Escritas

Poems List

The Hand

The Hand

Throughout my life I see
A guiding hand;
The pitfalls set for me
Were grimly planned.
But always when and where
They opened wide,
Someone who seemed to care
Stood by my side.


When up the pathway dark
I stumbled on,
Afar, ahead a spark
Of guidance shone.
When forked the tragic trail
And sad my plight,
My guardian without fail
Would lead me right.


How merciful a Mind
my life has planned!
Aye, though mine eyes were blind
I touched the Hand;
Though weary ways and wan
My feet have trod,
Always it led me on,
Starways to God.
226

The Great Recall

The Great Recall

I've wearied of so many things
Adored in youthful days;
Music no more my spirit wings,
E'en when Master play.
For stage and screen I have no heart,
Great paintings leave me cold;
Alas! I've lost the love of Art
That raptured me of old.


Only my love of books is left,
Yet that begins to pall;
And if of it I am bereft,
I'll read no more at all.
Then when I am too frail to walk
I'll sit out in the sun,
And there with Nature I will talk . . .
Last friend and dearest one.


For Nature's all in all to me;
My other loves are vain;
Her bosom brought me forth and she
Will take me back again.
So I will let her have her way,
For I've a feeling odd,
Whatever wiser men may say,
That she herself is GOD.
168

The God Of Common-Sense

The God Of Common-Sense

My Daddy used to wallop me for every small offense:
"Its takes a hair-brush back," said he, "to teach kids common-sense."
And still to-day I scarce can look a hair-brush in the face.
Without I want in sympathy to pat a tender place.
For Dad declared with unction: "Spare the brush and spoil the brat."
The dear old man! What e'er his faults he never did do that;
And though a score of years have gone since he departed hence,
I still revere his deity, The God of Common-sense.


How often I have played the ass (Man's universal fate),
Yet always I have saved myself before it was too late;
How often tangled with a dame - you know how these things are,
Yet always had the gumption not to carry on too far;
Remembering that fancy skirts, however high they go,
Are not to be stacked up against a bunch of hard-earned dough;
And sentiment has little weight compared with pounds and pence,
According to the gospel of the God of Common-sense.


Oh blessing on that old hair-brush my Daddy used to whack
With such benign precision on the basement of my back.
Oh blessings on his wisdom, saying: "Son, don't play the fool,
Let prudence be your counselor and reason be your rule.
Don't get romantic notions, always act with judgment calm,
Poetical emotions ain't in practice worth a damn/
let solid comfort be your goal, self-interest your guide. . . ."
Then just as if to emphasize, whack! whack! the brush he plied.
And so I often wonder if my luck is Providence,
or just my humble tribute to the God of Common-sense.
216

The Fool

The Fool

"But it isn't playing the game," he said,
And he slammed his books away;

"The Latin and Greek I've got in my head
Will do for a duller day."

"Rubbish!" I cried; "The bugle's call
Isn't for lads from school."

D'ye think he'd listen? Oh, not at all:
So I called him a fool, a fool.

Now there's his dog by his empty bed,
And the flute he used to play,

And his favourite bat . . . but Dick he's dead,
Somewhere in France, they say:

Dick with his rapture of song and sun,
Dick of the yellow hair,

Dicky whose life had but begun,
Carrion-cold out there.

Look at his prizes all in a row:
Surely a hint of fame.

Now he's finished with, -- nothing to show:
Doesn't it seem a shame?

Look from the window! All you see
Was to be his one day:

Forest and furrow, lawn and lea,
And he goes and chucks it away.

Chucks it away to die in the dark:
Somebody saw him fall,

Part of him mud, part of him blood,
The rest of him -- not at all.

And yet I'll bet he was never afraid,
And he went as the best of 'em go,

For his hand was clenched on his broken blade,
And his face was turned to the foe.

And I called him a fool . . . oh how blind was I!
And the cup of my grief's abrim.

Will Glory o' England ever die
So long as we've lads like him?

So long as we've fond and fearless fools,
Who, spurning fortune and fame,

Turn out with the rallying cry of their schools,
Just bent on playing the game.

A fool! Ah no! He was more than wise.
His was the proudest part.

He died with the glory of faith in his eyes,
And the glory of love in his heart.

And though there's never a grave to tell,
Nor a cross to mark his fall,

Thank God! we know that he "batted well"


In the last great Game of all.
238

The Ghosts

The Ghosts

Said Lenin's ghost to Stalin's ghost:
"Mate with me in the Tomb;
Then day by day the rancid host
May gaze upon our doom.
A crystal casket we will share;
Come, crusty Comrade come,
And we will bear the public stare,
Ad nauseum."
Said Stalin's spook to Lenin's spook:
"Long have you held your place.
The masses must be bored to look
Upon your chemic face.
A change might be a good idear,
And though I pity you,
There is within the Tomb, I fear,
No room for two."

Said Lenin's wraith to Stalin's wraith:
"You're welcome to my job;
Let millions of our mighty faith
Gaze on your noble nob.
So when to goodly earth I've gone,
(And I'll be glad to go),
Your carrion can carry on
Our waxwork show."
229

The Enigma

The Enigma

The Sergeant of a Highland Reg-
Iment was drilling of his men;
With temper notably on edge
He blest them every now and then.
A sweet old lady standing by,
Was looking on with fascination,
And then she dared this question shy,
That pertubates the Celtic nation.


"Oh gentle Sergeant do not scold;
Please tell me, though your tone so curt is:
These bare-legged boys look sadly cold -
Do they wear wool beneath their skirties?
The Sergeant's face grew lobster red,
As one who sends a bloke to blazes . . .
Then: "round about turn, squad," he said;
"Now blast you! bend and pick up daises."
142

The Farmer's Daughter

The Farmer's Daughter

The Rector met a little lass
Who led a heifer by a rope.
Said he: "Why don't you go to Mass?
Do you not want to please the Pope?"


The village maiden made reply,
As on the rope she ceased to pull:
"My father said this morning I
Must take Paquerette to see the bull."


The Rector frowned. ";Tis wrong, I wist
To leave your prayer-book on the shelf.
Your father has a stronger wrist;
Why can't he do the job himself?"


Then lovely in her innocence,
With gaze as pure as meadow pool,
The maid spoke in her sire's defense:
"But Daddy, please your Reverence,
Would rather leave it to the bull."
245

The Duel

The Duel

In Pat Mahoney's booze bazaar the fun was fast and free,
And Ragtime Billy spanked the baby grand;
While caroling a saucy song was Montreal Maree,
With sozzled sourdoughs giving her a hand.
When suddenly erupting in the gay and gilded hall,
A stranger draped himself upon the bar;
As in a voice like bedrock grit he hollered: "Drinks for all,"
And casually lit a long cigar.


He bore a battered stetson on the grizzle of his dome,
And a bunch of inky whiskers on his jaw;
The suddenly I knew the guy - 'twas Black Moran from Nome.
A guinney like greased lightening on the draw.
But no one got his number in that wild and wooly throng,
As they hailed his invitation with eclaw,
And they crowded round the stranger, but I knew something was wrong.
When in there stomped the Sheriff, Red McGraw.


Now Red McGraw from Arkansaw was noted for his spunk;
He had a dozen notches on his gun;
And whether he was sober or whether he was drunk,
He kept the lousy outlaws on the run.
So now he shouts: "Say, boys, there's been a hold-up Hunker Way,
And by this poke I'm throwin' on the bar,
I bet I'll get the bastard braced before another day,
Or send him where a dozen others are."


He banged the bag of gold-dust on the bar for all to see,
When in a lazy drawl the stranger spoke:
"As I'm the man you're lookin' for an feelin' mighty free,
I reckon, Sheriff, I'll jest take yer poke.
It's pleasant meetin' you like this, an' talkin' man to man,
For all the North had heard o' Ref McGraw.
I'm glad to make ye eat yer words, since I am Black Moran,
An' no man livin' beats me on the draw."


And as they boldly bellied, each man's hand was on his rod,
Yet at that dreaded name the Sheriff knew
A single fumbling movement and he'd go to meet his God,
The which he had no great desire to do.
So there they stood like carven wood and hushed was every breath,
We watched them glaring, staring eye to eye;
But neither drew, for either knew a second split meant death -
And so a minute . . . two . . . three three went by.


The sweat pricked on the Sheriff's brow as suddenly he broke
And limp and weak he wilted to the floor;
And then the stranger's hand shot out and grabbed the heavy poke
As jeeringly he backed up to the door.
"Say, folks," he cried, "I'm off downstream; no more of me you'll see,
But let me state the job was pretty raw. . . .
The guy that staged the robbery he thought to pin on me



Was your bastard Sheriff, Red McGraw."
220

The Dream

The Dream

Said Will: "I'll stay and till the land."
Said Jack: "I'll sail the sea."
So one went forth kit-bag in hand,
The other ploughed the lea.


They met again at Christmas-tide,
And wistful were the two.
Said Jack: "you're lucky here to bide."
Said Will: "I envy you."


"For in your eyes a light I see
Of tropic shores agleam."
Said Jack: "You need not envy me,
For still you have the Dream.


"The Dream that lured me out to sea;
'Twas bright as paradise;
Far fairer than the memory
You see within my eyes.


So if my foolish urge you share
In foreign lands to roam,
Take up my kit-bag waiting there
And I will stay at home."


* * * * * * * *

Yet while the years have fated Will
To sow the sober loam,
The eyes of Jack are starry still,
High-riding hills of foam.
231

The Dauber

The Dauber

In stilly grove beside the sea
He mingles colours, measures space;
A bronze and breezy man is he,


Yet peace is in his face.
Behold him stand and longly stare,
Till deft of hand and deep of eye
He captures on a canvas square

The joy of earth and sky.

Aloof from servitude and strife,
From carking care and greed apart,
Beneath the blue he lives his life

Of Nature and of Art.
He grieves his pictures must be sold,
Aye, even when his funds are low,
And fat men pay a purse of gold

He sighs to see them go.

My loving toil is of the pen,
Yet while my verse is not unread,
His pictures will be living when


My tropes are dim and dead.
God gives us talents great and small,
And though my rhymes I'll never rue,
Sometimes I wish that after all

I were a dauber too.
174

Comments (0)

ShareOn Facebook WhatsApp X
Log in to post a comment.

NoComments

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.