Poems List

Letting in the Jungle

Letting in the Jungle
Veil them, cover them, wall them round--
Blossom, and creeper, and weed--
Let us forget the sight and the sound,
The smell and the touch of the breed!
Fat black ash by the altar-stone,
Here is the white-foot rain
And the does bring forth in the fields unsown,
And none shall affright them again;
And the blind walls crumble, unknown, o'erthrown,
And none shall inhabit again!
338

L'envoi To Life's Handicap

L'envoi To "Life's Handicap"
My new-cut ashlar takes the light
Where crimson-blank the windows flare;
By my own work, before the night,
Great Overseer I make my prayer.
If there be good in that I wrought,
Thy hand compelled it, Master, Thine;
Where I have failed to meet Thy thought
I know, through Thee, the blame is mine.
One instant's toil to Thee denied
Stands all Eternity's offence,
Of that I did with Thee to guide
To Thee, through Thee, be excellence.
Who, lest all thought of Eden fade,
Bring'st Eden to the craftsman's brain,
Godlike to muse o'er his own trade
And Manlike stand with God again.
The depth and dream of my desire,
The bitter paths wherein I stray,
Thou knowest Who hast made the Fire,
Thou knowest Who hast made the Clay!
One stone the more swings to her place
In that dread Temple of Thy Worth --
It is enough that through Thy grace
I saw naught common on Thy earth.
Take not that vision from my ken;
Oh whatsoe'er may spoil or speed,
Help me to need no aid from men
That I may help such men as need!
448

Late Came the God

Late Came the God
Late came the God, having sent his forerunners who were
not regarded--
Late, but in wrath;
Saying: "The wrong shall be paid, the contempt be rewarded
On all that she hath."
He poisoned the blade and struck home, the full bosom receiving
The wound and the venom in one, past cure or relieving.
He made treaty with Time to stand still that the grief might
be fresh--
Daily renewed and nightly pursued through her soul to her
flesh--
Mornings of memory, noontides of agony, midnights unslaked
for her,
Till the stones of the streets of her Hells and her Paradise ached
for her.
So she lived while her body corrupted upon her.
And she called on the Night for a sign, and a Sign was allowed,
And she builded an Altar and served by the light of her Vision--
Alone, without hope of regard or reward, but uncowed,
Resolute, selfless, divine.
These things she did in Love's honour...
What is a God beside Woman? Dust and derision!
460

Kim

Kim
Unto whose use the pregnant suns are poised,
With idiot moons and stars retracting stars?
Creep thou between -- thy coming's all unnoised.
Heaven hath her high, as Earth her baser, wars.
Heir to these tumults, this affright, that fray
(By Adam's, fathers', own, sin bound alway);
Peer up, draw out thy horoscope and say
Which planet mends thy threadbare fate, or mars.
368

La Nuit Blanche

La Nuit Blanche
A much-discerning Public hold
The Singer generally sings
And prints and sells his past for gold.
Whatever I may here disclaim,
The very clever folk I sing to
Will most indubitably cling to
Their pet delusion, just the same.

I had seen, as the dawn was breaking
And I staggered to my rest,
Tari Devi softly shaking
From the Cart Road to the crest.
I had seen the spurs of Jakko
Heave and quiver, swell and sink.
Was it Earthquake or tobacco,
Day of Doom, or Night of Drink?
In the full, fresh fragrant morning
I observed a camel crawl,
Laws of gravitation scorning,
On the ceiling and the wall;
Then I watched a fender walking,
And I heard grey leeches sing,
And a red-hot monkey talking
Did not seem the proper thing.
Then a Creature, skinned and crimson,
Ran about the floor and cried,
And they said that I had the "jims" on,
And they dosed me with bromide,
And they locked me in my bedroom --
Me and one wee Blood Red Mouse --
Though I said: "To give my head room
You had best unroof the house."
But my words were all unheeded,
Though I told the grave M.D.
That the treatment really needed
Was a dip in open sea
That was lapping just below me,
Smooth as silver, white as snow,
And it took three men to throw me
When I found I could not go.
Half the night I watched the Heavens
Fizz like ' champagne --
Fly to sixes and to sevens,
Wheel and thunder back again;
And when all was peace and order
Save one planet nailed askew,


Much I wept because my warder
Would not let me sit it true.
After frenzied hours of wating,
When the Earth and Skies were dumb,
Pealed an awful voice dictating
An interminable sum,
Changing to a tangle story --
"What she said you said I said" --
Till the Moon arose in glory,
And I found her . . . in my head;
Then a Face came, blind and weeping,
And It couldn't wipe its eyes,
And It muttered I was keeping
Back the moonlight from the skies;
So I patted it for pity,
But it whistled shrill with wrath,
And a huge black Devil City
Poured its peoples on my path.
So I fled with steps uncertain
On a thousand-year long race,
But the bellying of the curtain
Kept me always in one place;
While the tumult rose and maddened
To the roar of Earth on fire,
Ere it ebbed and sank and saddened
To a whisper tense as wire.
In tolerable stillness
Rose one little, little star,
And it chuckled at my illness,
And it mocked me from afar;
And its breathren came and eyed me,
Called the Universe to aid,
Till I lay, with naught to hide me,
'Neath' the Scorn of All Things Made.
Dun and saffron, robed and splendid,
Broke the solemn, pitying Day,
And I knew my pains were ended,
And I turned and tried to pray;
But my speech was shattered wholly,
And I wept as children weep.
Till the dawn-wind, softly, slowly,
Brought to burning eyelids sleep.
560

James I

James I
-
The child of Mary Queen of Scots,
A shifty mother's shiftless son,
Bred up among intrigues and plots,
Learned in all things, wise in none.
Ungainly, babbling, wasteful, weak,
Shrewd, clever, cowardly, pedantic,
The sight of steel would blanch his cheek,
The smell of baccy drive him frantic.
He was the author of his line--
He wrote that witches should be burnt;
He wrote that monarchs were divine,
And left a son who--proved they weren't!
392

Jubal and Tubal Cain

Jubal and Tubal Cain
Canadian
Jubal sang of the Wrath of God
And the curse of thistle and thorn--
But Tubal got him a pointed rod,
And scrabbled the earth for corn.
Old--old as that early mould,
Young as the sprouting grain--
Yearly green is the strife between
Jubal and Tubal Cain!
Jubal sang of the new-found sea,
And the love that its waves divide--
But Tubal hollowed a fallen tree
And passed to the further side.
Black-black as the hurricane-wrack,
Salt as the under-main-
Bitter and cold is the hate they hold--
Jubal and Tubal Cain!
Jubal sang of the golden years
Uhen wars and wounds shall cease--
But Tubal fashioned the hand-flung spears
And showed his neighbours peace
New--new as Nine-point-Two
Older than Lamech's slain--
Roaring and loud is the feud avowed
Twix'' Jubal and Tubal Cain!
Jubal sang of the cliffs that bar
And the peaks that none may crown--
But Tubal clambered by jut and scar
And there he builded a town.
High-high as the snowsheds lie,
Low as the culverts drain--
Wherever they be they can never agree--
Jubal and Tubal Cain!
566

In the Matter of One Compass

In the Matter of One Compass
When, foot to wheel and back to wind,
The helmsman dare not look behind,
But hears beyond his compass-light,
The blind bow thunder through the night,
And, like a harpstring ere it snaps,
The rigging sing beneath the caps;
Above the shriek of storm in sail
Or rattle of the blocks blown free,
Set for the peace beyond the gale,
This song the Needle sings the Sea;
Oh, drunken Wave! Oh, driving Cloud!
Rage of the Deep and sterile Rain,
By love upheld, by God allowed,
We go, but we return again!

When leagued about the 'wildered boat
The rainbow Jellies fill and float,
And, lilting where the laver lingers,
The Starfish trips on all her fingers;
Where, 'neath his myriad spines ashock,
The Sea-egg ripples down the rock,
An orange wonder dimly guessed
From darkness where the Cuttles rest,
Moored o'er the darker deeps that hide
The blind white Sea-snake and his bride,
Who, drowsing, nose the long-lost Ships
Let down through darkness to their lips --
Safe-swung above the glassy death,
Hear what the constant Needle saith:
Oh, lisping Reef! Oh, listless Cloud,
In slumber on a pulseless main!
By Love upheld, by God allowed,
We go, but we return again!

E'en so through Tropic and through Trade,
Awed by the shadow of new skies,
As we shall watch old planets fade
And mark the stranger stars arise,
So, surely, back through Sun and Cloud,
So, surely, from the outward main
By Love recalled, by God allowed,
Shall we return -- return again!
Yea, we return -- return again!
432

In Springtime

In Springtime
My garden blazes brightly with the rose-bush and the peach,
And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range --
Give me back one day in England, for it's Spring in England now!
Through the pines the gusts are booming, o'er the brown fields blowing chill,
From the furrow of the ploughshare streams the fragrance of the loam,
And the hawk nests on the cliffside and the jackdaw in the hill,
And my heart is back in England 'mid the sights and sounds of Home.
But the garland of the sacrifice this wealth of rose and peach is,
Ah! koil, little koil, singing on the siris bough,
In my ears the knell of exile your ceaseless bell like speech is --
Can you tell me aught of England or of Spring in England now?
443

If

If
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!
652

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.