Sadness and Melancholy
William Blake
Song: Memory, hither come
Memory, hither come,
And tune your merry notes;
And, while upon the wind
Your music floats,
I'll pore upon the stream
Where sighing lovers dream,
And fish for fancies as they pass
Within the watery glass.
I'll drink of the clear stream,
And hear the linnet's song;
And there I'll lie and dream
The day along:
And, when night comes, I'll go
To places fit for woe,
Walking along the darken'd valley
With silent Melancholy.
And tune your merry notes;
And, while upon the wind
Your music floats,
I'll pore upon the stream
Where sighing lovers dream,
And fish for fancies as they pass
Within the watery glass.
I'll drink of the clear stream,
And hear the linnet's song;
And there I'll lie and dream
The day along:
And, when night comes, I'll go
To places fit for woe,
Walking along the darken'd valley
With silent Melancholy.
370
William Butler Yeats
The Old Men Admiring Themselves In The Water
I HEARD the old, old men say,
'Everything alters,
And one by one we drop away.'
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
'All that's beautiful drifts away
Like the waters.'
'Everything alters,
And one by one we drop away.'
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
'All that's beautiful drifts away
Like the waters.'
369
Carl Sandburg
Honky Tonk in Cleveland, Ohio
It's a jazz affair, drum crashes and coronet razzes.
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
The cartoonists weep in their beer.
Shop riveters talk with their feet
To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
"I got the blues.
I got the blues.
I got the blues."
And . . . as we said earlier:
The cartoonists weep in their beer.
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
The cartoonists weep in their beer.
Shop riveters talk with their feet
To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
"I got the blues.
I got the blues.
I got the blues."
And . . . as we said earlier:
The cartoonists weep in their beer.
362
Dorothy Parker
The Trifler
Death's the lover that I'd be taking;
Wild and fickle and fierce is he.
Small's his care if my heart be breaking-
Gay young Death would have none of me.
Hear them clack of my haste to greet him!
No one other my mouth had kissed.
I had dressed me in silk to meet him-
False young Death would not hold the tryst.
Slow's the blood that was quick and stormy,
Smooth and cold is the bridal bed;
I must wait till he whistles for me-
Proud young Death would not turn his head.
I must wait till my breast is wilted.
I must wait till my back is bowed,
I must rock in the corner, jilted-
Death went galloping down the road.
Gone's my heart with a trifling rover.
Fine he was in the game he played-
Kissed, and promised, and threw me over,
And rode away with a prettier maid.
Wild and fickle and fierce is he.
Small's his care if my heart be breaking-
Gay young Death would have none of me.
Hear them clack of my haste to greet him!
No one other my mouth had kissed.
I had dressed me in silk to meet him-
False young Death would not hold the tryst.
Slow's the blood that was quick and stormy,
Smooth and cold is the bridal bed;
I must wait till he whistles for me-
Proud young Death would not turn his head.
I must wait till my breast is wilted.
I must wait till my back is bowed,
I must rock in the corner, jilted-
Death went galloping down the road.
Gone's my heart with a trifling rover.
Fine he was in the game he played-
Kissed, and promised, and threw me over,
And rode away with a prettier maid.
360
Edgar Allan Poe
A Dream
In visions of the dark night
I have dreamed of joy departed
But
a waking dream of life and light
Hath left me broken-hearted.
Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray
Turned back upon the past?
That holy dream- that holy dream,
While all the world were chiding,
Hath cheered me as a lovely beam
A lonely spirit guiding.
What though that light, thro' storm and night,
So trembled from afar
What
could there be more purely bright
In Truth's day-star?
I have dreamed of joy departed
But
a waking dream of life and light
Hath left me broken-hearted.
Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray
Turned back upon the past?
That holy dream- that holy dream,
While all the world were chiding,
Hath cheered me as a lovely beam
A lonely spirit guiding.
What though that light, thro' storm and night,
So trembled from afar
What
could there be more purely bright
In Truth's day-star?
360
Boris Pasternak
It's spring, I leave a street where poplars...
It's spring, I leave a street where poplars are astonished,
Where distance is alarmed and the house fears it may fall.
Where air is blue just like the linen bundle
A discharged patient takes from hospital,
Where dusk is empty, like a broken tale,
Abandoned by a star, without conclusion,
So that expressionless, unfathomable,
A thousand clamouring eyes are in confusion.
Where distance is alarmed and the house fears it may fall.
Where air is blue just like the linen bundle
A discharged patient takes from hospital,
Where dusk is empty, like a broken tale,
Abandoned by a star, without conclusion,
So that expressionless, unfathomable,
A thousand clamouring eyes are in confusion.
356
Wallace Stevens
The Man Whose Pharynx Was Bad
The time of year has grown indifferent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.
The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.
The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian
Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;
One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.
The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.
The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian
Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;
One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.
357
Dorothy Parker
Little Words
When you are gone, there is nor bloom nor leaf,
Nor singing sea at night, nor silver birds;
And I can only stare, and shape my grief
In little words.
I cannot conjure loveliness, to drown
The bitter woe that racks my cords apart.
The weary pen that sets my sorrow down
Feeds at my heart.
There is no mercy in the shifting year,
No beauty wraps me tenderly about.
I turn to little words- so you, my dear,
Can spell them out.
Nor singing sea at night, nor silver birds;
And I can only stare, and shape my grief
In little words.
I cannot conjure loveliness, to drown
The bitter woe that racks my cords apart.
The weary pen that sets my sorrow down
Feeds at my heart.
There is no mercy in the shifting year,
No beauty wraps me tenderly about.
I turn to little words- so you, my dear,
Can spell them out.
354
Dorothy Parker
Distance
Were you to cross the world, my dear,
To work or love or fight,
I could be calm and wistful here,
And close my eyes at night.
It were a sweet and gallant pain
To be a sea apart;
But, oh, to have you down the lane
Is bitter to my heart.
To work or love or fight,
I could be calm and wistful here,
And close my eyes at night.
It were a sweet and gallant pain
To be a sea apart;
But, oh, to have you down the lane
Is bitter to my heart.
354
James Whitcomb Riley
A Christmas Memory
Pa he bringed me here to stay
'Til my Ma she's well.--An' nen
He's go' hitch up, Chris'mus-day,
An' come take me back again
Wher' my Ma's at! Won't I be
Tickled when he comes fer me!
My Ma an' my A'nty they
'Uz each-uvver's sisters. Pa-A'nty
telled me, th' other day,--
He comed here an' married Ma....
A'nty said nen, 'Go run play,
I must work now!' ... An' I saw,
When she turn' her face away,
She 'uz cryin'.--An' nen I
'Tend-like I 'run play'--an' cry.
This-here house o' A'nty's wher'
They 'uz borned--my Ma an' her!--
An' her Ma 'uz my Ma's Ma,
An' her Pa 'uz my Ma's Pa-
Ain't that funny?--An' they're dead:
An' this-here's 'th' ole Homestead.'--
An' my A'nty said, an' cried,
It's mine, too, ef my Ma died-Don't
know what she mean--'cause my
Ma she's nuvver go' to die!
When Pa bringed me here 't 'uz night-'
Way dark night! An' A'nty spread
Me a piece--an' light the light
An' say I must go to bed.--
I cry not to---but Pa said,
'Be good boy now, like you telled
Mommy 'at you're go' to be!'
An', when he 'uz kissin' me
My good night, his cheeks' all wet
An' taste salty.--An' he held
Wite close to me an' rocked some
An' langhed-like--'til A'nty come
Git me while he's rockin' yet.
A'nty he'p me, 'til I be
Purt'-nigh strip-pud--nen hug me
In bofe arms an' lif' me 'way
Up in her high bed--an' pray
Wiv me,--'bout my Ma--an' Pa--
An' ole Santy Claus--an' Sleigh--
An' Reindeers an' little Drum--
Yes, an' Picture-books, 'Tom Thumb,'
An' 'Three Bears,' an' ole 'Fee-Faw'-
Yes, an' 'Tweedle-Dee' an' 'Dum,'
An' 'White Knight' an' 'Squidjicum,'
An' most things you ever saw!--
An' when A'nty kissed me, she
'Uz all cryin' over me!
Don't want Santy Claus--ner things
Any kind he ever brings!-Don't
want A'nty!--Don't want Pa!--
I ist only want my Ma!
'Til my Ma she's well.--An' nen
He's go' hitch up, Chris'mus-day,
An' come take me back again
Wher' my Ma's at! Won't I be
Tickled when he comes fer me!
My Ma an' my A'nty they
'Uz each-uvver's sisters. Pa-A'nty
telled me, th' other day,--
He comed here an' married Ma....
A'nty said nen, 'Go run play,
I must work now!' ... An' I saw,
When she turn' her face away,
She 'uz cryin'.--An' nen I
'Tend-like I 'run play'--an' cry.
This-here house o' A'nty's wher'
They 'uz borned--my Ma an' her!--
An' her Ma 'uz my Ma's Ma,
An' her Pa 'uz my Ma's Pa-
Ain't that funny?--An' they're dead:
An' this-here's 'th' ole Homestead.'--
An' my A'nty said, an' cried,
It's mine, too, ef my Ma died-Don't
know what she mean--'cause my
Ma she's nuvver go' to die!
When Pa bringed me here 't 'uz night-'
Way dark night! An' A'nty spread
Me a piece--an' light the light
An' say I must go to bed.--
I cry not to---but Pa said,
'Be good boy now, like you telled
Mommy 'at you're go' to be!'
An', when he 'uz kissin' me
My good night, his cheeks' all wet
An' taste salty.--An' he held
Wite close to me an' rocked some
An' langhed-like--'til A'nty come
Git me while he's rockin' yet.
A'nty he'p me, 'til I be
Purt'-nigh strip-pud--nen hug me
In bofe arms an' lif' me 'way
Up in her high bed--an' pray
Wiv me,--'bout my Ma--an' Pa--
An' ole Santy Claus--an' Sleigh--
An' Reindeers an' little Drum--
Yes, an' Picture-books, 'Tom Thumb,'
An' 'Three Bears,' an' ole 'Fee-Faw'-
Yes, an' 'Tweedle-Dee' an' 'Dum,'
An' 'White Knight' an' 'Squidjicum,'
An' most things you ever saw!--
An' when A'nty kissed me, she
'Uz all cryin' over me!
Don't want Santy Claus--ner things
Any kind he ever brings!-Don't
want A'nty!--Don't want Pa!--
I ist only want my Ma!
353
Edgar Allan Poe
The City In The Sea
Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters he.
No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently
Gleams
up the pinnacles far and free
Up
domes- up spires- up kingly halls
Up
fanes- up Babylon-like walls
Up
shadowy long-forgotten bowers
Of sculptured ivy and stone flowers
Up
many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.
There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol's diamond eye
Not
the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass
No
swellings tell that winds may be
Upon some far-off happier sea
No
heavings hint that winds have been
On seas less hideously serene.
But lo, a stir is in the air!
The wave- there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide
As
if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow
The
hours are breathing faint and low
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.
In a strange city lying alone
Far down within the dim West,
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers
(Time-eaten towers that tremble not!)
Resemble nothing that is ours.
Around, by lifting winds forgot,
Resignedly beneath the sky
The melancholy waters he.
No rays from the holy heaven come down
On the long night-time of that town;
But light from out the lurid sea
Streams up the turrets silently
Gleams
up the pinnacles far and free
Up
domes- up spires- up kingly halls
Up
fanes- up Babylon-like walls
Up
shadowy long-forgotten bowers
Of sculptured ivy and stone flowers
Up
many and many a marvellous shrine
Whose wreathed friezes intertwine
The viol, the violet, and the vine.
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.
There open fanes and gaping graves
Yawn level with the luminous waves;
But not the riches there that lie
In each idol's diamond eye
Not
the gaily-jewelled dead
Tempt the waters from their bed;
For no ripples curl, alas!
Along that wilderness of glass
No
swellings tell that winds may be
Upon some far-off happier sea
No
heavings hint that winds have been
On seas less hideously serene.
But lo, a stir is in the air!
The wave- there is a movement there!
As if the towers had thrust aside,
In slightly sinking, the dull tide
As
if their tops had feebly given
A void within the filmy Heaven.
The waves have now a redder glow
The
hours are breathing faint and low
And when, amid no earthly moans,
Down, down that town shall settle hence,
Hell, rising from a thousand thrones,
Shall do it reverence.
352
Dorothy Parker
Interior
Her mind lives in a quiet room,
A narrow room, and tall,
With pretty lamps to quench the gloom
And mottoes on the wall.
There all the things are waxen neat
And set in decorous lines;
And there are posies, round and sweet,
And little, straightened vines.
Her mind lives tidily, apart
From cold and noise and pain,
And bolts the door against her heart,
Out wailing in the rain.
A narrow room, and tall,
With pretty lamps to quench the gloom
And mottoes on the wall.
There all the things are waxen neat
And set in decorous lines;
And there are posies, round and sweet,
And little, straightened vines.
Her mind lives tidily, apart
From cold and noise and pain,
And bolts the door against her heart,
Out wailing in the rain.
348
Edna St. Vincent Millay
If Still Your Orchards Bear
Brother, that breathe the August air
Ten thousand years from now,
And smell—if still your orchards bear
Tart apples on the bough—
The early windfall under the tree,
And see the red fruit shine,
I cannot think your thoughts will be
Much different from mine.
Should at that moment the full moon
Step forth upon the hill,
And memories hard to bear at noon,
By moonlight harder still,
Form in the shadow of the trees, —
Things that you could not spare
And live, or so you thought, yet these
All gone, and you still there,
A man no longer what he was,
Nor yet the thing he'd planned,
The chilly apple from the grass
Warmed by your living hand—
I think you will have need of tears;
I think they will not flow;
Supposing in ten thousand years
Men ache, as they do now.
Ten thousand years from now,
And smell—if still your orchards bear
Tart apples on the bough—
The early windfall under the tree,
And see the red fruit shine,
I cannot think your thoughts will be
Much different from mine.
Should at that moment the full moon
Step forth upon the hill,
And memories hard to bear at noon,
By moonlight harder still,
Form in the shadow of the trees, —
Things that you could not spare
And live, or so you thought, yet these
All gone, and you still there,
A man no longer what he was,
Nor yet the thing he'd planned,
The chilly apple from the grass
Warmed by your living hand—
I think you will have need of tears;
I think they will not flow;
Supposing in ten thousand years
Men ache, as they do now.
341
Henry Van Dyke
The Black Birds
I
Once, only once, I saw it clear, --
That Eden every human heart has dreamed
A hundred times, but always far away!
Ah, well do I remember how it seemed,
Through the still atmosphere
Of that enchanted day,
To lie wide open to my weary feet:
A little land of love and joy and rest,
With meadows of soft green,
Rosy with cyclamen, and sweet
With delicate breath of violets unseen, --
And, tranquil 'mid the bloom
As if it waited for a coming guest,
A little house of peace and joy and love
Was nested like a snow-white dove
From the rough mountain where I stood,
Homesick for happiness,
Only a narrow valley and a darkling wood
To cross, and then the long distress
Of solitude would be forever past, --
I should be home at last.
But not too soon! oh, let me linger here
And feed my eyes, hungry with sorrow,
On all this loveliness, so near,
And mine to-morrow!
Then, from the wood, across the silvery blue,
A dark bird flew,
Silent, with sable wings.
Close in his wake another came, --
Fragments of midnight floating through
The sunset flame, --
Another and another, weaving rings
Of blackness on the primrose sky, --
Another, and another, look, a score,
A hundred, yes, a thousand rising heavily
From that accursed, dumb, and ancient wood, --
They boiled into the lucid air
Like smoke from some deep caldron of despair!
And more, and more, and ever more,
The numberless, ill-omened brood,
Flapping their ragged plumes,
Possessed the landscape and the evening light
With menaces and glooms.
Oh, dark, dark, dark they hovered o'er the place
Where once I saw the little house so white
Amid the flowers, covering every trace
Of beauty from my troubled sight, --
And suddenly it was night!
II
At break of day I crossed the wooded vale;
And while the morning made
A trembling light among the tree-tops pale,
I saw the sable birds on every limb,
Clinging together closely in the shade,
And croaking placidly their surly hymn.
But, oh, the little land of peace and love
That those night-loving wings had poised above, --
Where was it gone?
Lost, lost forevermore!
Only a cottage, dull and gray,
In the cold light of dawn,
With iron bars across the door:
Only a garden where the withering heads
Of flowers, presaging decay,
Hung over barren beds:
Only a desolate field that lay
Untilled beneath the desolate day, --
Where Eden seemed to bloom I found but these!
So, wondering, I passed along my way,
With anger in my heart, too deep for words,
Against that grove of evil-sheltering trees,
And the black magic of the croaking birds.
Once, only once, I saw it clear, --
That Eden every human heart has dreamed
A hundred times, but always far away!
Ah, well do I remember how it seemed,
Through the still atmosphere
Of that enchanted day,
To lie wide open to my weary feet:
A little land of love and joy and rest,
With meadows of soft green,
Rosy with cyclamen, and sweet
With delicate breath of violets unseen, --
And, tranquil 'mid the bloom
As if it waited for a coming guest,
A little house of peace and joy and love
Was nested like a snow-white dove
From the rough mountain where I stood,
Homesick for happiness,
Only a narrow valley and a darkling wood
To cross, and then the long distress
Of solitude would be forever past, --
I should be home at last.
But not too soon! oh, let me linger here
And feed my eyes, hungry with sorrow,
On all this loveliness, so near,
And mine to-morrow!
Then, from the wood, across the silvery blue,
A dark bird flew,
Silent, with sable wings.
Close in his wake another came, --
Fragments of midnight floating through
The sunset flame, --
Another and another, weaving rings
Of blackness on the primrose sky, --
Another, and another, look, a score,
A hundred, yes, a thousand rising heavily
From that accursed, dumb, and ancient wood, --
They boiled into the lucid air
Like smoke from some deep caldron of despair!
And more, and more, and ever more,
The numberless, ill-omened brood,
Flapping their ragged plumes,
Possessed the landscape and the evening light
With menaces and glooms.
Oh, dark, dark, dark they hovered o'er the place
Where once I saw the little house so white
Amid the flowers, covering every trace
Of beauty from my troubled sight, --
And suddenly it was night!
II
At break of day I crossed the wooded vale;
And while the morning made
A trembling light among the tree-tops pale,
I saw the sable birds on every limb,
Clinging together closely in the shade,
And croaking placidly their surly hymn.
But, oh, the little land of peace and love
That those night-loving wings had poised above, --
Where was it gone?
Lost, lost forevermore!
Only a cottage, dull and gray,
In the cold light of dawn,
With iron bars across the door:
Only a garden where the withering heads
Of flowers, presaging decay,
Hung over barren beds:
Only a desolate field that lay
Untilled beneath the desolate day, --
Where Eden seemed to bloom I found but these!
So, wondering, I passed along my way,
With anger in my heart, too deep for words,
Against that grove of evil-sheltering trees,
And the black magic of the croaking birds.
343
James Whitcomb Riley
The Boys
Where are they?--the friends of my childhood enchanted--
The clear, laughing eyes looking back in my own,
And the warm, chubby fingers my palms have so wanted,
As when we raced over
Pink pastures of clover,
And mocked the quail's whir and the bumblebee's drone?
Have the breezes of time blown their blossomy faces
Forever adrift down the years that are flown?
Am I never to see them romp back to their places,
Where over the meadow,
In sunshine and shadow,
The meadow-larks trill, and the bumblebees drone?
Where are they? Ah! dim in the dust lies the clover;
The whippoorwill's call has a sorrowful tone,
And the dove's--I have wept at it over and over;--
I want the glad luster
Of youth, and the cluster
Of faces asleep where the bumblebees drone!
The clear, laughing eyes looking back in my own,
And the warm, chubby fingers my palms have so wanted,
As when we raced over
Pink pastures of clover,
And mocked the quail's whir and the bumblebee's drone?
Have the breezes of time blown their blossomy faces
Forever adrift down the years that are flown?
Am I never to see them romp back to their places,
Where over the meadow,
In sunshine and shadow,
The meadow-larks trill, and the bumblebees drone?
Where are they? Ah! dim in the dust lies the clover;
The whippoorwill's call has a sorrowful tone,
And the dove's--I have wept at it over and over;--
I want the glad luster
Of youth, and the cluster
Of faces asleep where the bumblebees drone!
338
Ella Wheeler Wilcox
The Pessimist
The pessimist locust, last to leaf,
Though all the world is glad, still talks of grief.
Though all the world is glad, still talks of grief.
332
Edna St. Vincent Millay
Sorrow
Sorrow like a ceaseless rain
Beats upon my heart.
People twist and scream in pain,—
Dawn will find them still again;
This has neither wax nor wane,
Neither stop nor start.
People dress and go to town;
I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown
Or what shoes I wear.
Beats upon my heart.
People twist and scream in pain,—
Dawn will find them still again;
This has neither wax nor wane,
Neither stop nor start.
People dress and go to town;
I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown
Or what shoes I wear.
330
Emily Dickinson
There's something quieter than sleep
There's something quieter than sleep
Within this inner room!
It wears a sprig upon its breast-
And will not tell its name.
Some touch it, and some kiss it-
Some chafe its idle hand-
It has a simple gravity
I do not understand!
I would not weep if I were they-
How rude in one to sob!
Might scare the quiet fairy
Back to her native wood!
While simple-hearted neighbors
Chat of the "Early dead"We-
prone to periphrasis
Remark that Birds have fled!
Within this inner room!
It wears a sprig upon its breast-
And will not tell its name.
Some touch it, and some kiss it-
Some chafe its idle hand-
It has a simple gravity
I do not understand!
I would not weep if I were they-
How rude in one to sob!
Might scare the quiet fairy
Back to her native wood!
While simple-hearted neighbors
Chat of the "Early dead"We-
prone to periphrasis
Remark that Birds have fled!
325
Carl Sandburg
Mill-Doors
You never come back.
I say good-by when I see you going in the doors,
The hopeless open doors that call and wait
And take you then for—how many cents a day?
How many cents for the sleepy eyes and fingers?
I say good-by because I know they tap your wrists,
In the dark, in the silence, day by day,
And all the blood of you drop by drop,
And you are old before you are young.
You never come back.
I say good-by when I see you going in the doors,
The hopeless open doors that call and wait
And take you then for—how many cents a day?
How many cents for the sleepy eyes and fingers?
I say good-by because I know they tap your wrists,
In the dark, in the silence, day by day,
And all the blood of you drop by drop,
And you are old before you are young.
You never come back.
322
Dorothy Parker
Purposely Ungrammatical Love Song
There's many and many, and not so far,
Is willing to dry my tears away;
There's many to tell me what you are,
And never a lie to all they say.
It's little the good to hide my head,
It's never the use to bar my door;
There's many as counts the tears I shed,
There's mourning hearts for my heart is
There's honester eyes than your blue eyes,
There's better a mile than such as you.
But when did I say that I was wise,
And when did I hope that you were true?
Is willing to dry my tears away;
There's many to tell me what you are,
And never a lie to all they say.
It's little the good to hide my head,
It's never the use to bar my door;
There's many as counts the tears I shed,
There's mourning hearts for my heart is
There's honester eyes than your blue eyes,
There's better a mile than such as you.
But when did I say that I was wise,
And when did I hope that you were true?
323
Dylan Thomas
Clown in the Moon
My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.
I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.
I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.
324
Dorothy Parker
Summary
Every love's the love before
In a duller dress.
That's the measure of my lore
Here's
my bitterness:
Would I knew a little more,
Or very much less!
In a duller dress.
That's the measure of my lore
Here's
my bitterness:
Would I knew a little more,
Or very much less!
324
Spike Milligan
Feelings
There must be a wound!
No one can be this hurt
and not bleed.
How could she injure me so?
No marks
No bruise
Worse!
People say 'My, you're looking well'
.....God help me!
She's mummified me -
ALIVE!
No one can be this hurt
and not bleed.
How could she injure me so?
No marks
No bruise
Worse!
People say 'My, you're looking well'
.....God help me!
She's mummified me -
ALIVE!
317
Emily Dickinson
It don't sound so terrible—quite—as it did
It don't sound so terrible—quite—as it did—
I run it over—"Dead", Brain, "Dead."
Put it in Latin—left of my school—
Seems it don't shriek so—under rule.
Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say "When Tomorrow comes this way—
I shall have waded down one Day."
I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—
It's shrewder then
Put the Thought in advance—a Year—
How like "a fit"—then—
Murder—wear!
I run it over—"Dead", Brain, "Dead."
Put it in Latin—left of my school—
Seems it don't shriek so—under rule.
Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say "When Tomorrow comes this way—
I shall have waded down one Day."
I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—
It's shrewder then
Put the Thought in advance—a Year—
How like "a fit"—then—
Murder—wear!
315