Robert W. Service

Robert W. Service

1874–1958 · lived 84 years -- --

Robert W. Service was a poet and writer celebrated for his vivid and often humorous verses depicting life in the Yukon during the Klondike Gold Rush. His work captured the spirit of adventure, hardship, and camaraderie of the era, making him immensely popular. He is best known for narrative poems that tell compelling stories with a strong rhythm and memorable characters.

n. 1874-01-16, Preston · m. 1958-09-11, Lancieux

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Your Poem

Your Poem

My poem may be yours indeed

In melody and tone,

If in its rhythm you can read

A music of your own;

If in its pale woof you can weave

Your lovelier design,

'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;

Crude cues are all I give.

In simple stanzas I suggest


'Tis you who make them live.

My bit of rhyme is but a frame,

And if my lines you quote,

I think, although they bear my name,
'Tis you who wrote.

Yours is the beauty that you see

In any words I sing;

The magic and the melody

'Tis you, dear friend, who bring.

Yea, by the glory and the gleam,

The loveliness that lures

Your thought to starry heights of dream,
The poem's yours.
Read full poem
Bio

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.

Poems

416

The Song Of The Camp-Fire

The Song Of The Camp-Fire

Heed me, feed me, I am hungry, I am red-tongued with desire;
Boughs of balsam, slabs of cedar, gummy fagots of the pine,
Heap them on me, let me hug them to my eager heart of fire,
Roaring, soaring up to heaven as a symbol and a sign.
Bring me knots of sunny maple, silver birch and tamarack;
Leaping, sweeping, I will lap them with my ardent wings of flame;
I will kindle them to glory, I will beat the darkness back;
Streaming, gleaming, I will goad them to my glory and my fame.
Bring me gnarly limbs of live-oak, aid me in my frenzied fight;
Strips of iron-wood, scaly blue-gum, writhing redly in my hold;
With my lunge of lurid lances, with my whips that flail the night,
They will burgeon into beauty, they will foliate in gold.
Let me star the dim sierras, stab with light the inland seas;
Roaming wind and roaring darkness! seek no mercy at my hands;
I will mock the marly heavens, lamp the purple prairies,
I will flaunt my deathless banners down the far, unhouseled lands.
In the vast and vaulted pine-gloom where the pillared forests frown,
By the sullen, bestial rivers running where God only knows,
On the starlit coral beaches when the combers thunder down,
In the death-spell of the barrens, in the shudder of the snows;
In a blazing belt of triumph from the palm-leaf to the pine,
As a symbol of defiance lo! the wilderness I span;
And my beacons burn exultant as an everlasting sign
Of unending domination, of the mastery of Man;
I, the Life, the fierce Uplifter, I that weaned him from the mire;
I, the angel and the devil, I, the tyrant and the slave;
I, the Spirit of the Struggle; I, the mighty God of Fire;
I, the Maker and Destroyer; I, the Giver and the Grave.


II


Gather round me, boy and grey-beard, frontiersman of every kind.
Few are you, and far and lonely, yet an army forms behind:
By your camp-fires shall they know you, ashes scattered to the wind.


Peer into my heart of solace, break your bannock at my blaze;
Smoking, stretched in lazy shelter, build your castles as you gaze;
Or, it may be, deep in dreaming, think of dim, unhappy days.


Let my warmth and glow caress you, for your trails are grim and hard;
Let my arms of comfort press you, hunger-hewn and battle-scarred:
O my lovers! how I bless you with your lives so madly marred!


For you seek the silent spaces, and their secret lore you glean:
For you win the savage races, and the brutish Wild you wean;
And I gladden desert places, where camp-fire has never been.


From the Pole unto the Tropics is there trail ye have not dared?
And because you hold death lightly, so by death shall you be spared,
(As the sages of the ages in their pages have declared).


On the roaring Arkilinik in a leaky bark canoe;



Up the cloud of Mount McKinley, where the avalanche leaps through;
In the furnace of Death Valley, when the mirage glimmers blue.

Now a smudge of wiry willows on the weary Kuskoquim;
Now a flare of gummy pine-knots where Vancouver's scaur is grim;
Now a gleam of sunny ceiba, when the Cuban beaches dim.


Always, always God's Great Open: lo! I burn with keener light
In the corridors of silence, in the vestibules of night;
'Mid the ferns and grasses gleaming, was there ever gem so bright?


Not for weaklings, not for women, like my brother of the hearth;
Ring your songs of wrath around me, I was made for manful mirth,
In the lusty, gusty greatness, on the bald spots of the earth.


Men, my masters! men, my lovers! ye have fought and ye have bled;
Gather round my ruddy embers, softly glowing is my bed;
By my heart of solace dreaming, rest ye and be comforted!


III


I am dying, O my masters! by my fitful flame ye sleep;
My purple plumes of glory droop forlorn.
Grey ashes choke and cloak me, and above the pines there creep
The stealthy silver moccasins of morn.
There comes a countless army, it's the Legion of the Light;
It tramps in gleaming triumph round the world;
And before its jewelled lances all the shadows of the night
Back in to abysmal darknesses are hurled.

Leap to life again, my lovers! ye must toil and never tire;
The day of daring, doing, brightens clear,
When the bed of spicy cedar and the jovial camp-fire
Must only be a memory of cheer.
There is hope and golden promise in the vast portentous dawn;
There is glamour in the glad, effluent sky:
Go and leave me; I will dream of you and love you when you're gone;
I have served you, O my masters! let me die.

A little heap of ashes, grey and sodden by the rain,
Wind-scattered, blurred and blotted by the snow:
Let that be all to tell of me, and glorious again,
Ye things of greening gladness, leap and glow!
A black scar in the sunshine by the palm-leaf or the pine,

Blind to the night and dead to all desire;
Yet oh, of life and uplift what a symbol and a sign!
Yet oh, of power and conquest what a destiny is mine!
A little heap of ashes -- Yea! a miracle divine,

The foot-print of a god, all-radiant Fire.
249

The Shorter Catechism

The Shorter Catechism

I burned my fingers on the stove
And wept with bitterness;
But poor old Auntie Maggie strove
To comfort my distress.
Said she: 'Think, lassie, how you'll burn
Like any wicked besom
In fires of hell if you don't learn
Your Shorter Catechism.'

A man's chief end is it began,
(No mention of a woman's),
To glorify--I think it ran,
The God who made poor humans.
And as I learned, I thought: if this-(
My distaste growing stronger),
The Shorter Catechism is,
Lord save us from the longer.

The years have passed and I begin
(Although I'm far from clever),
To doubt if when we die in sin
Our bodies grill forever.
Now I've more surface space to burn,
Since I am tall and lissom,
I think it's hell enough to learn
The Shorter Catechism.
257

The Silent Ones

The Silent Ones

I'm just an ordinary chap
Who comes home to his tea,
And mostly I don't care a rap
What people think of me;
I do my job and take my pay,
And love of peace expound;
But as I go my patient way,
--Don't push me round.

Though I respect authority
And order never flout,
When Law and Justice disagree
You can include me out.
The Welfare State I tolerate
If it is kept in bound,
But if you wish to rouse my hate
--Just push me round.

And that's the way with lots of us:
We want to feel we're free;

So labour governments we cuss
And mock at monarchy.
Yea, we are men of secret mirth,
And fury seldom sound;


But if you value peace on earth
--Don't push us round.
229

The Search

The Search

I bought a young and lovely bride,
Paying her father gold;
Lamblike she rested by my side,
As cold as ice is cold.
No love in her could I awake,
Even for pity's sake.

I bought rich books I could not read,
And pictures proud and rare;
Reproachfully they seemed to plead
And hunger for my care;
But to their beauty I was blind,
Even as is a hind.

The bearded merchants heard my cry:
'I'll give all I posses
If only, only I can buy
A little happiness.'
Alas! I sought without avail:
They had not that for sale.

I gave my riches to the poor
And dared the desert lone;
Now of God's heaven I am sure
Though I am rag and bone . . .
Aye, richer than the Aga Khan,
At last--a happy man.
231

The Sewing-Girl

The Sewing-Girl

The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious -- truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight
For food and fame, my Muse inviting,
And all the day and half the night
You'll find me writing, writing, writing.


Now, it was in the month of May
As, wrestling with a rhyme rheumatic,
I chanced to look across the way,
And lo! within a neighbor attic,
A hand drew back the window shade,
And there, a picture glad and glowing,
I saw a sweet and slender maid,
And she was sewing, sewing, sewing.


So poor the room, so small, so scant,
Yet somehow oh, so bright and airy.
There was a pink geranium plant,
Likewise a very pert canary.
And in the maiden's heart it seemed
Some fount of gladness must be springing,
For as alone I sadly dreamed
I heard her singing, singing, singing.


God love her! how it cheered me then
To see her there so brave and pretty;
So she with needle, I with pen,
We slaved and sang above the city.
And as across my streams of ink
I watched her from a poet's distance,
She stitched and sang . . . I scarcely think
She was aware of my existence.


And then one day she sang no more.
That put me out, there's no denying.
I looked -- she labored as before,
But, bless me! she was crying, crying.
Her poor canary chirped in vain;
Her pink geranium drooped in sorrow;
"Of course," said I, "she'll sing again.
Maybe," I sighed, "she will to-morrow."


Poor child; 'twas finished with her song:
Day after day her tears were flowing;
And as I wondered what was wrong
She pined and peaked above her sewing.
And then one day the blind she drew,
Ah! though I sought with vain endeavor
To pierce the darkness, well I knew



My sewing-girl had gone for ever.


And as I sit alone to-night
My eyes unto her room are turning . . .
I'd give the sum of all I write
Once more to see her candle burning,
Once more to glimpse her happy face,
And while my rhymes of cheer I'm ringing,
Across the sunny sweep of space
To hear her singing, singing, singing.
291

The Sceptic

The Sceptic

My Father Christmas passed away
When I was barely seven.
At twenty-one, alack-a-day,
I lost my hope of heaven.


Yet not in either lies the curse:
The hell of it's because
I don't know which loss hurt the worse --
My God or Santa Claus.
199

The Scribe's Prayer

The Scribe's Prayer

When from my fumbling hand the tired pen falls,
And in the twilight weary droops my head;
While to my quiet heart a still voice calls,
Calls me to join my kindred of the Dead:
Grant that I may, O Lord, ere rest be mine,
Write to Thy praise one radiant, ringing line.


For all of worth that in this clay abides,
The leaping rapture and the ardent flame,
The hope, the high resolve, the faith that guides:
All, all is Thine, and liveth in Thy name:
Lord, have I dallied with the sacred fire!
Lord, have I trailed Thy glory in the mire!


E'en as a toper from the dram-shop reeling,
Sees in his garret's blackness, dazzling fair,
All that he might have been, and, heart-sick, kneeling,
Sobs in the passion of a vast despair:
So my ideal self haunts me alway --
When the accounting comes, how shall I pay?


For in the dark I grope, nor understand;
And in my heart fight selfishness and sin:
Yet, Lord, I do not seek Thy helping hand;
Rather let me my own salvation win:
Let me through strife and penitential pain
Onward and upward to the heights attain.


Yea, let me live my life, its meaning seek;
Bear myself fitly in the ringing fight;
Strive to be strong that I may aid the weak;
Dare to be true -- O God! the Light, the Light!
Cometh the Dark so soon. I've mocked Thy Word;
Yet do I know Thy Love: have mercy, Lord. . . .


FINIS
206

The Rhyme Of The Restless Ones

The Rhyme Of The Restless Ones

We couldn't sit and study for the law;
The stagnation of a bank we couldn't stand;
For our riot blood was surging, and we didn't need much urging
To excitements and excesses that are banned.
So we took to wine and drink and other things,
And the devil in us struggled to be free;
Till our friends rose up in wrath, and they pointed out the path,
And they paid our debts and packed us o'er the sea.

Oh, they shook us off and shipped us o'er the foam,

To the larger lands that lure a man to roam;
And we took the chance they gave
Of a far and foreign grave,

And we bade good-by for evermore to home.

And some of us are climbing on the peak,
And some of us are camping on the plain;
By pine and palm you'll find us, with never claim to bind us,
By track and trail you'll meet us once again.

We are the fated serfs to freedom -- sky and sea;
We have failed where slummy cities overflow;
But the stranger ways of earth know our pride and know our worth,
And we go into the dark as fighters go.

Yes, we go into the night as brave men go,

Though our faces they be often streaked with woe;
Yet we're hard as cats to kill,
And our hearts are reckless still,

And we've danced with death a dozen times or so.

And you'll find us in Alaska after gold,
And you'll find us herding cattle in the South.
We like strong drink and fun, and, when the race is run,
We often die with curses in our mouth.
We are wild as colts unbroke, but never mean.
Of our sins we've shoulders broad to bear the blame;
But we'll never stay in town and we'll never settle down,
And we'll never have an object or an aim.

No, there's that in us that time can never tame;

And life will always seem a careless game;
And they'd better far forget -Those
who say they love us yet --

Forget, blot out with bitterness our name.
240

The Rover

The Rover

Oh, how good it is to be
Foot-loose and heart-free!
Just my dog and pipe and I, underneath the vast sky;
Trail to try and goal to win, white road and cool inn;
Fields to lure a lad afar, clear spring and still star;
Lilting feet that never tire, green dingle, fagot fire;
None to hurry, none to hold, heather hill and hushed fold;
Nature like a picture book, laughing leaf and bright brook;
Every day a jewel bright, set serenely in the night;
Every night a holy shrine, radiant for a day divine.


Weathered cheek and kindly eye, let the wanderer go by.
Woman-love and wistful heart, let the gipsy one depart.
For the farness and the road are his glory and his goad.
Oh, the lilt of youth and Spring! Eyes laugh and lips sing.


Yea, but it is good to be
Foot-loose and heart-free!


II


Yet how good it is to come
Home at last, home, home!
On the clover swings the bee, overhead's the hale tree;
Sky of turquoise gleams through, yonder glints the lake's blue.
In a hammock let's swing, weary of wandering;
Tired of wild, uncertain lands, strange faces, faint hands.
Has the wondrous world gone cold? Am I growing old, old?
Grey and weary . . . let me dream, glide on the tranquil stream.
Oh, what joyous days I've had, full, fervid, gay, glad!
Yet there comes a subtile change, let the stripling rove, range.
From sweet roving comes sweet rest, after all, home's best.
And if there's a little bit of woman-love with it,
I will count my life content, God-blest and well spent. . . .


Oh but it is good to be
Foot-loose and heart-free!
Yet how good it is to come
Home at last, home, home!
254

The Release

The Release

To-day within a grog-shop near
I saw a newly captured linnet,
Who beat against his cage in fear,
And fell exhausted every minute;
And when I asked the fellow there
If he to sell the bird were willing,
He told me with a careless air
That I could have it for a shilling.


And so I bought it, cage and all
(Although I went without my dinner),
And where some trees were fairly tall
And houses shrank and smoke was thinner,
The tiny door I open threw,
As down upon the grass I sank me:
Poor little chap! How quick he flew . . .
He didn't even wait to thank me.


Life's like a cage; we beat the bars,
We bruise our breasts, we struggle vainly;
Up to the glory of the stars
We strain with flutterings ungainly.
And then -- God opens wide the door;
Our wondrous wings are arched for flying;
We poise, we part, we sing, we soar . . .
Light, freedom, love. . . . Fools call it -- Dying.
275

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