Poems List

The Law Of The Yukon

The Law Of The Yukon

This is the law of the Yukon, and ever she makes it plain:
"Send not your foolish and feeble; send me your strong and your sane --
Strong for the red rage of battle; sane for I harry them sore;
Send me men girt for the combat, men who are grit to the core;
Swift as the panther in triumph, fierce as the bear in defeat,
Sired of a bulldog parent, steeled in the furnace heat.
Send me the best of your breeding, lend me your chosen ones;
Them will I take to my bosom, them will I call my sons;
Them will I gild with my treasure, them will I glut with my meat;
But the others -- the misfits, the failures -- I trample under my feet.
Dissolute, damned and despairful, crippled and palsied and slain,
Ye would send me the spawn of your gutters -- Go! take back your spawn again.


"Wild and wide are my borders, stern as death is my sway;
From my ruthless throne I have ruled alone for a million years and a day;
Hugging my mighty treasure, waiting for man to come,
Till he swept like a turbid torrent, and after him swept -- the scum.
The pallid pimp of the dead-line, the enervate of the pen,
One by one I weeded them out, for all that I sought was -- Men.
One by one I dismayed them, frighting them sore with my glooms;
One by one I betrayed them unto my manifold dooms.
Drowned them like rats in my rivers, starved them like curs on my plains,
Rotted the flesh that was left them, poisoned the blood in their veins;
Burst with my winter upon them, searing forever their sight,
Lashed them with fungus-white faces, whimpering wild in the night;


"Staggering blind through the storm-whirl, stumbling mad through the snow,
Frozen stiff in the ice-pack, brittle and bent like a bow;
Featureless, formless, forsaken, scented by wolves in their flight,
Left for the wind to make music through ribs that are glittering white;
Gnawing the black crust of failure, searching the pit of despair,
Crooking the toe in the trigger, trying to patter a prayer;
Going outside with an escort, raving with lips all afoam,
Writing a cheque for a million, driveling feebly of home;
Lost like a louse in the burning . . . or else in the tented town
Seeking a drunkard's solace, sinking and sinking down;
Steeped in the slime at the bottom, dead to a decent world,
Lost 'mid the human flotsam, far on the frontier hurled;
In the camp at the bend of the river, with its dozen saloons aglare,
Its gambling dens ariot, its gramophones all ablare;
Crimped with the crimes of a city, sin-ridden and bridled with lies,
In the hush of my mountained vastness, in the flush of my midnight skies.
Plague-spots, yet tools of my purpose, so natheless I suffer them thrive,
Crushing my Weak in their clutches, that only my Strong may survive.


"But the others, the men of my mettle, the men who would 'stablish my fame
Unto its ultimate issue, winning me honor, not shame;
Searching my uttermost valleys, fighting each step as they go,
Shooting the wrath of my rapids, scaling my ramparts of snow;
Ripping the guts of my mountains, looting the beds of my creeks,
Them will I take to my bosom, and speak as a mother speaks.
I am the land that listens, I am the land that broods;



Steeped in eternal beauty, crystalline waters and woods.
Long have I waited lonely, shunned as a thing accurst,
Monstrous, moody, pathetic, the last of the lands and the first;
Visioning camp-fires at twilight, sad with a longing forlorn,
Feeling my womb o'er-pregnant with the seed of cities unborn.
Wild and wide are my borders, stern as death is my sway,
And I wait for the men who will win me -- and I will not be won in a day;
And I will not be won by weaklings, subtle, suave and mild,
But by men with the hearts of vikings, and the simple faith of a child;
Desperate, strong and resistless, unthrottled by fear or defeat,
Them will I gild with my treasure, them will I glut with my meat.


"Lofty I stand from each sister land, patient and wearily wise,
With the weight of a world of sadness in my quiet, passionless eyes;
Dreaming alone of a people, dreaming alone of a day,
When men shall not rape my riches, and curse me and go away;
Making a bawd of my bounty, fouling the hand that gave --
Till I rise in my wrath and I sweep on their path and I stamp them into a grave.
Dreaming of men who will bless me, of women esteeming me good,
Of children born in my borders of radiant motherhood,
Of cities leaping to stature, of fame like a flag unfurled,
As I pour the tide of my riches in the eager lap of the world."


This is the Law of the Yukon, that only the Strong shall thrive;
That surely the Weak shall perish, and only the Fit survive.
Dissolute, damned and despairful, crippled and palsied and slain,
This is the Will of the Yukon, -- Lo, how she makes it plain!
190

The Land Of Beyond

The Land Of Beyond

Have ever you heard of the Land of Beyond,
That dreams at the gates of the day?
Alluring it lies at the skirts of the skies,
And ever so far away;
Alluring it calls: O ye the yoke galls,
And ye of the trail overfond,
With saddle and pack, by paddle and track,
Let's go to the Land of Beyond!

Have ever you stood where the silences brood,
And vast the horizons begin,
At the dawn of the day to behold far away
The goal you would strive for and win?
Yet ah! in the night when you gain to the height,
With the vast pool of heaven star-spawned,
Afar and agleam, like a valley of dream,
Still mocks you a Land of Beyond.

Thank God! there is always a Land of Beyond
For us who are true to the trail;
A vision to seek, a beckoning peak,
A farness that never will fail;
A pride in our soul that mocks at a goal,

A manhood that irks at a bond,
And try how we will, unattainable still,
Behold it, our Land of Beyond!
260

The Key Of The Street

The Key Of The Street

"Miss Rosemary," I dourly said,
"Our balance verges on the red,
We must cut down our overhead.
One of the staff will have to go.
There's Mister Jones, he's mighty slow,
Although he does his best, I know.


"A deer old man; I like him well,
But age, alas! will always tell.
Miss Rosemary, please ring the bell
And tell old Jones to step this way . . .
Oh dear, oh dear, it isn't gay
To say the things I have to say.


"Come in and sit down, Mister Jones."
He thanks me in sepulchral tones.
Poor chap! I hear his creaking bones.
"Have a cigar? And how's your wife?
What's that! You're fearing for her life -
A cancer and the surgeon's knife. . . .


"Yes, operations are so dear,
But it's your comfort and your cheer
To know your job's so steady here."
These are his words; so meek and mild,
He looks just like a simple child . . .
Go! darn it! Suddenly I'm riled.


And so I say: "That's just too bad.
But Mister Jones. it's very sad,
You know what losses we have had.
We must cut down in times like these,
So here's a cheque, Oh take it please '
Twill help to pay your doctor's fees.


"And just to show how I appraise
Your work - despite these doleful days
I'm giving you . . . a little raise."


Said Rosemary: "Old Jones is crying."
Thought I: "Yes, each week I'll be sighing,
When from my pocket I am prying
Ten bucks to keep his wife from dying."
235

The Judgement

The Judgement

The Judge looked down, his face was grim,
He scratched his ear;

The gangster's moll looked up at him
With eyes of fear.

She thought: 'This guy in velvet gown,
With balding pate,

Who now on me is looking down,
Can seal my fate.'

The Judge thought: 'Fifteen years or ten
I might decree.

Just let me say the word and then
Go home to tea.

But then this poor wretch might not be
So long alive . . .'

So with surprise he heard that he
Was saying 'Five'.

The Judge went home. His daughter's child
Was five that day;

And with sweet gifts around her piled
She laughed in play.

Then mused the Judge: 'Life oft bestows
Such evil odds.

May he who human mercy shows
Not count on God's?'
234

The Joy Of Being Poor

The Joy Of Being Poor

I

Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure . . .
Ye Gods! these were the happy days, the days when I was poor.


II


Or else, again, old pal of mine, do you recall the times
You struggled with your storyettes, I wrestled with my rhymes;
Oh, we were happy, were we not? -- we used to live so "high"
(A little bit of broken roof between us and the sky);
Upon the forge of art we toiled with hammer and with tongs;
You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel,
But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale,
What feasts we had of tenderloins and apple-tarts and ale!
And yet how often we would dine as cheerful as you please,
Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure,
But oh, these were the happy days, the days when we were poor.


III


Alas! old man, we're wealthy now, it's sad beyond a doubt;
We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care,
We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents,
I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score,
We play the part . . . but say, old chap, oh, isn't it a bore?
We work like slaves, we eat too much, we put on evening dress;
We've everything a man can want, I think . . . but happiness.
Come, let us sneak away, old chum; forget that we are rich,
And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs,
And wear old clothes and just pretend we aren't millionaires;



And wonder how we'll pay the rent, and scribble ream on ream,
And sup on sausages and tea, and laugh and loaf and dream.


And when we're tired of that, my friend, oh, you will come with me;
And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars,
The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire,
And sing like two old jolly boys, and dance to heart's desire;
We'll climb the hill and ford the brook and camp upon the moor . . .
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
251

The Host

The Host

I never could imagine God:
I don't suppose I ever will.
Beside His altar fire I nod
With senile drowsiness but still
In old of age as sight grows dim

I have a sense of Him.

For when I count my sum of days
I find so many sweet and good,
My mind is full of peace and praise,
My heart aglow with gratitude.
For my long living in the sun


I want to thank someone.

Someone who has been kind to me;
Some power within, if not on high,
Who shaped my gentle destiny,
And led me pleasant pastures by:
Who taught me, whether gay or grave,


To love the life He gave.

A Host of charity and cheer,
Within a Tavern warm and bright;
Who smiles and bids me have no fear
As forth I fare into the night:
From whom I beg no Heav'n, but bless


For earthly happiness.
233

The Home-Coming

The Home-Coming

My boy's come back; he's here at last;
He came home on a special train.
My longing and my ache are past,
My only son is back again.
He's home with music, flags and flowers;
With peace and joy my heart's abrim;
He got here in the morning hours
With half the town to welcome him.


To hush my grief, night after night,
How I have digged my pillow deep,
And it would be the morning light
Before I sobbed myself to sleep.
And how I used to stare and stare
Across the harbour's yeasty foam,
Thinking he's fighting far out there . . .
But now with bells my boy's come home.


There's Mrs. Burke, she has her Ted,
But less the sight of his two eyes;
And Mrs. Smith - you know her Fred -
They took his legs off at the thighs.
How can these women happy be,
For all their bravery of talk,
One with a son who cannot see,
One with a boy who'll never walk.


I should be happier than they;
My lad came back without a scar,
And all the folks are proud they say,
To greet their hero of the war.
So in the gentle eventide
I'll give God thanks my Bert's come home. . . .
As peacefully I sit beside
His tiny mound of new-turned loam.
154

The Healer

The Healer

"Tuberculosis should not be,"
The old professor said.
"If folks would hearken unto me
'Twould save a million dead.
Nay, no consumptive needs to die,
--A cure have I.

"From blood of turtle I've distilled
An elixir of worth;
Let every sufferer be thrilled
And sing for joy of earth;
Yet every doctor turns his back
And calls me quack.

"Alas! They do not want to cure,
For sickness is their meat;
So persecution I endure,
And die in dark defeat:
Ye lungers, listen to my call!
--I'll save you all."

The old Professor now is dead,
And turtles of the sea,
Knowing their blood they need not shed,
Are festive in their glee:
While sanitoriums are crammed
With legions dammed.
251

The Hearth-Stone

The Hearth-Stone

The leaves are sick and jaundiced, they
Drift down the air;

December's sky is sodden grey,
Dark with despair;

A bleary dawn will light anon
A world of care.

My name is cut into a stone,
No care have I;

The letters drool, as I alone
Forgotten lie:

With weed my grave is overgrown,
None cometh nigh.

A hundred hollow years will speed
As I decay;

And I'll be comrade to the weed,
Kin to the clay;

Until some hind in homing-need
Will pass my way.

Until some lover seeking hearth
With joy will see

My nameless stone sunk in the earth
And it will be

The ruddy birth of childish mirth,
And elder glee.

And none will dream it bore my name
Decades ago;

A scribbling fool of little fame,
Who loved life so . . .

Well, flesh is grass and Time must pass,-Heigh
ho! Heigh ho!
197

The Hat

The Hat

In city shop a hat I saw
That to my fancy seemed to strike,
I gave my wage to buy the straw,
And make myself a one the like.


I wore it to the village fair;
Oh proud I was, though poor was I.
The maids looked at me with a stare,
The lads looked at me with a sigh.


I wore it Sunday to the Mass.
The other girls wore handkerchiefs.
I saw them darkly watch and pass,
With sullen smiles, with hidden griefs.


And then with sobbing fear I fled,
But they waylayed me on the street,
And tore the hat from off my head,
And trampled it beneath their feet.


I sought the Church; my grief was wild,
And by my mother's grave I sat:
. . . I've never cried for clay-cold child,
As I wept for that ruined hat.
175

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Identification and basic context

Robert William Service was born in Preston, Lancashire, England, and later became a Canadian citizen. He is most famous for his Yukon ballads, written during his time in the Canadian North. His writings often focused on the rugged and adventurous life experienced by prospectors and settlers.

Childhood and education

Service's early life was marked by a middle-class upbringing. He received a sound education, but his adventurous spirit led him to seek opportunities abroad rather than settling into a conventional life in England. He eventually traveled to Canada, working various jobs before finding his niche as a poet.

Literary trajectory

Service's literary career took off with the publication of "Songs of a Sourdough" (also known as "The Spell of the Yukon") in 1907, which achieved immediate success. His poetry chronicled the experiences and characters of the Yukon Gold Rush, becoming incredibly popular among both readers and critics. He continued to write prolifically throughout his life, producing novels and plays in addition to his famous ballads.

Works, style, and literary characteristics

Service's major works include "Songs of a Sourdough," "The Ballads of a Cheechako," and "Rhymes of a Rolling Stone." His poetry is characterized by its strong narrative quality, accessible language, and rhythmic meter, often employing rhyme schemes that enhance the storytelling. Dominant themes include adventure, hardship, love, loss, and the harsh beauty of the northern landscape. His style is often described as ballad-like, with a direct and engaging tone that appeals to a broad audience. He successfully captured the spirit and vernacular of the people he wrote about, creating memorable characters and situations.

Cultural and historical context

Service's work is deeply rooted in the historical context of the Klondike Gold Rush and the early 20th century. His poems reflect the era's spirit of adventure, the challenges faced by pioneers, and the unique subculture that developed in the Yukon. He belonged to no specific formal literary movement but his popular appeal placed him within the broader tradition of narrative poetry that resonated with the public during his time.

Personal life

Service led a life of considerable adventure. After working in the Yukon, he served as a war correspondent during World War I and lived in various locations, including France and Monaco. His personal experiences often informed the settings and characters in his poetry and prose, imbuing them with authenticity and a sense of lived experience. He married Germaine Cornulier and had a daughter.

Recognition and reception

Robert W. Service achieved immense popularity during his lifetime, earning the nickname "The Bard of the Yukon." His books sold millions of copies, and his poems were widely recited and known. While sometimes criticized by literary elites for being too sentimental or simplistic, his work maintained a strong connection with ordinary readers and continues to be celebrated for its storytelling and evocative portrayal of the North.

Influences and legacy

Service's work was influenced by popular ballad traditions and the real-life stories of the people he encountered. He, in turn, influenced countless readers and writers with his ability to capture the spirit of adventure and the human condition in challenging environments. His poems remain a significant cultural touchstone for understanding the Yukon Gold Rush era and continue to be read and enjoyed worldwide.

Interpretation and critical analysis

Critics often analyze Service's work for its portrayal of romanticized adventure versus the harsh realities of frontier life. His poems can be interpreted as both celebrating and critiquing the pursuit of fortune, as well as exploring themes of loneliness, companionship, and the resilience of the human spirit against nature's unforgiving backdrop.

Curiosities and lesser-known aspects

Despite his fame as a poet of the North, Service spent relatively little time in the Yukon compared to the duration of his life. His ability to capture the atmosphere and spirit of the region was a testament to his observational skills and imaginative writing. He was also known for his adventurous lifestyle outside of his writing career.

Death and memory

Robert W. Service passed away in 1958. His memory is kept alive through his enduringly popular poems, which continue to be published, recited, and celebrated, ensuring his place as a beloved chronicler of the Yukon's golden age.