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The March Of The Dead

The March Of The Dead

The cruel war was over -- oh, the triumph was so sweet!
We watched the troops returning, through our tears;
There was triumph, triumph, triumph down the scarlet glittering street,
And you scarce could hear the music for the cheers.
And you scarce could see the house-tops for the flags that flew between;
The bells were pealing madly to the sky;
And everyone was shouting for the Soldiers of the Queen,
And the glory of an age was passing by.

And then there came a shadow, swift and sudden, dark and drear;
The bells were silent, not an echo stirred.
The flags were drooping sullenly, the men forgot to cheer;
We waited, and we never spoke a word.
The sky grew darker, darker, till from out the gloomy rack
There came a voice that checked the heart with dread:
"Tear down, tear down your bunting now, and hang up sable black;
They are coming -- it's the Army of the Dead."

They were coming, they were coming, gaunt and ghastly, sad and slow;
They were coming, all the crimson wrecks of pride;
With faces seared, and cheeks red smeared, and haunting eyes of woe,
And clotted holes the khaki couldn't hide.
Oh, the clammy brow of anguish! the livid, foam-flecked lips!
The reeling ranks of ruin swept along!
The limb that trailed, the hand that failed, the bloody finger tips!
And oh, the dreary rhythm of their song!

"They left us on the veldt-side, but we felt we couldn't stop
On this, our England's crowning festal day;
We're the men of Magersfontein, we're the men of Spion Kop,
Colenso -- we're the men who had to pay.
We're the men who paid the blood-price. Shall the grave be all our gain?
You owe us. Long and heavy is the score.
Then cheer us for our glory now, and cheer us for our pain,
And cheer us as ye never cheered before."

The folks were white and stricken, and each tongue seemed weighted with lead;
Each heart was clutched in hollow hand of ice;
And every eye was staring at the horror of the dead,
The pity of the men who paid the price.
They were come, were come to mock us, in the first flush of our peace;
Through writhing lips their teeth were all agleam;
They were coming in their thousands -- oh, would they never cease!
I closed my eyes, and then -- it was a dream.

There was triumph, triumph, triumph down the scarlet gleaming street;
The town was mad; a man was like a boy.
A thousand flags were flaming where the sky and city meet;
A thousand bells were thundering the joy.
There was music, mirth and sunshine; but some eyes shone with regret;
And while we stun with cheers our homing braves,
O God, in Thy great mercy, let us nevermore forget


The graves they left behind, the bitter graves.
159

The Man From Athabaska

The Man From Athabaska

Oh the wife she tried to tell me that 'twas nothing but the thrumming
Of a wood-pecker a-rapping on the hollow of a tree;

And she thought that I was fooling when I said it was the drumming
Of the mustering of legions, and 'twas calling unto me;
'Twas calling me to pull my freight and hop across the sea.

And a-mending of my fish-nets sure I started up in wonder,
For I heard a savage roaring and 'twas coming from afar;

Oh the wife she tried to tell me that 'twas only summer thunder,
And she laughed a bit sarcastic when I told her it was War;
'Twas the chariots of battle where the mighty armies are.

Then down the lake came Half-breed Tom with russet sail a-flying,
And the word he said was "War" again, so what was I to do?

Oh the dogs they took to howling, and the missis took to crying,
As I flung my silver foxes in the little birch canoe:
Yes, the old girl stood a-blubbing till an island hid the view.

Says the factor: "Mike, you're crazy! They have soldier men a-plenty.
You're as grizzled as a badger, and you're sixty year or so."

"But I haven't missed a scrap," says I, "since I was one and twenty.
And shall I miss the biggest? You can bet your whiskers -- no!"
So I sold my furs and started . . . and that's eighteen months ago.

For I joined the Foreign Legion, and they put me for a starter
In the trenches of the Argonne with the Boche a step away;

And the partner on my right hand was an apache from Montmartre;
On my left there was a millionaire from Pittsburg, U. S. A.
(Poor fellow! They collected him in bits the other day.)

But I'm sprier than a chipmunk, save a touch of the lumbago,
And they calls me Old Methoosalah, and `blagues' me all the day.

I'm their exhibition sniper, and they work me like a Dago,
And laugh to see me plug a Boche a half a mile away.
Oh I hold the highest record in the regiment, they say.

And at night they gather round me, and I tell them of my roaming
In the Country of the Crepuscule beside the Frozen Sea,

Where the musk-ox runs unchallenged, and the cariboo goes homing;
And they sit like little children, just as quiet as can be:
Men of every crime and colour, how they harken unto me!

And I tell them of the Furland, of the tumpline and the paddle,
Of secret rivers loitering, that no one will explore;

And I tell them of the ranges, of the pack-strap and the saddle,
And they fill their pipes in silence, and their eyes beseech for more;
While above the star-shells fizzle and the high explosives roar.

And I tell of lakes fish-haunted, where the big bull moose are calling,
And forests still as sepulchres with never trail or track;
And valleys packed with purple gloom, and mountain peaks appalling,
And I tell them of my cabin on the shore at Fond du Lac;


And I find myself a-thinking: Sure I wish that I was back.

So I brag of bear and beaver while the batteries are roaring,
And the fellows on the firing steps are blazing at the foe;

And I yarn of fur and feather when the `marmites' are a-soaring,
And they listen to my stories, seven `poilus' in a row,
Seven lean and lousy poilus with their cigarettes aglow.

And I tell them when it's over how I'll hike for Athabaska;
And those seven greasy poilus they are crazy to go too.

And I'll give the wife the "pickle-tub" I promised, and I'll ask her
The price of mink and marten, and the run of cariboo,
And I'll get my traps in order, and I'll start to work anew.

For I've had my fill of fighting, and I've seen a nation scattered,
And an army swung to slaughter, and a river red with gore,
And a city all a-smoulder, and . . . as if it really mattered,
For the lake is yonder dreaming, and my cabin's on the shore;
And the dogs are leaping madly, and the wife is singing gladly,
And I'll rest in Athabaska, and I'll leave it nevermore.
239

The Lure Of Little Voices

The Lure Of Little Voices

There's a cry from out the loneliness -- oh, listen, Honey, listen!
Do you hear it, do you fear it, you're a-holding of me so?

You're a-sobbing in your sleep, dear, and your lashes, how they glisten -Do
you hear the Little Voices all a-begging me to go?

All a-begging me to leave you. Day and night they're pleading, praying,
On the North-wind, on the West-wind, from the peak and from the plain;

Night and day they never leave me -- do you know what they are saying?
"He was ours before you got him, and we want him once again."

Yes, they're wanting me, they're haunting me, the awful lonely places;
They're whining and they're whimpering as if each had a soul;

They're calling from the wilderness, the vast and God-like spaces,
The stark and sullen solitudes that sentinel the Pole.

They miss my little camp-fires, ever brightly, bravely gleaming
In the womb of desolation, where was never man before;

As comradeless I sought them, lion-hearted, loving, dreaming,
And they hailed me as a comrade, and they loved me evermore.

And now they're all a-crying, and it's no use me denying;
The spell of them is on me and I'm helpless as a child;

My heart is aching, aching, but I hear them, sleeping, waking;
It's the Lure of Little Voices, it's the mandate of the Wild.

I'm afraid to tell you, Honey, I can take no bitter leaving;
But softly in the sleep-time from your love I'll steal away.

Oh, it's cruel, dearie, cruel, and it's God knows how I'm grieving;
But His loneliness is calling, and He knows I must obey.
246

The Lost Master

The Lost Master

"And when I come to die," he said,
"Ye shall not lay me out in state,
Nor leave your laurels at my head,
Nor cause your men of speech orate;
No monument your gift shall be,
No column in the Hall of Fame;
But just this line ye grave for me:


`He played the game.'"

So when his glorious task was done,
It was not of his fame we thought;
It was not of his battles won,
But of the pride with which he fought;
But of his zest, his ringing laugh,
His trenchant scorn of praise or blame:
And so we graved his epitaph,


"He played the game."

And so we, too, in humbler ways
Went forth to fight the fight anew,
And heeding neither blame nor praise,
We held the course he set us true.
And we, too, find the fighting sweet;
And we, too, fight for fighting's sake;
And though we go down in defeat,
And though our stormy hearts may break,
We will not do our Master shame:
We'll play the game, please God,


We'll play the game.
234

The Low-Down White

The Low-Down White

This is the pay-day up at the mines, when the bearded brutes come down;
There's money to burn in the streets to-night, so I've sent my klooch to town,
With a haggard face and a ribband of red entwined in her hair of brown.


And I know at the dawn she'll come reeling home with the bottles, one, two, three --
One for herself, to drown her shame, and two big bottles for me,
To make me forget the thing I am and the man I used to be.


To make me forget the brand of the dog, as I crouch in this hideous place;
To make me forget once I kindled the light of love in a lady's face,
Where even the squalid Siwash now holds me a black disgrace.


Oh, I have guarded my secret well! And who would dream as I speak
In a tribal tongue like a rogue unhung, 'mid the ranch-house filth and reek,
I could roll to bed with a Latin phrase and rise with a verse of Greek?


Yet I was a senior prizeman once, and the pride of a college eight;
Called to the bar -- my friends were true! but they could not keep me straight;
Then came the divorce, and I went abroad and "died" on the River Plate.


But I'm not dead yet; though with half a lung there isn't time to spare,
And I hope that the year will see me out, and, thank God, no one will care --
Save maybe the little slim Siwash girl with the rose of shame in her hair.


She will come with the dawn, and the dawn is near; I can see its evil glow,
Like a corpse-light seen through a frosty pane in a night of want and woe;
And yonder she comes by the bleak bull-pines, swift staggering through the snow.
176

The Living Dead

The Living Dead

Since I have come to years sedate
I see with more and more acumen
The bitter irony of Fate,
The vanity of all things human.
Why, just to-day some fellow said,
As I surveyed Fame's outer portal:
"By gad! I thought that you were dead."
Poor me, who dreamed to be immortal!


But that's the way with many men
Whose name one fancied time-defying;
We thought that they were dust and then
We found them living by their dying.
Like dogs we penmen have our day,
To brief best-sellerdom elected;
And then, "thumbs down," we slink away
And die forgotten and neglected.


Ah well, my lyric fling I've had;
A thousand bits of verse I've minted;
And some, alas! were very bad,
And some, alack! were best unprinted.
But if I've made my muse a bawd
(Since I am earthy as a ditch is),
I'll answer humbly to my God:
Most men at times have toyed with bitches.


Yes, I have played with Lady Rhyme,
And had a long and lovely innings;
And when the Umpire calls my time
I'll blandly quit and take my winnings.
I'll hie me to some Sleepydale,
And feed the ducks and pat the poodles,
And prime my paunch with cakes and ale,
And blether with the village noodles.


And then some day you'll idly scan
The Times obituary column,
And say: "Dear me, the poor old man!"
And for a moment you'll look solemn.
"So all this time he's been alive -
In realms of rhyme a second-rater . . .
But gad! to live to ninety-five:
Let's toast his ghost - a sherry, waiter!"
243

The Logger

The Logger

In the moonless, misty night, with my little pipe alight,
I am sitting by the camp-fire's fading cheer;
Oh, the dew is falling chill on the dim, deer-haunted hill,
And the breakers in the bay are moaning drear.
The toilful hours are sped, the boys are long abed,
And I alone a weary vigil keep;
In the sightless, sullen sky I can hear the night-hawk cry,
And the frogs in frenzied chorus from the creek.

And somehow the embers' glow brings me back the long ago,
The days of merry laughter and light song;
When I sped the hours away with the gayest of the gay
In the giddy whirl of fashion's festal throng.
Oh, I ran a grilling race and I little recked the pace,
For the lust of youth ran riot in my blood;
But at last I made a stand in this God-forsaken land
Of the pine-tree and the mountain and the flood.

And now I've got to stay, with an overdraft to pay,
For pleasure in the past with future pain;
And I'm not the chap to whine, for if the chance were mine
I know I'd choose the old life once again.
With its woman's eyes a-shine, and its flood of golden wine;
Its fever and its frolic and its fun;
The old life with its din, its laughter and its sin -And
chuck me in the gutter when it's done.

Ah, well! it's past and gone, and the memory is wan,
That conjures up each old familiar face;
And here by fortune hurled, I am dead to all the world,
And I've learned to lose my pride and keep my place.
My ways are hard and rough, and my arms are strong and tough,
And I hew the dizzy pine till darkness falls;
And sometimes I take a dive, just to keep my heart alive,
Among the gay saloons and dancing halls.

In the distant, dinful town just a little drink to drown
The cares that crowd and canker in my brain;
Just a little joy to still set my pulses all a-thrill,
Then back to brutish labour once again.
And things will go on so until one day I shall know
That Death has got me cinched beyond a doubt;
Then I'll crawl away from sight, and morosely in the night
My weary, wasted life will peter out.

Then the boys will gather round, and they'll launch me in the ground,
And pile the stones the timber wolf to foil;
And the moaning pine will wave overhead a nameless grave,
Where the black snake in the sunshine loves to coil.
And they'll leave me there alone, and perhaps with softened tone
Speak of me sometimes in the camp-fire's glow,
As a played-out, broken chum, who has gone to Kingdom Come,


And who went the pace in England long ago.
159

The Little Old Log Cabin

The Little Old Log Cabin

When a man gits on his uppers in a hard-pan sort of town,
An' he ain't got nothin' comin' an' he can't afford ter eat,
An' he's in a fix for lodgin' an' he wanders up an' down,
An' you'd fancy he'd been boozin', he's so locoed 'bout the feet;
When he's feelin' sneakin' sorry an' his belt is hangin' slack,
An' his face is peaked an' gray-like an' his heart gits down an' whines,
Then he's apt ter git a-thinkin' an' a-wishin' he was back
In the little ol' log cabin in the shadder of the pines.

When he's on the blazin' desert an' his canteen's sprung a leak,
An' he's all alone an' crazy an' he's crawlin' like a snail,
An' his tongue's so black an' swollen that it hurts him fer to speak,
An' he gouges down fer water an' the raven's on his trail;
When he's done with care and cursin' an' he feels more like to cry,
An' he sees ol' Death a-grinnin' an' he thinks upon his crimes,
Then he's like ter hev' a vision, as he settles down ter die,
Of the little ol' log cabin an' the roses an' the vines.

Oh, the little ol' log cabin, it's a solemn shinin' mark,
When a feller gits ter sinnin' an' a-goin' ter the wall,
An' folks don't understand him an' he's gropin' in the dark,
An' he's sick of bein' cursed at an' he's longin' fer his call!
When the sun of life's a-sinkin' you can see it 'way above,
On the hill from out the shadder in a glory 'gin the sky,
An' your mother's voice is callin', an' her arms are stretched in love,
An' somehow you're glad you're goin', an' you ain't a-scared to die;
When you'll be like a kid again an' nestle to her breast,
An' never leave its shelter, an' forget, an' love, an' rest.
191

The Learner

The Learner

I've learned--Of all the friends I've won
Dame Nature is the best,
And to her like a child I run
Craving her mother breast
To comfort me in soul distress,
And in green glade to find
Far from the world's unloveliness
Pure peace of mind.

I've learned--the worth of simple ways,
And though I've loved to roam,
I know the glow of hearth ablaze,
The bliss of coming home.
I'd rather wear old clothes than new,
I'd rather walk than drive,
And as my wants are oh so few
I joy to be alive.

I've learned--that happiness is all,
A sweetness of the mind;
And would you purge your heart of gall,-Try
being kind.
Then when some weaker one you aid,
Believe it true
'Tis God Himself will make the grade
Less hard for you.
242

The Last Supper

The Last Supper

Marie Vaux of the Painted Lips,
And the mouth so mocking gay,
A wanton you to the finger-tips,
Who break men's hearts in play;
A thing of dust I have striven for,
Honour and manhood given for,
Headlong to ruin driven for,
And this is the last, you say. . . .


Drinking your wine with dainty sips,
Marie Vaux of the Painted Lips.


Marie Vaux of the Painted Lips,
ong have you held your sway;
I have laughed at your merry quips -
Now is my time to pay.
What we sow we must reap again;
When we laugh we must weep again;
So to-night we will sleep again,
Nor wake until Judgement Day. . . .


'Tis a poisoned wine that your palate lips,
Marie Vaux of the Painted Lips.


Marie Vaux of the Painted Lips,
Down on your knees and pray;
Pray your last ere the moment slips,
Pray ere the dark and the terror grips,
And the bright world fades away.
Pray for the peace and the rest of us:
Here comes the Shape in quest of us,
Now we must go away. . . .


You and I in the grave's eclipse,
Marie Vaux of the painted Lips.
121

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.