Sadness and Melancholy

nobody loses all the time


i had an uncle named
Sol who was a born failure and
nearly everybody said he should have gone
into vaudeville perhaps because my Uncle Sol could
sing McCann He Was A Diver on Xmas Eve like Hell Itself which
may or may not account for the fact that my Uncle


Sol indulged in that possibly most inexcusable
of all to use a highfalootin phrase
luxuries that is or to
wit farming and be
it needlessly
added


my Uncle Sol's farm
failed because the chickens
ate the vegetables so
my Uncle Sol had a
chicken farm till the
skunks ate the chickens when


my Uncle Sol
had a skunk farm but
the skunks caught cold and
died so
my Uncle Sol imitated the
skunks in a subtle manner


or by drowning himself in the watertank
but somebody who'd given my Unde Sol a Victor
Victrola and records while he lived presented to
him upon the auspicious occasion of his decease a
scrumptious not to mention splendiferous funeral with
tall boys in black gloves and flowers and everything and


i remember we all cried like the Missouri
when my Uncle Sol's coffin lurched because
somebody pressed a button
(and down went
my Uncle
Sol


and started a worm farm)

I.
It is a repose in the light,
neither fever nor languor,
on a bed or on a meadow.
It is the friend neither violent nor weak.
The friend.
It is the beloved neither
tormenting nor tormented.
The beloved.
Air and the world not sought.
Life. --Was it really this?
--And the dream grew cold.
II.
The lighting comes round
to the crown post again.
From the two extremities of the room
-- decorations negligible
-- harmonic elevations join.
The wall opposite the watcher
is a psychological succession
of atmospheric sections of friezes,
bands, and geological accidents.

Intense quick dream
of sentimental groups
with people of all possible characters
amidst all possible appearances.

III.
The lamps and the rugs
of the vigil make the noise
of waves in the night,
along the hull and around the steerage.
The sea of the vigil, like Emily's breasts.
The hangings, halfway up,
undergrowth of emerald tinted lace,
where dart the vigil doves. . . . . . . . . . . . . . . . . . . .


The plaque of the black hearth,
real suns of seashores! ah! magic wells;
only sight of dawn, this time.

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.


I have seen from my window
the fiesta of sunset in the distant mountain tops.


Sometimes a piece of sun
burned like a coin in my hand.


I remembered you with my soul clenched
in that sadness of mine that you know.


Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?


The book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet.


Always, always you recede through the evenings
toward the twilight erasing statues.

I have come to bury Love
Beneath a tree,
In the forest tall and black
Where none can see.
I shall put no flowers at his head,
Nor stone at his feet,
For the mouth I loved so much
Was bittersweet.
I shall go no more to his grave,
For the woods are cold.
I shall gather as much of joy
As my hands can hold.
I shall stay all day in the sun
Where the wide winds blow, --
But oh, I shall cry at night
When none will know.

I never loved you more, ma soeur
Than as I walked away from you that evening.
The forest swallowed me, the blue forest, ma soeur
The blue forest and above it pale stars in the west.


I did not laugh, not one little bit, ma soeur
As I playfully walked towards a dark fate –
While the faces behind me
Slowly paled in the evening of the blue forest.


Everything was grand that one night, ma soeur
Never thereafter and never before –
I admit it: I was left with nothing but the big birds
And their hungry cries in the dark evening sky.

There'll be no one in the house
Save for twilight. All alone,
Winter's day seen in the space that's
Made by curtains left undrawn.


Only flash-past of the wet white
Snowflake clusters, glimpsed and gone.
Only roofs and snow, and save for
Roofs and snow-no one at home.


Once more, frost will trace its patterns,
I'll be haunted once again
By my last year's melancholy,
By that other wintertime.


Once more, I'll be troubled by an
Old unexpiated shame,
And the icy firewood famine
Will press on the window-pane.


But the quiver of intrusion
Through those curtains folds will run.
Measuring silence with your footsteps,
Like the future, in you'll come.


You'll appear there in the doorway
Wearing something white and plain,
Something in the very stuff from
Which the snowflakes too are sewn.

Lo! Winter comes!
She comes across an ocean of sorrow and tears.
Beware! Beware!
She comes from behind the horizon enveloped


in thick mist.
With her advent, alas! in the Ieafy forest
A farewell dirge seems to go round
The parting Day (Ah me!) casts a sad look
Losing as she does-the Evening Star that

lights her path.
See! Winter sets in -
She represents the sadness of the year's

journey, a loss of Eternity,
The farewell season of ripe paddy,

the dread of new arrival-
Beware! Beware! She is come! -
Dry breath, and Oh! the choked voice

of a farewell deeply laden with tears -

Arise, wayfarer! Thou hast to cover
a long distance casting a sad look
from thy black eyes.

[Translation: Abdul Hakim]

The snow will dust the roadway,
And load the roofs still more.
I'll stretch my legs a little:
You're there outside the door.


Autumn, not winter coat,
Hat-none, galoshes-none.
You struggle with excitement
Out there all on your own.


Far, far into the darkness
Fences and trees withdraw.
You stand there on the corner,
Under the falling snow.


The water trickles down from
The kerchief that you wear
Into your sleeves, while dewdrops
Shine sparkling in your hair.


And now illumined by
A single strand of light
Are features, kerchief, figure
And coat of autumn cut.


There's wet snow on your lashes
And in your eyes, distress,
And your external image
Is all, all of apiece.


As if an iron point
With truly consummate art,
Dipped into antimony,
Had scribed you on my heart.


Those modest, humble features
Are in it now to stay,
And if the world's cruel-hearted,
That's merely by the way.


And therefore it is doubled,
All this night in snow;
To draw frontiers between us
Is more than I can do.


But who are we and whence,
If, of those years gone by,
Scandal alone remains
And we have ceased to be.

Half of the world is dark.
The other ha
If has light -
It heralds the dawn of
Someone's sorrowful night.


Half is hard earth,
The other half is water;
Half is full of thorn,
The other half is flower.


Half is melody,
The other half is wine,
Half abounds in hope -
Lonely hearts pine.


Half remains hidden,
The other half is known;
Half is full of love,
The other half disown.


Half of it is dawn,
The other half is twilight-
Half of it is dew,
And a moiety sunlight.


[Translation: Syed Mujibul Huq]

WITH BLACKEST moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.

The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch

Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.

After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,

And glanced athwart the glooming flats.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low

Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn

About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.

Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark

The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"


And ever when the moon was low,
And the shrill winds were up and away
In the white curtain, to and fro,
She saw the gusty shadow sway.

But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell

Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,

Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,

Old voices call'd her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound

Her sense; but most she loath'd the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day

Was sloping toward his western bower.
Then, said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
O God, that I were dead!"
.

Some days I feel a sadness not of grief
The shadows lengthen on the earth's relief
Salinas flows by like a silver shawl
A girl waves from the mission wall.

"Clunton and Clunbury,
Clungunford and Clun,
Are the quietest places
Under the sun."


In valleys of springs and rivers,
By Ony and Teme and Clun,
The country for easy livers,
The quietest under the sun,


We still had sorrows to lighten,
One could not be always glad,
And lads knew trouble at Knighton
When I was a Knighton lad.


By bridges that Thames runs under,
In London, the town built ill,
'Tis sure small matter for wonder
If sorrow is with one still.


And if as a lad grows older
The troubles he bears are more,
He carries his griefs on a shoulder
That handselled them long before.


Where shall one halt to deliver
This luggage I'd lief set down?
Not Thames, not Teme is the river,
Nor London nor Knighton the town:


'Tis a long way further than Knighton,
A quieter place than Clun,
Where doomsday may thunder and lighten
And little 'twill matter to one.

If I should learn, in some quite casual way,
That you were gone, not to return again—
Read from the back-page of a paper, say,
Held by a neighbor in a subway train,
How at the corner of this avenue
And such a street (so are the papers filled)
A hurrying man—who happened to be you—
At noon to-day had happened to be killed,
I should not cry aloud—I could not cry
Aloud, or wring my hands in such a place—

I should but watch the station lights rush by
With a more careful interest on my face,
Or raise my eyes and read with greater care


Where to store furs and how to treat the hair.

The first bud of love withers away at the first moment of meeting;
He did not heed her pleas, but flew into the deep woods.
The spring air blooms all flowers,
Alas! my flower wilts away;
Every home lights up, but my lamp flickers away at twilight
Garland of wild flowers cry out around my neck,
I sob in solace rolling in the dusty road like torn ivy.
With intolerable thirst at the mouth of the sea
Fall down on the sandy breast of the shore
Taking me for a smoky cloud, the bird ignores me
I scathe from the fire of your absence.


[Original: Prothom Moner Koli; Translation: Kashfia Billah]

Oh, why should a hen
have been run over
on West 4th Street
in the middle of summer?


She was a white hen
--red-and-white now, of course.
How did she get there?
Where was she going?


Her wing feathers spread
flat, flat in the tar,
all dirtied, and thin
as tissue paper.


A pigeon, yes,
or an English sparrow,
might meet such a fate,
but not that poor fowl.


Just now I went back
to look again.
I hadn't dreamed it:
there is a hen


turned into a quaint
old country saying
scribbled in chalk
(except for the beak).

At my gaze no longer laughs the rose,
At the music of my words no longer blossoms forth the flowers


What is the use of going to the fair
With the garland of the withered smile?
Dose the dark night amaze her disheveled hair
Without looking at the moon for a while?


The southern wind brings the springs yet
But in the garden the nightingale sings no more.
No more does the wild flower in the forest
Dance at the sight of the moon


Something is lost, something is missing,
My heart feels so empty and old.
Ah me, at whose cruel touch
Has my heart grown so cold!


[Translation: Kabir Chowdhury]

My Sorrow, when she's here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.
Her pleasure will not let me stay.
She talks and I am fain to list:
She's glad the birds are gone away,
She's glad her simple worsted grey
Is silver now with clinging mist.
The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.
Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise

I can write the saddest lines tonight.

Write for example: ‘The night is fractured
and they shiver, blue, those stars, in the distance’


The night wind turns in the sky and sings.
I can write the saddest lines tonight.
I loved her, sometimes she loved me too.


On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.


She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.


I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.


Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.


What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.


That is all. Someone sings far off. Far off,
my soul is not content to have lost her.


As though to reach her, my sight looks for her.
My heart looks for her: she is not with me


The same night whitens, in the same branches.
We, from that time, we are not the same.


I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.


Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.


I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.


Since, on these nights, I held her in my arms,
my soul is not content to have lost her.


Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.

Then a woman said, "Speak to us of Joy and Sorrow."
And he answered:
Your joy is your sorrow unmasked.
And the selfsame well from which your laughter rises was oftentimes filled with your
tears.
And how else can it be?
The deeper that sorrow carves into your being, the more joy you can contain.
Is not the cup that hold your wine the very cup that was burned in the potter's oven?
And is not the lute that soothes your spirit, the very wood that was hollowed with
knives?
When you are joyous, look deep into your heart and you shall find it is only that which
has given you sorrow that is giving you joy.
When you are sorrowful look again in your heart, and you shall see that in truth you
are weeping for that which has been your delight.
Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the
greater."
But I say unto you, they are inseparable.
Together they come, and when one sits alone with you at your board, remember that
the other is asleep upon your bed.
Verily you are suspended like scales between your sorrow and your joy.
Only when you are empty are you at standstill and balanced.
When the treasure-keeper lifts you to weigh his gold and his silver, needs must your
joy or your sorrow rise or fall.

A THOUGHT ay like a flower upon mine heart,
And drew around it other thoughts like bees
For multitude and thirst of sweetnesses;
Whereat rejoicing, I desired the art
Of the Greek whistler, who to wharf and mart
Could lure those insect swarms from orange-trees
That I might hive with me such thoughts and please
My soul so, always. foolish counterpart
Of a weak man's vain wishes ! While I spoke,
The thought I called a flower grew nettle-rough
The thoughts, called bees, stung me to festering:
Oh, entertain (cried Reason as she woke)
Your best and gladdest thoughts but long enough,
And they will all prove sad enough to sting !

I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.

Tell me, is the rose naked
Or is that her only dress?


Why do trees conceal
The splendor of their roots?


Who hears the regrets
Of the thieving automobile?


Is there anything in the world sadder
Than a train standing in the rain?

Since now the hour is come at last,
When you must quit your anxious lover;
Since now our dream of bliss is past,
One pang, my girl, and all is over.


Alas! that pang will be severe,
Which bids us part to meet no more;
Which tears me far from one so dear,
Departing for a distant shore.


Well! we have pass'd some happy hours,
And joy will mingle with our tears;
When thinking on these ancient towers,
We shelter of our infant years;


Where from this Gothic casement's height,
We view's the lake, the park, the dell,
And still, though tears obstruct our sight,
We lingering look a last farewell,


O'er fields through which we used to run,
And spend the hours in childish play;
O'er shades where, when our race was done,
Reposing on my breast you lay;


Whilst I, admiring, too remiss,
Forgot to scare the hovering flies,
Yet envied every fly the kiss
It dared to give your slumbering eyes:


See still the little painted bark,
In which I row'd you o'er the lake;
See there, high waving o'er the park,
The elm I clamber'd for your sake.


These times are past — our joys are gone,
You leave me, leave this happy vale;
These scenes I must retrace alone:
Without thee what will they avail?


Who can conceive, who has not proved,
The anguish of a last embrace?
When, torn from all you fondly loved,
You bid a long adieu to peace.


This is the deepest of our woes,
For this these tears our cheeks bedew;
This is of love the final close,
Oh, God! the fondest, last adieu!

. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful OEnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.


'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.


'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.


'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,



Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.


'O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.


'Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own OEnone,
Beautiful-brow'd OEnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
'For the most fair,' would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'


'Dear mother Ida, harken ere I die.
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'


'Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,



This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.


'O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'


'O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom-from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'


'Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.



'`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'


'Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!


'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.


'Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
As she withdrew into the golden cloud,



And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.


'Yet, mother Ida, harken ere I die.
Fairest-why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!


'O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet-from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone OEnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.


'O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.


'O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!



O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.


'O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!-a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!


'O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire.'