Poems List

The Passing Of The Year

The Passing Of The Year

My glass is filled, my pipe is lit,
My den is all a cosy glow;
And snug before the fire I sit,
And wait to feel the old year go.
I dedicate to solemn thought
Amid my too-unthinking days,
This sober moment, sadly fraught
With much of blame, with little praise.

Old Year! upon the Stage of Time
You stand to bow your last adieu;
A moment, and the prompter's chime
Will ring the curtain down on you.
Your mien is sad, your step is slow;
You falter as a Sage in pain;
Yet turn, Old Year, before you go,
And face your audience again.

That sphinx-like face, remote, austere,
Let us all read, whate'er the cost:
O Maiden! why that bitter tear?
Is it for dear one you have lost?
Is it for fond illusion gone?
For trusted lover proved untrue?
O sweet girl-face, so sad, so wan
What hath the Old Year meant to you?

And you, O neighbour on my right
So sleek, so prosperously clad!
What see you in that aged wight
That makes your smile so gay and glad?
What opportunity unmissed?
What golden gain, what pride of place?
What splendid hope? O Optimist!
What read you in that withered face?

And You, deep shrinking in the gloom,
What find you in that filmy gaze?
What menace of a tragic doom?
What dark, condemning yesterdays?
What urge to crime, what evil done?
What cold, confronting shape of fear?
O haggard, haunted, hidden One
What see you in the dying year?

And so from face to face I flit,
The countless eyes that stare and stare;
Some are with approbation lit,
And some are shadowed with despair.
Some show a smile and some a frown;
Some joy and hope, some pain and woe:
Enough! Oh, ring the curtain down!


Old weary year! it's time to go.

My pipe is out, my glass is dry;
My fire is almost ashes too;
But once again, before you go,
And I prepare to meet the New:
Old Year! a parting word that's true,
For we've been comrades, you and I --
I thank God for each day of you;
There! bless you now! Old Year, good-bye!
207

The Outlaw

The Outlaw

A wild and woeful race he ran
Of lust and sin by land and sea;
Until, abhorred of God and man,
They swung him from the gallows-tree.
And then he climbed the Starry Stair,
And dumb and naked and alone,
With head unbowed and brazen glare,
He stood before the Judgment Throne.


The Keeper of the Records spoke:
"This man, O Lord, has mocked Thy Name.
The weak have wept beneath his yoke,
The strong have fled before his flame.
The blood of babes is on his sword;
His life is evil to the brim:
Look down, decree his doom, O Lord!
Lo! there is none will speak for him."


The golden trumpets blew a blast
That echoed in the crypts of Hell,
For there was Judgment to be passed,
And lips were hushed and silence fell.
The man was mute; he made no stir,
Erect before the Judgment Seat . . .
When all at once a mongrel cur
Crept out and cowered and licked his feet.


It licked his feet with whining cry.
Come Heav'n, come Hell, what did it care?
It leapt, it tried to catch his eye;
Its master, yea, its God was there.
Then, as a thrill of wonder sped
Through throngs of shining seraphim,
The Judge of All looked down and said:
"Lo! here is ONE who pleads for him.


"And who shall love of these the least,
And who by word or look or deed
Shall pity show to bird or beast,
By Me shall have a friend in need.
Aye, though his sin be black as night,
And though he stand 'mid men alone,
He shall be softened in My sight,
And find a pleader by My Throne.


"So let this man to glory win;
From life to life salvation glean;
By pain and sacrifice and sin,
Until he stand before Me -- clean.
For he who loves the least of these
(And here I say and here repeat)
Shall win himself an angel's pleas



For Mercy at My Judgment Seat."
194

The Ordinary Man

The Ordinary Man

If you and I should chance to meet,
I guess you wouldn't care;
I'm sure you'd pass me in the street
As if I wasn't there;
You'd never look me in the face,
My modest mug to scan,
Because I'm just a commonplace


And Ordinary Man.

But then, it may be, you are too
A guy of every day,
Who does the job he's told to do
And takes the wife his pay;
Who makes a home and kids his care,
And works with pick or pen. . . .
Why, Pal, I guess we're just a pair


Of Ordinary Men.

We plug away and make no fuss,
Our feats are never crowned;
And yet it's common coves like us
Who make the world go round.
And as we steer a steady course
By God's predestined plan,
Hats off to that almighty Force:


THE ORDINARY MAN.
221

The Old Armchair

The Old Armchair

In all the pubs from Troon to Ayr
Grandfather's father would repair
With Bobby Burns, a drouthy pair,

The glass to clink;
And oftenwhiles, when not too "fou,"
They'd roar a bawdy stave or two,
From midnight muk to morning dew,

And drink and drink.

And Grandfather, with eye aglow
And proper pride, would often show
An old armchair where long ago

The Bard would sit;
Reciting there with pawky glee
"The Lass that Made the Bed for Me;"
Or whiles a rhyme about the flea

That ne'er was writ.

Then I would seek the Poet's chair
And plant my kilted buttocks there,
And read with joy the Bard of Ayr

In my own tongue;
The Diel, the Daisy and the Louse
The Hare, the Haggis and the Mouse,
(What fornication and carouse!)

When I was young.

Though Kipling, Hardy, Stevenson
Have each my admiration won,
Today, my rhyme-race almost run,

My fancy turns
To him who did Pegasus prod
For me, Bard of my native sod,
The sinner best-loved of God


Rare Robbie Burns.
197

The Odyssey Of 'Erbert 'Iggins

The Odyssey Of 'Erbert 'Iggins

Me and Ed and a stretcher
Out on the nootral ground.
(If there's one dead corpse, I'll betcher
There's a 'undred smellin' around.)
Me and Eddie O'Brian,

Both of the R. A. M. C.
"It'as a 'ell of a night
For a soul to take flight,"

As Eddie remarks to me.
Me and Ed crawlin' 'omeward,

Thinkin' our job is done,
When sudden and clear,
Wot do we 'ear:

'Owl of a wounded 'Un.

"Got to take 'im," snaps Eddy;

"Got to take all we can.
'E may be a Germ
Wiv the 'eart of a worm,

But, blarst 'im! ain't 'e a man?"
So 'e sloshes out fixin' a dressin'

('E'd always a medical knack),
When that wounded 'Un
'E rolls to 'is gun,

And 'e plugs me pal in the back.

Now what would you do? I arst you.

There was me slaughtered mate.
There was that 'Un
(I'd collered 'is gun),

A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper . . .

'E'd a shiny bald top to 'is 'ead,
But when I got through,
Between me and you,

It was 'orrid and jaggy and red.

"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all."
It's slow and it's sure and it's steady
(Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin',
It's rainin' a perishin' flood,
The bullets are buzzin' and whinin',
And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin';

It's black as a bucket of tar;
Oh, I'm doin' my bit,
But I'm 'avin' a fit,

And I wish I was 'ome wiv Mar.

"Stick on like a plaster, Eddy.


Old sport, you're a-slackin' your grip."
Gord! But I'm crocky already;
My feet, 'ow they slither and slip!
There goes the biff of a bullet.

The Boches have got us for fair.
Another one -- WHUT!
The son of a slut!

'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder?

Gave it a dooce of a wrench.
Is it Eddy or me
Wot's a-bleedin' so free?

Crust! but it's long to the trench.
I ain't just as strong as a Sandow,
And Ed ain't a flapper by far;
I'm blamed if I understand 'ow
We've managed to get where we are.
But 'ere's for a bit of a breather.

"Steady there, Ed, 'arf a mo'.
Old pal, it's all right;
It's a 'ell of a fight,

But are we down-'earted? No-o-o."

Now war is a funny thing, ain't it?

It's the rummiest sort of a go.
For when it's most real,
It's then that you feel

You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.

Hey, presto! It's somewheres in France,
And I'm 'ere in a pit
Where a coal-box 'as 'it,

And it's all like a giddy romance.
The ruddy quick-firers are spittin',
The 'eavies are bellowin' 'ate,
And 'ere I am cashooly sittin',
And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin',
'Ot shrapnel is poppin' like rain,
And I'm sayin': "Bert 'Iggins, you're dreamin',
And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin':

`Would you like, sir, to 'ave a shampoo?'
'Stead of sheddin' yer blood
In the rain and the mud,

Which is some'ow the right thing to do;
Which is some'ow yer 'oary-eyed dooty,
Wot you're doin' the best wot you can,
For 'Ampstead and 'ome and beauty,
And you've been and you've slaughtered a man.
A feller wot punctured your partner;
Oh, you 'ammered 'im 'ard on the 'ead,


And you still see 'is eyes
Starin' bang at the skies,
And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's
Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins,
But you ain't just enjoyin' the war."

"'Ang on like a hoctopus, Eddy.

It's us for the bomb-belt again.
Except for the shrap
Which 'as 'it me a tap,

I'm feelin' as right as the rain.
It's my silly old feet wot are slippin',
It's as dark as a 'ogs'ead o' sin,
But don't be oneasy, my pippin,
I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.

The bullets is buzzin' like bees.
Me shoulder's red-'ot,
And I'm bleedin' a lot,

And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.

I make 'em out clearer and clearer,
Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir!
I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us
('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.

A bullet 'as tickled your spleen.
We've shed lots of gore
And we're leakin' some more,

But -- wot a hoccasion it's been!
Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty,

Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted

We'll 'owl in their fyces: 'No-o-o!'"
183

The Mountain And The Lake

The Mountain And The Lake

I know a mountain thrilling to the stars,
Peerless and pure, and pinnacled with snow;
Glimpsing the golden dawn o'er coral bars,
Flaunting the vanisht sunset's garnet glow;
Proudly patrician, passionless, serene;
Soaring in silvered steeps where cloud-surfs break;
Virgin and vestal -- Oh, a very Queen!
And at her feet there dreams a quiet lake.


My lake adores my mountain -- well I know,
For I have watched it from its dawn-dream start,
Stilling its mirror to her splendid snow,
Framing her image in its trembling heart;
Glassing her graciousness of greening wood,
Kissing her throne, melodiously mad,
Thrilling responsive to her every mood,
Gloomed with her sadness, gay when she is glad.


My lake has dreamed and loved since time was born;
Will love and dream till time shall cease to be;
Gazing to Her in worship half forlorn,
Who looks towards the stars and will not see --
My peerless mountain, splendid in her scorn. . . .
Alas! poor little lake! Alas! poor me!
199

The Mystery Of Mister Smith

The Mystery Of Mister Smith

For supper we had curried tripe.
I washed the dishes, wound the clock;
Then for awhile I smoked my pipe -
Puff! Puff! We had no word of talk.
The Misses sewed - a sober pair;
Says I at last: "I need some air."


A don't know why I acted so;
I had no thought, no plot, no plan.
I did not really mean to go I'm
such a docile little man;
But suddenly I felt that I
Must change my life or I would die.


A sign I saw: A ROOM TO LET.
It had a musty, dusty smell;
It gloated gloom, it growled and yet
Somehow I felt I liked it well.
I paid the rent a month ahead:
That night I smoked my pipe in bed.


From out my world I disappeared;
My walk and talk changed over-night.
I bought black glasses, grew a beard -
Abysmally I dropped from sight;
Old Tax Collector, Mister Smith
Became a memory, a myth.


I see my wife in widow's weeds;
She's gained in weight since I have gone.
My pension serves her modest needs,
She keeps the old apartment on;
And living just a block away
I meet her nearly every day.


I hope she doesn't mourn too much;
She has a sad and worried look.
One day we passed and chanced to touch,
But as with sudden fear I shook,
So blankly in my face she peered,
I had to chuckle in my beard.


Oh, comfort is a blessed thing,
But forty years of it I had.
I never drank the wine of Spring,
No moon has ever made me mad.
I never clutched the skirts of Chance
Nor daftly dallied with Romance.


And that is why I seek to save
My soul before it is too late,
To put between me and the grave



A few years of fantastic fate:
I've won to happiness because
I've killed the man that once I was.


I've murdered Income Taxer Smith,
And now I'm Johnny Jones to you.
I have no home, no kin, no kith,
I do the things I want to do.
No matter though I've not a friend,
I've won to freedom in the end.


Bohemian born, I guess, was I;
And should my wife her widowhood
By wedlock end I will not sigh,
But pack my grip and go for good,
To live in lands where laws are lax,
And innocent of Income Tax.
203

The Monster

The Monster

When we might make with happy heart
This world a paradise,
With bombs we blast brave men apart,
With napalm carbonize.
Where we might till the sunny soil,
And sing for joy of life,
We spend our treasure and our toil
In bloody strife.

The fields of wheat are sheening gold,
The flocks have silver fleece;
The signs are sweetly manifold
Of plenty, praise and peace.
Yet see! The sky is like a cowl
Where grimy toilers bore
The shards of steel that feed the foul
Red maw of War.

Instead of butter give us guns;
Instead of sugur, shells.

Devoted mothers, bear your sons
To glut still hotter hells.

Alas! When will mad mankind wake
To banish evermore,

And damn for God in Heaven's sake
Mass Murder--WAR?
176

The Missal Makers

The Missal Makers

To visit the Escurial
We took a motor bus,
And there a guide mercurial

Took charge of us.
He showed us through room after room,
And talked hour after hour,
Of place, crypt and royal tomb,

Of pomp and power.

But in bewilderment of grace
What pleased me most of all
Were ancient missals proud in place

In stately hall.
A thousand tomes there were at least,
All luminously bright,
That each a score of years some priest

Had toiled to write.

Poor patient monk who brushed and penned
From rise to set of sun!
And when his book came to an end,


His life was done.
With heart of love to God above
For guidance he would pray,
And here behold his art of gold

Undimmed today.

And as our homeward way we took,
The thought occurred to me -
If scribes would only write one book,


How good 'twould be!
Or if our authors had to scroll
Their words on vellum fair,
Their output might be very small,

But oh how rare!

So writers of today take note,
If you your souls would save,
Let every line be one to quote

And to engrave.
Then though you dismally are dead,
You will be cheered to know
your precious prose may still be read

-Ten years or so.
140

The Man From Eldorado

The Man From Eldorado

He's the man from Eldorado, and he's just arrived in town,
In moccasins and oily buckskin shirt.
He's gaunt as any Indian, and pretty nigh as brown;
He's greasy, and he smells of sweat and dirt.
He sports a crop of whiskers that would shame a healthy hog;
Hard work has racked his joints and stooped his back;
He slops along the sidewalk followed by his yellow dog,
But he's got a bunch of gold-dust in his sack.

He seems a little wistful as he blinks at all the lights,
And maybe he is thinking of his claim
And the dark and dwarfish cabin where he lay and dreamed at nights,
(Thank God, he'll never see the place again!)
Where he lived on tinned tomatoes, beef embalmed and sourdough bread,
On rusty beans and bacon furred with mould;
His stomach's out of kilter and his system full of lead,
But it's over, and his poke is full of gold.

He has panted at the windlass, he has loaded in the drift,
He has pounded at the face of oozy clay;
He has taxed himself to sickness, dark and damp and double shift,
He has labored like a demon night and day.
And now, praise God, it's over, and he seems to breathe again
Of new-mown hay, the warm, wet, friendly loam;
He sees a snowy orchard in a green and dimpling plain,
And a little vine-clad cottage, and it's--Home.

II

He's the man from Eldorado, and he's had a bite and sup,
And he's met in with a drouthy friend or two;
He's cached away his gold-dust, but he's sort of bucking up,

So he's kept enough to-night to see him through.
His eye is bright and genial, his tongue no longer lags;
`His heart is brimming o'er with joy and mirth;
He may be far from savory, he may be clad in rags,
`But to-night he feels as if he owns the earth.

Says he: "Boys, here is where the shaggy North and I will shake;
I thought I'd never manage to get free.
I kept on making misses; but at last I've got my stake;
There's no more thawing frozen muck for me.
I am going to God's Country, where I'll live the simple life;
I'll buy a bit of land and make a start;
I'll carve a little homestead, and I'll win a little wife,
And raise ten little kids to cheer my heart."

They signified their sympathy by crowding to the bar;
They bellied up three deep and drank his health.
He shed a radiant smile around and smoked a rank cigar;
They wished him honor, happiness and wealth.
They drank unto his wife to be--that unsuspecting maid;


They drank unto his children half a score;

And when they got through drinking very tenderly they laid
The man from Eldorado on the floor.

III

He's the man from Eldorado, and he's only starting in
To cultivate a thousand-dollar jag.

His poke is full of gold-dust and his heart is full of sin,
And he's dancing with a girl called Muckluck Mag.

She's as light as any fairy; she's as pretty as a peach;
She's mistress of the witchcraft to beguile;

There's sunshine in her manner, there is music in her speech,
And there's concentrated honey in her smile.

Oh, the fever of the dance-hall and the glitter and the shine,
The beauty, and the jewels, and the whirl,

The madness of the music, the rapture of the wine,
The languorous allurement of a girl!

She is like a lost madonna; he is gaunt, unkempt and grim;
But she fondles him and gazes in his eyes;

Her kisses seek his heavy lips, and soon it seems to him
He has staked a little claim in Paradise.

"Who's for a juicy two-step?" cries the master of the floor;
The music throbs with soft, seductive beat.

There's glitter, gilt and gladness; there are pretty girls galore;
There's a woolly man with moccasins on feet.

They know they've got him going; he is buying wine for all;
They crowd around as buzzards at a feast,

Then when his poke is empty they boost him from the hall,
And spurn him in the gutter like a beast.

He's the man from Eldorado, and he's painting red the town;
Behind he leaves a trail of yellow dust;

In a whirl of senseless riot he is ramping up and down;
There's nothing checks his madness and his lust.

And soon the word is passed around--it travels like a flame;
They fight to clutch his hand and call him friend,

The chevaliers of lost repute, the dames of sorry fame;
Then comes the grim awakening--the end.

IV

He's the man from Eldorado, and he gives a grand affair;
There's feasting, dancing, wine without restraint.

The smooth Beau Brummels of the bar, the faro men, are there;
The tinhorns and purveyors of red paint;

The sleek and painted women, their predacious eyes aglow-Sure
Klondike City never saw the like;

Then Muckluck Mag proposed the toast, "The giver of the show,
The livest sport that ever hit the pike."


The "live one" rises to his feet; he stammers to reply-And
then there comes before his muddled brain

A vision of green vastitudes beneath an April sky,
And clover pastures drenched with silver rain.

He knows that it can never be, that he is down and out;
Life leers at him with foul and fetid breath;

And then amid the revelry, the song and cheer and shout,
He suddenly grows grim and cold as death.

He grips the table tensely, and he says: "Dear friends of mine,
I've let you dip your fingers in my purse;

I've crammed you at my table, and I've drowned you in my wine,
And I've little left to give you but--my curse.

I've failed supremely in my plans; it's rather late to whine;
My poke is mighty weasened up and small.

I thank you each for coming here; the happiness is mine-And
now, you thieves and harlots, take it all."

He twists the thong from off his poke; he swings it o'er his head;
The nuggets fall around their feet like grain.

They rattle over roof and wall; they scatter, roll and spread;
The dust is like a shower of golden rain.

The guests a moment stand aghast, then grovel on the floor;
They fight, and snarl, and claw, like beasts of prey;

And then, as everybody grabbed and everybody swore,
The man from Eldorado slipped away.

V

He's the man from Eldorado, and they found him stiff and dead,
Half covered by the freezing ooze and dirt.

A clotted Colt was in his hand, a hole was in his head,
And he wore an old and oily buckskin shirt.

His eyes were fixed and horrible, as one who hails the end;
The frost had set him rigid as a log;

And there, half lying on his breast, his last and only friend,
There crouched and whined a mangy yellow dog.
189

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.