Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

The Outlaw

The Outlaw

A wild and woeful race he ran
Of lust and sin by land and sea;
Until, abhorred of God and man,
They swung him from the gallows-tree.
And then he climbed the Starry Stair,
And dumb and naked and alone,
With head unbowed and brazen glare,
He stood before the Judgment Throne.


The Keeper of the Records spoke:
"This man, O Lord, has mocked Thy Name.
The weak have wept beneath his yoke,
The strong have fled before his flame.
The blood of babes is on his sword;
His life is evil to the brim:
Look down, decree his doom, O Lord!
Lo! there is none will speak for him."


The golden trumpets blew a blast
That echoed in the crypts of Hell,
For there was Judgment to be passed,
And lips were hushed and silence fell.
The man was mute; he made no stir,
Erect before the Judgment Seat . . .
When all at once a mongrel cur
Crept out and cowered and licked his feet.


It licked his feet with whining cry.
Come Heav'n, come Hell, what did it care?
It leapt, it tried to catch his eye;
Its master, yea, its God was there.
Then, as a thrill of wonder sped
Through throngs of shining seraphim,
The Judge of All looked down and said:
"Lo! here is ONE who pleads for him.


"And who shall love of these the least,
And who by word or look or deed
Shall pity show to bird or beast,
By Me shall have a friend in need.
Aye, though his sin be black as night,
And though he stand 'mid men alone,
He shall be softened in My sight,
And find a pleader by My Throne.


"So let this man to glory win;
From life to life salvation glean;
By pain and sacrifice and sin,
Until he stand before Me -- clean.
For he who loves the least of these
(And here I say and here repeat)
Shall win himself an angel's pleas



For Mercy at My Judgment Seat."
205

The Parson's Son

The Parson's Son

This is the song of the parson's son, as he squats in his shack alone,
On the wild, weird nights, when the Northern Lights shoot up from the frozen zone,
And it's sixty below, and couched in the snow the hungry huskies moan:


"I'm one of the Arctic brotherhood, I'm an old-time pioneer.
I came with the first -- O God! how I've cursed this Yukon -- but still I'm here.
I've sweated athirst in its summer heat, I've frozen and starved in its cold;
I've followed my dreams by its thousand streams, I've toiled and moiled for its gold.


"Look at my eyes -- been snow-blind twice; look where my foot's half gone;
And that gruesome scar on my left cheek, where the frost-fiend bit to the bone.
Each one a brand of this devil's land, where I've played and I've lost the game,
A broken wreck with a craze for `hooch', and never a cent to my name.


"This mining is only a gamble; the worst is as good as the best;
I was in with the bunch and I might have come out right on top with the rest;
With Cormack, Ladue and Macdonald -- O God! but it's hell to think
Of the thousands and thousands I've squandered on cards and women and drink.


"In the early days we were just a few, and we hunted and fished around,
Nor dreamt by our lonely camp-fires of the wealth that lay under the ground.
We traded in skins and whiskey, and I've often slept under the shade
Of that lone birch tree on Bonanza, where the first big find was made.


"We were just like a great big family, and every man had his squaw,
And we lived such a wild, free, fearless life beyond the pale of the law;
Till sudden there came a whisper, and it maddened us every man,
And I got in on Bonanza before the big rush began.


"Oh, those Dawson days, and the sin and the blaze, and the town all open wide!
(If God made me in His likeness, sure He let the devil inside.)
But we all were mad, both the good and the bad, and as for the women, well --
No spot on the map in so short a space has hustled more souls to hell.


"Money was just like dirt there, easy to get and to spend.
I was all caked in on a dance-hall jade, but she shook me in the end.
It put me queer, and for near a year I never drew sober breath,
Till I found myself in the bughouse ward with a claim staked out on death.


"Twenty years in the Yukon, struggling along its creeks;
Roaming its giant valleys, scaling its god-like peaks;
Bathed in its fiery sunsets, fighting its fiendish cold --
Twenty years in the Yukon . . . twenty years -- and I'm old.


"Old and weak, but no matter, there's `hooch' in the bottle still.
I'll hitch up the dogs to-morrow, and mush down the trail to Bill.
It's so long dark, and I'm lonesome -- I'll just lay down on the bed;
To-morrow I'll go . . . to-morrow . . . I guess I'll play on the red.


". . . Come, Kit, your pony is saddled. I'm waiting, dear, in the court . . .
. . . Minnie, you devil, I'll kill you if you skip with that flossy sport . . .
. . . How much does it go to the pan, Bill? . . . play up, School, and play the game . . .



. . . Our Father, which art in heaven, hallowed be Thy name . . ."


This was the song of the parson's son, as he lay in his bunk alone,
Ere the fire went out and the cold crept in, and his blue lips ceased to moan,
And the hunger-maddened malamutes had torn him flesh from bone.
230

The Old Armchair

The Old Armchair

In all the pubs from Troon to Ayr
Grandfather's father would repair
With Bobby Burns, a drouthy pair,

The glass to clink;
And oftenwhiles, when not too "fou,"
They'd roar a bawdy stave or two,
From midnight muk to morning dew,

And drink and drink.

And Grandfather, with eye aglow
And proper pride, would often show
An old armchair where long ago

The Bard would sit;
Reciting there with pawky glee
"The Lass that Made the Bed for Me;"
Or whiles a rhyme about the flea

That ne'er was writ.

Then I would seek the Poet's chair
And plant my kilted buttocks there,
And read with joy the Bard of Ayr

In my own tongue;
The Diel, the Daisy and the Louse
The Hare, the Haggis and the Mouse,
(What fornication and carouse!)

When I was young.

Though Kipling, Hardy, Stevenson
Have each my admiration won,
Today, my rhyme-race almost run,

My fancy turns
To him who did Pegasus prod
For me, Bard of my native sod,
The sinner best-loved of God


Rare Robbie Burns.
216

The Ordinary Man

The Ordinary Man

If you and I should chance to meet,
I guess you wouldn't care;
I'm sure you'd pass me in the street
As if I wasn't there;
You'd never look me in the face,
My modest mug to scan,
Because I'm just a commonplace


And Ordinary Man.

But then, it may be, you are too
A guy of every day,
Who does the job he's told to do
And takes the wife his pay;
Who makes a home and kids his care,
And works with pick or pen. . . .
Why, Pal, I guess we're just a pair


Of Ordinary Men.

We plug away and make no fuss,
Our feats are never crowned;
And yet it's common coves like us
Who make the world go round.
And as we steer a steady course
By God's predestined plan,
Hats off to that almighty Force:


THE ORDINARY MAN.
231

The Odyssey Of 'Erbert 'Iggins

The Odyssey Of 'Erbert 'Iggins

Me and Ed and a stretcher
Out on the nootral ground.
(If there's one dead corpse, I'll betcher
There's a 'undred smellin' around.)
Me and Eddie O'Brian,

Both of the R. A. M. C.
"It'as a 'ell of a night
For a soul to take flight,"

As Eddie remarks to me.
Me and Ed crawlin' 'omeward,

Thinkin' our job is done,
When sudden and clear,
Wot do we 'ear:

'Owl of a wounded 'Un.

"Got to take 'im," snaps Eddy;

"Got to take all we can.
'E may be a Germ
Wiv the 'eart of a worm,

But, blarst 'im! ain't 'e a man?"
So 'e sloshes out fixin' a dressin'

('E'd always a medical knack),
When that wounded 'Un
'E rolls to 'is gun,

And 'e plugs me pal in the back.

Now what would you do? I arst you.

There was me slaughtered mate.
There was that 'Un
(I'd collered 'is gun),

A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper . . .

'E'd a shiny bald top to 'is 'ead,
But when I got through,
Between me and you,

It was 'orrid and jaggy and red.

"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all."
It's slow and it's sure and it's steady
(Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin',
It's rainin' a perishin' flood,
The bullets are buzzin' and whinin',
And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin';

It's black as a bucket of tar;
Oh, I'm doin' my bit,
But I'm 'avin' a fit,

And I wish I was 'ome wiv Mar.

"Stick on like a plaster, Eddy.


Old sport, you're a-slackin' your grip."
Gord! But I'm crocky already;
My feet, 'ow they slither and slip!
There goes the biff of a bullet.

The Boches have got us for fair.
Another one -- WHUT!
The son of a slut!

'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder?

Gave it a dooce of a wrench.
Is it Eddy or me
Wot's a-bleedin' so free?

Crust! but it's long to the trench.
I ain't just as strong as a Sandow,
And Ed ain't a flapper by far;
I'm blamed if I understand 'ow
We've managed to get where we are.
But 'ere's for a bit of a breather.

"Steady there, Ed, 'arf a mo'.
Old pal, it's all right;
It's a 'ell of a fight,

But are we down-'earted? No-o-o."

Now war is a funny thing, ain't it?

It's the rummiest sort of a go.
For when it's most real,
It's then that you feel

You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.

Hey, presto! It's somewheres in France,
And I'm 'ere in a pit
Where a coal-box 'as 'it,

And it's all like a giddy romance.
The ruddy quick-firers are spittin',
The 'eavies are bellowin' 'ate,
And 'ere I am cashooly sittin',
And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin',
'Ot shrapnel is poppin' like rain,
And I'm sayin': "Bert 'Iggins, you're dreamin',
And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin':

`Would you like, sir, to 'ave a shampoo?'
'Stead of sheddin' yer blood
In the rain and the mud,

Which is some'ow the right thing to do;
Which is some'ow yer 'oary-eyed dooty,
Wot you're doin' the best wot you can,
For 'Ampstead and 'ome and beauty,
And you've been and you've slaughtered a man.
A feller wot punctured your partner;
Oh, you 'ammered 'im 'ard on the 'ead,


And you still see 'is eyes
Starin' bang at the skies,
And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's
Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins,
But you ain't just enjoyin' the war."

"'Ang on like a hoctopus, Eddy.

It's us for the bomb-belt again.
Except for the shrap
Which 'as 'it me a tap,

I'm feelin' as right as the rain.
It's my silly old feet wot are slippin',
It's as dark as a 'ogs'ead o' sin,
But don't be oneasy, my pippin,
I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.

The bullets is buzzin' like bees.
Me shoulder's red-'ot,
And I'm bleedin' a lot,

And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.

I make 'em out clearer and clearer,
Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir!
I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us
('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.

A bullet 'as tickled your spleen.
We've shed lots of gore
And we're leakin' some more,

But -- wot a hoccasion it's been!
Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty,

Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted

We'll 'owl in their fyces: 'No-o-o!'"
194

The Mystery Of Mister Smith

The Mystery Of Mister Smith

For supper we had curried tripe.
I washed the dishes, wound the clock;
Then for awhile I smoked my pipe -
Puff! Puff! We had no word of talk.
The Misses sewed - a sober pair;
Says I at last: "I need some air."


A don't know why I acted so;
I had no thought, no plot, no plan.
I did not really mean to go I'm
such a docile little man;
But suddenly I felt that I
Must change my life or I would die.


A sign I saw: A ROOM TO LET.
It had a musty, dusty smell;
It gloated gloom, it growled and yet
Somehow I felt I liked it well.
I paid the rent a month ahead:
That night I smoked my pipe in bed.


From out my world I disappeared;
My walk and talk changed over-night.
I bought black glasses, grew a beard -
Abysmally I dropped from sight;
Old Tax Collector, Mister Smith
Became a memory, a myth.


I see my wife in widow's weeds;
She's gained in weight since I have gone.
My pension serves her modest needs,
She keeps the old apartment on;
And living just a block away
I meet her nearly every day.


I hope she doesn't mourn too much;
She has a sad and worried look.
One day we passed and chanced to touch,
But as with sudden fear I shook,
So blankly in my face she peered,
I had to chuckle in my beard.


Oh, comfort is a blessed thing,
But forty years of it I had.
I never drank the wine of Spring,
No moon has ever made me mad.
I never clutched the skirts of Chance
Nor daftly dallied with Romance.


And that is why I seek to save
My soul before it is too late,
To put between me and the grave



A few years of fantastic fate:
I've won to happiness because
I've killed the man that once I was.


I've murdered Income Taxer Smith,
And now I'm Johnny Jones to you.
I have no home, no kin, no kith,
I do the things I want to do.
No matter though I've not a friend,
I've won to freedom in the end.


Bohemian born, I guess, was I;
And should my wife her widowhood
By wedlock end I will not sigh,
But pack my grip and go for good,
To live in lands where laws are lax,
And innocent of Income Tax.
219

The Monster

The Monster

When we might make with happy heart
This world a paradise,
With bombs we blast brave men apart,
With napalm carbonize.
Where we might till the sunny soil,
And sing for joy of life,
We spend our treasure and our toil
In bloody strife.

The fields of wheat are sheening gold,
The flocks have silver fleece;
The signs are sweetly manifold
Of plenty, praise and peace.
Yet see! The sky is like a cowl
Where grimy toilers bore
The shards of steel that feed the foul
Red maw of War.

Instead of butter give us guns;
Instead of sugur, shells.

Devoted mothers, bear your sons
To glut still hotter hells.

Alas! When will mad mankind wake
To banish evermore,

And damn for God in Heaven's sake
Mass Murder--WAR?
188

The Mountain And The Lake

The Mountain And The Lake

I know a mountain thrilling to the stars,
Peerless and pure, and pinnacled with snow;
Glimpsing the golden dawn o'er coral bars,
Flaunting the vanisht sunset's garnet glow;
Proudly patrician, passionless, serene;
Soaring in silvered steeps where cloud-surfs break;
Virgin and vestal -- Oh, a very Queen!
And at her feet there dreams a quiet lake.


My lake adores my mountain -- well I know,
For I have watched it from its dawn-dream start,
Stilling its mirror to her splendid snow,
Framing her image in its trembling heart;
Glassing her graciousness of greening wood,
Kissing her throne, melodiously mad,
Thrilling responsive to her every mood,
Gloomed with her sadness, gay when she is glad.


My lake has dreamed and loved since time was born;
Will love and dream till time shall cease to be;
Gazing to Her in worship half forlorn,
Who looks towards the stars and will not see --
My peerless mountain, splendid in her scorn. . . .
Alas! poor little lake! Alas! poor me!
210

The March Of The Dead

The March Of The Dead

The cruel war was over -- oh, the triumph was so sweet!
We watched the troops returning, through our tears;
There was triumph, triumph, triumph down the scarlet glittering street,
And you scarce could hear the music for the cheers.
And you scarce could see the house-tops for the flags that flew between;
The bells were pealing madly to the sky;
And everyone was shouting for the Soldiers of the Queen,
And the glory of an age was passing by.

And then there came a shadow, swift and sudden, dark and drear;
The bells were silent, not an echo stirred.
The flags were drooping sullenly, the men forgot to cheer;
We waited, and we never spoke a word.
The sky grew darker, darker, till from out the gloomy rack
There came a voice that checked the heart with dread:
"Tear down, tear down your bunting now, and hang up sable black;
They are coming -- it's the Army of the Dead."

They were coming, they were coming, gaunt and ghastly, sad and slow;
They were coming, all the crimson wrecks of pride;
With faces seared, and cheeks red smeared, and haunting eyes of woe,
And clotted holes the khaki couldn't hide.
Oh, the clammy brow of anguish! the livid, foam-flecked lips!
The reeling ranks of ruin swept along!
The limb that trailed, the hand that failed, the bloody finger tips!
And oh, the dreary rhythm of their song!

"They left us on the veldt-side, but we felt we couldn't stop
On this, our England's crowning festal day;
We're the men of Magersfontein, we're the men of Spion Kop,
Colenso -- we're the men who had to pay.
We're the men who paid the blood-price. Shall the grave be all our gain?
You owe us. Long and heavy is the score.
Then cheer us for our glory now, and cheer us for our pain,
And cheer us as ye never cheered before."

The folks were white and stricken, and each tongue seemed weighted with lead;
Each heart was clutched in hollow hand of ice;
And every eye was staring at the horror of the dead,
The pity of the men who paid the price.
They were come, were come to mock us, in the first flush of our peace;
Through writhing lips their teeth were all agleam;
They were coming in their thousands -- oh, would they never cease!
I closed my eyes, and then -- it was a dream.

There was triumph, triumph, triumph down the scarlet gleaming street;
The town was mad; a man was like a boy.
A thousand flags were flaming where the sky and city meet;
A thousand bells were thundering the joy.
There was music, mirth and sunshine; but some eyes shone with regret;
And while we stun with cheers our homing braves,
O God, in Thy great mercy, let us nevermore forget


The graves they left behind, the bitter graves.
168

The Missal Makers

The Missal Makers

To visit the Escurial
We took a motor bus,
And there a guide mercurial

Took charge of us.
He showed us through room after room,
And talked hour after hour,
Of place, crypt and royal tomb,

Of pomp and power.

But in bewilderment of grace
What pleased me most of all
Were ancient missals proud in place

In stately hall.
A thousand tomes there were at least,
All luminously bright,
That each a score of years some priest

Had toiled to write.

Poor patient monk who brushed and penned
From rise to set of sun!
And when his book came to an end,


His life was done.
With heart of love to God above
For guidance he would pray,
And here behold his art of gold

Undimmed today.

And as our homeward way we took,
The thought occurred to me -
If scribes would only write one book,


How good 'twould be!
Or if our authors had to scroll
Their words on vellum fair,
Their output might be very small,

But oh how rare!

So writers of today take note,
If you your souls would save,
Let every line be one to quote

And to engrave.
Then though you dismally are dead,
You will be cheered to know
your precious prose may still be read

-Ten years or so.
155

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