Change and Transformation
Robert Burns
John Barleycorn
There were three kings into the east,
Three kings both great and high,
An' they hae sworn a solemn oath
John Barleycorn should die.
They took a plough and ploughed him down,
Put clods upon his head;
An' they hae sworn a solemn oath
John Barleycorn was dead.
But the cheerfu' spring came kindly on,
And show'rs began to fall;
John Barleycorn got up again,
And sore surprised them all.
The sultry suns of summer came,
And he grew thick and strong;
His head weel armed wi' pointed spears,
That no one should him wrong.
The sober autumn entered mild,
When he grew wan and pale;
His bending joints and drooping head
Showed he began to fail.
His colour sickened more and more,
He faded into age;
And then his enemies began
To show their deadly rage.
They've ta'en a weapon long and sharp,
And cut him by the knee;
Then tied him fast upon a cart,
Like a rogue for forgerie.
They laid him down upon his back,
And cudgelled him full sore;
They hung him up before the storm,
And turned him o'er and o'er.
They filled up a darksome pit
With water to the brim;
They heaved in John Barleycorn,
There let him sink or swim.
They laid him out upon the floor,
To work him farther woe,
And still, as signs of life appeared,
They tossed him to and fro.
They wasted, o'er a scorching flame,
The marrow of his bones;
But a miller used him worst of all,
For he crushed him 'tween two stones.
And they hae ta'en his very heart's blood,
And drank it round and round;
And still the more and more they drank,
Their joy did more abound.
John Barleycorn was a hero bold,
Of noble enterprise;
For if you do but taste his blood,
'Twill make your courage rise;
'Twill make a man forget his woe;
'Twill heighten all his joy:
'Twill make the widow's heart to sing,
Tho' the tear were in her eye.
Then let us toast John Barleycorn,
Each man a glass in hand;
And may his great posterity
Ne'er fail in old Scotland!
Three kings both great and high,
An' they hae sworn a solemn oath
John Barleycorn should die.
They took a plough and ploughed him down,
Put clods upon his head;
An' they hae sworn a solemn oath
John Barleycorn was dead.
But the cheerfu' spring came kindly on,
And show'rs began to fall;
John Barleycorn got up again,
And sore surprised them all.
The sultry suns of summer came,
And he grew thick and strong;
His head weel armed wi' pointed spears,
That no one should him wrong.
The sober autumn entered mild,
When he grew wan and pale;
His bending joints and drooping head
Showed he began to fail.
His colour sickened more and more,
He faded into age;
And then his enemies began
To show their deadly rage.
They've ta'en a weapon long and sharp,
And cut him by the knee;
Then tied him fast upon a cart,
Like a rogue for forgerie.
They laid him down upon his back,
And cudgelled him full sore;
They hung him up before the storm,
And turned him o'er and o'er.
They filled up a darksome pit
With water to the brim;
They heaved in John Barleycorn,
There let him sink or swim.
They laid him out upon the floor,
To work him farther woe,
And still, as signs of life appeared,
They tossed him to and fro.
They wasted, o'er a scorching flame,
The marrow of his bones;
But a miller used him worst of all,
For he crushed him 'tween two stones.
And they hae ta'en his very heart's blood,
And drank it round and round;
And still the more and more they drank,
Their joy did more abound.
John Barleycorn was a hero bold,
Of noble enterprise;
For if you do but taste his blood,
'Twill make your courage rise;
'Twill make a man forget his woe;
'Twill heighten all his joy:
'Twill make the widow's heart to sing,
Tho' the tear were in her eye.
Then let us toast John Barleycorn,
Each man a glass in hand;
And may his great posterity
Ne'er fail in old Scotland!
300
Walter de la Mare
When the Rose is Faded
When the rose is faded,
Memory may still dwell on
Her beauty shadowed,
And the sweet smell gone.
That vanishing loveliness,
That burdening breath,
No bond of life hath then,
Nor grief of death.
'Tis the immortal thought
Whose passion still
Makes the changing
The unchangeable.
Oh, thus thy beauty,
Loveliest on earth to me,
Dark with no sorrow, shines
And burns, with thee.
Memory may still dwell on
Her beauty shadowed,
And the sweet smell gone.
That vanishing loveliness,
That burdening breath,
No bond of life hath then,
Nor grief of death.
'Tis the immortal thought
Whose passion still
Makes the changing
The unchangeable.
Oh, thus thy beauty,
Loveliest on earth to me,
Dark with no sorrow, shines
And burns, with thee.
300
Henry Lawson
Middleton's Rouseabout
Tall and freckled and sandy,
Face of a country lout;
This was the picture of Andy,
Middleton's Rouseabout.
Type of a coming nation,
In the land of cattle and sheep,
Worked on Middleton's station,
`Pound a week and his keep.'
On Middleton's wide dominions
Plied the stockwhip and shears;
Hadn't any opinions,
Hadn't any `idears'.
Swiftly the years went over,
Liquor and drought prevailed;
Middleton went as a drover,
After his station had failed.
Type of a careless nation,
Men who are soon played out,
Middleton was: -- and his station
Was bought by the Rouseabout.
Flourishing beard and sandy,
Tall and robust and stout;
This is the picture of Andy,
Middleton's Rouseabout.
Now on his own dominions
Works with his overseers;
Hasn't any opinions,
Hasn't any `idears'.
Face of a country lout;
This was the picture of Andy,
Middleton's Rouseabout.
Type of a coming nation,
In the land of cattle and sheep,
Worked on Middleton's station,
`Pound a week and his keep.'
On Middleton's wide dominions
Plied the stockwhip and shears;
Hadn't any opinions,
Hadn't any `idears'.
Swiftly the years went over,
Liquor and drought prevailed;
Middleton went as a drover,
After his station had failed.
Type of a careless nation,
Men who are soon played out,
Middleton was: -- and his station
Was bought by the Rouseabout.
Flourishing beard and sandy,
Tall and robust and stout;
This is the picture of Andy,
Middleton's Rouseabout.
Now on his own dominions
Works with his overseers;
Hasn't any opinions,
Hasn't any `idears'.
299
Emily Dickinson
When Night is almost done
When Night is almost done-
And Sunrise grows so near
That we can touch the SpacesIt's
time to smooth the Hair-
And get the Dimples ready-
And wonder we could care
For that old-faded Midnight-
That frightened-but an Hour-
And Sunrise grows so near
That we can touch the SpacesIt's
time to smooth the Hair-
And get the Dimples ready-
And wonder we could care
For that old-faded Midnight-
That frightened-but an Hour-
299
Sarojini Naidu
Transcience
Nay, do not grieve tho' life be full of sadness,
Dawn will not veil her spleandor for your grief,
Nor spring deny their bright, appointed beauty
To lotus blossom and ashoka leaf.
Nay, do not pine, tho' life be dark with trouble,
Time will not pause or tarry on his way;
To-day that seems so long, so strange, so bitter,
Will soon be some forgotten yesterday.
Nay, do not weep; new hopes, new dreams, new faces,
The unspent joy of all the unborn years,
Will prove your heart a traitor to its sorrow,
And make your eyes unfaithful to their tears.
Dawn will not veil her spleandor for your grief,
Nor spring deny their bright, appointed beauty
To lotus blossom and ashoka leaf.
Nay, do not pine, tho' life be dark with trouble,
Time will not pause or tarry on his way;
To-day that seems so long, so strange, so bitter,
Will soon be some forgotten yesterday.
Nay, do not weep; new hopes, new dreams, new faces,
The unspent joy of all the unborn years,
Will prove your heart a traitor to its sorrow,
And make your eyes unfaithful to their tears.
297
Horácio
BkII:X The Golden Mean
You’ll live more virtuously, my Murena,
by not setting out to sea, while you’re in dread
of the storm, or hugging fatal shores
too closely, either.
Whoever takes delight in the golden mean,
safely avoids the squalor of a shabby house,
and, soberly, avoids the regal palace
that incites envy.
The tall pine’s more often shaken by the wind,
and it’s a high tower that falls with a louder
crash, while the mountainous summits are places
where lightning strikes.
The heart that is well prepared for any fate
hopes in adversity, fears prosperity.
Though Jupiter brings us all the unlovely
winters: he also
takes them away again. If there’s trouble now
it won’t always be so: sometimes Apollo
rouses the sleeping Muse with his lyre, when he’s
not flexing his bow.
Appear brave and resolute in difficult
times: and yet be wise and take in all your sails
when they’re swollen by too powerful
a following wind.
by not setting out to sea, while you’re in dread
of the storm, or hugging fatal shores
too closely, either.
Whoever takes delight in the golden mean,
safely avoids the squalor of a shabby house,
and, soberly, avoids the regal palace
that incites envy.
The tall pine’s more often shaken by the wind,
and it’s a high tower that falls with a louder
crash, while the mountainous summits are places
where lightning strikes.
The heart that is well prepared for any fate
hopes in adversity, fears prosperity.
Though Jupiter brings us all the unlovely
winters: he also
takes them away again. If there’s trouble now
it won’t always be so: sometimes Apollo
rouses the sleeping Muse with his lyre, when he’s
not flexing his bow.
Appear brave and resolute in difficult
times: and yet be wise and take in all your sails
when they’re swollen by too powerful
a following wind.
298
Emily Dickinson
Don't put up my Thread and Needle
Don't put up my Thread and NeedleI'll
begin to Sew
When the Birds begin to whistle-
Better Stitches-so-
These were bent-my sight got crooked-
When my mind-is plain
I'll do seams-a Queen's endeavor
Would not blush to own
Hems-too fine for Lady's tracing
To the sightless KnotTucks-
of dainty interspersion-
Like a dotted Dot-
Leave my Needle in the furrow-
Where I put it down-
I can make the zigzag stitches
Straight-when I am strong-
Till then-dreaming I am sewing
Fetch the seam I missed
Closer-
so I-at my sleeping-
Still surmise I stitch-
begin to Sew
When the Birds begin to whistle-
Better Stitches-so-
These were bent-my sight got crooked-
When my mind-is plain
I'll do seams-a Queen's endeavor
Would not blush to own
Hems-too fine for Lady's tracing
To the sightless KnotTucks-
of dainty interspersion-
Like a dotted Dot-
Leave my Needle in the furrow-
Where I put it down-
I can make the zigzag stitches
Straight-when I am strong-
Till then-dreaming I am sewing
Fetch the seam I missed
Closer-
so I-at my sleeping-
Still surmise I stitch-
298
Emily Dickinson
As Frost is best conceived
As Frost is best conceived
By force of its Result-
Affliction is inferred
By subsequent effect-
If when the sun reveal,
The Garden keep the Gash-
If as the Days resume
The wilted countenance
Cannot correct the crease
Or counteract the stain-
Presumption is Vitality
Was somewhere put in twain.
By force of its Result-
Affliction is inferred
By subsequent effect-
If when the sun reveal,
The Garden keep the Gash-
If as the Days resume
The wilted countenance
Cannot correct the crease
Or counteract the stain-
Presumption is Vitality
Was somewhere put in twain.
294
Henry Lawson
Old North Sydney
They're shifting old North Sydney—
Perhaps ’tis just as well—
They’re carting off the houses
Where the old folks used to dwell.
Where only ghosts inhabit
They lay the old shops low;
But the Spirit of North Sydney,
It vanished long ago.
The Spirit of North Sydney,
The good old time and style,
It camped, maybe, at Crow’s Nest,
But only for a while.
It left about the season,
Or at the time, perhaps,
When old Inspector Cotter
Transferred his jokes and traps.
A brand new crowd is thronging
The brand new streets aglow
Where the Spirit of North Sydney
Would gossip long ago.
They will not know to-morrow—
Tho’ ’twere but yesterday—
Exactly how McMahon’s Point
And its ferry used to lay.
The good old friendly spirit
Its sorrows would unfold,
When householders were neighbours
And shop-keeping was old;
But now we’re busy strangers,
Our feelings we restrain—
The Spirit of North Sydney
Shall never come again!
Perhaps ’tis just as well—
They’re carting off the houses
Where the old folks used to dwell.
Where only ghosts inhabit
They lay the old shops low;
But the Spirit of North Sydney,
It vanished long ago.
The Spirit of North Sydney,
The good old time and style,
It camped, maybe, at Crow’s Nest,
But only for a while.
It left about the season,
Or at the time, perhaps,
When old Inspector Cotter
Transferred his jokes and traps.
A brand new crowd is thronging
The brand new streets aglow
Where the Spirit of North Sydney
Would gossip long ago.
They will not know to-morrow—
Tho’ ’twere but yesterday—
Exactly how McMahon’s Point
And its ferry used to lay.
The good old friendly spirit
Its sorrows would unfold,
When householders were neighbours
And shop-keeping was old;
But now we’re busy strangers,
Our feelings we restrain—
The Spirit of North Sydney
Shall never come again!
295
Maya Angelou
Passing Time
Your skin like dawn
Mine like musk
One paints the beginning
of a certain end.
The other, the end of a
sure beginning.
Mine like musk
One paints the beginning
of a certain end.
The other, the end of a
sure beginning.
293
Thomas Hardy
Then and Now
When battles were fought
With a chivalrous sense of should and ought,
In spirit men said,
"End we quick or dead,
Honour is some reward!
Let us fight fair -- for our own best or worst;
So, Gentlemen of the Guard,
Fire first!"
In the open they stood,
Man to man in his knightlihood:
They would not deign
To profit by a stain
On the honourable rules,
Knowing that practise perfidy no man durst
Who in the heroic schools
Was nurst.
But now, behold, what
Is war with those where honour is not!
Rama laments
Its dead innocents;
Herod howls: "Sly slaughter
Rules now! Let us, by modes once called accurst,
Overhead, under water,
Stab first."
With a chivalrous sense of should and ought,
In spirit men said,
"End we quick or dead,
Honour is some reward!
Let us fight fair -- for our own best or worst;
So, Gentlemen of the Guard,
Fire first!"
In the open they stood,
Man to man in his knightlihood:
They would not deign
To profit by a stain
On the honourable rules,
Knowing that practise perfidy no man durst
Who in the heroic schools
Was nurst.
But now, behold, what
Is war with those where honour is not!
Rama laments
Its dead innocents;
Herod howls: "Sly slaughter
Rules now! Let us, by modes once called accurst,
Overhead, under water,
Stab first."
292
Henry Lawson
Here's Luck
Old Time is tramping close to-day—you hear his bluchers fall,
A mighty change is on the way, an’ God protect us all;
Some dust’ll fly from beery coats—at least it’s been declared.
I’m glad that wimin has the votes—but just a trifle scared.
I’m just a trifle scared—For why? The wimin mean to rule;
It makes me feel like days gone by when I was caned at school.
The days of men is nearly dead—of double moons and stars—
They’ll soon put out our pipes, ’tis said, an’ close the public bars.
No more we’ll take a glass of ale when pushed with care an’ strife,
An’chuckle home with that old tale we used to tell the wife.
We’ll laugh an’joke an’ sing no more with jolly beery chums,
An’ shout ‘Here’s luck!’ while waitin’ for the luck that never comes.
Did we prohibit swillin’ tea clean out of common-sense
Or legislate on gossipin’ across a backyard fence?
Did we prohibit bustles—or the hoops when they was here?
The wimin never think of this—they want to stop our beer.
The track o’ life is dry enough, an’ crossed with many a rut,
But, oh! we’ll find it long an’ rough when all the pubs is shut,
When all the pubs is shut, an’ gone the doors we used to seek,
An’ we go toilin’, thirstin’ on through Sundays all the week.
For since the days when pubs was ‘inns’—in years gone past’n’ far—
Poor sinful souls have drowned their sins an’ sorrers at the bar;
An’ though at times it led to crimes, an’ debt, and such complaints—
I scarce dare think about the time when all mankind is saints.
’Twould make the bones of Bacchus leap an’ break his coffin lid;
And Burns’s ghost would wail an’ weep as Bobby never did.
But let the preachers preach in style, an’ rave and rant—’n’ buck,
I rather guess they’ll hear awhile the old war-cry: ‘Here’s Luck!’
The world might wobble round the sun, an’ all the banks go bung,
But pipes’ll smoke an’ liquor run while Auld Lang Syne is sung.
While men are driven through the mill, an’ flinty times is struck,
They’ll find a private entrance still! Here’s Luck, old man—Here’s Luck!
A mighty change is on the way, an’ God protect us all;
Some dust’ll fly from beery coats—at least it’s been declared.
I’m glad that wimin has the votes—but just a trifle scared.
I’m just a trifle scared—For why? The wimin mean to rule;
It makes me feel like days gone by when I was caned at school.
The days of men is nearly dead—of double moons and stars—
They’ll soon put out our pipes, ’tis said, an’ close the public bars.
No more we’ll take a glass of ale when pushed with care an’ strife,
An’chuckle home with that old tale we used to tell the wife.
We’ll laugh an’joke an’ sing no more with jolly beery chums,
An’ shout ‘Here’s luck!’ while waitin’ for the luck that never comes.
Did we prohibit swillin’ tea clean out of common-sense
Or legislate on gossipin’ across a backyard fence?
Did we prohibit bustles—or the hoops when they was here?
The wimin never think of this—they want to stop our beer.
The track o’ life is dry enough, an’ crossed with many a rut,
But, oh! we’ll find it long an’ rough when all the pubs is shut,
When all the pubs is shut, an’ gone the doors we used to seek,
An’ we go toilin’, thirstin’ on through Sundays all the week.
For since the days when pubs was ‘inns’—in years gone past’n’ far—
Poor sinful souls have drowned their sins an’ sorrers at the bar;
An’ though at times it led to crimes, an’ debt, and such complaints—
I scarce dare think about the time when all mankind is saints.
’Twould make the bones of Bacchus leap an’ break his coffin lid;
And Burns’s ghost would wail an’ weep as Bobby never did.
But let the preachers preach in style, an’ rave and rant—’n’ buck,
I rather guess they’ll hear awhile the old war-cry: ‘Here’s Luck!’
The world might wobble round the sun, an’ all the banks go bung,
But pipes’ll smoke an’ liquor run while Auld Lang Syne is sung.
While men are driven through the mill, an’ flinty times is struck,
They’ll find a private entrance still! Here’s Luck, old man—Here’s Luck!
289
John Greenleaf Whittier
The Clear Vision
I did but dream. I never knew
What charms our sternest season wore.
Was never yet the sky so blue,
Was never earth so white before.
Till now I never saw the glow
Of sunset on yon hills of snow,
And never learned the bough's designs
Of beauty in its leafless lines.
Did ever such a morning break
As that my eastern windows see?
Did ever such a moonlight take
Weird photographs of shrub and tree?
Rang ever bells so wild and fleet
The music of the winter street?
Was ever yet a sound by half
So merry as you school-boy's laugh?
O Earth! with gladness overfraught,
No added charm thy face hath found;
Within my heart the change is wrought,
My footsteps make enchanted ground.
From couch of pain and curtained room
Forth to thy light and air I come,
To find in all that meets my eyes
The freshness of a glad surprise.
Fair seem these winter days, and soon
Shall blow the warm west-winds of spring,
To set the unbound rills in tune
And hither urge the bluebird's wing.
The vales shall laugh in flowers, the woods
Grow misty green with leafing buds,
And violets and wind-flowers sway
Against the throbbing heart of May.
Break forth, my lips, in praise, and own
The wiser love severely kind;
Since, richer for its chastening grown,
I see, whereas I once was blind.
The world, O Father! hath not wronged
With loss the life by Thee prolonged;
But still, with every added year,
More beautiful Thy works appear!
As Thou hast made thy world without,
Make Thou more fair my world within;
Shine through its lingering clouds of doubt;
Rebuke its haunting shapes of sin;
Fill, brief or long, my granted span
Of life with love to thee and man;
Strike when thou wilt the hour of rest,
But let my last days be my best!
What charms our sternest season wore.
Was never yet the sky so blue,
Was never earth so white before.
Till now I never saw the glow
Of sunset on yon hills of snow,
And never learned the bough's designs
Of beauty in its leafless lines.
Did ever such a morning break
As that my eastern windows see?
Did ever such a moonlight take
Weird photographs of shrub and tree?
Rang ever bells so wild and fleet
The music of the winter street?
Was ever yet a sound by half
So merry as you school-boy's laugh?
O Earth! with gladness overfraught,
No added charm thy face hath found;
Within my heart the change is wrought,
My footsteps make enchanted ground.
From couch of pain and curtained room
Forth to thy light and air I come,
To find in all that meets my eyes
The freshness of a glad surprise.
Fair seem these winter days, and soon
Shall blow the warm west-winds of spring,
To set the unbound rills in tune
And hither urge the bluebird's wing.
The vales shall laugh in flowers, the woods
Grow misty green with leafing buds,
And violets and wind-flowers sway
Against the throbbing heart of May.
Break forth, my lips, in praise, and own
The wiser love severely kind;
Since, richer for its chastening grown,
I see, whereas I once was blind.
The world, O Father! hath not wronged
With loss the life by Thee prolonged;
But still, with every added year,
More beautiful Thy works appear!
As Thou hast made thy world without,
Make Thou more fair my world within;
Shine through its lingering clouds of doubt;
Rebuke its haunting shapes of sin;
Fill, brief or long, my granted span
Of life with love to thee and man;
Strike when thou wilt the hour of rest,
But let my last days be my best!
288
Emily Dickinson
He was weak, and I was strong—then
He was weak, and I was strong—then—
So He let me lead him in—
I was weak, and He was strong then—
So I let him lead me—Home.
'Twasn't far—the door was near—
'Twasn't dark—for He went—too—
'Twasn't loud, for He said nought—
That was all I cared to know.
Day knocked—and we must part—
Neither—was strongest—now—
He strove—and I strove—too—
We didn't do it—tho'!
So He let me lead him in—
I was weak, and He was strong then—
So I let him lead me—Home.
'Twasn't far—the door was near—
'Twasn't dark—for He went—too—
'Twasn't loud, for He said nought—
That was all I cared to know.
Day knocked—and we must part—
Neither—was strongest—now—
He strove—and I strove—too—
We didn't do it—tho'!
286
Henry Wadsworth Longfellow
Song. (From The Portuguese)
If thou art sleeping, maiden,
Awake, and open thy door:
'Tis the break of day, and we must away,
O'er meadow, and mount, and moor.
Wait not to find thy slippers,
But come with thy naked feet:
We shall have to pass through the dewy grass,
And waters wide and fleet.
Awake, and open thy door:
'Tis the break of day, and we must away,
O'er meadow, and mount, and moor.
Wait not to find thy slippers,
But come with thy naked feet:
We shall have to pass through the dewy grass,
And waters wide and fleet.
283
Gwendolyn Brooks
A Sunset of the City
Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.
It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.
It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.
It is a real chill out. The fall crisp comes
I am aware there is winter to heed.
There is no warm house
That is fitted with my need.
I am cold in this cold house this house
Whose washed echoes are tremulous down lost halls.
I am a woman, and dusty, standing among new affairs.
I am a woman who hurries through her prayers.
Tin intimations of a quiet core to be my
Desert and my dear relief
Come: there shall be such islanding from grief,
And small communion with the master shore.
Twang they. And I incline this ear to tin,
Consult a dual dilemma. Whether to dry
In humming pallor or to leap and die.
Somebody muffed it?? Somebody wanted to joke.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.
It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.
It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.
It is a real chill out. The fall crisp comes
I am aware there is winter to heed.
There is no warm house
That is fitted with my need.
I am cold in this cold house this house
Whose washed echoes are tremulous down lost halls.
I am a woman, and dusty, standing among new affairs.
I am a woman who hurries through her prayers.
Tin intimations of a quiet core to be my
Desert and my dear relief
Come: there shall be such islanding from grief,
And small communion with the master shore.
Twang they. And I incline this ear to tin,
Consult a dual dilemma. Whether to dry
In humming pallor or to leap and die.
Somebody muffed it?? Somebody wanted to joke.
282
George Herbert
The Flower
How fresh, O Lord, how sweet and clean
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
Are thy returns! ev'n as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasures bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
Who would have thought my shrivl'd heart
Could have recover'd greenness? It was gone
Quite under ground; as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather
Dead to the world, keep house unknown.
These are thy wonders, Lord of power,
Killing and quickning, bringing down to hell
And up to heaven in an hour;
Making a chiming of a passing-bell.
We say amiss,
This or that is:
Thy word is all, if we could spell.
O that I once past changing were,
Fast in thy Paradise, where no flower can wither!
Many a spring I shoot up fair,
Off'ring at heav'n, growing and groaning thither:
Nor doth my flower
Want a spring-shower,
My sins and I joining together:
But while I grow in a straight line,
Still upwards bent, as if heav'n were mine own,
Thy anger comes, and I decline:
What frost to that? what pole is not the zone,
Where all things burn,
When thou dost turn,
And the least frown of thine is shown?
And now in age I bud again,
After so many deaths I live and write;
I once more smell the dew and rain,
And relish versing: O my only light,
It cannot be
That I am her
On whom thy tempests fell all night.
These are thy wonders, Lord of love,
To make us see we are but flowers that glide:
Which when we once can find and prove,
Thou hast a garden for us, where to bide.
Who would be more,
Swelling through store,
Forfeit their Paradise by their pride.
283
Robert W. Service
Fallen Leaves
Why should I be the first to fall
Of all the leaves on this old tree?
Though sadly soon I know that all
Will lose their hold and follow me.
While my birth-brothers bravely blow,
Why should I be first to go?
Why should I be the last to cling
Of all the leaves on this bleak bough?
I've fluttered since the fire of Spring
And I am worn and withered now.
I would escape the Winter gale
And sleep soft-silvered by a snail.
When swoop the legions of the snow
To pitch their tents in roaring weather
We fallen leaves will lie below
And rot rejoicingly together;
And from our rich and dark decay
Will laugh our brothers of the May.
Of all the leaves on this old tree?
Though sadly soon I know that all
Will lose their hold and follow me.
While my birth-brothers bravely blow,
Why should I be first to go?
Why should I be the last to cling
Of all the leaves on this bleak bough?
I've fluttered since the fire of Spring
And I am worn and withered now.
I would escape the Winter gale
And sleep soft-silvered by a snail.
When swoop the legions of the snow
To pitch their tents in roaring weather
We fallen leaves will lie below
And rot rejoicingly together;
And from our rich and dark decay
Will laugh our brothers of the May.
283
Thomas Hardy
Heiress And Architect
For A. W. B.
SHE sought the Studios, beckoning to her side
An arch-designer, for she planned to build.
He was of wise contrivance, deeply skilled
In every intervolve of high and wide--
Well fit to be her guide.
"Whatever it be,"
Responded he,
With cold, clear voice, and cold, clear view,
"In true accord with prudent fashionings
For such vicissitudes as living brings,
And thwarting not the law of stable things,
That will I do."
"Shape me," she said, "high walls with tracery
And open ogive-work, that scent and hue
Of buds, and travelling bees, may come in through,
The note of birds, and singings of the sea,
For these are much to me."
"An idle whim!"
Broke forth from him
Whom nought could warm to gallantries:
"Cede all these buds and birds, the zephyr's call,
And scents, and hues, and things that falter all,
And choose as best the close and surly wall,
For winter's freeze."
"Then frame," she cried, "wide fronts of crystal glass,
That I may show my laughter and my light--
Light like the sun's by day, the stars' by night--
Till rival heart-queens, envying, wail, 'Alas,
Her glory!' as they pass."
"O maid misled!"
He sternly said,
Whose facile foresight pierced her dire;
"Where shall abide the soul when, sick of glee,
It shrinks, and hides, and prays no eye may see?
Those house them best who house for secrecy,
For you will tire."
"A little chamber, then, with swan and dove
Ranged thickly, and engrailed with rare device
Of reds and purples, for a Paradise
Wherein my Love may greet me, I my Love,
When he shall know thereof?"
"This, too, is ill,"
He answered still,
The man who swayed her like a shade.
"An hour will come when sight of such sweet nook
Would bring a bitterness too sharp to brook,
When brighter eyes have won away his look;
For you will fade."
Then said she faintly: "O, contrive some way--
Some narrow winding turret, quite mine own,
To reach a loft where I may grieve alone!
It is a slight thing; hence do not, I pray,
This last dear fancy slay!"
"Such winding ways
Fit not your days,"
Said he, the man of measuring eye;
"I must even fashion as my rule declares,
To wit: Give space (since life ends unawares)
To hale a coffined corpse adown the stairs;
For you will die."
SHE sought the Studios, beckoning to her side
An arch-designer, for she planned to build.
He was of wise contrivance, deeply skilled
In every intervolve of high and wide--
Well fit to be her guide.
"Whatever it be,"
Responded he,
With cold, clear voice, and cold, clear view,
"In true accord with prudent fashionings
For such vicissitudes as living brings,
And thwarting not the law of stable things,
That will I do."
"Shape me," she said, "high walls with tracery
And open ogive-work, that scent and hue
Of buds, and travelling bees, may come in through,
The note of birds, and singings of the sea,
For these are much to me."
"An idle whim!"
Broke forth from him
Whom nought could warm to gallantries:
"Cede all these buds and birds, the zephyr's call,
And scents, and hues, and things that falter all,
And choose as best the close and surly wall,
For winter's freeze."
"Then frame," she cried, "wide fronts of crystal glass,
That I may show my laughter and my light--
Light like the sun's by day, the stars' by night--
Till rival heart-queens, envying, wail, 'Alas,
Her glory!' as they pass."
"O maid misled!"
He sternly said,
Whose facile foresight pierced her dire;
"Where shall abide the soul when, sick of glee,
It shrinks, and hides, and prays no eye may see?
Those house them best who house for secrecy,
For you will tire."
"A little chamber, then, with swan and dove
Ranged thickly, and engrailed with rare device
Of reds and purples, for a Paradise
Wherein my Love may greet me, I my Love,
When he shall know thereof?"
"This, too, is ill,"
He answered still,
The man who swayed her like a shade.
"An hour will come when sight of such sweet nook
Would bring a bitterness too sharp to brook,
When brighter eyes have won away his look;
For you will fade."
Then said she faintly: "O, contrive some way--
Some narrow winding turret, quite mine own,
To reach a loft where I may grieve alone!
It is a slight thing; hence do not, I pray,
This last dear fancy slay!"
"Such winding ways
Fit not your days,"
Said he, the man of measuring eye;
"I must even fashion as my rule declares,
To wit: Give space (since life ends unawares)
To hale a coffined corpse adown the stairs;
For you will die."
282
Emily Dickinson
I'm wife-I've finished that
I'm "wife"-I've finished that-
That other state
I'm
Czar-I'm "Woman" now
It's
safer so-
How odd the Girl's life looks
Behind this soft Eclipse-
I think that Earth feels so
To folks in Heaven-now-
This being comfort-then
That other kind-was pain-
But why compare?
I'm "Wife"! Stop there!
That other state
I'm
Czar-I'm "Woman" now
It's
safer so-
How odd the Girl's life looks
Behind this soft Eclipse-
I think that Earth feels so
To folks in Heaven-now-
This being comfort-then
That other kind-was pain-
But why compare?
I'm "Wife"! Stop there!
281
Emily Dickinson
The Day that I was crowned
The Day that I was crowned
Was like the other Days-
Until the Coronation came-
And then-'twas Otherwise-
As Carbon in the Coal
And Carbon in the Gem
Are One-and yet the former
Were dull for Diadem-
I rose, and all was plain-
But when the Day declined
Myself and It, in Majesty
Were equally-adorned-
The Grace that I-was chose-
To Me-surpassed the Crown
That was the Witness for the Grace'
Twas even that 'twas Mine-
Was like the other Days-
Until the Coronation came-
And then-'twas Otherwise-
As Carbon in the Coal
And Carbon in the Gem
Are One-and yet the former
Were dull for Diadem-
I rose, and all was plain-
But when the Day declined
Myself and It, in Majesty
Were equally-adorned-
The Grace that I-was chose-
To Me-surpassed the Crown
That was the Witness for the Grace'
Twas even that 'twas Mine-
277
James Whitcomb Riley
Back From A Two-years' Sentence
Back from a two-years' sentence!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
'My fellow-men--?' Sounds like a satire,
You think-- and I so allow,
Here in my home since childhood,
Yet more than a stranger now!
Pardon--! Not wholly a stranger--,
For I have a wife and child:
That woman has wept for two long years,
And yet last night she smiled--!
Smiled, as I leapt from the platform
Of the midnight train, and then--
All that I knew was that smile of hers,
And our babe in my arms again!
Back from a two-years' sentence--
But I've thought the whole thing through--,
A hint of it came when the bars swung back
And I looked straight up in the blue
Of the blessed skies with my hat off!
O-ho! I've a wife and child:
That woman has wept for two long years,
And yet last night she smiled!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
'My fellow-men--?' Sounds like a satire,
You think-- and I so allow,
Here in my home since childhood,
Yet more than a stranger now!
Pardon--! Not wholly a stranger--,
For I have a wife and child:
That woman has wept for two long years,
And yet last night she smiled--!
Smiled, as I leapt from the platform
Of the midnight train, and then--
All that I knew was that smile of hers,
And our babe in my arms again!
Back from a two-years' sentence--
But I've thought the whole thing through--,
A hint of it came when the bars swung back
And I looked straight up in the blue
Of the blessed skies with my hat off!
O-ho! I've a wife and child:
That woman has wept for two long years,
And yet last night she smiled!
277
Emily Dickinson
A still—Volcano—Life
A still—Volcano—Life—
That flickered in the night—
When it was dark enough to do
Without erasing sight—
A quiet—Earthquake Style—
Too subtle to suspect
By natures this side Naples—
The North cannot detect
The Solemn—Torrid—Symbol—
The lips that never lie—
Whose hissing Corals part—and shut—
And Cities—ooze away—
That flickered in the night—
When it was dark enough to do
Without erasing sight—
A quiet—Earthquake Style—
Too subtle to suspect
By natures this side Naples—
The North cannot detect
The Solemn—Torrid—Symbol—
The lips that never lie—
Whose hissing Corals part—and shut—
And Cities—ooze away—
275
Emily Dickinson
I could not prove the Years had feet
I could not prove the Years had feet-
Yet confident they run
Am I, from symptoms that are past
And Series that are done-
I find my feet have further Goals-
I smile upon the Aims
That felt so ample-YesterdayToday's-
have vaster claims-
I do not doubt the self I was
Was competent to me-
But something awkward in the fit-
Proves that-outgrown-I see-
Yet confident they run
Am I, from symptoms that are past
And Series that are done-
I find my feet have further Goals-
I smile upon the Aims
That felt so ample-YesterdayToday's-
have vaster claims-
I do not doubt the self I was
Was competent to me-
But something awkward in the fit-
Proves that-outgrown-I see-
275