Poems List

Romulus and Remus

Romulus and Remus
Canadian
Oh, little did the Wolf-Child care--
When first he planned his home,
What City should arise and bear
The weight and state of Rome.
A shiftless, westward-wandering tramp,
Checked by the Tiber flood,
He reared a wall around his camp
Of uninspired mud.
But when his brother leaped the Wall
And mocked its height and make,
He guessed the future of it all
And slew him for its sake.
Swift was the blow--swift as the thought
Which showed him in that hour
How unbelief may bring to naught
The early steps of Power.
Foreseeing Time's imperilled hopes
Of Glory, Grace, and Love--
All singers, Caesars, artists, Popes--
Would fail if Remus throve,
He sent his brother to the Gods,
And, when the fit was o'er,
Went on collecting turves and clods
To build the Wall once more!
453

Rikki-Tikki-Tavi

Rikki-Tikki-Tavi
At the hole where he went in
Red-Eye called to Wrinkle-Skin.
Hear what little Red-Eye saith:
"Nag, come up and dance with death! "
Eye to eye and head to head,
(Keep the measure, Nag.)
This shall end when one is dead;
(At thy pleasure, Nag.)
Turn for turn and twist for twist--
(Run and hide thee, Nag.)
Hah! The hooded Death has missed!
( Woe betide thee, Nag!)
374

Rimmon

Rimmon
-- After Boer War
Duly with knees that feign to quake--
Bent head and shaded brow,--
Yet once again, for my father's sake,
In Rimmon's House I bow.
The curtains part, the trumpet blares,
And the eunuchs howl aloud;
And the gilt, swag-bellied idol glares
Insolent over the crowd.
"This is Rimmon, Lord of the Earth--
"Fear Him and bow the knee!"

And I watch my comrades hide their mirth
That rode to the wars with me.
For we remember the sun and the sand
And the rocks whereon we trod,
Ere we came to a scorched and a scornful land
That did not know our God;
As we remember the sacrifice,
Dead men an hundred laid--
Slain while they served His mysteries,
And that He would not aid--
Not though we gashed ourselves and wept,
For the high-priest bade us wait;
Saying He went on a journey or slept,
Or was drunk or had taken a mate.
(Praise ye Rimmon, King of Kings,
Who ruleth Earth and Sky!

And again I bow as the censer swings
And the God Enthroned goes by.)
Ay, we remember His sacred ark
And the virtuous men that knelt
To the dark and the hush behind the dark
Wherein we dreamed He dwelt;
Until we entered to hale Him out
And found no more than an old
Uncleanly image girded about
The loins with scarlet and gold.
Him we o'erset with the butts of our spears--
Him and his vast designs--
To be scorn of our muleteers
And the jest of our halted line.


By the picket-pins that the dogs defile,
In the dung and the dust He lay,
Till the priests ran and chattered awhile
And we wiped Him and took Him away.
Hushing the matter before it was known,
They returned to our fathers afar,
And hastily set Him afresh on His throne
Because he had won us the war.
Wherefore with knees that feign to quake--
Bent head and shaded brow--
To this dog, for my father's sake,
In the Rimmon's House I bow!
463

Red Dog

Red Dog
For our white and our excellent nights--for the nights of swift
running,
Fair ranging, far seeing, good hunting, sure cunning!
For the smells of the dawning, untainted, ere dew has departed!
For the rush through the mist, and the quarry blind-started!
For the cry of our mates when the sambhur has wheeled and is
standing at bay!
For the risk and the riot of night!
For the sleep at the lair-mouth by day!
It is met, and we go to the fight.
Bay! O bay!
386

Recessional

Recessional
June ,
God of our fathers, known of old—
Lord of our far-flung battle-line—
Beneath whose awful Hand we hold
Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget, lest we forget!
The tumult and the shouting dies—
The captains and the kings depart—
Still stands Thine ancient sacrifice,
An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget, lest we forget!
Far-call’d our navies melt away—
On dune and headland sinks the fire—
Lo, all our pomp of yesterday
Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet,
Lest we forget, lest we forget!
If, drunk with sight of power, we loose
Wild tongues that have not Thee in awe—
Such boasting as the Gentiles use
Or lesser breeds without the Law—
Lord God of Hosts, be with us yet,
Lest we forget, lest we forget!
For heathen heart that puts her trust
In reeking tube and iron shard—
All valiant dust that builds on dust,
And guarding calls not Thee to guard—
For frantic boast and foolish word,
Thy Mercy on Thy People, Lord!
586

Public Waste

Public Waste
Walpole talks of "a man and his price."
List to a ditty queer --
The sale of a Deputy-Acting-Vice-
Resident-Engineer,
Bought like a bullock, hoof and hide,
By the Little Tin Gods on the Mountain Side.

By the Laws of the Family Circle 'tis written in letters of brass
That only a Colonel from Chatham can manage the Railways of State,
Because of the gold on his breeks, and the subjects wherein he must pass;
Because in all matters that deal not with Railways his knowledge is great.
Now Exeter Battleby Tring had laboured from boyhood to eld
On the Lines of the East and the West, and eke of the North and South;
Many Lines had he built and surveyed -- important the posts which he held;
And the Lords of the Iron Horse were dumb when he opened his mouth.
Black as the raven his garb, and his heresies jettier still --
Hinting that Railways required lifetimes of study and knowledge --
Never clanked sword by his side -- Vauban he knew not nor drill --
Nor was his name on the list of the men who had passed through the "College."
Wherefore the Little Tin Gods harried their little tin souls,
Seeing he came not from Chatham, jingled no spurs at his heels,
Knowing that, nevertheless, was he first on the Government rolls
For the billet of "Railway Instructor to Little Tin Gods on Wheels."
Letters not seldom they wrote him, "having the honour to state,"
It would be better for all men if he were laid on the shelf.
Much would accrue to his bank-book, an he consented to wait
Until the Little Tin Gods built him a berth for himself,
"Special, well paid, and exempt from the Law of the Fifty and Five,
Even to Ninety and Nine" -- these were the terms of the pact:
Thus did the Little Tin Gods (lon may Their Highnesses thrive!)
Silence his mouth with rupees, keeping their Circle intact;
Appointing a Colonel from Chatham who managed the Bhamo State Line
(The wich was on mile and one furlong -- a guaranteed twenty-inch gauge),
So Exeter Battleby Tring consented his claims to resign,
And died, on four thousand a month, in the ninetieth year of his age!
417

Quiquern

Quiquern
The People of the Eastern Ice, they are melting like the snow--
They beg for coffee and sugar; they go where the white men go.
The People of the Western Ice, they learn to steal and fight;
They sell their furs to the trading-post; they sell their souls to
the white.
The People of the Southern Ice, they trade with the whaler's
crew;
Their women have many ribbons, but their tents are torn and few.
But the People of the Elder Ice, beyond the white man's ken--
Their spears are made of the narwhal-horn, and they are the last
of the Men!
605

Poseidon's Law

Poseidon's Law
When the robust and Brass-bound Man commissioned first for sea
His fragile raft, Poseidon laughed, and "Mariner," said he,
"Behold, a Law immutable I lay on thee and thine,
That never shall ye act or tell a falsehood at my shrine.
"Let Zeus adjudge your landward kin whose votive meal and sale
At easy-cheated altars win oblivion for the fault,
But you the unhoodwinked wave shall test--the immediate gulf condemn--
Except ye owe the Fates a jest, be slow to jest with them.
Ye shall not clear by Greekly speech, nor cozen from your path
The twinkling shoal, the leeward beach, or Hadria's white-lipped wrath;
Nor tempt with painted cloth for wood my fraud-avenging hosts;
Nor make at all, or all make good, your bulwarks and your boasts.
Now and henceforward serve unshod, through wet and wakeful shifts,
A present and oppressive God, but take, to aid, my gifts--
The wide and windward-opening eye, the large and lavish hand,
The soul that cannot tell a lie--except upon the land!"
In dromond and in catafract--wet, wakeful, windward-eyed--
He kept Poseidon's Law intact (his ship and freight beside),
But, once discharged the dromond's hold, the bireme beached once more,
Splendaciously mendacious rolled the Brass-bound Man ashore....
The thranite now and thalamite are pressures low and high,
And where three hundred blades bit white the twin-propellers ply.
The God that hailed, the keel that sailed are changed beyond recall,
But the robust and Brass-bound Man he is not changed at all!
From Punt returned, from Phormio's Fleet, from Javan and Gadire,
He strongly occupies the seat about the tavern fire,
And, moist with much Falernian or smoked Massilian juice,
Revenges there the Brass-bound Man his long-enforced truce!
446

Prelude

Prelude
I have eaten your bread and salt.
I have drunk your water and wine.
In deaths ye died I have watched beside,
And the lives ye led were mine.
Was there aught that I did not share
In vigil or toil or ease, --
One joy or woe that I did not know,
Dear hearts across the seas?
I have written the tale of our life
For a sheltered people's mirth,
In jesting guise -- but ye are wise,
And ye know what the jest is worth.
497

Pink Dominoes

Pink Dominoes
"They are fools who kiss and tell" --
Wisely has the poet sung.
Man may hold all sorts of posts
If he'll only hold his tongue.

Jenny and Me were engaged, you see,
On the eve of the Fancy Ball;
So a kiss or two was nothing to you
Or any one else at all.
Menny would go in a domino --
Pretty and pink but warm;
While I attended, clad in a splendid
Austrian uniform.
Now we had arranged, through notes exchanged
Early that afternoon,
At Number Four to waltz no more,
But to sit in the dusk and spoon.
I wish you to see that Jenny and Me
Had barely exchanged our troth;
So a kiss or two was strictly due
By, from, and between us both.
When Three was over, an eager lover,
I fled to the gloom outside;
And a Domino came out also
Whom I took for my future bride.
That is to say, in a casual way,
I slipped my arm around her;
With a kiss or two (which is nothing to you),
And ready to kiss I found her.
She turned her head and the name she said
Was certainly not my own;
But ere I could speak, with a smothered shriek
She fled and left me alone.
Then Jenny came, and I saw with shame
She'd doffed her domino;
And I had embraced an alien waist --
But I did not tell her so.
Next morn I knew that there were two
Dominoes pink, and one
Had cloaked the spouse of Sir Julian Vouse,
Our big Political gun.
Sir J. was old, and her hair was gold,


And her eye was a blue cerulean;
And the name she said when she turned her head
Was not in the least like "Julian."
477

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.