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Change and Transformation

Ted Hughes

Ted Hughes

Bride and Groom Lie Hidden for Three Days

She gives him his eyes, she found them
Among some rubble, among some beetles


He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment


She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her


He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Incredulous


Now she has brought his feet, she is connecting them
So that his whole body lights up


And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it


They keep taking each other to the sun, they find they can easily
To test each new thing at each new step


And now she smoothes over him the plates of his skull
So that the joints are invisible


And now he connects her throat, her breasts and the pit of her stomach
With a single wire


She gives him his teeth, tying the the roots to the centrepin of his body


He sets the little circlets on her fingertips


She stiches his body here and there with steely purple silk


He oils the delicate cogs of her mouth


She inlays with deep cut scrolls the nape of his neck


He sinks into place the inside of her thighs


So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
346
Johann Wolfgang von Goethe

Johann Wolfgang von Goethe

The Book Of Paradise - The Seven Sleepers

Six among the courtiers favour'd
Fly before the Caesar's fury,
Who would as a god be worshipp'd,
Though in truth no god appearing,
For a fly prevents him ever
From enjoying food at table.
Though with fans his servants scare it,
They the fly can never banish.
It torments him, stings, and troubles,
And the festal board perplexes,
Then returning like the herald
Of the olden crafty Fly-God.
'What!'--the striplings say together-'
Shall a fly a god embarrass?


Shall a god drink, eat at table,
Like us mortals? No, the Only,
Who the sun and moon created,
And the glowing stars arch'd o'er us,
He is God,--we'll fly!'--The gentle,
Lightly shod, and dainty striplings
Did a shepherd meet, and hide them,
With himself, within a cavern.


And the sheep-dog will not leave them,--
Scared away, his foot all-mangled,
To his master still he presses,
And he joins the hidden party,
Joins the favorites of slumber.


And the prince, whom they had fled from,
Fondly-furious, thinks of vengeance,
And, discarding sword and fire,
Has them walled-up in the cavern,
Walled-up fast with bricks and mortar.


But the others slumber ever,
And the Angel, their protector,
Gives before God's throne this notice
'To the right and left alternate
Have I ever cared to turn them,
That their fair and youthful members
Be not by the mould-damp injured;
Clefts within the rocks I open'd,
That the sun may, rising, setting,
Keep their cheeks in youthful freshness.'
So they lie there, bless'd by Heaven.
And, with forepaws sound and scatheless,
Sleeps the dog in gentle slumber.


Years come round, and years fly onward,
And the youths at length awaken,



And the wall, which now had moldered,
From its very age has fallen.
And Jamblika says,--whose beauty
Far exceedeth all the others,--
When the fearful shepherd lingers:-'
I will run, and food procure you,
Life and piece of gold I'll wager!'--
Ephebus had many a year now
Own'd the teaching of the Prophet
Jesus (Peace be with the Good One!)


And he ran, and at the gateway
Were the warders and the others.
Yet he to the nearest baker's,
Seeking bread, went swiftly onwards.-'
Rogue!' thus cried the baker--'hast thou,
Youth, a treasure, then, discover'd?
Give me,--for the gold betrays thee,--
Give me half, to keep thy secret!'--


And they quarrel.--To the monarch
Comes the matter; and the monarch
Fain would halve it, like the baker.


Now the miracle is proven
Slowly by a hundred tokens.
He can e'en his right establish
To the palace he erected,
For a pillar, when pierced open.


Leads to wealth he said 'twould lead to.
Soon are gather'd there whole races,
Their relationship to show him.
And as great-grandfather, nobly
Stands Jamblika's youthful figure.


As of ancestors, he hears them,
Speaking of his son and grandsons.
His great-grandsons stand around him,
Like a race of valiant mortals,
Him to honour,--him, the youngest.
And one token on another
Rises up, the proof completing;
The identity is proven
Of himself, and of his comrades.


Now returns he to the cavern,
With him go both king and people.--
Neither to the king nor people
E'er returns that chosen mortal;
For the Seven, who for ages--
Eight was, with the dog, their number-



Had from all the world been sunder'd,
Gabriel's mysterious power,
To the will of God obedient,
Hath to Paradise conducted,--
And the cave was closed for ever.
335
Henry Van Dyke

Henry Van Dyke

The Foolish Fir-Tree

A tale that the poet Rückert told
To German children, in days of old;
Disguised in a random, rollicking rhyme
Like a merry mummer of ancient time,
And sent, in its English dress, to please
The little folk of the Christmas trees.



A little fir grew in the midst of the wood
Contented and happy, as young trees should.
His body was straight and his boughs were clean;
And summer and winter the bountiful sheen
Of his needles bedecked him, from top to root,
In a beautiful, all-the-year, evergreen suit.


But a trouble came into his heart one day,
When he saw that the other trees were gay
In the wonderful raiment that summer weaves
Of manifold shapes and kinds of leaves:
He looked at his needles so stiff and small,
And thought that his dress was the poorest of all.
Then jealousy clouded the little tree's mind,
And he said to himself, "It was not very kind
"To give such an ugly old dress to a tree!
"If the fays of the forest would only ask me,
"I'd tell them how I should like to be dressed,—
"In a garment of gold, to bedazzle the rest!"
So he fell asleep, but his dreams were bad.
When he woke in the morning, his heart was glad;
For every leaf that his boughs could hold
Was made of the brightest beaten gold.
I tell you, children, the tree was proud;
He was something above the common crowd;
And he tinkled his leaves, as if he would say
To a pedlar who happened to pass that way,
"Just look at me! don't you think I am fine?
"And wouldn't you like such a dress as mine?"
"Oh, yes!" said the man, "and I really guess
I must fill my pack with your beautiful dress."
So he picked the golden leaves with care,
And left the little tree shivering there.


"Oh, why did I wish for golden leaves?"
The fir-tree said, "I forgot that thieves
"Would be sure to rob me in passing by.
"If the fairies would give me another try,
"I'd wish for something that cost much less,
"And be satisfied with glass for my dress!"
Then he fell asleep; and, just as before,
The fairies granted his wish once more.
When the night was gone, and the sun rose clear,
The tree was a crystal chandelier;
And it seemed, as he stood in the morning light,



That his branches were covered with jewels bright.
"Aha!" said the tree. "This is something great!"
And he held himself up, very proud and straight;
But a rude young wind through the forest dashed,
In a reckless temper, and quickly smashed
The delicate leaves. With a clashing sound
They broke into pieces and fell on the ground,
Like a silvery, shimmering shower of hail,
And the tree stood naked and bare to the gale.


Then his heart was sad; and he cried, "Alas
"For my beautiful leaves of shining glass!
"Perhaps I have made another mistake
"In choosing a dress so easy to break.
"If the fairies only would hear me again
"I'd ask them for something both pretty and plain:
"It wouldn't cost much to grant my request,—
"In leaves of green lettuce I'd like to be dressed!"
By this time the fairies were laughing, I know;
But they gave him his wish in a second; and so
With leaves of green lettuce, all tender and sweet,
The tree was arrayed, from his head to his feet.
"I knew it!" he cried, "I was sure I could find
"The sort of a suit that would be to my mind.
"There's none of the trees has a prettier dress,
"And none as attractive as I am, I guess."
But a goat, who was taking an afternoon walk,
By chance overheard the fir-tree's talk.
So he came up close for a nearer view;—
"My salad!" he bleated, "I think so too!
"You're the most attractive kind of a tree,
"And I want your leaves for my five-o'clock tea."
So he ate them all without saying grace,
And walked away with a grin on his face;
While the little tree stood in the twilight dim,
With never a leaf on a single limb.


Then he sighed and groaned; but his voice was weak—
He was so ashamed that he could not speak.
He knew at last that he had been a fool,
To think of breaking the forest rule,
And choosing a dress himself to please,
Because he envied the other trees.
But it couldn't be helped, it was now too late,
He must make up his mind to a leafless fate!
So he let himself sink in a slumber deep,
But he moaned and he tossed in his troubled sleep,
Till the morning touched him with joyful beam,
And he woke to find it was all a dream.
For there in his evergreen dress he stood,
A pointed fir in the midst of the wood!
His branches were sweet with the balsam smell,



His needles were green when the white snow fell.
And always contented and happy was he,—
The very best kind of a Christmas tree.
329
William Wordsworth

William Wordsworth

The Waterfall and The Eglantine

"Begone, thou fond presumptuous Elf,"
Exclaimed an angry Voice,
"Nor dare to thrust thy foolish self
Between me and my choice!"
A small Cascade fresh swoln with snows
Thus threatened a poor Briar-rose,
That, all bespattered with his foam,
And dancing high and dancing low,
Was living, as a child might know,
In an unhappy home.
II
"Dost thou presume my course to block?
Off, off! or, puny Thing!
I'll hurl thee headlong with the rock
To which thy fibres cling."
The Flood was tyrannous and strong;
The patient Briar suffered long,
Nor did he utter groan or sigh,
Hoping the danger would be past;
But, seeing no relief, at last,
He ventured to reply.
III
"Ah!" said the Briar, "blame me not;
Why should we dwell in strife?
We who in this sequestered spot
Once lived a happy life!
You stirred me on my rocky bed--
What pleasure through my veins you spread
The summer long, from day to day,
My leaves you freshened and bedewed;
Nor was it common gratitude
That did your cares repay.
IV
"When spring came on with bud and bell,
Among these rocks did I
Before you hang my wreaths to tell
That gentle days were nigh!
And in the sultry summer hours,
I sheltered you with leaves and flowers;
And in my leaves--now shed and gone,
The linnet lodged, and for us two
Chanted his pretty songs, when you
Had little voice or none.
V


"But now proud thoughts are in your breast--
What grief is mine you see,
Ah! would you think, even yet how blest
Together we might be!
Though of both leaf and flower bereft,
Some ornaments to me are left--
Rich store of scarlet hips is mine,
With which I, in my humble way,
Would deck you many a winter day,
A happy Eglantine!"
VI
What more he said I cannot tell,
The Torrent down the rocky dell
Came thundering loud and fast;
I listened, nor aught else could hear;
The Briar quaked--and much I fear
Those accents were his last.
325
John Greenleaf Whittier

John Greenleaf Whittier

Among the Hills

PRELUDE
ALONG the roadside, like the flowers of gold
That tawny Incas for their gardens wrought,
Heavy with sunshine droops the golden-rod,
And the red pennons of the cardinal-flowers
Hang motionless upon their upright staves.
The sky is hot and hazy, and the wind,
Vying-weary with its long flight from the south,
Unfelt; yet, closely scanned, yon maple leaf
With faintest motion, as one stirs in dreams,
Confesses it. The locust by the wall
Stabs the noon-silence with his sharp alarm.
A single hay-cart down the dusty road
Creaks slowly, with its driver fast asleep
On the load’s top. Against the neighboring hill,
Huddled along the stone wall’s shady side,
The sheep show white, as if a snowdrift still
Defied the dog-star. Through the open door
A drowsy smell of flowers-gray heliotrope,
And white sweet clover, and shy mignonette—
Comes faintly in, and silent chorus lends
To the pervading symphony of peace.
No time is this for hands long over-worn
To task their strength; and (unto Him be praise
Who giveth quietness!) the stress and strain
Of years that did the work of centuries
Have ceased, and we can draw our breath once more
Freely and full. So, as yon harvesters
Make glad their nooning underneath the elms
With tale and riddle and old snatch of song,
I lay aside grave themes, and idly turn
The leaves of memory’s sketch-book, dreaming o’er
Old summer pictures of the quiet hills,
And human life, as quiet, at their feet.

And yet not idly all. A farmer’s son,
Proud of field-lore and harvest craft, and feeling
All their fine possibilities, how rich
And restful even poverty and toil
Become when beauty, harmony, and love
Sit at their humble hearth as angels sat
At evening in the patriarch’s tent, when man
Makes labor noble, and his farmer’s frock
The symbol of a Christian chivalry
Tender and just and generous to her
Who clothes with grace all duty; still, I know
Too well the picture has another side,—
How wearily the grind of toil goes on
Where love is wanting, how the eye and ear
And heart are starved amidst the plenitude
Of nature, and how hard and colorless
Is life without an atmosphere. I look


Across the lapse of half a century,
And call to mind old homesteads, where no flower
Told that the spring had come, but evil weeds,
Nightshade and rough-leaved burdock in the place
Of the sweet doorway greeting of the rose
And honeysuckle, where the house walls seemed
Blistering in sun, without a tree or vine
To cast the tremulous shadow of its leaves
Across the curtainless windows, from whose panes
Fluttered the signal rags of shiftlessness.
Within, the cluttered kitchen-floor, unwashed
(Broom-clean I think they called it); the best room
Stifling with cellar damp, shut from the air
In hot midsummer, bookless, pictureless,
Save the inevitable sampler hung
Over the fireplace, or a mourning piece,
A green-haired woman, peony-cheeked, beneath
Impossible willows; the wide-throated hearth
Bristling with faded pine-boughs half concealing
The piled-up rubbish at the chimney’s back;
And, in sad keeping with all things about them,
Shrill, querulous-women, sour and sullen men,
Untidy, loveless, old before their time,
With scarce a human interest save their own
Monotonous round of small economies,
Or the poor scandal of the neighborhood;
Blind to the beauty everywhere revealed,
Treading the May-flowers with regardless feet;
For them the song-sparrow and the bobolink
Sang not, nor winds made music in the leaves;
For them in vain October’s holocaust
Burned, gold and crimson, over all the hills,
The sacramental mystery of the woods.
Church-goers, fearful of the unseen Powers,
But grumbling over pulpit-tax and pew-rent,
Saving, as shrewd economists, their souls
And winter pork with the least possible outlay
Of salt and sanctity; in daily life
Showing as little actual comprehension
Of Christian charity and love and duty,
As if the Sermon on the Mount had been
Outdated like a last year’s almanac
Rich in broad woodlands and in half-tilled fields,
And yet so pinched and bare and comfortless,
The veriest straggler limping on his rounds,
The sun and air his sole inheritance,
Laughed at a poverty that paid its taxes,
And hugged his rags in self-complacency!


Not such should be the homesteads of a land
Where whoso wisely wills and acts may dwell
As king and lawgiver, in broad-acred state,



With beauty, art, taste, culture, books, to make
His hour of leisure richer than a life
Of fourscore to the barons of old time,
Our yeoman should be equal to his home
Set in the fair, green valleys, purple walled,
A man to match his mountains, not to creep
Dwarfed and abased below them. I would fain
In this light way (of which I needs must own
With the knife-grinder of whom Canning sings,
“Story, God bless you! I have none to tell you!”)
Invite the eye to see and heart to feel
The beauty and the joy within their reach,—
Home, and home loves, and the beatitudes
Of nature free to all. Haply in years
That wait to take the places of our own,
Heard where some breezy balcony looks down
On happy homes, or where the lake in the moon
Sleeps dreaming of the mountains, fair as Ruth,
In the old Hebrew pastoral, at the feet
Of Boaz, even this simple lay of mine
May seem the burden of a prophecy,
Finding its late fulfilment in a change
Slow as the oak’s growth, lifting manhood up
Through broader culture, finer manners, love,
And reverence, to the level of the hills.

O Golden Age, whose light is of the dawn,
And not of sunset, forward, not behind,
Flood the new heavens and earth, and with thee bring
All the old virtues, whatsoever things
Are pure and honest and of good repute,
But add thereto whatever bard has sung
Or seer has told of when in trance and dream
They saw the Happy Isles of prophecy
Let Justice hold her scale, and Truth divide
Between the right and wrong; but give the heart
The freedom of its fair inheritance;
Let the poor prisoner, cramped and starved so long,
At Nature’s table feast his ear and eye
With joy and wonder; let all harmonies
Of sound, form, color, motion, wait upon
The princely guest, whether in soft attire
Of leisure clad, or the coarse frock of toil,
And, lending life to the dead form of faith,
Give human nature reverence for the sake
Of One who bore it, making it divine
With the ineffable tenderness of God;
Let common need, the brotherhood of prayer,
The heirship of an unknown destiny,
The unsolved mystery round about us, make
A man more precious than the gold of Ophir.
Sacred, inviolate, unto whom all things


Should minister, as outward types and signs
Of the eternal beauty which fulfils
The one great purpose of creation, Love,
The sole necessity of Earth and Heaven!


. . . . .
For weeks the clouds had raked the hills
And vexed the vales with raining,
And all the woods were sad with mist,
And all the brooks complaining.
At last, a sudden night-storm tore
The mountain veils asunder,
And swept the valleys clean before
The bosom of the thunder.


Through Sandwich notch the west-wind sang
Good morrow to the cotter;
And once again Chocorua’s horn
Of shadow pierced the water.


Above his broad lake Ossipee,
Once more the sunshine wearing,
Stooped, tracing on that silver shield
His grim armorial bearing.


Clear drawn against the hard blue sky,
The peaks had winter’s keenness;
And, close on autumn’s frost, the vales
Had more than June’s fresh greenness.


Again the sodden forest floors
With golden lights were checkered,
Once more rejoicing leaves in wind
And sunshine danced and flickered.


It was as if the summer’s late
Atoning for it’s sadness
Had borrowed every season’s charm
To end its days in gladness.


I call to mind those banded vales
Of shadow and of shining,
Through which, my hostess at my side,
I drove in day’s declining.


We held our sideling way above
The river’s whitening shallows,
By homesteads old, with wide-flung barns
Swept through and through by swallows,—


By maple orchards, belts of pine
And larches climbing darkly



The mountain slopes, and, over all,
The great peaks rising starkly.


You should have seen that long hill-range
With gaps of brightness riven,—
How through each pass and hollow streamed
The purpling lights of heaven,—


Rivers of gold-mist flowing down
From far celestial fountains,—
The great sun flaming through the rifts
Beyond the wall of mountains.


We paused at last where home-bound cows
Brought down the pasture’s treasure,
And in the barn the rhythmic flails
Beat out a harvest measure.


We heard the night-hawk’s sullen plunge,
The crow his tree-mates calling:
The shadows lengthening down the slopes
About our feet were falling.


And through them smote the level sun
In broken lines of splendor,
Touched the gray rocks and made the green
Of the shorn grass more tender.


The maples bending o’er the gate,
Their arch of leaves just tinted
With yellow warmth, the golden glow
Of coming autumn hinted.


Keen white between the farm-house showed,
And smiled on porch and trellis,
The fair democracy of flowers
That equals cot and palace.


And weaving garlands for her dog,
’Twixt chidings and caresses,
A human flower of childhood shook
The sunshine from her tresses.


On either hand we saw the signs
Of fancy and of shrewdness,
Where taste had wound its arms of vines
Round thrift’s uncomely rudeness.


The sun-brown farmer in his frock
Shook hands, and called to Mary
Bare-armed, as Juno might, she came,
White-aproned from her dairy.



Her air, her smile, her motions, told
Of womanly completeness;
A music as of household songs
Was in her voice of sweetness.


Not fair alone in curve and line,
But something more and better,
The secret charm eluding art,
Its spirit, not its letter;—


An inborn grace that nothing lacked
Of culture or appliance,
The warmth of genial courtesy,
The calm of self-reliance.


Before her queenly womanhood
How dared our hostess utter
The paltry errand of her need
To buy her fresh-churned butter?


She led the way with housewife pride,
Her goodly store disclosing,
Full tenderly the golden balls
With practised hands disposing.


Then, while along the western hills
We watched the changeful glory
Of sunset, on our homeward way,
I heard her simple story.


The early crickets sang; the stream
Plashed through my friend’s narration:
Her rustic patois of the hills
Lost in my free-translation.


“More wise,” she said, “than those who swarm
Our hills in middle summer,
She came, when June’s first roses blow,
To greet the early comer.


“From school and ball and rout she came,
The city’s fair, pale daughter,
To drink the wine of mountain air
Beside the Bearcamp Water.


“Her step grew firmer on the hills
That watch our homesteads over;
On cheek and lip, from summer fields,
She caught the bloom of clover.


“For health comes sparkling in the streams



From cool Chocorua stealing:
There’s iron in our Northern winds;
Our pines are trees of healing.


“She sat beneath the broad-armed elms
That skirt the mowing-meadow,
And watched the gentle west-wind weave
The grass with shine and shadow.


“Beside her, from the summer heat
To share her grateful screening,
With forehead bared, the farmer stood,
Upon his pitchfork leaning.


“Framed in its damp, dark locks, his face
Had nothing mean or common,—
Strong, manly, true, the tenderness
And pride beloved of woman.


“She looked up, glowing with the health
The country air had brought her,
And, laughing, said: ‘You lack a wife,
Your mother lacks a daughter.


“‘To mend your frock and bake your bread
You do not need a lady:
Be sure among these brown old homes
Is some one waiting ready,—


“‘Some fair, sweet girl with skilful hand
And cheerful heart for treasure,
Who never played with ivory keys,
Or danced the polka’s measure.’


“He bent his black brows to a frown,
He set his white teeth tightly.
‘’T is well,’ he said, ‘for one like you
To choose for me so lightly.


“You think, because my life is rude
I take no note of sweetness:
I tell you love has naught to do
With meetness or unmeetness.


“‘Itself its best excuse, it asks
No leave of pride or fashion
When silken zone or homespun frock
It stirs with throbs of passion.


“‘You think me deaf and blind: you bring
Your winning graces hither
As free as if from cradle-time



We two had played together.


“‘You tempt me with your laughing eyes,
Your cheek of sundown’s blushes,
A motion as of waving grain,
A music as of thrushes.


“‘The plaything of your summer sport,
The spells you weave around me
You cannot at your will undo,
Nor leave me as you found me.


“‘You go as lightly as you came,
Your life is well without me;
What care you that these hills will close
Like prison-walls about me?


“‘No mood is mine to seek a wife,
Or daughter for my mother
Who loves you loses in that love
All power to love another!


“‘I dare your pity or your scorn,
With pride your own exceeding;
I fling my heart into your lap
Without a word of pleading.’


“She looked up in his face of pain
So archly, yet so tender
‘And if I lend you mine,’ she said,
‘Will you forgive the lender?


“‘Nor frock nor tan can hide the man;
And see you not, my farmer,
How weak and fond a woman waits
Behind this silken armor?


“‘I love you: on that love alone,
And not my worth, presuming,
Will you not trust for summer fruit
The tree in May-day blooming?’


“Alone the hangbird overhead,
His hair-swung cradle straining,
Looked down to see love’s miracle,—
The giving that is gaining.


“And so the farmer found a wife,
His mother found a daughter
There looks no happier home than hers
On pleasant Bearcamp Water.



“Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.


“Our homes are cheerier for her sake,
Our door-yards brighter blooming,
And all about the social air
Is sweeter for her coming.


“Unspoken homilies of peace
Her daily life is preaching;
The still refreshment of the dew
Is her unconscious teaching.


“And never tenderer hand than hers
Unknits the brow of ailing;
Her garments to the sick man’s ear
Have music in their trailing.


“And when, in pleasant harvest moons,
The youthful huskers gather,
Or sleigh-drives on the mountain ways
Defy the winter weather,—


“In sugar-camps, when south and warm
The winds of March are blowing,
And sweetly from its thawing veins
The maple’s blood is flowing,—


“In summer, where some lilied pond
Its virgin zone is baring,
Or where the ruddy autumn fire
Lights up the apple-paring,—


“The coarseness of a ruder time
Her finer mirth displaces,
A subtler sense of pleasure fills
Each rustic sport she graces.


“Her presence lends its warmth and health
To all who come before it.
If woman lost us Eden, such
As she alone restore it.


“For larger life and wiser aims
The farmer is her debtor;
Who holds to his another’s heart
Must needs be worse or better.


“Through her his civic service shows
A purer-toned ambition;



No double consciousness divides
The man and politician.


“In party’s doubtful ways he trusts
Her instincts to determine;
At the loud polls, the thought of her
Recalls Christ’s Mountain Sermon.


“He owns her logic of the heart,
And wisdom of unreason,
Supplying, while he doubts and weighs,
The needed word in season.


“He sees with pride her richer thought,
Her fancy’s freer ranges;
And love thus deepened to respect
Is proof against all changes.


“And if she walks at ease in ways
His feet are slow to travel,
And if she reads with cultured eyes
What his may scarce unravel,


“Still clearer, for her keener sight
Of beauty and of wonder,
He learns the meaning of the hills
He dwelt from childhood under.


“And higher, warmed with summer lights,
Or winter-crowned and hoary,
The ridged horizon lifts for him
Its inner veils of glory.


“He has his own free, bookless lore,
The lessons nature taught him,
The wisdom which the woods and hills
And toiling men have brought him:


“The steady force of will whereby
Her flexile grace seems sweeter;
The sturdy counterpoise which makes
Her woman’s life completer.


“A latent fire of soul which lacks
No breath of love to fan it;
And wit, that, like his native brooks,
Plays over solid granite.


“How dwarfed against his manliness
She sees the poor pretension,
The wants, the aims, the follies, born
Of fashion and convention.



“How life behind its accidents
Stands strong and self-sustaining,
The human fact transcending all
The losing and the gaining.


“And so in grateful interchange
Of teacher and of hearer,
Their lives their true distinctness keep
While daily drawing nearer.


“And if the husband or the wife
In home’s strong light discovers
Such slight defaults as failed to meet
The blinded eyes of lovers,


“Why need we care to ask?—who dreams
Without their thorns of roses,
Or wonders that the truest steel
The readiest spark discloses?


“For still in mutual sufferance lies
The secret of true living;
Love scarce is love that never knows
The sweetness of forgiving.


“We send the Squire to General Court,
He takes his young wife thither;
No prouder man election day
Rides through the sweet June weather.


“He sees with eyes of manly trust
All hearts to her inclining;
Not less for him his household light
That others share its shining.”


Thus, while my hostess spake, there grew
Before me, warmer tinted
And outlined with a tenderer grace,
The picture that she hinted.


The sunset smouldered as we drove
Beneath the deep hill-shadows.
Below us wreaths of white fog walked
Like ghosts the haunted meadows.


Sounding the summer night, the stars
Dropped down their golden plummets;
The pale arc of the Northern lights
Rose o’er the mountain summits,—


Until, at last, beneath its bridge,



We heard the Bearcamp flowing,
And saw across the mapled lawn
The welcome home lights glowing;—


And, musing on the tale I heard,
’T were well, thought I, if often
To rugged farm-life came the gift
To harmonize and soften;—


If more and more we found the troth
Of fact and fancy plighted,
And culture’s charm and labor’s strength
In rural homes united,—


The simple life, the homely hearth,
With beauty’s sphere surrounding,
And blessing toil where toil abounds
With graces more abounding.
323
Ogden Nash

Ogden Nash

Look What You Did, Christopher!

In fourteen hundred and ninety-two,
Someone sailed the ocean blue.
Somebody borrowed the fare in Spain
For a business trip on the bounding main,
And to prove to the people, by actual test,
You could get to the East by sailing West.
Somebody said, Sail on! Sail on!
And studied China and China's lingo,
And cried from the bow, There's China now!
And promptly bumped into San Domingo.
Somebody murmured, Oh dear, oh dear!
I've discovered the Western Hemisphere.
And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Well enough wasn't left alone,
And Columbus was only a cornerstone.
There came the Spaniards,
There came the Greeks,
There came the Pilgrims in leather breeks.
There came the Dutch,
And the Poles and Swedes,
The Persians, too,
And perhaps the Medes,
The Letts, the Lapps, and the Lithuanians,
Regal Russians, and ripe Roumanians.
There came the French
And there came the Finns,
And the Japanese
With their formal grins.
The Tartars came,
And the Terrible Turks -
In a word, humanity shot the works.
And the country that should have been Cathay
Decided to be
The U.S.A.
And that, you may think, my friends, was that.
But it wasn't. Not by a fireman's hat.
Christopher C. was the cornerstone,
And well enough wasn't left alone.
For those who followed
When he was through,
They burned to discover something, too.
Somebody, bored with rural scenery,
Went to work and invented machinery,
While a couple of other mental giants
Got together
And thought up Science.
Platinum blondes
(They were once peroxide),
Peruvian bonds


And carbon monoxide,
Tax evaders
And Vitamin A,
Vice crusaders,
And tattletale gray -
These, with many another phobia,
We owe to that famous Twelfth of Octobia.
O misery, misery, mumble and moan!
Someone invented the telephone,
And interrupted a nation's slumbers,
Ringing wrong but similar numbers.
Someone devised the silver screen
And the intimate Hollywood magazine,
And life is a Hades
Of clicking cameras,
And foreign ladies
Behaving amorous.
Gags have erased
Amusing dialog,
As gas has replaced
The crackling firelog.
All that glitters is sold as gold,
And our daily diet grows odder and odder,
And breakfast foods are dusty and cold -
It's a wise child
That knows its fodder.
Someone invented the automobile,
And good Americans took the wheel
To view American rivers and rills
And justly famous forests and hills -
But someone equally enterprising
Had invented billboard advertising.
You linger at home
In dark despair,
And wistfully try the electric air.
You hope against hope for a quiz imperial,
And what do they give you?
A doctor serial.
Oh, Columbus was only a cornerstone,
And well enough wasn't left alone,
For the Inquisition was less tyrannical
Than the iron rules of an age mechanical,
Which, because of an error in ',
Are clamped like corsets on me and you,
While Children of Nature we'd be today
If San Domingo
Had been Cathay.
And that, you may think, my friends, is that.
But it isn't - not by a fireman's hat.
The American people,
With grins jocose,


Always survive the fatal dose.
And though our systems are slightly wobbly,
We'll fool the doctor this time, probly.
311
Henry Wadsworth Longfellow

Henry Wadsworth Longfellow

Flower-De-Luce: Palingenesis

I lay upon the headland-height, and listened
To the incessant sobbing of the sea
In caverns under me,
And watched the waves, that tossed and fled and glistened,
Until the rolling meadows of amethyst
Melted away in mist.


Then suddenly, as one from sleep, I started;
For round about me all the sunny capes
Seemed peopled with the shapes
Of those whom I had known in days departed,
Apparelled in the loveliness which gleams
On faces seen in dreams.


A moment only, and the light and glory
Faded away, and the disconsolate shore
Stood lonely as before;
And the wild-roses of the promontory
Around me shuddered in the wind, and shed
Their petals of pale red.


There was an old belief that in the embers
Of all things their primordial form exists,
And cunning alchemists
Could re-create the rose with all its members
From its own ashes, but without the bloom,
Without the lost perfume.


Ah me! what wonder-working, occult science
Can from the ashes in our hearts once more
The rose of youth restore?
What craft of alchemy can bid defiance
To time and change, and for a single hour
Renew this phantom-flower?


'O, give me back,' I cried, 'the vanished splendors,
The breath of morn, and the exultant strife,
When the swift stream of life
Bounds o'er its rocky channel, and surrenders
The pond, with all its lilies, for the leap
Into the unknown deep!'


And the sea answered, with a lamentation,
Like some old prophet wailing, and it said,
'Alas! thy youth is dead!
It breathes no more, its heart has no pulsation;
In the dark places with the dead of old
It lies forever cold!'


Then said I, 'From its consecrated cerements
I will not drag this sacred dust again,
Only to give me pain;



But, still remembering all the lost endearments,
Go on my way, like one who looks before,
And turns to weep no more.'


Into what land of harvests, what plantations
Bright with autumnal foliage and the glow
Of sunsets burning low;
Beneath what midnight skies, whose constellations
Light up the spacious avenues between
This world and the unseen!


Amid what friendly greetings and caresses,
What households, though not alien, yet not mine,
What bowers of rest divine;
To what temptations in lone wildernesses,
What famine of the heart, what pain and loss,
The bearing of what cross!


I do not know; nor will I vainly question
Those pages of the mystic book which hold
The story still untold,
But without rash conjecture or suggestion
Turn its last leaves in reverence and good heed,
Until 'The End' I read.
307