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Animals and Nature

Khalil Gibran

Khalil Gibran

The Life of Love XVI

Spring
Come, my beloved; let us walk amidst the knolls,
For the snow is water, and Life is alive from its
Slumber and is roaming the hills and valleys.
Let us follow the footprints of Spring into the
Distant fields, and mount the hilltops to draw
Inspiration high above the cool green plains.
Dawn of Spring has unfolded her winter-kept garment
And placed it on the peach and citrus trees; and
They appear as brides in the ceremonial custom of
the Night of Kedre.
The sprigs of grapevine embrace each other like
Sweethearts, and the brooks burst out in dance
Between the rocks, repeating the song of joy;
And the flowers bud suddenly from the heart of
Nature, like foam from the rich heart of the sea.
Come, my beloved; let us drink the last of Winter's
Tears from the cupped lilies, and soothe our spirits
With the shower of notes from the birds, and wander
In exhilaration through the intoxicating breeze.
Let us sit by that rock, where violets hide; let us
Pursue their exchange of the sweetness of kisses.
Summer
Let us go into the fields, my beloved, for the
Time of harvest approaches, and the sun's eyes
Are ripening the grain.
Let us tend the fruit of the earth, as the
Spirit nourishes the grains of Joy from the
Seeds of Love, sowed deep in our hearts.
Let us fill our bins with the products of
Nature, as life fills so abundantly the
Domain of our hearts with her endless bounty.
Let us make the flowers our bed, and the
Sky our blanket, and rest our heads together
Upon pillows of soft hay.
Let us relax after the day's toil, and listen
To the provoking murmur of the brook.


Autumn
Let us go and gather grapes in the vineyard
For the winepress, and keep the wine in old
Vases, as the spirit keeps Knowledge of the
Ages in eternal vessels.
Let us return to our dwelling, for the wind has
Caused the yellow leaves to fall and shroud the
Withering flowers that whisper elegy to Summer.
Come home, my eternal sweetheart, for the birds
Have made pilgrimage to warmth and lest the chilled
Prairies suffering pangs of solitude. The jasmine
And myrtle have no more tears.
Let us retreat, for the tired brook has
Ceased its song; and the bubblesome springs
Are drained of their copious weeping; and
Their cautious old hills have stored away
Their colorful garments.
Come, my beloved; Nature is justly weary
And is bidding her enthusiasm farewell
With quiet and contented melody.
Winter
Come close to me, oh companion of my full life;
Come close to me and let not Winter's touch
Enter between us. Sit by me before the hearth,
For fire is the only fruit of Winter.
Speak to me of the glory of your heart, for
That is greater than the shrieking elements
Beyond our door.
Bind the door and seal the transoms, for the
Angry countenance of the heaven depresses my
Spirit, and the face of our snow-laden fields
Makes my soul cry.
Feed the lamp with oil and let it not dim, and
Place it by you, so I can read with tears what
Your life with me has written upon your face.


Bring Autumn's wine. Let us drink and sing the
Song of remembrance to Spring's carefree sowing,
And Summer's watchful tending, and Autumn's
Reward in harvest.
Come close to me, oh beloved of my soul; the
Fire is cooling and fleeing under the ashes.
Embrace me, for I fear loneliness; the lamp is
Dim, and the wine which we pressed is closing
Our eyes. Let us look upon each other before
They are shut.
Find me with your arms and embrace me; let
Slumber then embrace our souls as one.
Kiss me, my beloved, for Winter has stolen
All but our moving lips.
You are close by me, My Forever.
How deep and wide will be the ocean of Slumber,
And how recent was the dawn!
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Ted Hughes

Ted Hughes

Macaw and Little Miss

In a cage of wire-ribs
The size of a man's head, the macaw bristles in a staring
Combustion, suffers the stoking devils of his eyes.
In the old lady's parlour, where an aspidistra succumbs
To the musk of faded velvet, he hangs in clear flames,

Like a torturer's iron instrument preparing
With dense slow shudderings of greens, yellows, blues,
Crimsoning into the barbs:


Or like the smouldering head that hung
In Killdevil's brass kitchen, in irons, who had been
Volcano swearing to vomit the world away in black ash,
And would, one day; or a fugitive aristocrat
From some thunderous mythological hierarchy, caught

By a little boy with a crust and a bent pin,
Or snare of horsehair set for a song-thrush,
And put in a cage to sing.


The old lady who feeds him seeds
Has a grand-daughter. The girl calls him 'Poor Polly', pokes fun.
'Jolly Mop.' But lies under every full moon,
The spun glass of her body bared and so gleam-still
Her brimming eyes do not tremble or spill

The dream where the warrior comes, lightning and iron,
Smashing and burning and rending towards her loin:
Deep into her pillow her silence pleads.

All day he stares at his furnace
With eyes red-raw, but when she comes they close.
'Polly. Pretty Poll', she cajoles, and rocks him gently.
She caresses, whispers kisses. The blue lids stay shut.
She strikes the cage in a tantrum and swirls out:

Instantly beak, wings, talons crash
The bars in conflagration and frenzy,
And his shriek shakes the house.
419
John Clare

John Clare

The Shepherd's Calendar - June

Now summer is in flower and natures hum
Is never silent round her sultry bloom
Insects as small as dust are never done
Wi' glittering dance and reeling in the sun
And green wood fly and blossom haunting bee
Are never weary of their melody
Round field hedge now flowers in full glory twine
Large bindweed bells wild hop and streakd woodbine
That lift athirst their slender throated flowers
Agape for dew falls and for honey showers
These round each bush in sweet disorder run
And spread their wild hues to the sultry sun
Where its silk netting lace on twigs and leaves
The mottld spider at eves leisure weaves
That every morning meet the poets eye
Like faireys dew wet dresses hung to dry
The wheat swells into ear and leaves below
The may month wild flowers and their gaudy show
Bright carlock bluecap and corn poppy red
Which in such clouds of colors wid [e] ly spread
That at the sun rise might to fancys eye
Seem to reflect the many colord sky
And leverets seat and lark and partridge nest
It leaves a schoolboys height in snugger rest
And oer the weeders labour overgrows
Who now in merry groups each morning goes
To willow skirted meads wi fork and rake
The scented hay cocks in long rows to make
Where their old visitors in russet brown
The haytime butterflyes dance up and down
And gads that teaze like whasps the timid maid
And drive the herdboys cows to pond and shade
Who when his dogs assistance fails to stop
Is forcd his half made oaten pipes to drop
And start and hallo thro the dancing heat
To keep their gadding tumult from the wheat
Who in their rage will dangers overlook
And leap like hunters oer the pasture brook
Brushing thro blossomd beans in maddening haste
And 'stroying corn they scarce can stop to taste
Labour pursues its toil in weary mood
And feign woud rest wi shadows in the wood
The mowing gangs bend oer the beeded grass
Where oft the gipseys hungry journeying ass
Will turn its wishes from the meadow paths
Listning the rustle of the falling swaths
The ploughman sweats along the fallow vales
And down the suncrackt furrow slowly trails
Oft seeking when athirst the brooks supply
Where brushing eager the brinks bushes bye
For coolest water he oft brakes the rest
Of ring dove brooding oer its idle nest


And there as loath to leave the swaily place
He'll stand to breath and whipe his burning face
The shepherds idle hours are over now
Nor longer leaves him neath the hedgrow bough
On shadow pillowd banks and lolling stile
Wilds looses now their summer friends awhile
Shrill whistles barking dogs and chiding scold
Drive bleating sheep each morn from fallow fold
To wash pits where the willow shadows lean
Dashing them in their fold staind coats to clean
Then turnd on sunning sward to dry agen
They drove them homeward to the clipping pen
In hurdles pent where elm or sycamore
Shut out the sun-or in some threshing floor
There they wi scraps of songs and laugh and tale
Lighten their anual toils while merry ale
Goes round and gladdens old mens hearts to praise
The thread bare customs of old farmers days
Who while the sturting sheep wi trembling fears
Lies neath the snipping of his harmless sheers
Recalls full many a thing by bards unsung
And pride forgot-that reignd when he was young
How the hugh bowl was in the middle set
At breakfast time as clippers yearly met
Filld full of frumity where yearly swum
The streaking sugar and the spotting plumb
Which maids coud never to the table bring
Without one rising from the merry ring
To lend a hand who if twas taen amiss
Woud sell his kindness for a stolen kiss
The large stone pitcher in its homly trim
And clouded pint horn wi its copper rim
Oer which rude healths was drank in spirits high
From the best broach the cellar woud supply
While sung the ancient swains in homly ryhmes
Songs that were pictures of the good old times
When leathern bottles held the beer nut brown
That wakd the sun wi songs and sung him down
Thus will the old man ancient ways bewail
Till toiling sheers gain ground upon the tale
And brakes it off-when from the timid sheep
The fleece is shorn and wi a fearfull leap
He starts-while wi a pressing hand
His sides are printed by the tarry brand
Shaking his naked skin wi wondering joys
And fresh ones are tugd in by sturdy boys
Who when theyre thrown down neath the sheering swain
Will wipe his brow and start his tale again
Tho fashions haughtv frown hath thrown aside
Half the old forms simplicity supplyd
Yet their are some prides winter deigns to spare
Left like green ivy when the trees are bare


And now when sheering of the flocks are done
Some ancient customs mixd wi harmless fun
Crowns the swains merry toils-the timid maid
Pleasd to be praisd and yet of praise affraid
Seeks her best flowers not those of woods and fields
But such as every farmers garden yield
Fine cabbage roses painted like her face
And shining pansys trimmd in golden lace
And tall tuft larkheels featherd thick wi flowers
And woodbines climbing oer the door in bowers
And London tufts of many a mottld hue
And pale pink pea and monkshood darkly blue
And white and purple jiliflowers that stay
Lingering in blossom summer half away
And single blood walls of a lucious smell
Old fashiond flowers which huswives love so well
And columbines stone blue or deep night brown
Their honey-comb-like blossoms hanging down
Each cottage gardens fond adopted child
Tho heaths still claim them where they yet grow wild
Mong their old wild companions summer blooms
Furze brake and mozzling ling and golden broom
Snap dragons gaping like to sleeping clowns
And 'clipping pinks' (which maidens sunday gowns
Full often wear catcht at by tozing chaps)
Pink as the ribbons round their snowy caps
'Bess in her bravery' too of glowing dyes
As deep as sunsets crimson pillowd skyes
And majoram notts sweet briar and ribbon grass
And lavender the choice of every lass
And sprigs of lads love all familiar names
Which every garden thro the village claims
These the maid gathers wi a coy delight
And tyes them up in readiness for night
Giving to every swain tween love and shame
Her 'clipping poseys' as their yearly claim
And turning as he claims the custom kiss
Wi stifld smiles half ankering after bliss
She shrinks away and blushing calls it rude
But turns to smile and hopes to be pursued
While one to whom the seeming hint applied
Follows to claim it and is not denyd
No doubt a lover for within his coat
His nosegay owns each flower of better sort
And when the envious mutter oer their beer
And nodd the secret to his neighbor near
Raising the laugh to make the mutter known
She blushes silent and will not disown
And ale and songs and healths and merry ways
Keeps up a shadow of old farmers days
But the old beachen bowl that once supplyd
Its feast of frumity is thrown aside


And the old freedom that was living then
When masters made them merry wi their men
Whose coat was like his neighbors russet brown
And whose rude speech was vulgar as his clown
Who in the same horn drank the rest among
And joind the chorus while a labourer sung
All this is past-and soon may pass away
The time torn remnant of the holiday
As proud distinction makes a wider space
Between the genteel and the vulgar race
Then must they fade as pride oer custom showers
Its blighting mildew on her feeble flowers
416
Percy Bysshe Shelley

Percy Bysshe Shelley

The Invitation

BEST and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The brightest hour of unborn Spring,
Through the winter wandering,
Found, it seems, the halcyon Morn
To hoar February born.
Bending from heaven, in azure mirth,
It kiss'd the forehead of the Earth;
And smiled upon the silent sea;
And bade the frozen streams be free;
And waked to music all their fountains;
And breathed upon the frozen mountains;
And like a prophetess of May
Strew'd flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.
Away, away, from men and towns,
To the wild wood and the downs--
To the silent wilderness
Where the soul need not repress
Its music lest it should not find
An echo in another's mind,
While the touch of Nature's art
Harmonizes heart to heart.
I leave this notice on my door
For each accustom'd visitor:--
'I am gone into the fields
To take what this sweet hour yields.
Reflection, you may come to-morrow;
Sit by the fireside with Sorrow.
You with the unpaid bill, Despair,--
You, tiresome verse-reciter, Care,--
I will pay you in the grave,--
Death will listen to your stave.
Expectation too, be off!
To-day is for itself enough.
Hope, in pity mock not Woe
With smiles, nor follow where I go;
Long having lived on your sweet food,
At length I find one moment's good
After long pain: with all your love,
This you never told me of.'
Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains;
And the pools where winter rains


Image all their roof of leaves;
Where the pine its garland weaves
Of sapless green and ivy dun
Round stems that never kiss the sun;
Where the lawns and pastures be,
And the sandhills of the sea;
Where the melting hoar-frost wets
The daisy-star that never sets,
And wind-flowers, and violets
Which yet join not scent to hue,
Crown the pale year weak and new;
When the night is left behind
In the deep east, dun and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet
Where the earth and ocean meet,
And all things seem only one
In the universal sun.
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