Poems List

Toilet Seats

Toilet Seats

While I am emulating Keats
My brother fabrics toilet seats,
The which, they say, are works of art,
Aesthetic features of the mart;
So exquisitely are they made
With plastic of a pastel shade,
Of topaz, ivory or rose,
Inviting to serene repose.


Rajahs I'm told have seats of gold,-(
They must, I fear, be very cold).
But Tom's have thermostatic heat,
With sympathy your grace to greet.
Like silver they are neon lit,
Making a halo as you sit:
Then lo! they play with dulset tone
A melody by Mendelssohn.


Oh were I lyrical as Yeats
I would not sing of toilet seats,
But rather serenade a star,--
Yet I must take things as they are.
For even kings must coyly own
Them as essential as a throne:
So as I tug the Muse's teats
I envy Tom his toilet seats.
202

To Sunnydale

To Sunnydale

There lies the trail to Sunnydale,
Amid the lure of laughter.
Oh, how can we unhappy be
Beneath its leafy rafter!
Each perfect hour is like a flower,
Each day is like a posy.
How can you say the skies are grey?
You're wrong, my friend, they're rosy.


With right good will let's climb the hill,
And leave behind all sorrow.
Oh, we'll be gay! a bright to-day
Will make a bright to-morrow.
Oh, we'll be strong! the way is long
That never has a turning;
The hill is high, but there's the sky,
And how the West is burning!


And if through chance of circumstance
We have to go bare-foot, sir,
We'll not repine -- a friend of mine
Has got no feet to boot, sir.
This Happiness a habit is,
And Life is what we make it:
See! there's the trail to Sunnydale!
Up, friend! and let us take it.
255

To A Tycoon

To A Tycoon

Since much has been your mirth
And fair your fate,
Friend, leave your lot of earth
Less desolate.
With frailing overdue,
Why don't you try
The bit of God in you
To justify?

Try to discern the grace
All greed above,
That may uplift the race
To realm of love.
For in you is a spark,
A heaven-glow,
That will illume the dark
Before you go.

Aye, though it be that you
To Faith are blind,
There's one thing you can do,
It's--just be kind.
The anguish understand,
Of hearts that bleed:
Friends, lend a helping hand
To those in need.
205

Tim

Tim


My brother Tim has children ten,
While I have none.

Maybe that's why he's toiling when
To ease I've won.

But though I would some of his brood
Give hearth and care,

I know that not a one he would
Have heart to spare.

'Tis children that have kept him poor;
He's clad them neat.

They've never wanted, I am sure,
For bite to eat.

And though their future may be dim,
They laugh a lot.

Am I tearful for Brother Tim?
Oh no, I'm not.

I know he goes to work each day
With flagging feet.

'Tis hard, even with decent pay,
To make ends meet.

But when my sterile home I see,
So smugly prim,

Although my banker bows to me,
I envy Tim.
178

Titine

Titine


Although I have a car of class,
A limousine,
I also have a jenny ass
I call Titine.
And if I had in sober sense
To choose between,
I know I'd give the preference
To sleek Titine.

My chauffeur drives my Cadillac
In uniform.
I wear a worn coat on my back
That he would scorn.
He speeds with umpty equine power,
Like an express;
I amble at eight miles an hour,
Or even less.

My wife can use our fancy bus
To cut a dash;
She very definitely does,
And blows my cash.
But this old codger seeks the sane
And simple scene;
Content to jog along a lane
With old Titine.

So as in country ways I go
Wife loves the town;
But though I'm slow, serene I know
I won't break down.
With brawn and bone I reckon mine
The best machine:
Old folks and donkeys best combine,
--"Giddup, Titine!"
208

Three Wives

Three Wives

Said Jones: "I'm glad my wife's not clever;
Her intellect is second-rate.
If she was witty she would never
Give me a chance to scintillate;
But cap my humorous endeavour
And make me seem as addle-pate."


Said Smith: "I'm glad my wife's no beauty,
For if a siren's charm she had,
And stinted her domestic duty,
I fear that she would drive me mad:
For I am one of those sad fellows
Who are unreasonably jealous."


Said Brown: ""I know my wife's not witty,
Nor is she very long on looks;
She's neither humorous nor pretty,
But oh how she divinely cooks!
You guys must come some night to dinner You'll
see my little girl's a winner."


So it's important in our lives,
(Exaggerating more or less),
To be content with our wives,
And prize the virtues they possess;
And with dispraise to turn one's back
On all the qualities they lack.
231

The Younger Son

The Younger Son

If you leave the gloom of London and you seek a glowing land,
Where all except the flag is strange and new,
There's a bronzed and stalwart fellow who will grip you by the hand,
And greet you with a welcome warm and true;
For he's your younger brother, the one you sent away
Because there wasn't room for him at home;
And now he's quite contented, and he's glad he didn't stay,
And he's building Britain's greatness o'er the foam.

When the giant herd is moving at the rising of the sun,
And the prairie is lit with rose and gold,
And the camp is all abustle, and the busy day's begun,
He leaps into the saddle sure and bold.
Through the round of heat and hurry, through the racket and the rout,
He rattles at a pace that nothing mars;
And when the night-winds whisper and camp-fires flicker out,
He is sleeping like a child beneath the stars.

When the wattle-blooms are drooping in the sombre she-oak glade,
And the breathless land is lying in a swoon,
He leaves his work a moment, leaning lightly on his spade,
And he hears the bell-bird chime the Austral noon.
The parrakeets are silent in the gum-tree by the creek;
The ferny grove is sunshine-steeped and still;
But the dew will gem the myrtle in the twilight ere he seek
His little lonely cabin on the hill.

Around the purple, vine-clad slope the argent river dreams;
The roses almost hide the house from view;
A snow-peak of the Winterberg in crimson splendor gleams;
The shadow deepens down on the karroo.
He seeks the lily-scented dusk beneath the orange tree;
His pipe in silence glows and fades and glows;
And then two little maids come out and climb upon his knee,
And one is like the lily, one the rose.

He sees his white sheep dapple o'er the green New Zealand plain,
And where Vancouver's shaggy ramparts frown,
When the sunlight threads the pine-gloom he is fighting might and main
To clinch the rivets of an Empire down.
You will find him toiling, toiling, in the south or in the west,
A child of nature, fearless, frank, and free;
And the warmest heart that beats for you is beating in his breast,
And he sends you loyal greeting o'er the sea.

You've a brother in the army, you've another in the Church;
One of you is a diplomatic swell;
You've had the pick of everything and left him in the lurch,
And yet I think he's doing very well.
I'm sure his life is happy, and he doesn't envy yours;
I know he loves the land his pluck has won;
And I fancy in the years unborn, while England's fame endures,


She will come to bless with pride -- The Younger Son.
192

The Wood-Cutter

The Wood-Cutter

The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the fag-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.

Last! Ah, yes, it's the finish. Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.

Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.

By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.

It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.

Hell and the anguish thereafter. Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.)

Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.

See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.

I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness. God only knows how I feel.


Maybe you've seen me sometimes; maybe you've pitied me then-The
lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.

My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!
142

The Womb

The Womb

Up from the evil day
Of wattle and of woad,
Along man's weary way
Dark Pain has been the goad.
Back from the age of stone,
Within his brutish brain,
What pleasure he has known


Is ease from Pain.

Behold in Pain the force
That haled Man from the Pit,
And set him such a course
No mind can measure it.
To angel from the ape
No human pang was vain
In that divine escape

To joy through Pain.

See Pain with stoic eyes
And patient fortitude,
A blessing in disguise,
An instrument of good.
Aye, though with hearts forlorn
We to despair be fain,
Believe that Joy is born


From Womb of Pain.
267

The Wildy Ones

The Wildy Ones

The sheep are in the silver wood,
The cows are in the broom;

The goats are in the wild mountain
And won't be home by noon.

My mother sang that olden tune
Most every night,

And to her newest she would croon
By candle light;

While cuddling in the velvet gloom
I'd dream of cows

That sought each dawn 'mid golden broom
To gently browse.

Or I would glimpse the silver wood,
The birchen glade,

Where pearly sheep in quiet mood
Cropped unafraid;

But how I loved in lapsing drowse
The mountain wild!

The goats were more than sheep and cows
To one wee child.

For cows and sheep are shelter-wise,
And love the lea;

While goats have starlight in their eyes,
In cragland free . . .

And now on edge of endless sleep
Wryly I note

How less I'm kin to kine and sheep
Than rebel goat!
201

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.