack of enchantments!
For the first time, hurrah for the unheard-of work,
For the marvelous body! For the first time!
It began with the laughter of children, and there it will end.
This poison will stay in our veins even when, as the fanfares depart,
We return to our former disharmony.
Oh, now, we who are so worthy of these tortures!
Let us re-create ourselves after that superhuman promise
Made to our souls and our bodies at their creation:
That promise, that madness!
Elegance, silence, violence!
They promised to bury in shadows the tree of good and evil,
To banish tyrannical honesty,
So that we might flourish in our very pure love.
It began with a certain disgust, and it ended -
Since we could not immediately seize upon eternity -
It ended in a scattering of perfumes.
Laughter of children, discretion of slaves, austerity of virgins,
Horror of faces and objects here below,
Be sacred in the memory of the evening past.
It began in utter boorishness, and now it ends
In angels of fire and ice.
Little drunken vigil, blessed!
If only for the mask you have left us!
Method, we believe in you! We never forgot that yesterday
You glorified all of our ages.
We have faith in poison.
We will give our lives completely, every day.
FOR THIS IS THE ASSASSIN'S HOUR.
(translated by Paul Schmidt)
563
Pablo Neruda
Sonnet IX: There where the waves shatter
There where the waves shatter on the restless rocks
the clear light bursts and enacts its rose,
and the sea-circle shrinks to a cluster of buds,
to one drop of blue salt, falling.
O bright magnolia bursting in the foam,
magnetic transient whose death blooms
and vanishes--being, nothingness--forever:
broken salt, dazzling lurch of the sea.
You & I, Love, together we ratify the silence,
while the sea destroys its perpetual statues,
collapses its towers of wild speed and whiteness:
because in the weavings of those invisible fabrics,
galloping water, incessant sand,
we make the only permanent tenderness.
the clear light bursts and enacts its rose,
and the sea-circle shrinks to a cluster of buds,
to one drop of blue salt, falling.
O bright magnolia bursting in the foam,
magnetic transient whose death blooms
and vanishes--being, nothingness--forever:
broken salt, dazzling lurch of the sea.
You & I, Love, together we ratify the silence,
while the sea destroys its perpetual statues,
collapses its towers of wild speed and whiteness:
because in the weavings of those invisible fabrics,
galloping water, incessant sand,
we make the only permanent tenderness.
570
Langston Hughes
Final Curve
When you turn the corner
And you run into yourself
Then you know that you have turned
All the corners that are left
And you run into yourself
Then you know that you have turned
All the corners that are left
558
Dylan Thomas
Because The Pleasure-Bird Whistles
Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable;
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year
That clouts the spittle like bubbles with broken rooms,
An enamoured man alone by the twigs of his eyes, two fires,
Camped in the drug-white shower of nerves and food,
Savours the lick of the times through a deadly wood of hair
In a wind that plucked a goose,
Nor ever, as the wild tongue breaks its tombs,
Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city,
That frozen wife whose juices drift like a fixed sea
Secretly in statuary,
Shall I, struck on the hot and rocking street,
Not spin to stare at an old year
Toppling and burning in the muddle of towers and galleries
Like the mauled pictures of boys?
The salt person and blasted place
I furnish with the meat of a fable;
If the dead starve, their stomachs turn to tumble
An upright man in the antipodes
Or spray-based and rock-chested sea:
Over the past table I repeat this present grace.
553
Boris Pasternak
Craft
When, having finished, I shall move my armchair,
The page will gasp, awakened from the strain.
Delirious, she is half asleep at present,
Obedient to suspense and to the rain.
The heaviness of burnt-out ships has numbed her,
Prostrated, weighted down her senseless form;
You cannot dupe this one by false pretences-
It is the poet who will keep her warm.
I told her at an hour (its secret shudder
Vouchsafed by fancy) when the winter will
Light up green screeching ice, fed up with waiting
Behind an office worker's window sill,
And clocks in banks and other public places,
While drinking in the snow and outside's dark,
Will suddenly jump up and strike-their faces
Crossed by the clockhands at the 'seven' mark-
At such a deep, at such a fateful hour,
I made the page wake up and take her chance,
To put on hood and scarf, and venture out to
Descendants, strangers, shaking off her trance.
The page will gasp, awakened from the strain.
Delirious, she is half asleep at present,
Obedient to suspense and to the rain.
The heaviness of burnt-out ships has numbed her,
Prostrated, weighted down her senseless form;
You cannot dupe this one by false pretences-
It is the poet who will keep her warm.
I told her at an hour (its secret shudder
Vouchsafed by fancy) when the winter will
Light up green screeching ice, fed up with waiting
Behind an office worker's window sill,
And clocks in banks and other public places,
While drinking in the snow and outside's dark,
Will suddenly jump up and strike-their faces
Crossed by the clockhands at the 'seven' mark-
At such a deep, at such a fateful hour,
I made the page wake up and take her chance,
To put on hood and scarf, and venture out to
Descendants, strangers, shaking off her trance.
555
Arthur Rimbaud
To A Reason
A rap of your finger on the drum
fires all the sounds
and starts a new harmony.
A step of yours: the levy of new men
and their marching on.
Your head turns away:
O the new love!
Your head turns back:
O the new love!
'Change our lots, confound the plagues,
beginning with time,'
to you these children sing.
'Raise no matter where the substance
of our fortune and our desires,'
they beg you.
Arrival of all time,
who will go everywhere.
fires all the sounds
and starts a new harmony.
A step of yours: the levy of new men
and their marching on.
Your head turns away:
O the new love!
Your head turns back:
O the new love!
'Change our lots, confound the plagues,
beginning with time,'
to you these children sing.
'Raise no matter where the substance
of our fortune and our desires,'
they beg you.
Arrival of all time,
who will go everywhere.
551
Rabindranath Tagore
Stray Birds 51 - 60
YOUR idol is shattered in the dust
to prove that God's dust is greater than
your idol.
52
MAN does not reveal himself in his history,
he struggles up through it.
53
WHILE the glass lamp rebukes the earthen for calling it cousin,
the moon rises, and the glass lamp,
with a bland smile, calls her,
'My dear, dear sister.'
54
LIKE the meeting of the seagulls
and the waves we meet and come near.
The seagulls fly off,
the waves roll away and we depart.
55
MY day is done,
and I am like a boat drawn on the beach,
listening to the dance-music of t
he tide in the evening.
56
LIFE is given to us,
we earn it by giving it.
57
WE come nearest to the great
when we are great in humility.
58
THE sparrow is sorry for the peacock
at the burden of its tail.
59
NEVER be afraid of the moments-
thus sings the voice of the everlasting.
60
THE hurricane seeks the shortest road
by the no-road,
and suddenly ends its search in the Nowhere.
to prove that God's dust is greater than
your idol.
52
MAN does not reveal himself in his history,
he struggles up through it.
53
WHILE the glass lamp rebukes the earthen for calling it cousin,
the moon rises, and the glass lamp,
with a bland smile, calls her,
'My dear, dear sister.'
54
LIKE the meeting of the seagulls
and the waves we meet and come near.
The seagulls fly off,
the waves roll away and we depart.
55
MY day is done,
and I am like a boat drawn on the beach,
listening to the dance-music of t
he tide in the evening.
56
LIFE is given to us,
we earn it by giving it.
57
WE come nearest to the great
when we are great in humility.
58
THE sparrow is sorry for the peacock
at the burden of its tail.
59
NEVER be afraid of the moments-
thus sings the voice of the everlasting.
60
THE hurricane seeks the shortest road
by the no-road,
and suddenly ends its search in the Nowhere.
553
Boris Pasternak
Storm-Wind
I am finished, but you live on.
And the wind, crying and moaning,
rocks the house and the clearing,
not each pine alone,
but all the trees together,
with the vast distance, whole,
like the hulls of vessels,
moored in a bay, storm-blown.
And it shakes them not from mischief,
and not with an aimless tone,
but to find, for you, from its grief,
the words of a cradle-song.
And the wind, crying and moaning,
rocks the house and the clearing,
not each pine alone,
but all the trees together,
with the vast distance, whole,
like the hulls of vessels,
moored in a bay, storm-blown.
And it shakes them not from mischief,
and not with an aimless tone,
but to find, for you, from its grief,
the words of a cradle-song.
533
Lord Byron
Lara
LARA. [1]
CANTO THE FIRST.
I.
The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long selfexiled
chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwellingplace;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
They more might marvel, when the greeting's o'er,
Not that he came, but came not long before:
No train is his beyond a single page,
Of foreign aspect, and of tender age.
Years had roll'd on, and fast they speed away
To those that wander as to those that stay;
But lack of tidings from another clime
Had lent a flagging wing to weary Time.
They see, they recognise, yet almost deem
The present dubious, or the past a dream.
He lives, nor yet is past his manhood's prime,
Though sear'd by toil, and something touch'd by time;
His faults, whate'er they were, if scarce forgot,
Might be untaught him by his varied lot;
Nor good nor ill of late were known, his name
Might yet uphold his patrimonial fame.
His soul in youth was haughty, but his sins
No more than pleasure from the stripling wins;
And such, if not yet harden'd in their course,
Might be redeem'd, nor ask a long remorse.
V.
And they indeed were changed — 'tis quickly seen,
Whate'er he be, 'twas not what he had been:
That brow in furrow'd lines had fix'd at last,
And spake of passions, but of passion past;
The pride, but not the fire, of early days,
Coldness of mien, and carelessness of praise;
A high demeanour, and a glance that took
Their thoughts from others by a single look;
And that sarcastic levity of tongue,
The stinging of a heart the world hath stung,
That darts in seeming playfulness around,
And makes those feel that will not own the wound:
All these seem'd his, and something more beneath
Than glance could well reveal, or accent breathe.
Ambition, glory, love, the common aim
That some can conquer, and that all would claim,
Within his breast appear'd no more to strive,
Yet seem'd as lately they had been alive;
And some deep feeling it were vain to trace
At moments lighten'd o'er his livid face.
VI.
Not much he loved long question of the past,
Nor told of wondrous wilds, and deserts vast,
In those far lands where he had wander'd lone,
And — as himself would have it seem — unknown:
Yet these in vain his eye could scarcely scan,
Nor glean experience from his fellowman;
But what he had beheld he shunn'd to show,
As hardly worth a stranger's care to know;
If still more prying such inquiry grew,
His brow fell darker, and his words more few.
VII.
Not unrejoiced to see him once again,
Warm was his welcome to the haunts of men;
Born of high lineage, link'd in high command,
He mingled with the magnates of his land;
Join'd the carousals of the great and gay,
And saw them smile or sigh their hours away;
But still he only saw, and did not share
The common pleasure or the general care;
He did not follow what they all pursued,
With hope still baffled, still to be renew'd;
Nor shadowy honour, nor substantial gain,
Nor beauty's preference, and the rival's pain:
Around him some mysterious circle thrown
Repell'd approach, and showed him still alone;
Upon his eye sate something of reproof,
That kept at least frivolity aloof;
And things more timid that beheld him near,
In silence gazed, or whisper'd mutual fear;
And they the wiser, friendlier few confess'd
They deem'd him better than his air express'd.
VIII.
'Twas strange — in youth all action and all life,
Burning for pleasure, not averse from strife;
Woman — the field — the ocean — all that gave
Promise of gladness, peril of a grave,
In turn he tried — he ransack'd all below,
And found his recompence in joy or woe,
No tame, trite medium; for his feelings sought
In that intenseness an escape from thought:
The tempest of his heart in scorn had gazed
On that the feebler elements hath raised;
The rapture of his heart had look'd on high,
And ask'd if greater dwelt beyond the sky:
Chain'd to excess, the slave of each extreme,
How woke he from the wildness of that dream?
Alas! he told not — but he did awake
To curse the wither'd heart that would not break.
IX.
Books, for his volume heretofore was Man,
With eye more curious he appear'd to scan,
And oft, in sudden mood, for many a day
From all communion he would start away:
And then, his rarely call'd attendants said,
Through night's long hours would sound his hurried tread
O'er the dark gallery, where his fathers frown'd
In rude but antique portraiture around.
They heard, but whisper'd — "that must not be known —
The sound of words less earthly than his own.
Yes, they who chose might smile, but some had seen
They scarce knew what, but more than should have been.
Why gazed he so upon the ghastly head
Which hands profane had gather'd from the dead,
That still beside his open'd volume lay,
As if to startle all save him away?
Why slept he not when others were at rest?
Why heard no music, and received no guest?
All was not well, they deem'd — but where the wrong?
Some knew perchance — but 'twere a tale too long;
And such besides were too discreetly wise,
To more than hint their knowledge in surmise;
But if they would — they could" — around the board,
Thus Lara's vassals prattled of their lord.
X.
It was the night — and Lara's glassy stream
The stars are studding, each with imaged beam:
So calm, the waters scarcely seem to stray,
And yet they glide like happiness away;
Reflecting far and fairylike
from high
The immortal lights that live along the sky:
Its banks are fringed with many a goodly tree,
And flowers the fairest that may feast the bee;
Such in her chaplet infant Dian wove,
And Innocence would offer to her love.
These deck the shore; the waves their channel make
In windings bright and mazy like the snake.
All was so still, so soft in earth and air,
You scarce would start to meet a spirit there;
Secure that nought of evil could delight
To walk in such a scene, on such a night!
It was a moment only for the good:
So Lara deem'd, nor longer there he stood,
But turn'd in silence to his castlegate;
Such scene his soul no more could contemplate.
Such scene reminded him of other days,
Of skies more cloudless, moons of purer blaze,
Of nights more soft and frequent, hearts that now —
No — no — the storm may beat upon his brow,
Unfelt — unsparing — but a night like this,
A night of beauty mock'd such breast as his.
XI.
He turn'd within his solitary hall,
And his high shadow shot along the wall;
There were the painted forms of other times,
'Twas all they left of virtues or of crimes,
Save vague tradition; and the gloomy vaults
That hid their dust, their foibles, and their faults;
And half a column of the pompous page,
That speeds the specious tale from age to age:
When history's pen its praise or blame supplies,
And lies like truth, and still most truly lies.
He wandering mused, and as the moonbeam shone
Through the dim lattice o'er the floor of stone,
And the high fretted roof, and saints, that there
O'er Gothic windows knelt in pictured prayer,
Reflected in fantastic figures grew,
Like life, but not like mortal life, to view;
His bristling locks of sable, brow of gloom,
And the wide waving of his shaken plume,
Glanced like a spectre's attributes, and gave
His aspect all that terror gives the grave.
XII.
'Twas midnight — all was slumber; the lone light
Dimm'd in the lamp, as loth to break the night.
Hark! there be murmurs heard in Lara's hall —
A sound — voice — a shriek — a fearful call!
A long, loud shriek — and silence — did they hear
That frantic echo burst the sleeping ear?
They heard and rose, and tremulously brave
Rush where the sound invoked their aid to save;
They come with halflit
tapers in their hands,
And snatch'd in startled haste unbelted brands.
XIII.
Cold as the marble where his length was laid,
Pale as the beam that o'er his features play'd,
Was Lara stretch'd; his halfdrawn
sabre near,
Dropp'd it should seem in more than nature's fear;
Yet he was firm, or had been firm till now,
And still defiance knit his gather'd brow;
Though mix'd with terror, senseless as he lay,
There lived upon his lip the wish to slay;
Some halfform'd
threat in utterance there had died,
Some imprecation of despairing pride;
His eye was almost seal'd, but not forsook
Even in its trance the gladiator's look,
That oft awake his aspect could disclose,
And now was fix'd in horrible repose.
They raise him — bear him: hush! he breathes, he speaks!
The swarthy blush recolours in his cheeks,
His lip resumes its red, his eye, though dim,
Rolls wide and wild, each slowly quivering limb
Recalls its function, but his words are strung
In terms that seem not of his native tongue;
Distinct but strange, enough they understand
To deem them accents of another land,
And such they were, and meant to meet an ear
That hears him not — alas! that cannot hear!
XIV.
His page approach'd, and he alone appear'd
To know the import of the words they heard;
And by the changes of his cheek and brow
They were not such as Lara should avow,
Nor he interpret, yet with less surprise
Than those around their chieftain's state he eyes,
But Lara's prostrate form he bent beside,
And in that tongue which seem'd his own replied,
And Lara heeds those tones that gently seem
To soothe away the horrors of his dream;
If dream it were, that thus could overthrow
A breast that needed not ideal woe.
XV.
Whate'er his frenzy dream'd or eye beheld,
If yet remember'd ne'er to be reveal'd,
Rests at his heart: the custom'd morning came,
And breathed new vigour in his shaking frame;
And solace sought he none from priest nor leech,
And soon the same in movement and in speech
As heretofore he fill'd the passing hours,
Nor less he smiles, nor more his forehead lours
Than these were wont; and if the coming night
Appear'd less welcome now to Lara's sight,
He to his marvelling vassals shew'd it not,
Whose shuddering proved their fear was less forgot.
In trembling pairs (alone they dared not) crawl
The astonish'd slaves, and shun the fated hall;
The waving banner, and the clapping door;
The rustling tapestry, and the echoing floor;
The long dim shadows of surrounding trees,
The flapping bat, the night song of the breeze;
Aught they behold or hear their thought appals
As evening saddens o'er the dark gray walls.
XVI.
Vain thought! that hour of ne'er unravell'd gloom
Came not again, or Lara could assume
A seeming of forgetfulness that made
His vassals more amazed nor less afraid —
Had memory vanish'd then with sense restored?
Since word, nor look, nor gesture of their lord
Betray'd a feeling that recall'd to these
That fever'd moment of his mind's disease.
Was it a dream? was his the voice that spoke
Those strange wild accents; his the cry that broke
Their slumber? his the oppress'd o'erlabour'd
heart
That ceased to beat, the look that made them start?
Could he who thus had suffer'd, so forget
When such as saw that suffering shudder yet?
Or did that silence prove his memory fix'd
Too deep for words, indelible, unmix'd
In that corroding secresy which gnaws
The heart to shew the effect, but not the cause?
Not so in him; his breast had buried both,
Nor common gazers could discern the growth
Of thoughts that mortal lips must leave half told;
They choke the feeble words that would unfold.
XVII.
In him inexplicably mix'd appear'd
Much to be loved and hated, sought and fear'd;
Opinion varying o'er his hidden lot,
In praise or railing ne'er his name forgot;
His silence form'd a theme for others' prate —
They guess'd — they gazed — they fain would know his fate.
What had he been? what was he, thus unknown,
Who walk'd their world, his lineage only known?
A hater of his kind? yet some would say,
With them he could seem gay amidst the gay;
But own'd that smile, if oft observed and near,
Waned in its mirth and wither'd to a sneer;
That smile might reach his lip, but pass'd not by,
None e'er could trace its laughter to his eye:
Yet there was softness too in his regard,
At times, a heart as not by nature hard,
But once perceived, his spirit seem'd to chide
Such weakness, as unworthy of its pride,
And steel'd itself, as scorning to redeem
One doubt from others' half withheld esteem;
In selfinflicted
penance of a breast
Which tenderness might once have wrung from rest;
In vigilance of grief that would compel
The soul to hate for having loved too well.
XVIII.
There was in him a vital scorn of all:
As if the worst had fall'n which could befall,
He stood a stranger in this breathing world,
An erring spirit from another hurled;
A thing of dark imaginings, that shaped
By choice the perils he by chance escaped;
But 'scaped in vain, for in their memory yet
His mind would half exult and half regret:
With more capacity for love than earth
Bestows on most of mortal mould and birth,
His early dreams of good outstripp'd the truth,
And troubled manhood follow'd baffled youth;
With thought of years in phantom chase misspent,
And wasted powers for better purpose lent;
And fiery passions that had pour'd their wrath
In hurried desolation o'er his path,
And left the better feelings all at strife
In wild reflection o'er his stormy life;
But haughty still, and loth himself to blame,
He call'd on Nature's self to share the shame,
And charged all faults upon the fleshly form
She gave to clog the soul, and feast the worm;
'Till he at last confounded good and ill,
And half mistook for fate the acts of will:
Too high for common selfishness, he could
At times resign his own for others' good,
But not in pity, not because he ought,
But in some strange perversity of thought,
That sway'd him onward with a secret pride
To do what few or none would do beside;
And this same impulse would, in tempting time,
Mislead his spirit equally to crime;
So much he soar'd beyond, or sunk beneath
The men with whom he felt condemn'd to breathe,
And long'd by good or ill to separate
Himself from all who shared his mortal state;
His mind abhorring this had fix'd her throne
Far from the world, in regions of her own;
Thus coldly passing all that pass'd below,
His blood in temperate seeming now would flow:
Ah! happier if it ne'er with guilt had glow'd,
But ever in that icy smoothness flow'd:
'Tis true, with other men their path he walk'd,
And like the rest in seeming did and talk'd,
Nor outraged Reason's rules by flaw nor start,
His madness was not of the head, but heart;
And rarely wander'd in his speech, or drew
His thoughts so forth as to offend the view.
XIX.
With all that chilling mystery of mien,
And seeming gladness to remain unseen,
He had (if 'twere not nature's boon) an art
Of fixing memory on another's heart:
It was not love, perchance — nor hate — nor aught
That words can image to express the thought;
But they who saw him did not see in vain,
And once beheld, would ask of him again:
And those to whom he spake remember'd well,
And on the words, however light, would dwell.
None knew nor how, nor why, but he entwined
Himself perforce around the hearer's mind;
There he was stamp'd, in liking, or in hate,
If greeted once; however brief the date
That friendship, pity, or aversion knew,
Still there within the inmost thought he grew.
You could not penetrate his soul, but found
Despite your wonder, to your own he wound.
His presence haunted still; and from the breast
He forced an allunwilling
interest;
Vain was the struggle in that mental net,
His spirit seem'd to dare you to forget!
XX.
There is a festival, where knights and dames,
And aught that wealth or lofty lineage claims,
Appear — a highborn
and a welcomed guest
To Otho's hall came Lara with the rest.
The long carousal shakes the illumined hall,
Well speeds alike the banquet and the ball;
And the gay dance of bounding Beauty's train
Links grace and harmony in happiest chain:
Blest are the early hearts and gentle hands
That mingle there in well according bands;
It is a sight the careful brow might smooth,
And make Age smile, and dream itself to youth,
And Youth forget such hour was pass'd on earth,
So springs the exulting bosom to that mirth!
XXI.
And Lara gazed on these sedately glad,
His brow belied him if his soul was sad,
And his glance follow'd fast each fluttering fair,
Whose steps of lightness woke no echo there:
He lean'd against the lofty pillar nigh
With folded arms and long attentive eye,
Nor mark'd a glance so sternly fix'd on his,
Ill brook'd high Lara scrutiny like this:
At length he caught it, 'tis a face unknown,
But seems as searching his, and his alone;
Prying and dark, a stranger's by his mien,
Who still till now had gazed on him unseen;
At length encountering meets the mutual gaze
Of keen inquiry, and of mute amaze;
On Lara's glance emotion gathering grew,
As if distrusting that the stranger threw;
Along the stranger's aspect fix'd and stern
Flash'd more than thence the vulgar eye could learn.
XXII.
"'Tis he!" the stranger cried, and those that heard
Reecho'd
fast and far the whisper'd word.
"'Tis he!" — "'Tis who?" they question far and near,
Till louder accents rang on Lara's ear;
So widely spread, few bosoms well could brook
The general marvel, or that single look;
But Lara stirr'd not, changed not, the surprise
That sprung at first to his arrested eyes
Seem'd now subsided, neither sunk nor raised
Glanced his eye round, though still the stranger gazed;
And drawing nigh, exclaim'd, with haughty sneer,
"'Tis he! — how came he thence? — what doth he here?"
XXIII.
It were too much for Lara to pass by
Such question, so repeated fierce and high;
With look collected, but with accent cold,
More mildly firm than petulantly bold,
He turn'd, and met the inquisitorial tone —
"My name is Lara! — when thine own is known,
Doubt not my fitting answer to requite
The unlook'd for courtesy of such a knight.
'Tis Lara! — further wouldst thou mark or ask?
I shun no question, and I wear no mask."
"Thou shunn'st no question! Ponder — is there none
Thy heart must answer, though thine ear would shun?
And deem'st thou me unknown too? Gaze again!
At least thy memory was not given in vain.
Oh! never canst thou cancel half her debt,
Eternity forbids thee to forget."
With slow and searching glance upon his face
Grew Lara's eyes, but nothing there could trace
They knew, or chose to know — with dubious look
He deign'd no answer, but his head he shook,
And half contemptuous turn'd to pass away;
But the stern stranger motion'd him to stay.
"A word! — I charge thee stay, and answer here
To one, who, wert thou noble, were thy peer,
But as thou wast and art — nay, frown not, lord,
If false, 'tis easy to disprove the word —
But as thou wast and art, on thee looks down,
Distrusts thy smiles, but shakes not at thy frown.
Art thou not he? whose deeds — "
"Whate'er I be,
Words wild as these, accusers like to thee,
I list no further; those with whom they weigh
May hear the rest, nor venture to gainsay
The wondrous tale no doubt thy tongue can tell,
Which thus begins courteously and well.
Let Otho cherish here his polish'd guest,
To him my thanks and thoughts shall be express'd."
And here their wondering host hath interposed —
"Whate'er there be between you undisclosed,
This is no time nor fitting place to mar
The mirthful meeting with a wordy war.
If thou, Sir Ezzelin, hast ought to show
Which it befits Count Lara's ear to know,
Tomorrow,
here, or elsewhere, as may best
Beseem your mutual judgment, speak the rest;
I pledge myself for thee, as not unknown,
Though, like Count Lara, now return'd alone
From other lands, almost a stranger grown;
And if from Lara's blood and gentle birth
I augur right of courage and of worth,
He will not that untainted line belie,
Nor aught that knighthood may accord deny."
"Tomorrow
be it," Ezzelin replied,
"And here our several worth and truth be tried:
I gage my life, my falchion to attest
My words, so may I mingle with the blest!"
What answers Lara? to its centre shrunk
His soul, in deep abstraction sudden sunk;
The words of many, and the eyes of all
That there were gather'd, seem'd on him to fall;
But his were silent, his appear'd to stray
In far forgetfulness away — away —
Alas! that heedlessness of all around
Bespoke remembrance only too profound.
XXIV.
"Tomorrow!
— ay, tomorrow!"
— further word
Than those repeated none from Lara heard;
Upon his brow no outward passion spoke,
From his large eye no flashing anger broke;
Yet there was something fix'd in that low tone
Which shew'd resolve, determined, though unknown.
He seized his cloak — his head he slightly bow'd,
And passing Ezzelin he left the crowd;
And as he pass'd him, smiling met the frown
With which that chieftain's brow would bear him down:
It was nor smile of mirth, nor struggling pride
That curbs to scorn the wrath it cannot hide;
But that of one in his own heart secure
Of all that he would do, or could endure.
Could this mean peace? the calmness of the good?
Or guilt grown old in desperate hardihood?
Alas! too like in confidence are each
For man to trust to mortal look or speech;
From deeds, and deeds alone, may he discern
Truths which it wrings the unpractised heart to learn.
XXV.
And Lara call'd his page, and went his way —
Well could that stripling word or sign obey:
His only follower from those climes afar
Where the soul glows beneath a brighter star;
For Lara left the shore from whence he sprung,
In duty patient, and sedate though young;
Silent as him he served, his fate appears
Above his station, and beyond his years.
Though not unknown the tongue of Lara's land,
In such from him he rarely heard command;
But fleet his step, and clear his tones would come,
When Lara's lip breathed forth the words of home:
Those accents, as his native mountains dear,
Awake their absent echoes in his ear,
Friends', kindreds', parents', wonted voice recall,
Now lost, abjured, for one — his friend, his all:
For him earth now disclosed no other guide;
What marvel then he rarely left his side?
XXVI.
Light was his form, and darkly delicate
That brow whereon his native sun had sate,
But had not marr'd, though in his beams he grew,
The cheek where oft the unbidden blush shone through;
Yet not such blush as mounts when health would show
All the heart's hue in that delighted glow;
But 'twas a hectic tint of secret care
That for a burning moment fever'd there;
And the wild sparkle of his eye seem'd caught
From high, and lighten'd with electric thought,
Though its black orb those long low lashes' fringe
Had temper'd with a melancholy tinge;
Yet less of sorrow than of pride was there,
Or, if 'twere grief, a grief that none should share:
And pleased not him the sports that please his age,
The tricks of youth, the frolics of the page;
For hours on Lara he would fix his glance,
As allforgotten
in that watchful trance;
And from his chief withdrawn, he wander'd lone,
Brief were his answers, and his questions none;
His walk the wood, his sport some foreign book;
His restingplace
the bank that curbs the brook;
He seem'd, like him he served, to live apart
From all that lures the eye, and fills the heart;
To know no brotherhood; and take from earth
No gift beyond that bitter boon — our birth.
XXVII.
If aught he loved, 'twas Lara; but was shown
His faith in reverence and in deeds alone;
In mute attention; and his care, which guess'd
Each wish, fulfill'd it ere the tongue express'd.
Still there was haughtiness in all he did,
A spirit deep that brook'd not to be chid;
His zeal, though more than that of servile hands,
In act alone obeys, his air commands;
As if 'twas Lara's less than his desire
That thus he served, but surely not for hire.
Slight were the tasks enjoin'd him by his lord,
To hold the stirrup, or to bear the sword;
To tune his lute, or, if he will'd it more,
On tomes of other times and tongues to pore;
But ne'er to mingle with the menial train,
To whom he shew'd not deference nor disdain,
But that wellworn
reserve which proved he knew
No sympathy with that familiar crew:
His soul, whate'er his station or his stem,
Could bow to Lara, not descend to them.
Of higher birth he seem'd, and better days,
Nor mark of vulgar toil that hand betrays,
So femininely white it might bespeak
Another sex, when match'd with that smooth cheek,
But for his garb, and something in his gaze,
More wild and high than woman's eye betrays;
A latent fierceness that far more became
His fiery climate than his tender frame:
True, in his words it broke not from his breast,
But from his aspect might be more than guess'd.
Kaled his name, though rumour said he bore
Another ere he left his mountain shore;
For sometimes he would hear, however nigh,
That name repeated loud without reply,
As unfamiliar, or, if roused again,
Start to the sound, as but remember'd then;
Unless 'twas Lara's wonted voice that spake,
For then, ear, eyes, and heart would all awake.
XXVIII.
He had look'd down upon the festive hall,
And mark'd that sudden strife so mark'd of all;
And when the crowd around and near him told
Their wonder at the calmness of the bold,
Their marvel how the highborn
Lara bore
Such insult from a stranger, doubly sore,
The colour of young Kaled went and came,
The lip of ashes, and the cheek of flame;
And o'er his brow the dampening heartdrops
threw
The sickening iciness of that cold dew
That rises as the busy bosom sinks
With heavy thoughts from which reflection shrinks.
Yes — there be things which we must dream and dare
And execute ere thought be half aware:
Whate'er might Kaled's be, it was enow
To seal his lip, but agonise his brow.
He gazed on Ezzelin till Lara cast
That sidelong smile upon on the knight he pass'd;
When Kaled saw that smile his visage fell,
As if on something recognised right well;
His memory read in such a meaning more
Than Lara's aspect unto others wore.
Forward he sprung — a moment, both were gone,
And all within that hall seem'd left alone;
Each had so fix'd his eye on Lara's mien,
All had so mix'd their feelings with that scene,
That when his long dark shadow through the porch
No more relieves the glare of yon high torch,
Each pulse beats quicker, and all bosoms seem
To bound as doubting from too black a dream,
Such as we know is false, yet dread in sooth,
Because the worst is ever nearest truth.
And they are gone — but Ezzelin is there,
With thoughtful visage and imperious air;
But long remain'd not; ere an hour expired
He waved his hand to Otho, and retired.
XXIX.
The crowd are gone, the revellers at rest;
The courteous host, and allapproving
guest,
Again to that accustom'd couch must creep
Where joy subsides, and sorrow sighs to sleep,
And man, o'erlabour'd with his being's strife,
Shrinks to that sweet forgetfulness of life:
There lie love's feverish hope. and cunning's guile,
Hate's working brain and lull'd ambition's wile;
O'er each vain eye oblivion's pinions wave,
And quench'd existence crouches in a grave.
What better name may slumber's bed become?
Night's sepulchre, the universal home,
Where weakness, strength, vice, virtue, sunk supine,
Alike in naked helplessness recline;
Glad for awhile to heave unconscious breath,
Yet wake to wrestle with the dread of death,
And shun, though day but dawn on ills increased,
That sleep, the loveliest, since it dreams the least.
______
CANTO THE SECOND.
I.
Night wanes — the vapours round the mountains curl'd,
Melt into morn, and Light awakes the world.
Man has another day to swell the past,
And lead him near to little, but his last;
But mighty Nature bounds as from her birth,
The sun is in the heavens, and life on earth;
Flowers in the valley, splendour in the beam,
Health on the gale, and freshness in the stream.
Immortal man! behold her glories shine,
And cry, exulting inly, "They are thine!"
Gaze on, while yet thy gladden'd eye may see,
A morrow comes when they are not for thee;
And grieve what may above thy senseless bier,
Nor earth nor sky will yield a single tear;
Nor cloud shall gather more, nor leaf shall fall,
Nor gale breathe forth one sigh for thee, for all;
But creeping things shall revel in their spoil,
And fit thy clay to fertilise the soil.
II.
'Tis morn — 'tis noon — assembled in the hall,
The gather'd chieftains come to Otho's call:
'Tis now the promised hour, that must proclaim
The life or death of Lara's future fame;
When Ezzelin his charge may here unfold,
And whatsoe'er the tale, it must be told.
His faith was pledged, and Lara's promise given,
To meet it in the eye of man and Heaven.
Why comes he not? Such truths to be divulged,
Methinks the accuser's rest is long indulged.
III.
The hour is past, and Lara too is there,
With selfconfiding,
coldly patient air;
Why comes not Ezzelin? The hour is past,
And murmurs rise, and Otho's brow's o'ercast,
"I know my friend! his faith I cannot fear,
If yet he be on earth, expect him here;
The roof that held him in the valley stands
Between my own and noble Lara's lands;
My halls from such a guest had honour gain'd,
Nor had Sir Ezzelin his host disdain'd,
But that some previous proof forbade his stay,
And urged him to prepare against today;
The word I pledge for his I pledge again,
Or will myself redeem his knighthood's stain."
He ceased — and Lara answer'd, "I am here
To lend at thy demand a listening ear,
To tales of evil from a stranger's tongue,
Whose words already might my heart have wrung,
But that I deem'd him scarcely less than mad,
Or, at the worst, a foe ignobly bad.
I know him not — but me it seems he knew
In lands where — but I must not trifle too:
Produce this babbler — or redeem the pledge;
Here in thy hold, and with thy falchion's edge."
Proud Otho on the instant, reddening, threw
His glove on earth, and forth his sabre flew.
"The last alternative befits me best,
And thus I answer for mine absent guest."
With cheek unchanging from its sallow gloom,
However near his own or other's tomb;
With hand, whose almost careless coolness spoke
Its grasp wellused
to deal the sabrestroke;
With eye, though calm, determined not to spare,
Did Lara too his willing weapon bare.
In vain the circling chieftains round them closed,
For Otho's frenzy would not be opposed;
And from his lip those words of insult fell —
His sword is good who can maintain them well.
IV.
Short was the conflict; furious, blindly rash,
Vain Otho gave his bosom to the gash:
He bled, and fell; but not with deadly wound,
Stretch'd by a dextrous sleight along the ground.
"Demand thy life!" He answer'd not: and then
From that red floor he ne'er had risen again,
For Lara's brow upon the moment grew
Almost to blackness in its demon hue;
And fiercer shook his angry falchion now
Than when his foe's was levell'd at his brow;
Then all was stern collectedness and art,
Now rose the unleaven'd hatred of his heart;
So little sparing to the foe he fell'd,
That when the approaching crowd his arm withheld
He almost turn'd the thirsty point on those
Who thus for mercy dared to interpose;
But to a moment's thought that purpose bent;
Yet look'd he on him still with eye intent,
As if he loathed the ineffectual strife
That left a foe, howe'er o'erthrown, with life;
As if to search how far the wound he gave
Had sent its victim onward to his grave.
V.
They raised the bleeding Otho, and the Leech
Forbade all present question, sign, and speech;
The others met within a neighbouring hall,
And he, incensed and heedless of them all,
The cause and conqueror in this sudden fray,
In haughty silence slowly strode away;
He back'd his steed, his homeward path he took,
Nor cast on Otho's tower a single look.
VI.
But where was he? that meteor of a night,
Who menaced but to disappear with light.
Where was this Ezzelin? who came and went
To leave no other trace of his intent.
He left the dome of Otho long ere morn,
In darkness, yet so well the path was worn
He could not miss it: near his dwelling lay;
But there he was not, and with coming day
Came fast inquiry, which unfolded nought
Except the absence of the chief it sought.
A chamber tenantless, a steed at rest,
His host alarm'd, his murmuring squires distress'd:
Their search extends along, around the path,
In dread to met the marks of prowlers' wrath:
But none are there, and not a brake hath borne
Nor gout of blood, nor shred of mantle torn;
Nor fall nor struggle hath defaced the grass,
Which still retains a mark where murder was;
Nor dabbling fingers left to tell the tale,
The bitter print of each convulsive nail,
When agonised hands that cease to guard,
Wound in that pang the smoothness of the sward.
Some such had been, if here a life was reft,
But these were not; and doubting hope is left;
And strange suspicion, whispering Lara's name,
Now daily mutters o'er his blacken'd fame;
Then sudden silent when his form appear'd,
Awaits the absence of the thing it fear'd;
Again its wonted wondering to renew,
And dye conjecture with a darker hue.
VII.
Days roll along, and Otho's wounds are heal'd,
But not his pride; and hate no more conceal'd:
He was a man of power, and Lara's foe,
The friend of all who sought to work him woe,
And from his country's justice now demands
Account of Ezzelin at Lara's hands.
Who else than Lara could have cause to fear
His presence? who had made him disappear,
If not the man on whom his menaced charge
Had sate too deeply were he left at large?
The general rumour ignorantly loud,
The mystery dearest to the curious crowd;
The seeming friendlessness of him who strove
To win no confidence, and wake no love;
The sweeping fierceness which his soul betray'd,
The skill with which he wielded his keen blade;
Where had his arm unwarlike caught that art?
Where had that fierceness grown upon his heart?
For it was not the blind capricious rage
A word can kindle and a word assuage;
But the deep working of a soul unmix'd
With aught of pity where its wrath had fix'd;
Such as long power and overgorged success
Concentrates into all that's merciless:
These, link'd with that desire which ever sways
Mankind, the rather to condemn than praise,
'Gainst Lara gathering raised at length a storm,
Such as himself might fear, and foes would form,
And he must answer for the absent head
Of one that haunts him still, alive or dead.
VIII.
Within that land was many a malcontent,
Who cursed the tyranny to which he bent;
That soil full many a wringing despot saw,
Who work'd his wantonness in form of law;
Long war without and frequent broil within
Had made a path for blood and giant sin,
That waited but a signal to begin
New havoc, such as civil discord blends,
Which knows no neuter, owns but foes or friends;
Fix'd in his feudal fortress each was lord,
In word and deed obey'd, in soul abhorr'd.
Thus Lara had inherited his lands,
And with them pining hearts and sluggish hands;
But that long absence from his native clime
Had left him stainless of oppression's crime,
And now, diverted by his milder sway,
All dread by slow degrees had worn away;
The menials felt their usual awe alone,
But more for him than them that fear was grown;
They deem'd him now unhappy, though at first
Their evil judgment augur'd of the worst,
And each long restless night, and silent mood,
Was traced to sickness, fed by solitude:
And though his lonely habits threw of late
Gloom o'er his chamber, cheerful was his gate;
For thence the wretched ne'er unsoothed withdrew,
For them, at least, his soul compassion knew.
Cold to the great, contemptuous to the high,
The humble pass'd not his unheeding eye;
Much he would speak not, but beneath his roof
They found asylum oft, and ne'er reproof.
And they who watch'd might mark that, day by day,
Some new retainers gather'd to his sway;
But most of late, since Ezzelin was lost,
He play'd the courteous lord and bounteous host:
Perchance his strife with Otho made him dread
Some snare prepared for his obnoxious head;
Whate'er his view, his favour more obtains
With these, the people, than his fellow thanes.
If this were policy, so far 'twas sound,
The million judged but of him as they found;
From him by sterner chiefs to exile driven
They but required a shelter, and 'twas given.
By him no peasant mourn'd his rifled cot,
And scarce the serf could murmur o'er his lot;
With him old avarice found its hoard secure,
With him contempt forbore to mock the poor;
Youth present cheer and promised recompense
Detain'd, till all too late to part from thence:
To hate he offer'd, with the coming change,
The deep reversion of delay'd revenge;
To love, long baffled by the unequal match,
The wellwon
charms success was sure to snatch.
All now was ripe, he waits but to proclaim
That slavery nothing which was still a name.
The moment came, the hour when Otho thought
Secure at last the vengeance which he sought
His summons found the destined criminal
Begirt by thousands in his swarming hall,
Fresh from their feudal fetters newly riven,
Defying earth, and confident of heaven.
That morning he had freed the soilbound
slaves
Who dig no land for tyrants but their graves!
Such is their cry — some watchword for the fight
Must vindicate the wrong, and warp the right;
Religion — freedom — vengeance — what you will,
A word's enough to raise mankind to kill;
Some factious phrase by cunning caught and spread,
That guilt may reign, and wolves and worms be fed!
IX.
Throughout that clime the feudal chiefs had gain'd
Such sway, their infant monarch hardly reign'd;
Now was the hour for faction's rebel growth,
The serfs contemn'd the one, and hated both:
They waited but a leader, and they found
One to their cause inseparably bound;
By circumstance compell'd to plunge again,
In selfdefence,
amidst the strife of men.
Cut off by some mysterious fate from those
Whom birth and nature meant not for his foes,
Had Lara from that night, to him accurst,
Prepared to meet, but not alone, the worst:
Some reason urged, whate'er it was, to shun
Inquiry into deeds at distance done;
By mingling with his own the cause of all,
E'en if he fail'd, he still delay'd his fall.
The sullen calm that long his bosom kept,
The storm that once had spent itself and slept,
Roused by events that seem'd foredoom'd to urge
His gloomy fortunes to their utmost verge,
Burst forth, and made him all he once had been,
And is again; he only changed the scene.
Light care had he for life, and less for fame,
But not less fitted for the desperate game:
He deem'd himself mark'd out for others' hate,
And mock'd at ruin, so they shared his fate.
What cared he for the freedom of the crowd?
He raised the humble but to bend the proud.
He had hoped quiet in his sullen lair,
But man and destiny beset him there:
Inured to hunters, he was found at bay;
And they must kill, they cannot snare the prey.
Stern, unambitious, silent he had been
Henceforth a calm spectator of life's scene;
But dragg'd again upon the arena, stood
A leader not unequal to the feud;
In voice — mien — gesture — savage nature spoke,
And from his eye the gladiator broke.
X.
What boots the oftrepeated
tale of strife,
The feast of vultures, and the waste of life?
The varying fortune of each separate field,
The fierce that vanquish, and the faint that yield?
The smoking ruin, and the crumbled wall?
In this the struggle was the same with all;
Save that distemper'd passions lent their force
In bitterness that banish'd all remorse.
None sued, for Mercy know her cry was vain,
The captive died upon the battleslain:
In either cause, one rage alone possess'd
The empire of the alternate victor's breast;
And they that smote for freedom or for sway,
Deem'd few were slain, while more remain'd to slay.
It was too late to check the wasting brand,
And Desolation reap'd the famish'd land;
The torch was lighted, and the flame was spread,
And Carnage smiled upon her daily bread.
XI.
Fresh with the nerve the newborn
impulse strung,
The first success to Lara's numbers clung:
But that vain victory hath ruin'd all;
They form no longer to their leader's call:
In blind confusion on the foe they press,
And think to snatch is to secure success.
The lust of booty, and the thirst of hate,
Lure on the broken brigands to their fate:
In vain he doth whate'er a chief may do,
To check the headlong fury of that crew,
In vain their stubborn ardour he would tame,
The hand that kindles cannot quench the flame.
The wary foe alone hath turn'd their mood,
And shewn their rashness to that erring brood:
The feign'd retreat, the nightly ambuscade,
The daily harass, and the fight delay'd,
The long privation of the hoped supply,
The tentless rest beneath the humid sky,
The stubborn wall that mocks the leaguer's art,
And palls the patience of his baffled heart,
Of these they had not deem'd: the battleday
They could encounter as a veteran may;
But more preferr'd the fury of the strife,
And present death, to hourly suffering life:
And famine wrings, and fever sweeps away
His numbers melting fast from their array;
Intemperate triumph fades to discontent,
And Lara's soul alone seems still unbent:
But few remain to aid his voice and hand,
And thousands dwindled to a scanty band:
Desperate, though few, the last and best remain'd
To mourn the discipline they late disdain'd.
One hope survives, the frontier is not far,
And thence they may escape from native war;
And bear within them to the neighbouring state
An exile's sorrows, or an outlaw's hate:
Hard is the task their fatherland to quit,
But harder still to perish or submit.
XII.
It is resolved — they march — consenting Night
Guides with her star their dim and torchless flight;
Already they perceive its tranquil beam
Sleep on the surface of the barrier stream;
Already they descry — Is yon the bank?
Away! 'tis lined with many a hostile rank.
Return or fly! — What glitters in the rear?
'Tis Otho's banner — the pursuer's spear!
Are those the shepherds' fires upon the height?
Alas! they blaze too widely for the flight:
Cut off from hope, and compass'd in the toil,
Less blood, perchance, hath bought a richer spoil!
XIII.
A moment's pause — 'tis but to breathe their band
Or shall they onward press, or here withstand?
It matters little — if they charge the foes
Who by their borderstream
their march oppose,
Some few, perchance, may break and pass the line,
However link'd to baffle such design.
"The charge be ours! to wait for their assault
Were fate well worthy of a coward's halt."
Forth flies each sabre, rein'd is every steed,
And the next word shall scarce outstrip the deed:
In the next tone of Lara's gathering breath
How many shall but hear the voice of death!
XIV.
His blade is bared — in him there is an air
As deep, but far too tranquil for despair;
A something of indifference more than then
Becomes the bravest, if they feel for men.
He turn'd his eye on Kaled, ever near,
And still too faithful to betray one fear;
Perchance 'twas but the moon's dim twilight threw
Along his aspect an unwonted hue
Of mournful paleness, whose deep tint express'd
The truth, and not the terror of his breast.
This Lara mark'd, and laid his hand on his:
It trembled not in such an hour as this;
His lip was silent, scarcely beat his heart,
His eye alone proclaim'd —
"We will not part!
Thy band may perish, or thy friends may flee,
Farewell to life, but not adieu to thee!"
The word hath pass'd his lips, and onward driven,
Pours the link'd band through ranks asunder riven;
Well has each steed obey'd the armed heel,
And flash the scimitars, and rings the steel;
Outnumber'd, not outbraved, they still oppose
Despair to daring, and a front to foes;
And blood is mingled with the dashing stream,
Which runs all redly till the morning beam.
XV.
Commanding, aiding, animating all,
Where foe appear'd to press, or friend to fall,
Cheers Lara's voice, and waves or strikes his steel,
Inspiring hope himself had ceased to feel.
None fled, for well they knew that flight were vain,
But those that waver turn to smite again,
While yet they find the firmest of the foe
Recoil before their leader's look and blow;
Now girt with numbers, now almost alone,
He foils their ranks, or reunites his own;
Himself he spared not — once they seem'd to fly —
Now was the time, he waved his hand on high,
And shook — Why sudden droops that plumed crest?
The shaft is sped — the arrow's in his breast!
That fatal gesture left the unguarded side,
And Death hath stricken down yon arm of pride.
The word of triumph fainted from his tongue;
That hand, so raised, how droopingly it hung!
But yet the sword instinctively retains,
Though from its fellow shrink the falling reins;
These Kaled snatches: dizzy with the blow,
And senseless bending o'er his saddlebow
Perceives not Lara that his anxious page
Beguiles his charger from the combat's rage:
Meantime his followers charge and charge again;
Too mix'd the slayers now to heed the slain!
XVI.
Day glimmers on the dying and the dead,
The cloven cuirass, and the helmless head;
The warhorse
masterless is on the earth,
And that last gasp hath burst his bloody girth:
And near, yet quivering with what life remain'd,
The heel that urged him, and the hand that rein'd:
And some too near that rolling torrent lie,
Whose waters mock the lip of those that die;
That panting thirst which scorches in the breath
Of those that die the soldier's fiery death,
In vain impels the burning mouth to crave
One drop — the last — to cool it for the grave;
With feeble and convulsive effort swept
Their limbs along the crimson'd turf have crept:
The faint remains of life such struggles waste,
But yet they reach the stream, and bend to taste:
They feel its freshness, and almost partake —
Why pause? — No further thirst have they to slake —
It is unquench'd, and yet they feel it not —
It was an agony — but now forgot!
XVII.
Beneath a lime, remoter from the scene,
Where but for him that strife had never been,
A breathing but devoted warrior lay:
'Twas Lara bleeding fast from life away.
His follower once, and now his only guide,
Kneels Kaled watchful o'er his welling side,
And with his scarf would stanch the tides that rush
With each convulsion in a blacker gush;
And then, as his faint breathing waxes low,
In feebler, not less fatal tricklings flow:
He scarce can speak, but motions him 'tis vain,
And merely adds another throb to pain.
He clasps the hand that pang which would assuage,
And sadly smiles his thanks to that dark page,
Who nothing fears, nor feels, nor heeds, nor sees,
Save that damp brow which rests upon his knees;
Save that pale aspect, where the eye, though dim,
Held all the light that shone on earth for him.
XVIII.
The foe arrives, who long had search'd the field,
Their triumph nought till Lara too should yield;
They would remove him, but they see 'twere vain,
And he regards them with a calm disdain,
That rose to reconcile him with his fate,
And that escape to death from living hate:
And Otho comes, and leaping from his steed,
Looks on the bleeding foe that made him bleed,
And questions of his state; he answers not,
Scarce glances on him as on one forgot,
And turns to Kaled: — each remaining word,
They understood not, if distinctly heard;
His dying tones are in that other tongue,
To which some strange remembrance wildly clung.
They spake of other scenes, but what — is known
To Kaled, whom their meaning reach'd alone;
And he replied, though faintly, to their sound,
While gazed the rest in dumb amazement round:
They seem'd even then — that twain — unto the last
To half forget the present in the past;
To share between themselves some separate fate,
Whose darkness none beside should penetrate.
XIX.
Their words though faint were many — from the tone
Their import those who heard could judge alone;
From this, you might have deem'd young Kaled's death
More near than Lara's by his voice and breath,
So sad, so deep, and hesitating broke
The accents his scarcemoving
pale lips spoke;
But Lara's voice, though low, at first was clear
And calm, till murmuring death gasp'd hoarsely near:
But from his visage little could we guess,
So unrepentant, dark, and passionless,
Save that when struggling nearer to his last,
Upon that page his eye was kindly cast;
And once, as Kaled's answering accents ceased,
Rose Lara's hand, and pointed to the East:
Whether (as then the breaking sun from high
Roll'd back the clouds) the morrow caught his eye,
Or that 'twas chance, or some remember'd scene
That raised his arm to point where such had been,
Scarce Kaled seem'd to know, but turn'd away,
As if his heart abhorr'd that coming day,
And shrunk his glance before that morning light
To look on Lara's brow — where all grew night.
Yet sense seem'd left, though better were its loss;
For when one near display'd the absolving cross,
And proffer'd to his touch the holy bead,
Of which his parting soul might own the need,
He look'd upon it with an eye profane,
And smiled — Heaven pardon! if 'twere with disdain;
And Kaled, though he spoke not, nor withdrew
From Lara's face his fix'd despairing view,
With brow repulsive, and with gesture swift,
Flung back the hand which held the sacred gift,
As if such but disturb'd the expiring man,
Nor seem'd to know his life but then began,
The life immortal infinite, secure,
To all for whom that cross hath made it sure!
XX.
But gasping heaved the breath that Lara drew,
And dull the film along his dim eye grew;
His limbs stretch'd fluttering, and his head droop'd o'er
The weak yet still untiring knee that bore:
He press'd the hand he held upon his heart —
It beats no more, but Kaled will not part
With the cold grasp, but feels, and feels in vain,
For that faint throb which answers not again.
"It beats!" — Away, thou dreamer! he is gone —
It once was Lara which thou look'st upon.
XXI.
He gazed, as if not yet had pass'd away
The haughty spirit of that humble clay;
And those around have roused him from his trance,
But cannot tear from thence his fixed glance;
And when in raising him from where he bore
Within his arms the form that felt no more,
He saw the head his breast would still sustain,
Roll down like earth to earth upon the plain;
He did not dash himself thereby, nor tear
The glossy tendrils of his raven hair,
But strove to stand and gaze, but reel'd and fell,
Scarce breathing more than that he loved so well.
Than that he lov'd! Oh! never yet beneath
The breast of man such trusty love may breathe!
That trying moment hath at once reveal'd
The secret long and yet but half conceal'd;
In baring to revive that lifeless breast,
Its grief seem'd ended, but the sex confess'd;
And life return'd, and Kaled felt no shame —
What now to her was Womanhood or Fame?
XXII.
And Lara sleeps not where his fathers sleep,
But where he died his grave was dug as deep;
Nor is his mortal slumber less profound,
Though priest nor bless'd, nor marble deck'd the mound;
And he was mourn'd by one whose quiet grief,
Less loud, outlasts a people's for their chief.
Vain was all question ask'd her of the past,
And vain e'en menace — silent to the last;
She told nor whence nor why she left behind
Her all for one who seem'd but little kind.
Why did she love him? Curious fool! — be still —
Is human love the growth of human will?
To her he might be gentleness; the stern
Have deeper thoughts than your dull eyes discern,
And when they love, your smilers guess not how
Beats the strong heart, though less the lips avow.
They were not common links that form'd the chain
That bound to Lara Kaled's heart and brain;
But that wild tale she brook'd not to unfold,
And seal'd is now each lip that could have told.
XXIII.
They laid him in the earth, and on his breast,
Besides the wound that sent his soul to rest,
They found the scattered dints of many a scar
Which were not planted there in recent war:
Where'er had pass'd his summer years of life,
It seems they vanish'd in a land of strife;
But all unknown his glory or his guilt,
These only told that somewhere blood was spilt.
And Ezzelin, who might have spoke the past,
Return'd no more — that night appear'd his last.
XXIV.
Upon that night (a peasant's is the tale)
A Serf that cross'd the intervening vale,
When Cynthia's light almost gave way to morn,
And nearly veil'd in mist her waning horn;
A Serf, that rose betimes to thread the wood,
And hew the bough that bought his children's food,
Pass'd by the river that divides the plain
Of Otho's lands and Lara's broad domain:
He heard a tramp — a horse and horseman broke
From out the wood — before him was a cloak
Wrapt round some burthen at his saddlebow,
Bent was his head, and hidden was his brow.
Roused by the sudden sight at such a time,
And some foreboding that it might be crime,
Himself unheeded watch'd the stranger's course,
Who reach'd the river, bounded from his horse,
And lifting thence the burthen which he bore,
Heaved up the bank, and dash'd it from the shore, [3]
Then paused, and look'd, and turn'd, and seem'd to watch,
And still another hurried glance would snatch,
And follow with his step the stream that flow'd,
As if even yet too much its surface show'd:
At once he started, stoop'd, around him strewn
The winter floods had scatter'd heaps of stone;
Of these the heaviest thence he gather'd there,
And slung them with a more than common care.
Meantime the Serf had crept to where unseen
Himself might safely mark what this might mean.
He caught a glimpse, as of a floating breast,
And something glitter'd starlike on the vest,
But ere he well could mark the buoyant trunk,
A massy fragment smote it, and it sunk:
It rose again, but indistinct to view,
And left the waters of a purple hue,
Then deeply disappear'd: the horseman gazed
Till ebb'd the latest eddy it had raised;
Then turning, vaulted on his pawing steed,
And instant spurr'd him into panting speed.
His face was mask'd — the features of the dead,
If dead it were, escaped the observer's dread;
But if in sooth a star its bosom bore,
Such is the badge that knighthood ever wore,
And such 'tis known Sir Ezzelin had worn
Upon the night that led to such a morn.
If thus he perish'd, Heaven receive his soul!
His undiscover'd limbs to ocean roll;
And charity upon the hope would dwell
It was not Lara's hand by which he fell.
XXV.
And Kaled — Lara — Ezzelin, are gone,
Alike without their monumental stone!
The first, all efforts vainly strove to wean
From lingering where her chieftain's blood had been.
Grief had so tamed a spirit once too proud,
Her tears were few, her wailing never loud;
But furious would you tear her from the spot
Where yet she scarce believed that he was not,
Her eye shot forth with all the living fire
That haunts the tigress in her whelpless ire;
But left to waste her weary moments there,
She talk'd all idly unto shapes of air,
Such as the busy brain of Sorrow paints,
And woos to listen to her fond complaints;
And she would sit beneath the very tree,
Where lay his drooping head upon her knee;
And in that posture where she saw him fall,
His words, his looks, his dying grasp recall;
And she had shorn, but saved her raven hair,
And oft would snatch it from her bosom there,
And fold and press it gently to the ground,
As if she stanch'd anew some phantom's wound.
Herself would question, and for him reply;
Then rising, start, and beckon him to fly
From some imagined spectre in pursuit;
Then seat her down upon some linden's root,
And hide her visage with her meagre hand,
Or trace strange characters along the sand. —
This could not last — she lies by him she loved;
Her tale untold — her truth too dearly proved.
Byron's Notes.
1. The reader of "Lara" may probably regard it as a sequel to a poem that recently
appeared: whether the cast of the hero's character, the turn of his adventures, and the
general outline and colouring of the story, may not encourage such a supposition, shall
be left to his determination. [The poem is "The Corsair."]
2. The reader is advised that the name only of Lara being Spanish, and no
circumstance of local or national description fixing the scene or hero of the poem to
any country or age, the word "Serf," which could not be correctly applied to the lower
classes in Spain, who were never vassals of the soil, has nevertheless been employed
to designate the followers of our fictitious chieftain.
3. The event in this section was suggested by the description of the death, or rather
burial, of the Duke of Gandia. The most interesting and particular account of it is given
by Burchard, and is in substance as follows: — "On the eighth day of June, the Cardinal
of Valenza and the Duke of Gandia, sons of the Pope, supped with their mother,
Vanozza, near the church of S. Pietro ad vincula; several other persons being present
at the entertainment. A late hour approaching, and the cardinal having reminded his
brother, that it was time to return to the apostolic palace, they mounted their horses or
mules, with only a few attendants, and proceeded together as far as the palace of
Cardinal Ascanio Sforza, when the duke informed the cardinal that, before he returned
home, he had to pay a visit of pleasure. Dismissing therefore all his attendants,
excepting his staffiero, or footman, and a person in a mask, who had paid him a visit
whilst at supper, and who, during the space of a month, or thereabouts, previous to
this time, had called upon him almost daily at the apostolic palace, he took this person
behind him on his mule, and proceeded to the street of the Jews, where he quitted his
servant, directing him to remain there until a certain hour; when, if he did not return,
he might repair to the palace. The duke then seated the person in the mask behind
him, and rode, I know not whither; but in that night he was assassinated, and thrown
into the river. The servant, after having been dismissed, was also assaulted and
mortally wounded; and although he was attended with great care, yet such was his
situation that he could give no intelligible account of what had befallen his master. In
the morning, the duke not having returned to the palace, his servants began to be
alarmed; and one of them informed the pontiff of the evening excursion of his sons,
and that the duke had not yet made his appearance. This gave the pope no small
anxiety; but he conjectured that the duke had been attracted by some courtesan to
pass the night with her, and, not choosing to quit the house in open day, waited till the
following evening to return home. When, however, the evening arrived, and he found
himself disappointed in his expectations, he became deeply afflicted, and began to
make inquiries from different persons, whom he ordered to attend him for that
purpose. Amongst these was a man named Giorgio Schiavoni, who, having discharged
some timber from a bark in the river, had remained on board the vessel to watch it;
and being interrogated whether he had seen any one thrown into the river on the night
preceding, he replied, that he saw two men on foot, who came down the street, and
looked diligently about, to observe whether any person was passing. That seeing no
one, they returned, and a short time later two others came, and looked around in the
same manner as the former: no person still appearing, they gave a sign to their
companions, when a man came, mounted on a white horse, having behind him a dead
body, the head and arms of which hung on one side, and the feet on the other side of
the horse; the two persons on foot supporting the body to prevent its falling. They thus
proceeded towards that part where the filth of the city is usually discharged into the
river, and turning the horse, with his tail towards the water, the two persons took the
dead body by the arms and feet, and with all their strength flung it into the river. The
person on horseback then asked if they had thrown it in; to which they replied, 'Signor,
si' (Yes, Sir). He then looked towards the river, and seeing a mantle floating in the
stream, he inquired what it was that appeared black, to which they answered, it was a
mantle; and one of them throw stones upon it, in consequence of which it sunk. The
attendants of the pontiff then inquired from Giorgio why he had not revealed this to the
governor of the city; to which he replied, that he had seen in his time a hundred dead
bodies thrown into the river at the same place, without any inquiry being made
respecting them; and that he had not, therefore, considered it as a matter of any
importance. The fishermen and seamen were then collected. and ordered to search the
river, where on the following evening, they found the body of the duke, with his habit
entire, and thirty ducats in his purse. He was pierced with nine wounds, one of which
was in his throat, the others in his hand, body, and limbs. No sooner was the pontiff
informed of the death of his son, and that he had been thrown, like filth, into the river,
than, giving way to his grief, he shut himself up in a chamber, and wept bitterly. The
Cardinal of Segovia, and other attendants on the pope, went to the door, and after
many hours spent in persuasions and exhortations, prevailed upon him to admit them.
From the evening of Wednesday till the following Saturday the pope took no food; nor
did he sleep from Thursday morning till the same hour on the ensuing day. At length,
however, giving way to the entreaties of his attendants, he began to restrain his
sorrow, and to consider the injury which his own health might sustain by the further
indulgence of his grief." — Roscoe's Leo the Tenth, vol. i. p. 265.
CANTO THE FIRST.
I.
The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long selfexiled
chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwellingplace;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
They more might marvel, when the greeting's o'er,
Not that he came, but came not long before:
No train is his beyond a single page,
Of foreign aspect, and of tender age.
Years had roll'd on, and fast they speed away
To those that wander as to those that stay;
But lack of tidings from another clime
Had lent a flagging wing to weary Time.
They see, they recognise, yet almost deem
The present dubious, or the past a dream.
He lives, nor yet is past his manhood's prime,
Though sear'd by toil, and something touch'd by time;
His faults, whate'er they were, if scarce forgot,
Might be untaught him by his varied lot;
Nor good nor ill of late were known, his name
Might yet uphold his patrimonial fame.
His soul in youth was haughty, but his sins
No more than pleasure from the stripling wins;
And such, if not yet harden'd in their course,
Might be redeem'd, nor ask a long remorse.
V.
And they indeed were changed — 'tis quickly seen,
Whate'er he be, 'twas not what he had been:
That brow in furrow'd lines had fix'd at last,
And spake of passions, but of passion past;
The pride, but not the fire, of early days,
Coldness of mien, and carelessness of praise;
A high demeanour, and a glance that took
Their thoughts from others by a single look;
And that sarcastic levity of tongue,
The stinging of a heart the world hath stung,
That darts in seeming playfulness around,
And makes those feel that will not own the wound:
All these seem'd his, and something more beneath
Than glance could well reveal, or accent breathe.
Ambition, glory, love, the common aim
That some can conquer, and that all would claim,
Within his breast appear'd no more to strive,
Yet seem'd as lately they had been alive;
And some deep feeling it were vain to trace
At moments lighten'd o'er his livid face.
VI.
Not much he loved long question of the past,
Nor told of wondrous wilds, and deserts vast,
In those far lands where he had wander'd lone,
And — as himself would have it seem — unknown:
Yet these in vain his eye could scarcely scan,
Nor glean experience from his fellowman;
But what he had beheld he shunn'd to show,
As hardly worth a stranger's care to know;
If still more prying such inquiry grew,
His brow fell darker, and his words more few.
VII.
Not unrejoiced to see him once again,
Warm was his welcome to the haunts of men;
Born of high lineage, link'd in high command,
He mingled with the magnates of his land;
Join'd the carousals of the great and gay,
And saw them smile or sigh their hours away;
But still he only saw, and did not share
The common pleasure or the general care;
He did not follow what they all pursued,
With hope still baffled, still to be renew'd;
Nor shadowy honour, nor substantial gain,
Nor beauty's preference, and the rival's pain:
Around him some mysterious circle thrown
Repell'd approach, and showed him still alone;
Upon his eye sate something of reproof,
That kept at least frivolity aloof;
And things more timid that beheld him near,
In silence gazed, or whisper'd mutual fear;
And they the wiser, friendlier few confess'd
They deem'd him better than his air express'd.
VIII.
'Twas strange — in youth all action and all life,
Burning for pleasure, not averse from strife;
Woman — the field — the ocean — all that gave
Promise of gladness, peril of a grave,
In turn he tried — he ransack'd all below,
And found his recompence in joy or woe,
No tame, trite medium; for his feelings sought
In that intenseness an escape from thought:
The tempest of his heart in scorn had gazed
On that the feebler elements hath raised;
The rapture of his heart had look'd on high,
And ask'd if greater dwelt beyond the sky:
Chain'd to excess, the slave of each extreme,
How woke he from the wildness of that dream?
Alas! he told not — but he did awake
To curse the wither'd heart that would not break.
IX.
Books, for his volume heretofore was Man,
With eye more curious he appear'd to scan,
And oft, in sudden mood, for many a day
From all communion he would start away:
And then, his rarely call'd attendants said,
Through night's long hours would sound his hurried tread
O'er the dark gallery, where his fathers frown'd
In rude but antique portraiture around.
They heard, but whisper'd — "that must not be known —
The sound of words less earthly than his own.
Yes, they who chose might smile, but some had seen
They scarce knew what, but more than should have been.
Why gazed he so upon the ghastly head
Which hands profane had gather'd from the dead,
That still beside his open'd volume lay,
As if to startle all save him away?
Why slept he not when others were at rest?
Why heard no music, and received no guest?
All was not well, they deem'd — but where the wrong?
Some knew perchance — but 'twere a tale too long;
And such besides were too discreetly wise,
To more than hint their knowledge in surmise;
But if they would — they could" — around the board,
Thus Lara's vassals prattled of their lord.
X.
It was the night — and Lara's glassy stream
The stars are studding, each with imaged beam:
So calm, the waters scarcely seem to stray,
And yet they glide like happiness away;
Reflecting far and fairylike
from high
The immortal lights that live along the sky:
Its banks are fringed with many a goodly tree,
And flowers the fairest that may feast the bee;
Such in her chaplet infant Dian wove,
And Innocence would offer to her love.
These deck the shore; the waves their channel make
In windings bright and mazy like the snake.
All was so still, so soft in earth and air,
You scarce would start to meet a spirit there;
Secure that nought of evil could delight
To walk in such a scene, on such a night!
It was a moment only for the good:
So Lara deem'd, nor longer there he stood,
But turn'd in silence to his castlegate;
Such scene his soul no more could contemplate.
Such scene reminded him of other days,
Of skies more cloudless, moons of purer blaze,
Of nights more soft and frequent, hearts that now —
No — no — the storm may beat upon his brow,
Unfelt — unsparing — but a night like this,
A night of beauty mock'd such breast as his.
XI.
He turn'd within his solitary hall,
And his high shadow shot along the wall;
There were the painted forms of other times,
'Twas all they left of virtues or of crimes,
Save vague tradition; and the gloomy vaults
That hid their dust, their foibles, and their faults;
And half a column of the pompous page,
That speeds the specious tale from age to age:
When history's pen its praise or blame supplies,
And lies like truth, and still most truly lies.
He wandering mused, and as the moonbeam shone
Through the dim lattice o'er the floor of stone,
And the high fretted roof, and saints, that there
O'er Gothic windows knelt in pictured prayer,
Reflected in fantastic figures grew,
Like life, but not like mortal life, to view;
His bristling locks of sable, brow of gloom,
And the wide waving of his shaken plume,
Glanced like a spectre's attributes, and gave
His aspect all that terror gives the grave.
XII.
'Twas midnight — all was slumber; the lone light
Dimm'd in the lamp, as loth to break the night.
Hark! there be murmurs heard in Lara's hall —
A sound — voice — a shriek — a fearful call!
A long, loud shriek — and silence — did they hear
That frantic echo burst the sleeping ear?
They heard and rose, and tremulously brave
Rush where the sound invoked their aid to save;
They come with halflit
tapers in their hands,
And snatch'd in startled haste unbelted brands.
XIII.
Cold as the marble where his length was laid,
Pale as the beam that o'er his features play'd,
Was Lara stretch'd; his halfdrawn
sabre near,
Dropp'd it should seem in more than nature's fear;
Yet he was firm, or had been firm till now,
And still defiance knit his gather'd brow;
Though mix'd with terror, senseless as he lay,
There lived upon his lip the wish to slay;
Some halfform'd
threat in utterance there had died,
Some imprecation of despairing pride;
His eye was almost seal'd, but not forsook
Even in its trance the gladiator's look,
That oft awake his aspect could disclose,
And now was fix'd in horrible repose.
They raise him — bear him: hush! he breathes, he speaks!
The swarthy blush recolours in his cheeks,
His lip resumes its red, his eye, though dim,
Rolls wide and wild, each slowly quivering limb
Recalls its function, but his words are strung
In terms that seem not of his native tongue;
Distinct but strange, enough they understand
To deem them accents of another land,
And such they were, and meant to meet an ear
That hears him not — alas! that cannot hear!
XIV.
His page approach'd, and he alone appear'd
To know the import of the words they heard;
And by the changes of his cheek and brow
They were not such as Lara should avow,
Nor he interpret, yet with less surprise
Than those around their chieftain's state he eyes,
But Lara's prostrate form he bent beside,
And in that tongue which seem'd his own replied,
And Lara heeds those tones that gently seem
To soothe away the horrors of his dream;
If dream it were, that thus could overthrow
A breast that needed not ideal woe.
XV.
Whate'er his frenzy dream'd or eye beheld,
If yet remember'd ne'er to be reveal'd,
Rests at his heart: the custom'd morning came,
And breathed new vigour in his shaking frame;
And solace sought he none from priest nor leech,
And soon the same in movement and in speech
As heretofore he fill'd the passing hours,
Nor less he smiles, nor more his forehead lours
Than these were wont; and if the coming night
Appear'd less welcome now to Lara's sight,
He to his marvelling vassals shew'd it not,
Whose shuddering proved their fear was less forgot.
In trembling pairs (alone they dared not) crawl
The astonish'd slaves, and shun the fated hall;
The waving banner, and the clapping door;
The rustling tapestry, and the echoing floor;
The long dim shadows of surrounding trees,
The flapping bat, the night song of the breeze;
Aught they behold or hear their thought appals
As evening saddens o'er the dark gray walls.
XVI.
Vain thought! that hour of ne'er unravell'd gloom
Came not again, or Lara could assume
A seeming of forgetfulness that made
His vassals more amazed nor less afraid —
Had memory vanish'd then with sense restored?
Since word, nor look, nor gesture of their lord
Betray'd a feeling that recall'd to these
That fever'd moment of his mind's disease.
Was it a dream? was his the voice that spoke
Those strange wild accents; his the cry that broke
Their slumber? his the oppress'd o'erlabour'd
heart
That ceased to beat, the look that made them start?
Could he who thus had suffer'd, so forget
When such as saw that suffering shudder yet?
Or did that silence prove his memory fix'd
Too deep for words, indelible, unmix'd
In that corroding secresy which gnaws
The heart to shew the effect, but not the cause?
Not so in him; his breast had buried both,
Nor common gazers could discern the growth
Of thoughts that mortal lips must leave half told;
They choke the feeble words that would unfold.
XVII.
In him inexplicably mix'd appear'd
Much to be loved and hated, sought and fear'd;
Opinion varying o'er his hidden lot,
In praise or railing ne'er his name forgot;
His silence form'd a theme for others' prate —
They guess'd — they gazed — they fain would know his fate.
What had he been? what was he, thus unknown,
Who walk'd their world, his lineage only known?
A hater of his kind? yet some would say,
With them he could seem gay amidst the gay;
But own'd that smile, if oft observed and near,
Waned in its mirth and wither'd to a sneer;
That smile might reach his lip, but pass'd not by,
None e'er could trace its laughter to his eye:
Yet there was softness too in his regard,
At times, a heart as not by nature hard,
But once perceived, his spirit seem'd to chide
Such weakness, as unworthy of its pride,
And steel'd itself, as scorning to redeem
One doubt from others' half withheld esteem;
In selfinflicted
penance of a breast
Which tenderness might once have wrung from rest;
In vigilance of grief that would compel
The soul to hate for having loved too well.
XVIII.
There was in him a vital scorn of all:
As if the worst had fall'n which could befall,
He stood a stranger in this breathing world,
An erring spirit from another hurled;
A thing of dark imaginings, that shaped
By choice the perils he by chance escaped;
But 'scaped in vain, for in their memory yet
His mind would half exult and half regret:
With more capacity for love than earth
Bestows on most of mortal mould and birth,
His early dreams of good outstripp'd the truth,
And troubled manhood follow'd baffled youth;
With thought of years in phantom chase misspent,
And wasted powers for better purpose lent;
And fiery passions that had pour'd their wrath
In hurried desolation o'er his path,
And left the better feelings all at strife
In wild reflection o'er his stormy life;
But haughty still, and loth himself to blame,
He call'd on Nature's self to share the shame,
And charged all faults upon the fleshly form
She gave to clog the soul, and feast the worm;
'Till he at last confounded good and ill,
And half mistook for fate the acts of will:
Too high for common selfishness, he could
At times resign his own for others' good,
But not in pity, not because he ought,
But in some strange perversity of thought,
That sway'd him onward with a secret pride
To do what few or none would do beside;
And this same impulse would, in tempting time,
Mislead his spirit equally to crime;
So much he soar'd beyond, or sunk beneath
The men with whom he felt condemn'd to breathe,
And long'd by good or ill to separate
Himself from all who shared his mortal state;
His mind abhorring this had fix'd her throne
Far from the world, in regions of her own;
Thus coldly passing all that pass'd below,
His blood in temperate seeming now would flow:
Ah! happier if it ne'er with guilt had glow'd,
But ever in that icy smoothness flow'd:
'Tis true, with other men their path he walk'd,
And like the rest in seeming did and talk'd,
Nor outraged Reason's rules by flaw nor start,
His madness was not of the head, but heart;
And rarely wander'd in his speech, or drew
His thoughts so forth as to offend the view.
XIX.
With all that chilling mystery of mien,
And seeming gladness to remain unseen,
He had (if 'twere not nature's boon) an art
Of fixing memory on another's heart:
It was not love, perchance — nor hate — nor aught
That words can image to express the thought;
But they who saw him did not see in vain,
And once beheld, would ask of him again:
And those to whom he spake remember'd well,
And on the words, however light, would dwell.
None knew nor how, nor why, but he entwined
Himself perforce around the hearer's mind;
There he was stamp'd, in liking, or in hate,
If greeted once; however brief the date
That friendship, pity, or aversion knew,
Still there within the inmost thought he grew.
You could not penetrate his soul, but found
Despite your wonder, to your own he wound.
His presence haunted still; and from the breast
He forced an allunwilling
interest;
Vain was the struggle in that mental net,
His spirit seem'd to dare you to forget!
XX.
There is a festival, where knights and dames,
And aught that wealth or lofty lineage claims,
Appear — a highborn
and a welcomed guest
To Otho's hall came Lara with the rest.
The long carousal shakes the illumined hall,
Well speeds alike the banquet and the ball;
And the gay dance of bounding Beauty's train
Links grace and harmony in happiest chain:
Blest are the early hearts and gentle hands
That mingle there in well according bands;
It is a sight the careful brow might smooth,
And make Age smile, and dream itself to youth,
And Youth forget such hour was pass'd on earth,
So springs the exulting bosom to that mirth!
XXI.
And Lara gazed on these sedately glad,
His brow belied him if his soul was sad,
And his glance follow'd fast each fluttering fair,
Whose steps of lightness woke no echo there:
He lean'd against the lofty pillar nigh
With folded arms and long attentive eye,
Nor mark'd a glance so sternly fix'd on his,
Ill brook'd high Lara scrutiny like this:
At length he caught it, 'tis a face unknown,
But seems as searching his, and his alone;
Prying and dark, a stranger's by his mien,
Who still till now had gazed on him unseen;
At length encountering meets the mutual gaze
Of keen inquiry, and of mute amaze;
On Lara's glance emotion gathering grew,
As if distrusting that the stranger threw;
Along the stranger's aspect fix'd and stern
Flash'd more than thence the vulgar eye could learn.
XXII.
"'Tis he!" the stranger cried, and those that heard
Reecho'd
fast and far the whisper'd word.
"'Tis he!" — "'Tis who?" they question far and near,
Till louder accents rang on Lara's ear;
So widely spread, few bosoms well could brook
The general marvel, or that single look;
But Lara stirr'd not, changed not, the surprise
That sprung at first to his arrested eyes
Seem'd now subsided, neither sunk nor raised
Glanced his eye round, though still the stranger gazed;
And drawing nigh, exclaim'd, with haughty sneer,
"'Tis he! — how came he thence? — what doth he here?"
XXIII.
It were too much for Lara to pass by
Such question, so repeated fierce and high;
With look collected, but with accent cold,
More mildly firm than petulantly bold,
He turn'd, and met the inquisitorial tone —
"My name is Lara! — when thine own is known,
Doubt not my fitting answer to requite
The unlook'd for courtesy of such a knight.
'Tis Lara! — further wouldst thou mark or ask?
I shun no question, and I wear no mask."
"Thou shunn'st no question! Ponder — is there none
Thy heart must answer, though thine ear would shun?
And deem'st thou me unknown too? Gaze again!
At least thy memory was not given in vain.
Oh! never canst thou cancel half her debt,
Eternity forbids thee to forget."
With slow and searching glance upon his face
Grew Lara's eyes, but nothing there could trace
They knew, or chose to know — with dubious look
He deign'd no answer, but his head he shook,
And half contemptuous turn'd to pass away;
But the stern stranger motion'd him to stay.
"A word! — I charge thee stay, and answer here
To one, who, wert thou noble, were thy peer,
But as thou wast and art — nay, frown not, lord,
If false, 'tis easy to disprove the word —
But as thou wast and art, on thee looks down,
Distrusts thy smiles, but shakes not at thy frown.
Art thou not he? whose deeds — "
"Whate'er I be,
Words wild as these, accusers like to thee,
I list no further; those with whom they weigh
May hear the rest, nor venture to gainsay
The wondrous tale no doubt thy tongue can tell,
Which thus begins courteously and well.
Let Otho cherish here his polish'd guest,
To him my thanks and thoughts shall be express'd."
And here their wondering host hath interposed —
"Whate'er there be between you undisclosed,
This is no time nor fitting place to mar
The mirthful meeting with a wordy war.
If thou, Sir Ezzelin, hast ought to show
Which it befits Count Lara's ear to know,
Tomorrow,
here, or elsewhere, as may best
Beseem your mutual judgment, speak the rest;
I pledge myself for thee, as not unknown,
Though, like Count Lara, now return'd alone
From other lands, almost a stranger grown;
And if from Lara's blood and gentle birth
I augur right of courage and of worth,
He will not that untainted line belie,
Nor aught that knighthood may accord deny."
"Tomorrow
be it," Ezzelin replied,
"And here our several worth and truth be tried:
I gage my life, my falchion to attest
My words, so may I mingle with the blest!"
What answers Lara? to its centre shrunk
His soul, in deep abstraction sudden sunk;
The words of many, and the eyes of all
That there were gather'd, seem'd on him to fall;
But his were silent, his appear'd to stray
In far forgetfulness away — away —
Alas! that heedlessness of all around
Bespoke remembrance only too profound.
XXIV.
"Tomorrow!
— ay, tomorrow!"
— further word
Than those repeated none from Lara heard;
Upon his brow no outward passion spoke,
From his large eye no flashing anger broke;
Yet there was something fix'd in that low tone
Which shew'd resolve, determined, though unknown.
He seized his cloak — his head he slightly bow'd,
And passing Ezzelin he left the crowd;
And as he pass'd him, smiling met the frown
With which that chieftain's brow would bear him down:
It was nor smile of mirth, nor struggling pride
That curbs to scorn the wrath it cannot hide;
But that of one in his own heart secure
Of all that he would do, or could endure.
Could this mean peace? the calmness of the good?
Or guilt grown old in desperate hardihood?
Alas! too like in confidence are each
For man to trust to mortal look or speech;
From deeds, and deeds alone, may he discern
Truths which it wrings the unpractised heart to learn.
XXV.
And Lara call'd his page, and went his way —
Well could that stripling word or sign obey:
His only follower from those climes afar
Where the soul glows beneath a brighter star;
For Lara left the shore from whence he sprung,
In duty patient, and sedate though young;
Silent as him he served, his fate appears
Above his station, and beyond his years.
Though not unknown the tongue of Lara's land,
In such from him he rarely heard command;
But fleet his step, and clear his tones would come,
When Lara's lip breathed forth the words of home:
Those accents, as his native mountains dear,
Awake their absent echoes in his ear,
Friends', kindreds', parents', wonted voice recall,
Now lost, abjured, for one — his friend, his all:
For him earth now disclosed no other guide;
What marvel then he rarely left his side?
XXVI.
Light was his form, and darkly delicate
That brow whereon his native sun had sate,
But had not marr'd, though in his beams he grew,
The cheek where oft the unbidden blush shone through;
Yet not such blush as mounts when health would show
All the heart's hue in that delighted glow;
But 'twas a hectic tint of secret care
That for a burning moment fever'd there;
And the wild sparkle of his eye seem'd caught
From high, and lighten'd with electric thought,
Though its black orb those long low lashes' fringe
Had temper'd with a melancholy tinge;
Yet less of sorrow than of pride was there,
Or, if 'twere grief, a grief that none should share:
And pleased not him the sports that please his age,
The tricks of youth, the frolics of the page;
For hours on Lara he would fix his glance,
As allforgotten
in that watchful trance;
And from his chief withdrawn, he wander'd lone,
Brief were his answers, and his questions none;
His walk the wood, his sport some foreign book;
His restingplace
the bank that curbs the brook;
He seem'd, like him he served, to live apart
From all that lures the eye, and fills the heart;
To know no brotherhood; and take from earth
No gift beyond that bitter boon — our birth.
XXVII.
If aught he loved, 'twas Lara; but was shown
His faith in reverence and in deeds alone;
In mute attention; and his care, which guess'd
Each wish, fulfill'd it ere the tongue express'd.
Still there was haughtiness in all he did,
A spirit deep that brook'd not to be chid;
His zeal, though more than that of servile hands,
In act alone obeys, his air commands;
As if 'twas Lara's less than his desire
That thus he served, but surely not for hire.
Slight were the tasks enjoin'd him by his lord,
To hold the stirrup, or to bear the sword;
To tune his lute, or, if he will'd it more,
On tomes of other times and tongues to pore;
But ne'er to mingle with the menial train,
To whom he shew'd not deference nor disdain,
But that wellworn
reserve which proved he knew
No sympathy with that familiar crew:
His soul, whate'er his station or his stem,
Could bow to Lara, not descend to them.
Of higher birth he seem'd, and better days,
Nor mark of vulgar toil that hand betrays,
So femininely white it might bespeak
Another sex, when match'd with that smooth cheek,
But for his garb, and something in his gaze,
More wild and high than woman's eye betrays;
A latent fierceness that far more became
His fiery climate than his tender frame:
True, in his words it broke not from his breast,
But from his aspect might be more than guess'd.
Kaled his name, though rumour said he bore
Another ere he left his mountain shore;
For sometimes he would hear, however nigh,
That name repeated loud without reply,
As unfamiliar, or, if roused again,
Start to the sound, as but remember'd then;
Unless 'twas Lara's wonted voice that spake,
For then, ear, eyes, and heart would all awake.
XXVIII.
He had look'd down upon the festive hall,
And mark'd that sudden strife so mark'd of all;
And when the crowd around and near him told
Their wonder at the calmness of the bold,
Their marvel how the highborn
Lara bore
Such insult from a stranger, doubly sore,
The colour of young Kaled went and came,
The lip of ashes, and the cheek of flame;
And o'er his brow the dampening heartdrops
threw
The sickening iciness of that cold dew
That rises as the busy bosom sinks
With heavy thoughts from which reflection shrinks.
Yes — there be things which we must dream and dare
And execute ere thought be half aware:
Whate'er might Kaled's be, it was enow
To seal his lip, but agonise his brow.
He gazed on Ezzelin till Lara cast
That sidelong smile upon on the knight he pass'd;
When Kaled saw that smile his visage fell,
As if on something recognised right well;
His memory read in such a meaning more
Than Lara's aspect unto others wore.
Forward he sprung — a moment, both were gone,
And all within that hall seem'd left alone;
Each had so fix'd his eye on Lara's mien,
All had so mix'd their feelings with that scene,
That when his long dark shadow through the porch
No more relieves the glare of yon high torch,
Each pulse beats quicker, and all bosoms seem
To bound as doubting from too black a dream,
Such as we know is false, yet dread in sooth,
Because the worst is ever nearest truth.
And they are gone — but Ezzelin is there,
With thoughtful visage and imperious air;
But long remain'd not; ere an hour expired
He waved his hand to Otho, and retired.
XXIX.
The crowd are gone, the revellers at rest;
The courteous host, and allapproving
guest,
Again to that accustom'd couch must creep
Where joy subsides, and sorrow sighs to sleep,
And man, o'erlabour'd with his being's strife,
Shrinks to that sweet forgetfulness of life:
There lie love's feverish hope. and cunning's guile,
Hate's working brain and lull'd ambition's wile;
O'er each vain eye oblivion's pinions wave,
And quench'd existence crouches in a grave.
What better name may slumber's bed become?
Night's sepulchre, the universal home,
Where weakness, strength, vice, virtue, sunk supine,
Alike in naked helplessness recline;
Glad for awhile to heave unconscious breath,
Yet wake to wrestle with the dread of death,
And shun, though day but dawn on ills increased,
That sleep, the loveliest, since it dreams the least.
______
CANTO THE SECOND.
I.
Night wanes — the vapours round the mountains curl'd,
Melt into morn, and Light awakes the world.
Man has another day to swell the past,
And lead him near to little, but his last;
But mighty Nature bounds as from her birth,
The sun is in the heavens, and life on earth;
Flowers in the valley, splendour in the beam,
Health on the gale, and freshness in the stream.
Immortal man! behold her glories shine,
And cry, exulting inly, "They are thine!"
Gaze on, while yet thy gladden'd eye may see,
A morrow comes when they are not for thee;
And grieve what may above thy senseless bier,
Nor earth nor sky will yield a single tear;
Nor cloud shall gather more, nor leaf shall fall,
Nor gale breathe forth one sigh for thee, for all;
But creeping things shall revel in their spoil,
And fit thy clay to fertilise the soil.
II.
'Tis morn — 'tis noon — assembled in the hall,
The gather'd chieftains come to Otho's call:
'Tis now the promised hour, that must proclaim
The life or death of Lara's future fame;
When Ezzelin his charge may here unfold,
And whatsoe'er the tale, it must be told.
His faith was pledged, and Lara's promise given,
To meet it in the eye of man and Heaven.
Why comes he not? Such truths to be divulged,
Methinks the accuser's rest is long indulged.
III.
The hour is past, and Lara too is there,
With selfconfiding,
coldly patient air;
Why comes not Ezzelin? The hour is past,
And murmurs rise, and Otho's brow's o'ercast,
"I know my friend! his faith I cannot fear,
If yet he be on earth, expect him here;
The roof that held him in the valley stands
Between my own and noble Lara's lands;
My halls from such a guest had honour gain'd,
Nor had Sir Ezzelin his host disdain'd,
But that some previous proof forbade his stay,
And urged him to prepare against today;
The word I pledge for his I pledge again,
Or will myself redeem his knighthood's stain."
He ceased — and Lara answer'd, "I am here
To lend at thy demand a listening ear,
To tales of evil from a stranger's tongue,
Whose words already might my heart have wrung,
But that I deem'd him scarcely less than mad,
Or, at the worst, a foe ignobly bad.
I know him not — but me it seems he knew
In lands where — but I must not trifle too:
Produce this babbler — or redeem the pledge;
Here in thy hold, and with thy falchion's edge."
Proud Otho on the instant, reddening, threw
His glove on earth, and forth his sabre flew.
"The last alternative befits me best,
And thus I answer for mine absent guest."
With cheek unchanging from its sallow gloom,
However near his own or other's tomb;
With hand, whose almost careless coolness spoke
Its grasp wellused
to deal the sabrestroke;
With eye, though calm, determined not to spare,
Did Lara too his willing weapon bare.
In vain the circling chieftains round them closed,
For Otho's frenzy would not be opposed;
And from his lip those words of insult fell —
His sword is good who can maintain them well.
IV.
Short was the conflict; furious, blindly rash,
Vain Otho gave his bosom to the gash:
He bled, and fell; but not with deadly wound,
Stretch'd by a dextrous sleight along the ground.
"Demand thy life!" He answer'd not: and then
From that red floor he ne'er had risen again,
For Lara's brow upon the moment grew
Almost to blackness in its demon hue;
And fiercer shook his angry falchion now
Than when his foe's was levell'd at his brow;
Then all was stern collectedness and art,
Now rose the unleaven'd hatred of his heart;
So little sparing to the foe he fell'd,
That when the approaching crowd his arm withheld
He almost turn'd the thirsty point on those
Who thus for mercy dared to interpose;
But to a moment's thought that purpose bent;
Yet look'd he on him still with eye intent,
As if he loathed the ineffectual strife
That left a foe, howe'er o'erthrown, with life;
As if to search how far the wound he gave
Had sent its victim onward to his grave.
V.
They raised the bleeding Otho, and the Leech
Forbade all present question, sign, and speech;
The others met within a neighbouring hall,
And he, incensed and heedless of them all,
The cause and conqueror in this sudden fray,
In haughty silence slowly strode away;
He back'd his steed, his homeward path he took,
Nor cast on Otho's tower a single look.
VI.
But where was he? that meteor of a night,
Who menaced but to disappear with light.
Where was this Ezzelin? who came and went
To leave no other trace of his intent.
He left the dome of Otho long ere morn,
In darkness, yet so well the path was worn
He could not miss it: near his dwelling lay;
But there he was not, and with coming day
Came fast inquiry, which unfolded nought
Except the absence of the chief it sought.
A chamber tenantless, a steed at rest,
His host alarm'd, his murmuring squires distress'd:
Their search extends along, around the path,
In dread to met the marks of prowlers' wrath:
But none are there, and not a brake hath borne
Nor gout of blood, nor shred of mantle torn;
Nor fall nor struggle hath defaced the grass,
Which still retains a mark where murder was;
Nor dabbling fingers left to tell the tale,
The bitter print of each convulsive nail,
When agonised hands that cease to guard,
Wound in that pang the smoothness of the sward.
Some such had been, if here a life was reft,
But these were not; and doubting hope is left;
And strange suspicion, whispering Lara's name,
Now daily mutters o'er his blacken'd fame;
Then sudden silent when his form appear'd,
Awaits the absence of the thing it fear'd;
Again its wonted wondering to renew,
And dye conjecture with a darker hue.
VII.
Days roll along, and Otho's wounds are heal'd,
But not his pride; and hate no more conceal'd:
He was a man of power, and Lara's foe,
The friend of all who sought to work him woe,
And from his country's justice now demands
Account of Ezzelin at Lara's hands.
Who else than Lara could have cause to fear
His presence? who had made him disappear,
If not the man on whom his menaced charge
Had sate too deeply were he left at large?
The general rumour ignorantly loud,
The mystery dearest to the curious crowd;
The seeming friendlessness of him who strove
To win no confidence, and wake no love;
The sweeping fierceness which his soul betray'd,
The skill with which he wielded his keen blade;
Where had his arm unwarlike caught that art?
Where had that fierceness grown upon his heart?
For it was not the blind capricious rage
A word can kindle and a word assuage;
But the deep working of a soul unmix'd
With aught of pity where its wrath had fix'd;
Such as long power and overgorged success
Concentrates into all that's merciless:
These, link'd with that desire which ever sways
Mankind, the rather to condemn than praise,
'Gainst Lara gathering raised at length a storm,
Such as himself might fear, and foes would form,
And he must answer for the absent head
Of one that haunts him still, alive or dead.
VIII.
Within that land was many a malcontent,
Who cursed the tyranny to which he bent;
That soil full many a wringing despot saw,
Who work'd his wantonness in form of law;
Long war without and frequent broil within
Had made a path for blood and giant sin,
That waited but a signal to begin
New havoc, such as civil discord blends,
Which knows no neuter, owns but foes or friends;
Fix'd in his feudal fortress each was lord,
In word and deed obey'd, in soul abhorr'd.
Thus Lara had inherited his lands,
And with them pining hearts and sluggish hands;
But that long absence from his native clime
Had left him stainless of oppression's crime,
And now, diverted by his milder sway,
All dread by slow degrees had worn away;
The menials felt their usual awe alone,
But more for him than them that fear was grown;
They deem'd him now unhappy, though at first
Their evil judgment augur'd of the worst,
And each long restless night, and silent mood,
Was traced to sickness, fed by solitude:
And though his lonely habits threw of late
Gloom o'er his chamber, cheerful was his gate;
For thence the wretched ne'er unsoothed withdrew,
For them, at least, his soul compassion knew.
Cold to the great, contemptuous to the high,
The humble pass'd not his unheeding eye;
Much he would speak not, but beneath his roof
They found asylum oft, and ne'er reproof.
And they who watch'd might mark that, day by day,
Some new retainers gather'd to his sway;
But most of late, since Ezzelin was lost,
He play'd the courteous lord and bounteous host:
Perchance his strife with Otho made him dread
Some snare prepared for his obnoxious head;
Whate'er his view, his favour more obtains
With these, the people, than his fellow thanes.
If this were policy, so far 'twas sound,
The million judged but of him as they found;
From him by sterner chiefs to exile driven
They but required a shelter, and 'twas given.
By him no peasant mourn'd his rifled cot,
And scarce the serf could murmur o'er his lot;
With him old avarice found its hoard secure,
With him contempt forbore to mock the poor;
Youth present cheer and promised recompense
Detain'd, till all too late to part from thence:
To hate he offer'd, with the coming change,
The deep reversion of delay'd revenge;
To love, long baffled by the unequal match,
The wellwon
charms success was sure to snatch.
All now was ripe, he waits but to proclaim
That slavery nothing which was still a name.
The moment came, the hour when Otho thought
Secure at last the vengeance which he sought
His summons found the destined criminal
Begirt by thousands in his swarming hall,
Fresh from their feudal fetters newly riven,
Defying earth, and confident of heaven.
That morning he had freed the soilbound
slaves
Who dig no land for tyrants but their graves!
Such is their cry — some watchword for the fight
Must vindicate the wrong, and warp the right;
Religion — freedom — vengeance — what you will,
A word's enough to raise mankind to kill;
Some factious phrase by cunning caught and spread,
That guilt may reign, and wolves and worms be fed!
IX.
Throughout that clime the feudal chiefs had gain'd
Such sway, their infant monarch hardly reign'd;
Now was the hour for faction's rebel growth,
The serfs contemn'd the one, and hated both:
They waited but a leader, and they found
One to their cause inseparably bound;
By circumstance compell'd to plunge again,
In selfdefence,
amidst the strife of men.
Cut off by some mysterious fate from those
Whom birth and nature meant not for his foes,
Had Lara from that night, to him accurst,
Prepared to meet, but not alone, the worst:
Some reason urged, whate'er it was, to shun
Inquiry into deeds at distance done;
By mingling with his own the cause of all,
E'en if he fail'd, he still delay'd his fall.
The sullen calm that long his bosom kept,
The storm that once had spent itself and slept,
Roused by events that seem'd foredoom'd to urge
His gloomy fortunes to their utmost verge,
Burst forth, and made him all he once had been,
And is again; he only changed the scene.
Light care had he for life, and less for fame,
But not less fitted for the desperate game:
He deem'd himself mark'd out for others' hate,
And mock'd at ruin, so they shared his fate.
What cared he for the freedom of the crowd?
He raised the humble but to bend the proud.
He had hoped quiet in his sullen lair,
But man and destiny beset him there:
Inured to hunters, he was found at bay;
And they must kill, they cannot snare the prey.
Stern, unambitious, silent he had been
Henceforth a calm spectator of life's scene;
But dragg'd again upon the arena, stood
A leader not unequal to the feud;
In voice — mien — gesture — savage nature spoke,
And from his eye the gladiator broke.
X.
What boots the oftrepeated
tale of strife,
The feast of vultures, and the waste of life?
The varying fortune of each separate field,
The fierce that vanquish, and the faint that yield?
The smoking ruin, and the crumbled wall?
In this the struggle was the same with all;
Save that distemper'd passions lent their force
In bitterness that banish'd all remorse.
None sued, for Mercy know her cry was vain,
The captive died upon the battleslain:
In either cause, one rage alone possess'd
The empire of the alternate victor's breast;
And they that smote for freedom or for sway,
Deem'd few were slain, while more remain'd to slay.
It was too late to check the wasting brand,
And Desolation reap'd the famish'd land;
The torch was lighted, and the flame was spread,
And Carnage smiled upon her daily bread.
XI.
Fresh with the nerve the newborn
impulse strung,
The first success to Lara's numbers clung:
But that vain victory hath ruin'd all;
They form no longer to their leader's call:
In blind confusion on the foe they press,
And think to snatch is to secure success.
The lust of booty, and the thirst of hate,
Lure on the broken brigands to their fate:
In vain he doth whate'er a chief may do,
To check the headlong fury of that crew,
In vain their stubborn ardour he would tame,
The hand that kindles cannot quench the flame.
The wary foe alone hath turn'd their mood,
And shewn their rashness to that erring brood:
The feign'd retreat, the nightly ambuscade,
The daily harass, and the fight delay'd,
The long privation of the hoped supply,
The tentless rest beneath the humid sky,
The stubborn wall that mocks the leaguer's art,
And palls the patience of his baffled heart,
Of these they had not deem'd: the battleday
They could encounter as a veteran may;
But more preferr'd the fury of the strife,
And present death, to hourly suffering life:
And famine wrings, and fever sweeps away
His numbers melting fast from their array;
Intemperate triumph fades to discontent,
And Lara's soul alone seems still unbent:
But few remain to aid his voice and hand,
And thousands dwindled to a scanty band:
Desperate, though few, the last and best remain'd
To mourn the discipline they late disdain'd.
One hope survives, the frontier is not far,
And thence they may escape from native war;
And bear within them to the neighbouring state
An exile's sorrows, or an outlaw's hate:
Hard is the task their fatherland to quit,
But harder still to perish or submit.
XII.
It is resolved — they march — consenting Night
Guides with her star their dim and torchless flight;
Already they perceive its tranquil beam
Sleep on the surface of the barrier stream;
Already they descry — Is yon the bank?
Away! 'tis lined with many a hostile rank.
Return or fly! — What glitters in the rear?
'Tis Otho's banner — the pursuer's spear!
Are those the shepherds' fires upon the height?
Alas! they blaze too widely for the flight:
Cut off from hope, and compass'd in the toil,
Less blood, perchance, hath bought a richer spoil!
XIII.
A moment's pause — 'tis but to breathe their band
Or shall they onward press, or here withstand?
It matters little — if they charge the foes
Who by their borderstream
their march oppose,
Some few, perchance, may break and pass the line,
However link'd to baffle such design.
"The charge be ours! to wait for their assault
Were fate well worthy of a coward's halt."
Forth flies each sabre, rein'd is every steed,
And the next word shall scarce outstrip the deed:
In the next tone of Lara's gathering breath
How many shall but hear the voice of death!
XIV.
His blade is bared — in him there is an air
As deep, but far too tranquil for despair;
A something of indifference more than then
Becomes the bravest, if they feel for men.
He turn'd his eye on Kaled, ever near,
And still too faithful to betray one fear;
Perchance 'twas but the moon's dim twilight threw
Along his aspect an unwonted hue
Of mournful paleness, whose deep tint express'd
The truth, and not the terror of his breast.
This Lara mark'd, and laid his hand on his:
It trembled not in such an hour as this;
His lip was silent, scarcely beat his heart,
His eye alone proclaim'd —
"We will not part!
Thy band may perish, or thy friends may flee,
Farewell to life, but not adieu to thee!"
The word hath pass'd his lips, and onward driven,
Pours the link'd band through ranks asunder riven;
Well has each steed obey'd the armed heel,
And flash the scimitars, and rings the steel;
Outnumber'd, not outbraved, they still oppose
Despair to daring, and a front to foes;
And blood is mingled with the dashing stream,
Which runs all redly till the morning beam.
XV.
Commanding, aiding, animating all,
Where foe appear'd to press, or friend to fall,
Cheers Lara's voice, and waves or strikes his steel,
Inspiring hope himself had ceased to feel.
None fled, for well they knew that flight were vain,
But those that waver turn to smite again,
While yet they find the firmest of the foe
Recoil before their leader's look and blow;
Now girt with numbers, now almost alone,
He foils their ranks, or reunites his own;
Himself he spared not — once they seem'd to fly —
Now was the time, he waved his hand on high,
And shook — Why sudden droops that plumed crest?
The shaft is sped — the arrow's in his breast!
That fatal gesture left the unguarded side,
And Death hath stricken down yon arm of pride.
The word of triumph fainted from his tongue;
That hand, so raised, how droopingly it hung!
But yet the sword instinctively retains,
Though from its fellow shrink the falling reins;
These Kaled snatches: dizzy with the blow,
And senseless bending o'er his saddlebow
Perceives not Lara that his anxious page
Beguiles his charger from the combat's rage:
Meantime his followers charge and charge again;
Too mix'd the slayers now to heed the slain!
XVI.
Day glimmers on the dying and the dead,
The cloven cuirass, and the helmless head;
The warhorse
masterless is on the earth,
And that last gasp hath burst his bloody girth:
And near, yet quivering with what life remain'd,
The heel that urged him, and the hand that rein'd:
And some too near that rolling torrent lie,
Whose waters mock the lip of those that die;
That panting thirst which scorches in the breath
Of those that die the soldier's fiery death,
In vain impels the burning mouth to crave
One drop — the last — to cool it for the grave;
With feeble and convulsive effort swept
Their limbs along the crimson'd turf have crept:
The faint remains of life such struggles waste,
But yet they reach the stream, and bend to taste:
They feel its freshness, and almost partake —
Why pause? — No further thirst have they to slake —
It is unquench'd, and yet they feel it not —
It was an agony — but now forgot!
XVII.
Beneath a lime, remoter from the scene,
Where but for him that strife had never been,
A breathing but devoted warrior lay:
'Twas Lara bleeding fast from life away.
His follower once, and now his only guide,
Kneels Kaled watchful o'er his welling side,
And with his scarf would stanch the tides that rush
With each convulsion in a blacker gush;
And then, as his faint breathing waxes low,
In feebler, not less fatal tricklings flow:
He scarce can speak, but motions him 'tis vain,
And merely adds another throb to pain.
He clasps the hand that pang which would assuage,
And sadly smiles his thanks to that dark page,
Who nothing fears, nor feels, nor heeds, nor sees,
Save that damp brow which rests upon his knees;
Save that pale aspect, where the eye, though dim,
Held all the light that shone on earth for him.
XVIII.
The foe arrives, who long had search'd the field,
Their triumph nought till Lara too should yield;
They would remove him, but they see 'twere vain,
And he regards them with a calm disdain,
That rose to reconcile him with his fate,
And that escape to death from living hate:
And Otho comes, and leaping from his steed,
Looks on the bleeding foe that made him bleed,
And questions of his state; he answers not,
Scarce glances on him as on one forgot,
And turns to Kaled: — each remaining word,
They understood not, if distinctly heard;
His dying tones are in that other tongue,
To which some strange remembrance wildly clung.
They spake of other scenes, but what — is known
To Kaled, whom their meaning reach'd alone;
And he replied, though faintly, to their sound,
While gazed the rest in dumb amazement round:
They seem'd even then — that twain — unto the last
To half forget the present in the past;
To share between themselves some separate fate,
Whose darkness none beside should penetrate.
XIX.
Their words though faint were many — from the tone
Their import those who heard could judge alone;
From this, you might have deem'd young Kaled's death
More near than Lara's by his voice and breath,
So sad, so deep, and hesitating broke
The accents his scarcemoving
pale lips spoke;
But Lara's voice, though low, at first was clear
And calm, till murmuring death gasp'd hoarsely near:
But from his visage little could we guess,
So unrepentant, dark, and passionless,
Save that when struggling nearer to his last,
Upon that page his eye was kindly cast;
And once, as Kaled's answering accents ceased,
Rose Lara's hand, and pointed to the East:
Whether (as then the breaking sun from high
Roll'd back the clouds) the morrow caught his eye,
Or that 'twas chance, or some remember'd scene
That raised his arm to point where such had been,
Scarce Kaled seem'd to know, but turn'd away,
As if his heart abhorr'd that coming day,
And shrunk his glance before that morning light
To look on Lara's brow — where all grew night.
Yet sense seem'd left, though better were its loss;
For when one near display'd the absolving cross,
And proffer'd to his touch the holy bead,
Of which his parting soul might own the need,
He look'd upon it with an eye profane,
And smiled — Heaven pardon! if 'twere with disdain;
And Kaled, though he spoke not, nor withdrew
From Lara's face his fix'd despairing view,
With brow repulsive, and with gesture swift,
Flung back the hand which held the sacred gift,
As if such but disturb'd the expiring man,
Nor seem'd to know his life but then began,
The life immortal infinite, secure,
To all for whom that cross hath made it sure!
XX.
But gasping heaved the breath that Lara drew,
And dull the film along his dim eye grew;
His limbs stretch'd fluttering, and his head droop'd o'er
The weak yet still untiring knee that bore:
He press'd the hand he held upon his heart —
It beats no more, but Kaled will not part
With the cold grasp, but feels, and feels in vain,
For that faint throb which answers not again.
"It beats!" — Away, thou dreamer! he is gone —
It once was Lara which thou look'st upon.
XXI.
He gazed, as if not yet had pass'd away
The haughty spirit of that humble clay;
And those around have roused him from his trance,
But cannot tear from thence his fixed glance;
And when in raising him from where he bore
Within his arms the form that felt no more,
He saw the head his breast would still sustain,
Roll down like earth to earth upon the plain;
He did not dash himself thereby, nor tear
The glossy tendrils of his raven hair,
But strove to stand and gaze, but reel'd and fell,
Scarce breathing more than that he loved so well.
Than that he lov'd! Oh! never yet beneath
The breast of man such trusty love may breathe!
That trying moment hath at once reveal'd
The secret long and yet but half conceal'd;
In baring to revive that lifeless breast,
Its grief seem'd ended, but the sex confess'd;
And life return'd, and Kaled felt no shame —
What now to her was Womanhood or Fame?
XXII.
And Lara sleeps not where his fathers sleep,
But where he died his grave was dug as deep;
Nor is his mortal slumber less profound,
Though priest nor bless'd, nor marble deck'd the mound;
And he was mourn'd by one whose quiet grief,
Less loud, outlasts a people's for their chief.
Vain was all question ask'd her of the past,
And vain e'en menace — silent to the last;
She told nor whence nor why she left behind
Her all for one who seem'd but little kind.
Why did she love him? Curious fool! — be still —
Is human love the growth of human will?
To her he might be gentleness; the stern
Have deeper thoughts than your dull eyes discern,
And when they love, your smilers guess not how
Beats the strong heart, though less the lips avow.
They were not common links that form'd the chain
That bound to Lara Kaled's heart and brain;
But that wild tale she brook'd not to unfold,
And seal'd is now each lip that could have told.
XXIII.
They laid him in the earth, and on his breast,
Besides the wound that sent his soul to rest,
They found the scattered dints of many a scar
Which were not planted there in recent war:
Where'er had pass'd his summer years of life,
It seems they vanish'd in a land of strife;
But all unknown his glory or his guilt,
These only told that somewhere blood was spilt.
And Ezzelin, who might have spoke the past,
Return'd no more — that night appear'd his last.
XXIV.
Upon that night (a peasant's is the tale)
A Serf that cross'd the intervening vale,
When Cynthia's light almost gave way to morn,
And nearly veil'd in mist her waning horn;
A Serf, that rose betimes to thread the wood,
And hew the bough that bought his children's food,
Pass'd by the river that divides the plain
Of Otho's lands and Lara's broad domain:
He heard a tramp — a horse and horseman broke
From out the wood — before him was a cloak
Wrapt round some burthen at his saddlebow,
Bent was his head, and hidden was his brow.
Roused by the sudden sight at such a time,
And some foreboding that it might be crime,
Himself unheeded watch'd the stranger's course,
Who reach'd the river, bounded from his horse,
And lifting thence the burthen which he bore,
Heaved up the bank, and dash'd it from the shore, [3]
Then paused, and look'd, and turn'd, and seem'd to watch,
And still another hurried glance would snatch,
And follow with his step the stream that flow'd,
As if even yet too much its surface show'd:
At once he started, stoop'd, around him strewn
The winter floods had scatter'd heaps of stone;
Of these the heaviest thence he gather'd there,
And slung them with a more than common care.
Meantime the Serf had crept to where unseen
Himself might safely mark what this might mean.
He caught a glimpse, as of a floating breast,
And something glitter'd starlike on the vest,
But ere he well could mark the buoyant trunk,
A massy fragment smote it, and it sunk:
It rose again, but indistinct to view,
And left the waters of a purple hue,
Then deeply disappear'd: the horseman gazed
Till ebb'd the latest eddy it had raised;
Then turning, vaulted on his pawing steed,
And instant spurr'd him into panting speed.
His face was mask'd — the features of the dead,
If dead it were, escaped the observer's dread;
But if in sooth a star its bosom bore,
Such is the badge that knighthood ever wore,
And such 'tis known Sir Ezzelin had worn
Upon the night that led to such a morn.
If thus he perish'd, Heaven receive his soul!
His undiscover'd limbs to ocean roll;
And charity upon the hope would dwell
It was not Lara's hand by which he fell.
XXV.
And Kaled — Lara — Ezzelin, are gone,
Alike without their monumental stone!
The first, all efforts vainly strove to wean
From lingering where her chieftain's blood had been.
Grief had so tamed a spirit once too proud,
Her tears were few, her wailing never loud;
But furious would you tear her from the spot
Where yet she scarce believed that he was not,
Her eye shot forth with all the living fire
That haunts the tigress in her whelpless ire;
But left to waste her weary moments there,
She talk'd all idly unto shapes of air,
Such as the busy brain of Sorrow paints,
And woos to listen to her fond complaints;
And she would sit beneath the very tree,
Where lay his drooping head upon her knee;
And in that posture where she saw him fall,
His words, his looks, his dying grasp recall;
And she had shorn, but saved her raven hair,
And oft would snatch it from her bosom there,
And fold and press it gently to the ground,
As if she stanch'd anew some phantom's wound.
Herself would question, and for him reply;
Then rising, start, and beckon him to fly
From some imagined spectre in pursuit;
Then seat her down upon some linden's root,
And hide her visage with her meagre hand,
Or trace strange characters along the sand. —
This could not last — she lies by him she loved;
Her tale untold — her truth too dearly proved.
Byron's Notes.
1. The reader of "Lara" may probably regard it as a sequel to a poem that recently
appeared: whether the cast of the hero's character, the turn of his adventures, and the
general outline and colouring of the story, may not encourage such a supposition, shall
be left to his determination. [The poem is "The Corsair."]
2. The reader is advised that the name only of Lara being Spanish, and no
circumstance of local or national description fixing the scene or hero of the poem to
any country or age, the word "Serf," which could not be correctly applied to the lower
classes in Spain, who were never vassals of the soil, has nevertheless been employed
to designate the followers of our fictitious chieftain.
3. The event in this section was suggested by the description of the death, or rather
burial, of the Duke of Gandia. The most interesting and particular account of it is given
by Burchard, and is in substance as follows: — "On the eighth day of June, the Cardinal
of Valenza and the Duke of Gandia, sons of the Pope, supped with their mother,
Vanozza, near the church of S. Pietro ad vincula; several other persons being present
at the entertainment. A late hour approaching, and the cardinal having reminded his
brother, that it was time to return to the apostolic palace, they mounted their horses or
mules, with only a few attendants, and proceeded together as far as the palace of
Cardinal Ascanio Sforza, when the duke informed the cardinal that, before he returned
home, he had to pay a visit of pleasure. Dismissing therefore all his attendants,
excepting his staffiero, or footman, and a person in a mask, who had paid him a visit
whilst at supper, and who, during the space of a month, or thereabouts, previous to
this time, had called upon him almost daily at the apostolic palace, he took this person
behind him on his mule, and proceeded to the street of the Jews, where he quitted his
servant, directing him to remain there until a certain hour; when, if he did not return,
he might repair to the palace. The duke then seated the person in the mask behind
him, and rode, I know not whither; but in that night he was assassinated, and thrown
into the river. The servant, after having been dismissed, was also assaulted and
mortally wounded; and although he was attended with great care, yet such was his
situation that he could give no intelligible account of what had befallen his master. In
the morning, the duke not having returned to the palace, his servants began to be
alarmed; and one of them informed the pontiff of the evening excursion of his sons,
and that the duke had not yet made his appearance. This gave the pope no small
anxiety; but he conjectured that the duke had been attracted by some courtesan to
pass the night with her, and, not choosing to quit the house in open day, waited till the
following evening to return home. When, however, the evening arrived, and he found
himself disappointed in his expectations, he became deeply afflicted, and began to
make inquiries from different persons, whom he ordered to attend him for that
purpose. Amongst these was a man named Giorgio Schiavoni, who, having discharged
some timber from a bark in the river, had remained on board the vessel to watch it;
and being interrogated whether he had seen any one thrown into the river on the night
preceding, he replied, that he saw two men on foot, who came down the street, and
looked diligently about, to observe whether any person was passing. That seeing no
one, they returned, and a short time later two others came, and looked around in the
same manner as the former: no person still appearing, they gave a sign to their
companions, when a man came, mounted on a white horse, having behind him a dead
body, the head and arms of which hung on one side, and the feet on the other side of
the horse; the two persons on foot supporting the body to prevent its falling. They thus
proceeded towards that part where the filth of the city is usually discharged into the
river, and turning the horse, with his tail towards the water, the two persons took the
dead body by the arms and feet, and with all their strength flung it into the river. The
person on horseback then asked if they had thrown it in; to which they replied, 'Signor,
si' (Yes, Sir). He then looked towards the river, and seeing a mantle floating in the
stream, he inquired what it was that appeared black, to which they answered, it was a
mantle; and one of them throw stones upon it, in consequence of which it sunk. The
attendants of the pontiff then inquired from Giorgio why he had not revealed this to the
governor of the city; to which he replied, that he had seen in his time a hundred dead
bodies thrown into the river at the same place, without any inquiry being made
respecting them; and that he had not, therefore, considered it as a matter of any
importance. The fishermen and seamen were then collected. and ordered to search the
river, where on the following evening, they found the body of the duke, with his habit
entire, and thirty ducats in his purse. He was pierced with nine wounds, one of which
was in his throat, the others in his hand, body, and limbs. No sooner was the pontiff
informed of the death of his son, and that he had been thrown, like filth, into the river,
than, giving way to his grief, he shut himself up in a chamber, and wept bitterly. The
Cardinal of Segovia, and other attendants on the pope, went to the door, and after
many hours spent in persuasions and exhortations, prevailed upon him to admit them.
From the evening of Wednesday till the following Saturday the pope took no food; nor
did he sleep from Thursday morning till the same hour on the ensuing day. At length,
however, giving way to the entreaties of his attendants, he began to restrain his
sorrow, and to consider the injury which his own health might sustain by the further
indulgence of his grief." — Roscoe's Leo the Tenth, vol. i. p. 265.
539