Sadness and Melancholy
Rabindranath Tagore
The Gardener LXXVI: The Fair Was On
The fair was on before the temple.
It had rained from the early morning
and the day came to its end.
Brighter than all the gladness of
the crowd was the bright smile of
a girl who bought for a farthing a
whistle of palm leaf.
The shrill joy of that whistle floated
above all laughter and noise.
An endless throng of people came
and jostled together. The road was
muddy, the river in flood, the field
under water in ceaseless rain.
Greater than all the troubles of
the crowd was a little boy's trouble-he
had not a farthing to buy a painted
stick.
His wistful eyes gazing at the shop
made this whole meeting of men so
pitiful.
It had rained from the early morning
and the day came to its end.
Brighter than all the gladness of
the crowd was the bright smile of
a girl who bought for a farthing a
whistle of palm leaf.
The shrill joy of that whistle floated
above all laughter and noise.
An endless throng of people came
and jostled together. The road was
muddy, the river in flood, the field
under water in ceaseless rain.
Greater than all the troubles of
the crowd was a little boy's trouble-he
had not a farthing to buy a painted
stick.
His wistful eyes gazing at the shop
made this whole meeting of men so
pitiful.
507
Sara Teasdale
Did You Never Know?
Did you never know, long ago, how much you loved me --
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.
Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.
That your love would never lessen and never go?
You were young then, proud and fresh-hearted,
You were too young to know.
Fate is a wind, and red leaves fly before it
Far apart, far away in the gusty time of year --
Seldom we meet now, but when I hear you speaking,
I know your secret, my dear, my dear.
506
Arthur Rimbaud
My Little Lovelies
A tearful tincture washes
Cabbage-green skies;
Beneath the dribbling bushes
Your raincoats lie;
Pale white in private moonlight,
Like round-eyed sores,
Flap your scabby kneecaps apart,
My ugly whores!
We loved each other in those days,
Ugly blue whore!
We ate boiled eggs
And weed.
One night you made me a poet,
Ugly blond whore.
Get between my legs,
I'll whip you.
I puked up your greasy hair,
Ugly black whore;
You tried to unstring
My guitar.
Blah! Some of my dried-up spit,
Ugly red whore,
Still stinks in the cracks
Of your breast.
O my little lovelies,
I hate your guts!
Go stick big blisters
On your ugly tits!
Break the cracked bottles and jars
Of my feelings;
Come on! Be my ballerinas
Just for a while!
Your shoulder blades are twisted back,
My masterpieces!
Stick stars in your snatches and shake
Them to bits!
And it was for you hunks of meat
I wrote my rhymes!
My love was sticky self-deceit
And dirty games!
Dumb bunch of burnt-out stars,
-Against the walls!
Go back to God, croak in corners
Like animals!
Pale white in private moonlight,
Like round-eyed sores,
Flap your scabby kneecaps apart,
My ugly whores!
Cabbage-green skies;
Beneath the dribbling bushes
Your raincoats lie;
Pale white in private moonlight,
Like round-eyed sores,
Flap your scabby kneecaps apart,
My ugly whores!
We loved each other in those days,
Ugly blue whore!
We ate boiled eggs
And weed.
One night you made me a poet,
Ugly blond whore.
Get between my legs,
I'll whip you.
I puked up your greasy hair,
Ugly black whore;
You tried to unstring
My guitar.
Blah! Some of my dried-up spit,
Ugly red whore,
Still stinks in the cracks
Of your breast.
O my little lovelies,
I hate your guts!
Go stick big blisters
On your ugly tits!
Break the cracked bottles and jars
Of my feelings;
Come on! Be my ballerinas
Just for a while!
Your shoulder blades are twisted back,
My masterpieces!
Stick stars in your snatches and shake
Them to bits!
And it was for you hunks of meat
I wrote my rhymes!
My love was sticky self-deceit
And dirty games!
Dumb bunch of burnt-out stars,
-Against the walls!
Go back to God, croak in corners
Like animals!
Pale white in private moonlight,
Like round-eyed sores,
Flap your scabby kneecaps apart,
My ugly whores!
508
Kazi Nazrul Islam
Like a Lost Bird
At the end of the rol
Iing road, my dearest, I await alone;
Rolling in the dust of the path you have traveled.
The way you have walked on the bright ground of the mountains
I wish you could rub your feet on my breast making me forget my pain
I do not desire anything, no slumber in my eyes;
Wandering aimlessly in the street, the neighborhood laughs at me.
I cannot go to the pond, how have you enchanted me!
In the black water of the pond, I see your black beauty
You have scandalized me and left me alone!
[Original: Pothhara Pakhi; Translation: Kashfia Billah]
Iing road, my dearest, I await alone;
Rolling in the dust of the path you have traveled.
The way you have walked on the bright ground of the mountains
I wish you could rub your feet on my breast making me forget my pain
I do not desire anything, no slumber in my eyes;
Wandering aimlessly in the street, the neighborhood laughs at me.
I cannot go to the pond, how have you enchanted me!
In the black water of the pond, I see your black beauty
You have scandalized me and left me alone!
[Original: Pothhara Pakhi; Translation: Kashfia Billah]
510
Ella Wheeler Wilcox
Vanity Fair
In Vanity Fair, as we bow and smile,
As we talk of the opera after the weather,
As we chat of fashion and fad and style,
We know we are playing a part together.
You know that the mirth she wears, she borrows;
She knows you laugh but to hide your sorrows;
We know that under the silks and laces,
And back of beautiful, beaming faces,
Lie secret trouble and grim despair,
In Vanity Fair.
In Vanity Fair, on dress parade,
Our colors look bright and our swords are gleaming;
But many a uniform's worn and frayed,
And most of the weapons, despite their seeming.
Are dull and blunted and badly battered,
And close inspection will show how tattered
And stained are the banners that float above us.
Our comrades hate, while they swear to love us;
And robed like Pleasure walks gaunt-eyed Care,
In Vanity Fair.
In Vanity Fair, as we strive for place,
As we rush and jostle and crowd and hurry,
We know the goal is not worth the race-
We know the prize is not worth the worry;
That all our gain means loss for another;
That in fighting for self we wound each other;
That the crown of success weighs hard and presse
The brow of the victor with thorns-not caresses;
That honors are empty and worthless to wear,
In Vanity Fair.
But in Vanity Fair, as we pass along,
We meet strong hearts that are worth the knowing;
'Mong poor paste jewels that deck the throng,
We see a solitaire sometimes glowing.
We find grand souls under robes of fashion,
'Neath light demeanors hide strength and passion;
And fair fine honor and Godlike resistance.
In halls of pleasure may have existence;
And we find pure altars and shrines of prayer,
In Vanity Fair.
As we talk of the opera after the weather,
As we chat of fashion and fad and style,
We know we are playing a part together.
You know that the mirth she wears, she borrows;
She knows you laugh but to hide your sorrows;
We know that under the silks and laces,
And back of beautiful, beaming faces,
Lie secret trouble and grim despair,
In Vanity Fair.
In Vanity Fair, on dress parade,
Our colors look bright and our swords are gleaming;
But many a uniform's worn and frayed,
And most of the weapons, despite their seeming.
Are dull and blunted and badly battered,
And close inspection will show how tattered
And stained are the banners that float above us.
Our comrades hate, while they swear to love us;
And robed like Pleasure walks gaunt-eyed Care,
In Vanity Fair.
In Vanity Fair, as we strive for place,
As we rush and jostle and crowd and hurry,
We know the goal is not worth the race-
We know the prize is not worth the worry;
That all our gain means loss for another;
That in fighting for self we wound each other;
That the crown of success weighs hard and presse
The brow of the victor with thorns-not caresses;
That honors are empty and worthless to wear,
In Vanity Fair.
But in Vanity Fair, as we pass along,
We meet strong hearts that are worth the knowing;
'Mong poor paste jewels that deck the throng,
We see a solitaire sometimes glowing.
We find grand souls under robes of fashion,
'Neath light demeanors hide strength and passion;
And fair fine honor and Godlike resistance.
In halls of pleasure may have existence;
And we find pure altars and shrines of prayer,
In Vanity Fair.
500
Henry Wadsworth Longfellow
Autumnal Nightfall
Round Autumn's mouldering urn
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
Loud mourns the chill and cheerless gale,
When nightfall shades the quiet vale
And stars in beauty burn.
'Tis the year's eventide.
The wind, like one that sighs in pain
O?er joys that ne'er will bloom again
Mourns on the far hillside.
And yet my pensive eye
Rests on the faint blue mountain long;
And for the fairy-land of song,
That lies beyond, I sigh.
The moon unveils her brow;
In the mid-sky her urn glows bright,
And in her sad and mellowing light
The valley sleeps below.
Upon the hazel gray
The lyre of Autumn hangs unstrung
And o?er its tremulous chords are flung
The fringes of decay.
I stand deep musing here,
Beneath the dark and motionless beech,
Whilst wandering winds of nightfall reach
My melancholy ear.
The air breathes chill and free:
A spirit in soft music calls
From Autumn's gray and moss-grown halls,
And round her withered tree.
The hoar and mantled oak,
With moss and twisted ivy brown,
Bends in its lifeless beauty down
Where weeds the fountain choke.
That fountain's hollow voice
Echoes the sound of precious things;
Of early feeling's tuneful springs
Choked with our blighted joys.
Leaves, that the night-wind bears
To earth's cold bosom with a sign,
Are types of our mortality,
And of our fading years.
The tree that shades the plain,
Wasting and hoar as time decays,
Spring shall renew with cheerful days,--
But not my joys again.
500
Sara Teasdale
Snowfall
"She can't be unhappy," you said,
"The smiles are like stars in her eyes,
And her laugh is thistledown
Around her low replies."
"Is she unhappy?" you said --
But who has ever known
Another's heartbreak --
All he can know is his own;
And she seems hushed to me,
As hushed as though
Her heart were a hunter's fire
Smothered in snow.
"The smiles are like stars in her eyes,
And her laugh is thistledown
Around her low replies."
"Is she unhappy?" you said --
But who has ever known
Another's heartbreak --
All he can know is his own;
And she seems hushed to me,
As hushed as though
Her heart were a hunter's fire
Smothered in snow.
500
John Keats
Song of the Indian Maid, from 'Endymion'
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?-
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?-To
give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?-To
give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart's lightness from the merriment of May?-A
lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day-Nor
any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,-
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue-
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din-
'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:-
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass,
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?'-'
We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?'-'
For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime;
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
Why dost borrow
The natural hue of health, from vermeil lips?-
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?-To
give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?-To
give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart's lightness from the merriment of May?-A
lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day-Nor
any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,-
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue-
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din-
'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:-
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass,
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?'-'
We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?'-'
For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime;
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
496
Percy Bysshe Shelley
Lift Not The Painted Veil Which Those Who Live
Lift not the painted veil which those who live
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,--behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it--he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not.
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,--behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it--he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not.
492
Elizabeth Barrett Browning
My Heart and I
I.
ENOUGH ! we're tired, my heart and I.
We sit beside the headstone thus,
And wish that name were carved for us.
The moss reprints more tenderly
The hard types of the mason's knife,
As heaven's sweet life renews earth's life
With which we're tired, my heart and I.
II.
You see we're tired, my heart and I.
We dealt with books, we trusted men,
And in our own blood drenched the pen,
As if such colours could not fly.
We walked too straight for fortune's end,
We loved too true to keep a friend ;
At last we're tired, my heart and I.
III.
How tired we feel, my heart and I !
We seem of no use in the world ;
Our fancies hang grey and uncurled
About men's eyes indifferently ;
Our voice which thrilled you so, will let
You sleep; our tears are only wet :
What do we here, my heart and I ?
IV.
So tired, so tired, my heart and I !
It was not thus in that old time
When Ralph sat with me 'neath the lime
To watch the sunset from the sky.
`Dear love, you're looking tired,' he said;
I, smiling at him, shook my head :
'Tis now we're tired, my heart and I.
V.
So tired, so tired, my heart and I !
Though now none takes me on his arm
To fold me close and kiss me warm
Till each quick breath end in a sigh
Of happy languor. Now, alone,
We lean upon this graveyard stone,
Uncheered, unkissed, my heart and I.
VI.
Tired out we are, my heart and I.
Suppose the world brought diadems
To tempt us, crusted with loose gems
Of powers and pleasures ? Let it try.
We scarcely care to look at even
A pretty child, or God's blue heaven,
We feel so tired, my heart and I.
VII.
Yet who complains ? My heart and I ?
In this abundant earth no doubt
Is little room for things worn out :
Disdain them, break them, throw them by
And if before the days grew rough
We once were loved, used, -- well enough,
I think, we've fared, my heart and I.
ENOUGH ! we're tired, my heart and I.
We sit beside the headstone thus,
And wish that name were carved for us.
The moss reprints more tenderly
The hard types of the mason's knife,
As heaven's sweet life renews earth's life
With which we're tired, my heart and I.
II.
You see we're tired, my heart and I.
We dealt with books, we trusted men,
And in our own blood drenched the pen,
As if such colours could not fly.
We walked too straight for fortune's end,
We loved too true to keep a friend ;
At last we're tired, my heart and I.
III.
How tired we feel, my heart and I !
We seem of no use in the world ;
Our fancies hang grey and uncurled
About men's eyes indifferently ;
Our voice which thrilled you so, will let
You sleep; our tears are only wet :
What do we here, my heart and I ?
IV.
So tired, so tired, my heart and I !
It was not thus in that old time
When Ralph sat with me 'neath the lime
To watch the sunset from the sky.
`Dear love, you're looking tired,' he said;
I, smiling at him, shook my head :
'Tis now we're tired, my heart and I.
V.
So tired, so tired, my heart and I !
Though now none takes me on his arm
To fold me close and kiss me warm
Till each quick breath end in a sigh
Of happy languor. Now, alone,
We lean upon this graveyard stone,
Uncheered, unkissed, my heart and I.
VI.
Tired out we are, my heart and I.
Suppose the world brought diadems
To tempt us, crusted with loose gems
Of powers and pleasures ? Let it try.
We scarcely care to look at even
A pretty child, or God's blue heaven,
We feel so tired, my heart and I.
VII.
Yet who complains ? My heart and I ?
In this abundant earth no doubt
Is little room for things worn out :
Disdain them, break them, throw them by
And if before the days grew rough
We once were loved, used, -- well enough,
I think, we've fared, my heart and I.
493
Sarojini Naidu
A Love Song from the North
Tell me no more of thy love, papeeha,
Wouldst thou recall to my heart, papeeha,
Dreams of delight that are gone,
When swift to my side came the feet of my lover
With stars of the dusk and the dawn?
I see the soft wings of the clouds on the river,
And jewelled with raindrops the mango-leaves quiver,
And tender boughs flower on the plain.....
But what is their beauty to me, papeeha,
Beauty of blossom and shower, papeeha,
That brings not my lover again?
Tell me no more of thy love, papeeha,
Wouldst thou revive in my heart, papeeha
Grief for the joy that is gone?
I hear the bright peacock in glimmering woodlands
Cry to its mate in the dawn;
I hear the black koel's slow, tremulous wooing,
And sweet in the gardens the calling and cooing
Of passionate bulbul and dove....
But what is their music to me, papeeha
Songs of their laughter and love, papeeha,
To me, forsaken of love?
Wouldst thou recall to my heart, papeeha,
Dreams of delight that are gone,
When swift to my side came the feet of my lover
With stars of the dusk and the dawn?
I see the soft wings of the clouds on the river,
And jewelled with raindrops the mango-leaves quiver,
And tender boughs flower on the plain.....
But what is their beauty to me, papeeha,
Beauty of blossom and shower, papeeha,
That brings not my lover again?
Tell me no more of thy love, papeeha,
Wouldst thou revive in my heart, papeeha
Grief for the joy that is gone?
I hear the bright peacock in glimmering woodlands
Cry to its mate in the dawn;
I hear the black koel's slow, tremulous wooing,
And sweet in the gardens the calling and cooing
Of passionate bulbul and dove....
But what is their music to me, papeeha
Songs of their laughter and love, papeeha,
To me, forsaken of love?
495
Ezra Pound
Au Jardin
O you away high there,
you that lean
From amber lattices upon the cobalt night,
I am below amid the pine trees,
Amid the little pine trees, hear me!
'The jester walked in the garden.'
Did he so?
Well, there's no use your loving me
That way, Lady;
For I've nothing but songs to give you.
I am set wide upon the world's ways
To say that life is, some way, a gay thing,
But you never string two days upon one wire
But there'll come sorrow of it.
And I loved a love once,
Over beyond the moon there,
I loved a love once,
And, may be, more times,
But she danced like a pink moth in the shrubbery.
Oh, I know you women from the 'other folk',
And it'll all come right,
O' Sundays.
'The jester walked in the garden.'
Did he so?
you that lean
From amber lattices upon the cobalt night,
I am below amid the pine trees,
Amid the little pine trees, hear me!
'The jester walked in the garden.'
Did he so?
Well, there's no use your loving me
That way, Lady;
For I've nothing but songs to give you.
I am set wide upon the world's ways
To say that life is, some way, a gay thing,
But you never string two days upon one wire
But there'll come sorrow of it.
And I loved a love once,
Over beyond the moon there,
I loved a love once,
And, may be, more times,
But she danced like a pink moth in the shrubbery.
Oh, I know you women from the 'other folk',
And it'll all come right,
O' Sundays.
'The jester walked in the garden.'
Did he so?
488
William Carlos Williams
The Dark Day
A three-day-long rain from the east--
an terminable talking, talking
of no consequence--patter, patter, patter.
Hand in hand little winds
blow the thin streams aslant.
Warm. Distance cut off. Seclusion.
A few passers-by, drawn in upon themselves,
hurry from one place to another.
Winds of the white poppy! there is no escape!--
An interminable talking, talking,
talking . . .it has happened before.
Backward, backward, backward.
an terminable talking, talking
of no consequence--patter, patter, patter.
Hand in hand little winds
blow the thin streams aslant.
Warm. Distance cut off. Seclusion.
A few passers-by, drawn in upon themselves,
hurry from one place to another.
Winds of the white poppy! there is no escape!--
An interminable talking, talking,
talking . . .it has happened before.
Backward, backward, backward.
486
Lord Byron
My Soul is Dark
My soul is dark Oh!
quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.
But bid the strain be wild and deep,
Nor let thy notes of joy be first:
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence, long;
And now 'tis doomed to know the worst,
And break at once or
yield to song.
quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.
But bid the strain be wild and deep,
Nor let thy notes of joy be first:
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence, long;
And now 'tis doomed to know the worst,
And break at once or
yield to song.
484
Lord Byron
Stanzas To A Hindoo Air
Oh! my lonelylonelylonely
Pillow!
Where is my lover? where is my lover?
Is it his bark which my dreary dreams discover?
Farfar
away! and alone along the billow?
Oh! my lonelylonelylonely
Pillow!
Why must my head ache where his gentle brow lay?
How the long night flags lovelessly and slowly,
And my head droops over thee like the willow!
Oh! thou, my sad and solitary Pillow!
Send me kind dreams to keep my heart from breaking,
In return for the tears I shed upon thee waking;
Let me not die till he comes back o'er the billow.
Then if thou wiltno
more my lonely Pillow,
In one embrace let these arms again enfold him,
And then expire of the joybut
to behold him!
Oh! my lone bosom!oh!
my lonely Pillow!
Pillow!
Where is my lover? where is my lover?
Is it his bark which my dreary dreams discover?
Farfar
away! and alone along the billow?
Oh! my lonelylonelylonely
Pillow!
Why must my head ache where his gentle brow lay?
How the long night flags lovelessly and slowly,
And my head droops over thee like the willow!
Oh! thou, my sad and solitary Pillow!
Send me kind dreams to keep my heart from breaking,
In return for the tears I shed upon thee waking;
Let me not die till he comes back o'er the billow.
Then if thou wiltno
more my lonely Pillow,
In one embrace let these arms again enfold him,
And then expire of the joybut
to behold him!
Oh! my lone bosom!oh!
my lonely Pillow!
482
Alfred Lord Tennyson
All Things will Die
All Things will Die
Clearly the blue river chimes in its flowing
Under my eye;
Warmly and broadly the south winds are blowing
Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating
Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call’d–we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro’ eternity.
All things were born.
Ye will come never more,
For all things must die.
Clearly the blue river chimes in its flowing
Under my eye;
Warmly and broadly the south winds are blowing
Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating
Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call’d–we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro’ eternity.
All things were born.
Ye will come never more,
For all things must die.
481
Ezra Pound
Arides
The bashful Arides
Has married an ugly wife,
He was bored with his manner of life,
Indifferent and discouraged he thought he might as
Well do this as anything else.
Saying within his heart,’I am no use to myself,
'Let her, if she wants me, take me.'
He went to his doom.
Has married an ugly wife,
He was bored with his manner of life,
Indifferent and discouraged he thought he might as
Well do this as anything else.
Saying within his heart,’I am no use to myself,
'Let her, if she wants me, take me.'
He went to his doom.
483
Rudyard Kipling
Shillin' A Day
My name is O'Kelly, I've heard the Revelly
From Birr to Bareilly, from Leeds to Lahore,
Hong-Kong and Peshawur,
Lucknow and Etawah,
And fifty-five more all endin' in "pore".
Black Death and his quickness, the depth and the thickness,
Of sorrow and sickness I've known on my way,
But I'm old and I'm nervis,
I'm cast from the Service,
And all I deserve is a shillin' a day.
(Chorus) Shillin' a day,
Bloomin' good pay --
Lucky to touch it, a shillin' a day!
Oh, it drives me half crazy to think of the days I
Went slap for the Ghazi, my sword at my side,
When we rode Hell-for-leather
Both squadrons together,
That didn't care whether we lived or we died.
But it's no use despairin', my wife must go charin'
An' me commissairin' the pay-bills to better,
So if me you be'old
In the wet and the cold,
By the Grand Metropold, won't you give me a letter?
(Full chorus) Give 'im a letter --
'Can't do no better,
Late Troop-Sergeant-Major an' -- runs with a letter!
Think what 'e's been,
Think what 'e's seen,
Think of his pension an' ----
GAWD SAVE THE QUEEN.
From Birr to Bareilly, from Leeds to Lahore,
Hong-Kong and Peshawur,
Lucknow and Etawah,
And fifty-five more all endin' in "pore".
Black Death and his quickness, the depth and the thickness,
Of sorrow and sickness I've known on my way,
But I'm old and I'm nervis,
I'm cast from the Service,
And all I deserve is a shillin' a day.
(Chorus) Shillin' a day,
Bloomin' good pay --
Lucky to touch it, a shillin' a day!
Oh, it drives me half crazy to think of the days I
Went slap for the Ghazi, my sword at my side,
When we rode Hell-for-leather
Both squadrons together,
That didn't care whether we lived or we died.
But it's no use despairin', my wife must go charin'
An' me commissairin' the pay-bills to better,
So if me you be'old
In the wet and the cold,
By the Grand Metropold, won't you give me a letter?
(Full chorus) Give 'im a letter --
'Can't do no better,
Late Troop-Sergeant-Major an' -- runs with a letter!
Think what 'e's been,
Think what 'e's seen,
Think of his pension an' ----
GAWD SAVE THE QUEEN.
482
Elizabeth Barrett Browning
Exaggeration
WE overstate the ills of life, and take
Imagination (given us to bring down
The choirs of singing angels overshone
By God's clear glory) down our earth to rake
The dismal snows instead, flake following flake,
To cover all the corn; we walk upon
The shadow of hills across a level thrown,
And pant like climbers: near the alder brake
We sigh so loud, the nightingale within
Refuses to sing loud, as else she would.
O brothers, let us leave the shame and sin
Of taking vainly, in a plaintive mood,
The holy name of GRIEF !--holy herein
That by the grief of ONE came all our good.
Imagination (given us to bring down
The choirs of singing angels overshone
By God's clear glory) down our earth to rake
The dismal snows instead, flake following flake,
To cover all the corn; we walk upon
The shadow of hills across a level thrown,
And pant like climbers: near the alder brake
We sigh so loud, the nightingale within
Refuses to sing loud, as else she would.
O brothers, let us leave the shame and sin
Of taking vainly, in a plaintive mood,
The holy name of GRIEF !--holy herein
That by the grief of ONE came all our good.
483
Emily Jane Brontë
Ah! Why, Because the Dazzling Sun
Ah! why, because the dazzling sun
Restored my earth to joy
Have you departed, every one,
And left a desert sky?
All through the night, your glorious eyes
Were gazing down in mine,
And with a full heart's thankful sighs
I blessed that watch divine!
I was at peace, and drank your beams
As they were life to me
And revelled in my changeful dreams
Like petrel on the sea.
Thought followed thought—star followed star
Through boundless regions on,
While one sweet influence, near and far,
Thrilled through and proved us one.
Why did the morning rise to break
So great, so pure a spell,
And scorch with fire the tranquil cheek
Where your cool radiance fell?
Blood-red he rose, and arrow-straight,
His fierce beams struck my brow;
The soul of Nature sprang elate,
But mine sank sad and low!
My lids closed down—yet through their veil
I saw him blazing still;
And bathe in gold the misty dale,
And flash upon the hill.
I turned me to the pillow then
To call back Night, and see
Your worlds of solemn light, again
Throb with my heart and me!
It would not do—the pillow glowed
And glowed both roof and floor,
And birds sang loudly in the wood,
And fresh winds shook the door.
The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise
And give them leave to roam.
O Stars and Dreams and Gentle Night;
O Night and Stars return!
And hide me from the hostile light
That does not warm, but burn—
That drains the blood of suffering men;
Drinks tears, instead of dew:
Let me sleep through his blinding reign,
And only wake with you!
Restored my earth to joy
Have you departed, every one,
And left a desert sky?
All through the night, your glorious eyes
Were gazing down in mine,
And with a full heart's thankful sighs
I blessed that watch divine!
I was at peace, and drank your beams
As they were life to me
And revelled in my changeful dreams
Like petrel on the sea.
Thought followed thought—star followed star
Through boundless regions on,
While one sweet influence, near and far,
Thrilled through and proved us one.
Why did the morning rise to break
So great, so pure a spell,
And scorch with fire the tranquil cheek
Where your cool radiance fell?
Blood-red he rose, and arrow-straight,
His fierce beams struck my brow;
The soul of Nature sprang elate,
But mine sank sad and low!
My lids closed down—yet through their veil
I saw him blazing still;
And bathe in gold the misty dale,
And flash upon the hill.
I turned me to the pillow then
To call back Night, and see
Your worlds of solemn light, again
Throb with my heart and me!
It would not do—the pillow glowed
And glowed both roof and floor,
And birds sang loudly in the wood,
And fresh winds shook the door.
The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise
And give them leave to roam.
O Stars and Dreams and Gentle Night;
O Night and Stars return!
And hide me from the hostile light
That does not warm, but burn—
That drains the blood of suffering men;
Drinks tears, instead of dew:
Let me sleep through his blinding reign,
And only wake with you!
483
Emily Dickinson
Houses so the Wise Men tell me
"Houses"-so the Wise Men tell me"
Mansions"! Mansions must be warm!
Mansions cannot let the tears in,
Mansions must exclude the storm!
"Many Mansions," by "his Father,"
I don't know him; snugly built!
Could the Children find the way there-
Some, would even trudge tonight!
Mansions"! Mansions must be warm!
Mansions cannot let the tears in,
Mansions must exclude the storm!
"Many Mansions," by "his Father,"
I don't know him; snugly built!
Could the Children find the way there-
Some, would even trudge tonight!
479
Hilaire Belloc
The Loser
He lost his money first of all
And losing that is half the story-
And later on he tried a fall
With fate, in things less transitory
He lost his heart-and found it dead(
His one and only true discovery),
And after that he lost his head,
And lost his chances of recovery.
He lost his honour bit by bit
Until the thing was out of question.
He worried so at losing it,
He lost his sleep and his digestion.
He lost his temper- and for good-
The remnants of his reputation,
His taste in wine, his choice of food,
And then, in rapid culmination,
His certitudes, his sense of truth,
His memory, his self control,
The love that graced his early youth,
And lastly his immortal soul.
And losing that is half the story-
And later on he tried a fall
With fate, in things less transitory
He lost his heart-and found it dead(
His one and only true discovery),
And after that he lost his head,
And lost his chances of recovery.
He lost his honour bit by bit
Until the thing was out of question.
He worried so at losing it,
He lost his sleep and his digestion.
He lost his temper- and for good-
The remnants of his reputation,
His taste in wine, his choice of food,
And then, in rapid culmination,
His certitudes, his sense of truth,
His memory, his self control,
The love that graced his early youth,
And lastly his immortal soul.
480
Sara Teasdale
Pain
Waves are the sea's white daughters,
And raindrops the children of rain,
But why for my shimmering body
Have I a mother like Pain?
Night is the mother of stars,
And wind the mother of foam --
The world is brimming with beauty,
But I must stay at home.
And raindrops the children of rain,
But why for my shimmering body
Have I a mother like Pain?
Night is the mother of stars,
And wind the mother of foam --
The world is brimming with beauty,
But I must stay at home.
476
John Keats
A Party Of Lovers
Pensive they sit, and roll their languid eyes,
Nibble their toast, and cool their tea with sighs,
Or else forget the purpose of the night,
Forget their tea -- forget their appetite.
See with cross'd arms they sit -- ah! happy crew,
The fire is going out and no one rings
For coals, and therefore no coals Betty brings.
A fly is in the milk-pot -- must he die
By a humane society?
No, no; there Mr. Werter takes his spoon,
Inserts it, dips the handle, and lo! soon
The little straggler, sav'd from perils dark,
Across the teaboard draws a long wet mark.
Arise! take snuffers by the handle,
There's a large cauliflower in each candle.
A winding-sheet, ah me! I must away
To No. 7, just beyond the circus gay.
'Alas, my friend! your coat sits very well;
Where may your tailor live?' 'I may not tell.
O pardon me -- I'm absent now and then.
Where might my tailor live? I say again
I cannot tell, let me no more be teaz'd --
He lives in Wapping, might live where he pleas'd.'
Nibble their toast, and cool their tea with sighs,
Or else forget the purpose of the night,
Forget their tea -- forget their appetite.
See with cross'd arms they sit -- ah! happy crew,
The fire is going out and no one rings
For coals, and therefore no coals Betty brings.
A fly is in the milk-pot -- must he die
By a humane society?
No, no; there Mr. Werter takes his spoon,
Inserts it, dips the handle, and lo! soon
The little straggler, sav'd from perils dark,
Across the teaboard draws a long wet mark.
Arise! take snuffers by the handle,
There's a large cauliflower in each candle.
A winding-sheet, ah me! I must away
To No. 7, just beyond the circus gay.
'Alas, my friend! your coat sits very well;
Where may your tailor live?' 'I may not tell.
O pardon me -- I'm absent now and then.
Where might my tailor live? I say again
I cannot tell, let me no more be teaz'd --
He lives in Wapping, might live where he pleas'd.'
474