Poems List

The Woman And The Angel

The Woman And The Angel

An angel was tired of heaven, as he lounged in the golden street;
His halo was tilted sideways, and his harp lay mute at his feet;
So the Master stooped in His pity, and gave him a pass to go,
For the space of a moon, to the earth-world, to mix with the men below.


He doffed his celestial garments, scarce waiting to lay them straight;
He bade good by to Peter, who stood by the golden gate;
The sexless singers of heaven chanted a fond farewell,
And the imps looked up as they pattered on the red-hot flags of hell.


Never was seen such an angel -- eyes of heavenly blue,
Features that shamed Apollo, hair of a golden hue;
The women simply adored him; his lips were like Cupid's bow;
But he never ventured to use them -- and so they voted him slow.


Till at last there came One Woman, a marvel of loveliness,
And she whispered to him: "Do you love me?" And he answered that woman, "Yes."
And she said: "Put your arms around me, and kiss me, and hold me -- so --"
But fiercely he drew back, saying: "This thing is wrong, and I know."


Then sweetly she mocked his scruples, and softly she him beguiled:
"You, who are verily man among men, speak with the tongue of a child.
We have outlived the old standards; we have burst, like an over-tight thong,
The ancient, outworn, Puritanic traditions of Right and Wrong."


Then the Master feared for His angel, and called him again to His side,
For oh, the woman was wondrous, and oh, the angel was tried!
And deep in his hell sang the Devil, and this was the strain of his song:
"The ancient, outworn, Puritanic traditions of Right and Wrong."
161

The Widower

The Widower

Oh I have worn my mourning out,
And on her grave the green grass grows;
So I will hang each sorry clout
High in the corn to scare the crows.
And I will buy a peacock tie,
And coat of cloth of Donegal;
Then to the Farmer's Fair I'll hie
And peek in at the Barley Ball.


But though the fiddlers saw a jig
I used to foot when I was wed,
I'll walk me home and feed the pig,
And go a lonesome man to bed.


So I will wait another year,
As any decent chap would do,
Till I can think without a tear
Of her whose eyes were cornflower blue.


Then to the Harvest Ball I'll hie,
And I will wear a flower-sprigged vest;
For Maggie has a nut-brown eyes,
And we will foot it with the best.


And if kind-minded she should be
To wife me - 'tis the will if God . . .
But Oh the broken heart f me
For her who lies below the sod!
214

The Whistle Of Sandy McGraw

The Whistle Of Sandy McGraw

You may talk o' your lutes and your dulcimers fine,
Your harps and your tabors and cymbals and a',
But here in the trenches jist gie me for mine
The wee penny whistle o' Sandy McGraw.
Oh, it's: "Sandy, ma lad, will you lilt us a tune?"
And Sandy is willin' and trillin' like mad;
Sae silvery sweet that we a' throng aroun',
And some o' it's gay, but the maist o' it's sad.
Jist the wee simple airs that sink intae your hert,

And grup ye wi' love and wi' longin' for hame;
And ye glour like an owl till you're feelin' the stert
O' a tear, and you blink wi' a feelin' o' shame.

For his song's o' the heather, and here in the dirt
You listen and dream o' a land that's sae braw,
And he mak's you forget a' the harm and the hurt,
For he pipes like a laverock, does Sandy McGraw.

* * * * *

At Eepers I mind me when rank upon rank
We rose from the trenches and swept like the gale,
Till the rapid-fire guns got us fell on the flank
And the murderin' bullets came swishin' like hail:
Till a' that were left o' us faltered and broke;
Till it seemed for a moment a panicky rout,
When shrill through the fume and the flash and the smoke
The wee valiant voice o' a whistle piped out.
`The Campbells are Comin'': Then into the fray
We bounded wi' bayonets reekin' and raw,
And oh we fair revelled in glory that day,
Jist thanks to the whistle o' Sandy McGraw.

* * * * *

At Loose, it wis after a sconnersome fecht,
On the field o' the slain I wis crawlin' aboot;
And the rockets were burnin' red holes in the nicht;
And the guns they were veciously thunderin' oot;
When sudden I heard a bit sound like a sigh,
And there in a crump-hole a kiltie I saw:
"Whit ails ye, ma lad? Are ye woundit?" says I.
"I've lost ma wee whustle," says Sandy McGraw.
"'Twas oot by yon bing where we pressed the attack,
It drapped frae ma pooch, and between noo and dawn
There isna much time so I'm jist crawlin' back. . . ."
"Ye're daft, man!" I telt him, but Sandy wis gone.
Weel, I waited a wee, then I crawled oot masel,
And the big stuff wis gorin' and roarin' around,
And I seemed tae be under the oxter o' hell,
And Creation wis crackin' tae bits by the sound.
And I says in ma mind: "Gang ye back, ye auld fule!"
When I thrilled tae a note that wis saucy and sma';


And there in a crater, collected and cool,
Wi' his wee penny whistle wis Sandy McGraw.
Ay, there he wis playin' as gleg as could be,
And listenin' hard wis a spectacled Boche;
Then Sandy turned roon' and he noddit tae me,
And he says: "Dinna blab on me, Sergeant McTosh.
The auld chap is deein'. He likes me tae play.
It's makin' him happy. Jist see his een shine!"
And thrillin' and sweet in the hert o' the fray
Wee Sandy wis playin' The Watch on the Rhine.

* * * * *

The last scene o' a' -- 'twas the day that we took
That bit o' black ruin they ca' Labbiesell.
It seemed the hale hillside jist shivered and shook,
And the red skies were roarin' and spewin' oot shell.
And the Sergeants were cursin' tae keep us in hand,
And hard on the leash we were strainin' like dugs,
When upward we shot at the word o' command,
And the bullets were dingin' their songs in oor lugs.
And onward we swept wi' a yell and a cheer,
And a' wis destruction, confusion and din,

And we knew that the trench o' the Boches wis near,
And it seemed jist the safest bit hole tae be in.
So we a' tumbled doon, and the Boches were there,


And they held up their hands, and they yelled: "Kamarad!"
And I merched aff wi' ten, wi' their palms in the air,
And my! I wis prood-like, and my! I wis glad.
And I thocht: if ma lassie could see me jist then. . . .

When sudden I sobered at somethin' I saw,
And I stopped and I stared, and I halted ma men,
For there on a stretcher wis Sandy McGraw.


Weel, he looks in ma face, jist as game as ye please:
"Ye ken hoo I hate tae be workin'," says he;
"But noo I can play in the street for bawbees,
Wi' baith o' ma legs taken aff at the knee."
And though I could see he wis rackit wi' pain,
He reached for his whistle and stertit tae play;
And quaverin' sweet wis the pensive refrain:
The floors o' the forest are a' wede away.
Then sudden he stoppit: "Man, wis it no grand
Hoo we took a' them trenches?" . . . He shakit his heid:
"I'll -- no -- play -- nae -- mair ----" feebly doon frae his hand
Slipped the wee penny whistle and -- Sandy wis deid.

* * * * *

And so you may talk o' your Steinways and Strads,
Your wonderful organs and brasses sae braw;
But oot in the trenches jist gie me, ma lads,
Yon wee penny whistle o' Sandy McGraw.
199

The Wedding Ring

The Wedding Ring

I pawned my sick wife's wedding ring,
To drink and make myself a beast.
I got the most that it would bring,
Of golden coins the very least.
With stealth into her room I crept
And stole it from her as she slept.


I do not think that she will know,
As in its place I left a band
Of brass that has a brighter glow
And gleamed upon her withered hand.
I do not think that she can tell
The change - she does not see too well.


Pray God, she doesn't find me out.
I'd rather far I would be dead.
Yet yesterday she seemed to doubt,
And looking at me long she said:
"My finger must have shrunk, because
My ring seems bigger than it was."


She gazed at it so wistfully,
And one big tear rolled down her cheek.
Said she: "You'll bury it with me . . ."
I was so moved I could not speak.
Oh wretched me! How whisky can
Bring out the devil in a man!"


And yet I know she loves me still,
As on the morn that we were wed;
And darkly guess I also will
Be doomed the day that she is dead.
And yet I swear, before she's gone,
I will retrieve her ring from pawn.


I'll get it though I have to steal,
Then when to ease her bitter pain
They give her sleep oh I will feel
Her hand and slip it on again;
Through tears her wasted face I'll see,
And pray to God: "Oh pity me!"
257

The Walkers

The Walkers

(He speaks.)

Walking, walking, oh, the joy of walking!
Swinging down the tawny lanes with head held high;
Striding up the green hills, through the heather stalking,
Swishing through the woodlands where the brown leaves lie;
Marveling at all things -- windmills gaily turning,
Apples for the cider-press, ruby-hued and gold;
Tails of rabbits twinkling, scarlet berries burning,
Wedge of geese high-flying in the sky's clear cold,
Light in little windows, field and furrow darkling;
Home again returning, hungry as a hawk;
Whistling up the garden, ruddy-cheeked and sparkling,
Oh, but I am happy as I walk, walk, walk!


(She speaks.)

Walking, walking, oh, the curse of walking!
Slouching round the grim square, shuffling up the street,
Slinking down the by-way, all my graces hawking,
Offering my body to each man I meet.
Peering in the gin-shop where the lads are drinking,
Trying to look gay-like, crazy with the blues;
Halting in a doorway, shuddering and shrinking
(Oh, my draggled feather and my thin, wet shoes).
Here's a drunken drover: "Hullo, there, old dearie!"
No, he only curses, can't be got to talk. . . .
On and on till daylight, famished, wet and weary,
God in Heaven help me as I walk, walk, walk!
278

The Under-Dogs

The Under-Dogs

What have we done, Oh Lord, that we

Are evil starred?
How have we erred and sinned to be

So scourged and scarred?
Lash us, Oh Lord, with scorpion whips,

We can but run;
But harken to our piteous lips:

What have we done?

How have we sinned to rouse your wrath,

To earn your scorn?
Stony and steep has been our path

Since we were born.
Oh for a sign, a hope, a word,

A heaven glance;
Why is your hand against us, Lord?

Give us a chance.

What shall we do, Oh God, to gain

Your mercy seat?
Shall we live out our lives in pain

And dark defeat?
Shall we in servitude bow low

Unto the end?
How we would hope, could we but know

You are our friend!

We are the disinherited,

The doomed, the lost.
For breath with dust and ashes fed,

We pay the cost.
Dumb mouths! Yet though we bleed, with prayer

We kiss the sword;
Aye, even dying we forbear

To curse Thee, Lord.
148

The Visionary

The Visionary

If fortune had not granted me
To suck the Muse's teats,
I think I would have liked to be
A sweeper of the streets;
And city gutters glad to groom,
Have heft a bonny broom.

There--as amid the crass and crush
The limousines swished by,
I would have leaned upon my brush


With visionary eye:
Deeming despite their loud allure
That I was rich, they poor.

Aye, though in garb terrestrial,
To Heaven I would pray,

And dream with broom celestial
I swept the Milky Way;
And golden chariots would ring,


And harps of Heaven sing.

And all the strumpets passing me,
And heelers of the Ward
Would glorified Madonnas be,
And angels of the Lord;
And all the brats in gutters grim
Be rosy cherubim.
212

The Tunnel

The Tunnel

Toil's a tunnel, there's no way out
For fellows, the like o' me;
A beggar wi' only a crust an' a clout
At the worst o' the worst is free;
but I work to eat, an' I eat to work;
It's always the same old round,
And I dassent fail for the day I shirk
They'll shovel me underground.


I guess God meant it to be that way,
For a man must make his bread;
I was born to bondage, to earn my pay,
To slave to the day I'm dead;
To live in a tunnel, to die in a ditch That's
just what us fellows do;
For the poor must be makin' the rich more rich,
An' the many must serve the few.


Aye, we live in a tunnel, most o' us,
A-fearin' to lose our job;
But who has the right to gripe an' cuss
So the goblet's hot on the hob.
An' I mustn't be havin' the wife complain,
An' I can't let the childer fast:
So I'll toil in my tunnel an' drag my chain,
Clank! Clank! Clank! to the last.
261

The Twins

The Twins

There were two brothers, John and James,
And when the town went up in flames,
To save the house of James dashed John,
Then turned, and lo! his own was gone.


And when the great World War began,
To volunteer John promptly ran;
And while he learned live bombs to lob,
James stayed at home and -- sneaked his job.


John came home with a missing limb;
That didn't seem to worry him;
But oh, it set his brain awhirl
To find that James had -- sneaked his girl!


Time passed. John tried his grief to drown;
To-day James owns one-half the town;
His army contracts riches yield;
And John? Well, search the Potter's Field.
229

The Trapper's Christmas Eve

The Trapper's Christmas Eve

It's mighty lonesome-like and drear.
Above the Wild the moon rides high,
And shows up sharp and needle-clear
The emptiness of earth and sky;
No happy homes with love a-glow;
No Santa Claus to make believe:
Just snow and snow, and then more snow;
It's Christmas Eve, it's Christmas Eve.


And here am I where all things end,
And Undesirables are hurled;
A poor old man without a friend,
Forgot and dead to all the world;
Clean out of sight and out of mind . . .
Well, maybe it is better so;
We all in life our level find,
And mine, I guess, is pretty low.


Yet as I sit with pipe alight
Beside the cabin-fir
take to-night
The backward trail of fifty year.
The school-house and the Christmas tree;
The children with their cheeks a-glow;
Two bright blue eyes that smile on me . . .
Just half a century ago.


Again (it's maybe forty years),
With faith and trust almost divine,
These same blue eyes, abrim with tears,
Through depths of love look into mine.
A parting, tender, soft and low,
With arms that cling and lips that cleave . . .
Ah me! it's all so long ago,
Yet seems so sweet this Christmas Eve.


Just thirty years ago, again . . .
We say a bitter, last good-bye;
Our lips are white with wrath and pain;
Our little children cling and cry.
Whose was the fault? it matters not,
For man and woman both deceive;
It's buried now and all forgot,
Forgiven, too, this Christmas Eve.


And she (God pity me) is dead;
Our children men and women grown.
I like to think that they are wed,
With little children of their own,
That crowd around their Christmas tree . . .
I would not ever have them grieve,
Or shed a single tear for me,



To mar their joy this Christmas Eve.


Stripped to the buff and gaunt and still
Lies all the land in grim distress.
Like lost soul wailing, long and shrill,
A wolf-howl cleaves the emptiness.
Then hushed as Death is everything.
The moon rides haggard and forlorn . . .
"O hark the herald angels sing!"
God bless all men -- it's Christmas morn.
181

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.