Poems List

The Decision

The Decision

Said she: 'Although my husband Jim
Is with his home content,

I never should have married him,
We are so different.

Oh yes, I know he loves me well,
Our children he adores;

But he's so dull, and I rebel
Against a life that bores.

'Of course there is another man,
Quite pennyless is he;

And yet with hope and joy we plan
A home beyond the sea.

Though I forfeit the name of wife
And neighbours ostracise,
Such happiness will crown our life
Their censure we'll despise.

'But then what will my children think,
Whose love is pure and true?'

Said I: 'Your memory will stink
If they should speak of you.

Your doting Jim will curse your name,
And if you make a mess

Of life, oh do not in your shame
Dare hope for happiness.'

Well, still with Jim she lives serene,
And has of kiddies three.

'Oh what a fool I might have been
To leave my home,' says she.

'Of course Jim is a priceless bore,
But he's so sweet to me . . .

Come darling won't you let me pour
Another cup of tea?'
202

The Cow-Juice Cure

The Cow-Juice Cure

The clover was in blossom, an' the year was at the June,
When Flap-jack Billy hit the town, likewise O'Flynn's saloon.
The frost was on the fodder an' the wind was growin' keen,
When Billy got to seein' snakes in Sullivan's shebeen.


Then in meandered Deep-hole Dan, once comrade of the cup:
"Oh Billy, for the love of Mike, why don't ye sober up?
I've got the gorgus recipay, 'tis smooth an' slick as silk --
Jest quit yer strangle-holt on hooch, an' irrigate with milk.
Lackteeal flooid is the lubrication you require;
Yer nervus frame-up's like a bunch of snarled piano wire.
You want to get it coated up with addypose tishoo,
So's it will work elastic-like, an' milk's the dope for you."


Well, Billy was complyable, an' in a month it's strange,
That cow-juice seemed to oppyrate a most amazin' change.
"Call up the water-wagon, Dan, an' book my seat," sez he.
"'Tis mighty queer," sez Deep-hole Dan, "'twas just the same with
me."
They shanghaied little Tim O'Shane, they cached him safe away,
An' though he objurgated some, they "cured" him night an' day;
An' pretty soon there came the change amazin' to explain:
"I'll never take another drink," sez Timothy O'Shane.
They tried it out on Spike Muldoon, that toper of renown;
They put it over Grouch McGraw, the terror of the town.
They roped in "tanks" from far and near, an' every test was sure,
An' like a flame there ran the fame of Deep-hole's Cow-juice Cure.


"It's mighty queer," sez Deep-hole Dan, "I'm puzzled through and through;
It's only milk from Riley's ranch, no other milk will do."
An' it jest happened on that night with no predictive plan,
He left some milk from Riley's ranch a-settin' in a pan;
An' picture his amazement when he poured that milk next day --
There in the bottom of the pan a dozen "colours" lay.


"Well, what d'ye know 'bout that," sez Dan; "Gosh ding my dasted eyes,
We've been an' had the Gold Cure, Bill, an' none of us was wise.
The milk's free-millin' that's a cinch; there's colours everywhere.
Now, let us figger this thing out -- how does the dust git there?
`Gold from the grass-roots down', they say -- why, Bill! we've got it cold --
Them cows what nibbles up the grass, jest nibbles up the gold.
We're blasted, bloomin' millionaires; dissemble an' lie low:
We'll follow them gold-bearin' cows, an' prospect where they go."


An' so it came to pass, fer weeks them miners might be found
A-sneakin' round on Riley's ranch, an' snipin' at the ground;
Till even Riley stops an' stares, an' presently allows:
"Them boys appear to take a mighty interest in cows."
An' night an' day they shadowed each auriferous bovine,
An' panned the grass-roots on their trail, yet nivver gold they seen.


An' all that season, secret-like, they worked an' nothin' found;



An' there was colours in the milk, but none was in the ground.
An' mighty desperate was they, an' down upon their luck,
When sudden, inspirationlike, the source of it they struck.
An' where d'ye think they traced it to? it grieves my heart to tell --
In the black sand at the bottom of that wicked milkman's well.
214

The Cuckoo

The Cuckoo

No lyric line I ever penned
The praise this parasitic bird;
And what is more, I don't intend
To write a laudatory word,
Since in my garden robins made
A nest with eggs of dainty spot,
And then a callous cuckoo laid

A lone on on the lot.

Of course the sillies hatched it out
Along with their two tiny chicks,
And there it threw its weight about,
But with the others would not mix.
In fact, it seemed their guts to hate,
And crossly kicked them to the ground,
So that next morning, sorry fate!


Two babes stone dead I found.

These stupid robins, how they strove
To gluttonize that young cuckoo!
And like a prodigy it throve,
And daily greedier it grew.
How it would snap and glup and spit!
Till finally it came to pass,
Growing too big the nest to fit,


It fell out on the grass.

So for a week they fed it there,
As in a nook of turf it lay;
But it was scornful of their care,
for it was twice as big as they.
When lo! one afternoon I heard
A flutelike call: Cuckoo! Cuckoo!
Then suddenly that foulsome bird


Flapped to its feet and flew.

I'm sure it never said goodbye
To its fond foster Pa and Ma,
Though to their desolated sigh
It might have chirruped: "Au revoir."
But no, it went in wanton mood,
Flying the coop for climates new
And so I say: "Ingratitude,


They name's Cuckoo."
232

The Convalescent

The Convalescent

. . . So I walked among the willows very quietly all night;
There was no moon at all, at all; no timid star alight;
There was no light at all, at all; I wint from tree to tree,
And I called him as his mother called, but he nivver answered me.


Oh I called him all the night-time, as I walked the wood alone;
And I listened and I listened, but I nivver heard a moan;
Then I found him at the dawnin', when the sorry sky was red:
I was lookin' for the livin', but I only found the dead.


Sure I know that it was Shamus by the silver cross he wore;
But the bugles they were callin', and I heard the cannon roar.
Oh I had no time to tarry, so I said a little prayer,
And I clasped his hands together, and I left him lyin' there.


Now the birds are singin', singin', and I'm home in Donegal,
And it's Springtime, and I'm thinkin' that I only dreamed it all;
I dreamed about that evil wood, all crowded with its dead,
Where I knelt beside me brother when the battle-dawn was red.


Where I prayed beside me brother ere I wint to fight anew:
Such dreams as these are evil dreams; I can't believe it's true.
Where all is love and laughter, sure it's hard to think of loss . . .
But mother's sayin' nothin', and she clasps -- a silver cross.
212

The Contented Man

The Contented Man

"How good God is to me," he said;
"For have I not a mansion tall,
With trees and lawns of velvet tread,
And happy helpers at my call?
With beauty is my life abrim,
With tranquil hours and dreams apart;
You wonder that I yield to Him
That best of prayers, a grateful heart?"


"How good God is to me," he said;
"For look! though gone is all my wealth,
How sweet it is to earn one's bread
With brawny arms and brimming health.
Oh, now I know the joy of strife!
To sleep so sound, to wake so fit.
Ah yes, how glorious is life!
I thank Him for each day of it."


"How good God is to me," he said;
"Though health and wealth are gone, it's true;
Things might be worse, I might be dead,
And here I'm living, laughing too.
Serene beneath the evening sky
I wait, and every man's my friend;
God's most contented man am I . . .
He keeps me smiling to the End."
189

The Centenarians

The Centenarians

I asked of ancient gaffers three
The way of their ripe living,
And this is what they told to me
Without Misgiving.

The First: 'The why I've lived so long,
To my fond recollection
Is that for women, wine and song
I've had a predilection.
Full many a bawdy stave I've sung
With wenches of my choosing,
But of the joys that kept me young
The best was boozing.'

The Second: 'I'm a sage revered
Because I was a fool

And with the bourgeon of my beard
I kept my ardour cool.
On health I have conserved my hold


By never dissipating:
And that is why a hundred old
I'm celebrating.'

The Third: 'The explanation I
Have been so long a-olding,
Is that to wash I never try,
Despite conjugal scolding.
I hate the sight of soap and so
I seldom change my shirt:
Believe me, Brother, there is no
Preservative like dirt.'

So there you have the reasons three
Why age may you rejoice:
Booze, squalour and temerity,-Well,
you may take your choice.
Yet let me say, although it may
Your egoism hurt,
Of all the three it seems to me
The best is DIRT.
251

The Christmas Tree

The Christmas Tree

In the dark and damp of the alley cold,
Lay the Christmas tree that hadn't been sold;
By a shopman dourly thrown outside;
With the ruck and rubble of Christmas-tide;
Trodden deep in the muck and mire,
Unworthy even to feed a fire...
So I stopped and salvaged that tarnished tree,
And thus is the story it told to me:


"My Mother was Queen of the forest glade,
And proudly I prospered in her shade;
For she said to me: 'When I am dead,
You will be monarch in my stead,
And reign, as I, for a hundred years,
A tower of triumph amid your peers,
When I crash in storm I will yield you space;
Son, you will worthily take my place.'


"So I grew in grace like a happy child,
In the heart of the forest free and wild;
And the moss and the ferns were all about,
And the craintive mice crept in and out;
And a wood-dove swung on my highest twig,
And a chipmunk chattered: 'So big! So big!'
And a shy fawn nibbled a tender shoot,
And a rabbit nibbled under my root...
Oh, I was happy in rain and shine
As I thought of the destiny that was mine!
Then a man with an axe came cruising by
And I knew that my fate was to fall and die.


"With a hundred others he packed me tight,
And we drove to a magic city of light,
To an avenue lined with Christmas trees,
And I thought: may be I'll be one of these,
Tinselled with silver and tricked with gold,
A lovely sight for a child to behold;
A-glitter with lights of every hue,
Ruby and emerald, orange and blue,
And kiddies dancing, with shrieks of glee -
One might fare worse than a Christmas tree.


"So they stood me up with a hundred more
In the blaze of a big department store;
But I thought of the forest dark and still,
And the dew and the snow and the heat and the chill,
And the soft chinook and the summer breeze,
And the dappled deer and the birds and the bees...
I was so homesick I wanted to cry,
But patient I waited for someone to buy.
And some said 'Too big,' and some 'Too small,'
And some passed on saying nothing at all.



Then a little boy cried: Ma, buy that one,'
But she shook her head: 'Too dear, my son."
So the evening came, when they closed the store,
And I was left on the littered floor,
A tree unwanted, despised, unsold,
Thrown out at last in the alley cold."


Then I said: "Don't sorrow; at least you'll be
A bright and beautiful New Year's tree,
All shimmer and glimmer and glow and gleam,
A radiant sight like a fairy dream.
For there is a little child I know,
Who lives in poverty, want and woe;
Who lies abed from morn to night,
And never has known an hour's delight..."


So I stood the tree at the foot of her bed:
"Santa's a little late," I said.
"Poor old chap! Snowbound on the way,
But he's here at last, so let's be gay."
Then she woke from sleep and she saw you there,
And her eyes were love and her lips were prayer.
And her thin little arms were stretched to you
With a yearning joy that they never knew.
She woke from the darkest dark to see
Like a heavenly vision, that Christmas Tree.


Her mother despaired and feared the end,
But from that day she began to mend,
To play, to sing, to laugh with glee...
Bless you, O little Christmas Tree!
You died, but your life was not in vain:
You helped a child to forget her pain,
And let hope live in our hearts again.
221

The Call

The Call

(France, August first, 1914)

Far and near, high and clear,

Hark to the call of War!
Over the gorse and the golden dells,
Ringing and swinging of clamorous bells,
Praying and saying of wild farewells:

War! War! War!

High and low, all must go:

Hark to the shout of War!
Leave to the women the harvest yield;
Gird ye, men, for the sinister field;
A sabre instead of a scythe to wield:

War! Red War!

Rich and poor, lord and boor,

Hark to the blast of War!
Tinker and tailor and millionaire,
Actor in triumph and priest in prayer,
Comrades now in the hell out there,

Sweep to the fire of War!

Prince and page, sot and sage,

Hark to the roar of War!
Poet, professor and circus clown,
Chimney-sweeper and fop o' the town,
Into the pot and be melted down:

Into the pot of War!

Women all, hear the call,

The pitiless call of War!
Look your last on your dearest ones,
Brothers and husbands, fathers, sons:
Swift they go to the ravenous guns,

The gluttonous guns of War.

Everywhere thrill the air

The maniac bells of War.
There will be little of sleeping to-night;
There will be wailing and weeping to-night;
Death's red sickle is reaping to-night:

War! War! War!
179

The Cat With Wings

The Cat With Wings

You never saw a cat with wings,
I'll bet a dollar -- well, I did;
'Twas one of those fantastic things
One runs across in old Madrid.
A walloping big tom it was,
(Maybe of the Angora line),
With silken ears and velvet paws,
And silver hair, superbly fine.


It sprawled upon a crimson mat,
Yet though crowds came to gaze on it,
It was a supercilious cat,
And didn't seem to mind a bit.
It looked at us with dim disdain,
And indolently seemed to sigh:
"There's not another cat in Spain
One half so marvelous as I."


Its owner gently stroked its head,
And tickled it with fingers light.
"Ah no, it cannot fly," he said;
"But see - it has the wings all right."
Then tenderly from off its back
He raised, despite its feline fears,
Appendages that seemed to lack
Vitality - like rabbit's ears.


And then the vision that I had
Of Tabbie soaring through the night,
Quick vanished, and I felt so sad
For that poor pussy's piteous plight.
For though frustration has it stings,
Its mockeries in Hope's despite,
The hell of hells is to have wings
Yet be denied the bliss of flight.
220

The Boola-Boola Maid

The Boola-Boola Maid

In the wilds of Madagascar, Dwelt a Boola-boola maid;
For her hand young men would ask her, But she always was afraid.
Oh that Boola-boola maid She was living in the shade Of a spreading Yum-yum tree;
And - when the day was done At the setting of the sun, She would make this melodee:


As this ditty she was cooing, Came a Boola-boola man;
And he lost no time in wooing; For he punched her on the pan.
Oh that Boola-boola maid She was terribly afraid So he punched her on the eye;
And - then he laugh'd with glee As beneath the Yum-yum tree He - heard that maiden
cry:


Then with shrieks of ribald laughter, Said the Boola-boola man;
"If it's only socks you're after, I will do the best I can.
I have handed you a pair, And I've plenty more to spare," So he socked her on the
nose;
And a woeful maid was she, As beneath the Yum-yum tree, This - lamentation 'rose:


Now the wedding tom-tom's over, for this Boola-boola maid;
And when ev'ning shadows hover, She no longer is afraid.
For she weasrs a palm-leaf pinny And she rocks a pickaninny In the shade of the
Yum-yum tree,
And she's happy with her he-man, Though she still dreams of a She-man, As she sings
this song with glee:


Chorus:
Oh - I don't want my cave-man to caress me,
Oh I don't want no coal-black heads to press me.
All I want is a fellow who wears suspenders,
That'll be the coon to whom this babe surenders.
For the man I wed must have a proper trouseau.
On none of your fig-leaf dudes will make me do so.
For it's funny how I feel, But I'm crazy for socks appeal
And my dream is to marry a man with a pair of socks.
235

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.