Poems List

Farewell and adieu....

Farewell and adieu....
Farewell and adieu to you, Harwich Ladies,
Farewell and adieu to you, ladies ashore!
For we've received orders to work to the eastward
Where we hope in a short time to strafe 'em some more.
We'll duck and we'll dive like little tin turtles,
We'll duck and we'll dive underneath the North Seas,
Until we strike something that doesn't expect us.
From here to Cuxhaven it's go as you please!
The first thing we did was to dock in a minefield,
Which isn't a place where repairs should be done;
And there we lay doggo in twelve-fathom water
With tri-nitro-toluol hogging our run.
The next thing we did, we rose under a Zeppelin,
With his shiny big belly half blocking the sky.
But what in the--Heavens can you do with six-pounders?
So we fired what we had and we bade him good-bye.
Farewell and adieu to you, Harwich Ladies,
Farewell and adieu to you, ladies ashore!
For we've received orders to work to the eastward
Where we hope in a short time to strafe 'em some more
472

En-Dor

En-Dor
Behold there is a woman that hath a familiar spirit at En-dor. -- I Samuel, xxviii.

The road to En-dor is easy to tread
For Mother or yearning Wife.
There, it is sure, we shall meet our Dead
As they were even in life.
Earth has not dreamed of the blessing in store
For desolate hearts on the road to En-dor.
Whispers shall comfort us out of the dark--
Hands--ah God!--that we knew!
Visions .and voices --look and hark!--
Shall prove that the tale is true,
An that those who have passed to the further shore
May' be hailed--at a price--on the road to En-dor.
But they are so deep in their new eclipse
Nothing they say can reach,
Unless it be uttered by alien lips
And I framed in a stranger's speech.
The son must send word to the mother that bore,
'Through an hireling's mouth. 'Tis the rule of En-dor.
And not for nothing these gifts are shown
By such as delight our dead.
They must twitch and stiffen and slaver and groan
Ere the eyes are set in the head,
And the voice from the belly begins. Therefore,
We pay them a wage where they ply at En-dor.
Even so, we have need of faith
And patience to follow the clue.
Often, at first, what the dear one saith
Is babble, or jest, or untrue.
(Lying spirits perplex us sore
Till our loves--and their lives--are well-known at
En-dor). . . .
Oh the road to En-dor is the oldest road
And the craziest road of all!
Straight it runs to the Witch's abode,
As it did in the days of Saul,
And nothing has changed of the sorrow in store
For such as go down on the road to En-dor!
514

Evarra And His Gods

Evarra And His Gods
~Read here:
This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city gave him of her gold,
Because the caravans brought turquoises,
Because his life was sheltered by the King,
So that no man should maim him, none should steal,
Or break his rest with babble in the streets
When he was weary after toil, he made
An image of his God in gold and pearl,
With turquoise diadem and human eyes,
A wonder in the sunshine, known afar,
And worshipped by the King; but, drunk with pride,
Because the city bowed to him for God,
He wrote above the shrine: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the city praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because the city had no wealth to give,
Because the caravans were spoiled afar,
Because his life was threatened by the King,
So that all men despised him in the streets,
He hewed the living rock, with sweat and tears,
And reared a God against the morning-gold,
A terror in the sunshine, seen afar,
And worshipped by the King; but, drunk with pride,
Because the city fawned to bring him back,
He carved upon the plinth: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because he lived among a simple folk,
Because his village was between the hills,
Because he smeared his cheeks with blood of ewes,
He cut an idol from a fallen pine,
Smeared blood upon its cheeks, and wedged a shell
Above its brows for eyes, and gave it hair
Of trailing moss, and plaited straw for crown.
And all the village praised him for this craft,
And brought him butter, honey, milk, and curds.
Wherefore, because the shoutings drove him mad,
He scratched upon that log: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
And all the people praised him. . . . Then he died.
~Read here the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
Because his God decreed one clot of blood


Should swerve one hair's-breadth from the pulse's path,
And chafe his brain, Evarra mowed alone,
Rag-wrapped, among the cattle in the fields,
Counting his fingers, jesting with the trees,
And mocking at the mist, until his God
Drove him to labour. Out of dung and horns
Dropped in the mire he made a monstrous God,
Abhorrent, shapeless, crowned with plantain tufts,
And when the cattle lowed at twilight-time,
He dreamed it was the clamour of lost crowds,
And howled among the beasts: "~Thus Gods are made,
And whoso makes them otherwise shall die.~"
Thereat the cattle bellowed. . . . Then he died.
Yet at the last he came to Paradise,
And found his own four Gods, and that he wrote;
And marvelled, being very near to God,
What oaf on earth had made his toil God's law,
Till God said mocking: "Mock not. These be thine."
Then cried Evarra: "I have sinned!" -- "Not so.
If thou hadst written otherwise, thy Gods
Had rested in the mountain and the mine,
And I were poorer by four wondrous Gods,
And thy more wondrous law, Evarra. Thine,
Servant of shouting crowds and lowing kine."
Thereat, with laughing mouth, but tear-wet eyes,
Evarra cast his Gods from Paradise.
~This is the story of Evarra -- man --
Maker of Gods in lands beyond the sea.~
566

Divided Destinies

Divided Destinies
It was an artless Bandar, and he danced upon a pine,
And much I wondered how he lived, and where the beast might dine,
And many, many other things, till, o'er my morning smoke,
I slept the sleep of idleness and dreamt that Bandar spoke.
He said: "O man of many clothes! Sad crawler on the Hills!
Observe, I know not Ranken's shop, nor Ranken's monthly bills;
I take no heed to trousers or the coats that you call dress;
Nor am I plagued with little cards for little drinks at Mess.
"I steal the bunnia's grain at morn, at noon and eventide,
(For he is fat and I am spare), I roam the mountain side,
I follow no man's carriage, and no, never in my life
Have I flirted at Peliti's with another Bandar's wife.
"O man of futile fopperies -- unnecessary wraps;
I own no ponies in the hills, I drive no tall-wheeled traps;
I buy me not twelve-button gloves, 'short-sixes' eke, or rings,
Nor do I waste at Hamilton's my wealth on 'pretty things.'
"I quarrel with my wife at home, we never fight abroad;
But Mrs. B. has grasped the fact I am her only lord.
I never heard of fever -- dumps nor debts depress my soul;
And I pity and despise you!" Here he pouched my breakfast-roll.
His hide was very mangy, and his face was very red,
And ever and anon he scratched with energy his head.
His manners were not always nice, but how my spirit cried
To be an artless Bandar loose upon the mountain side!
So I answered: "Gentle Bandar, and inscrutable Decree
Makes thee a gleesome fleasome Thou, and me a wretched Me.
Go! Depart in peace, my brother, to thy home amid the pine;
Yet forget not once a mortal wished to change his lot for thine."
369

Eddi's Service

Eddi's Service
(A.D. )
Eddi, priest of St. Wilfrid
In his chapel at Manhood End,
Ordered a midnight service
For such as cared to attend.
But the Saxons were keeping Christmas,
And the night was stormy as well.
Nobody came to service,
Though Eddi rang the bell.
"'Wicked weather for walking,"
Said Eddi of Manhood End.
"But I must go on with the service
For such as care to attend."
The altar-lamps were lighted, --
An old marsh-donkey came,
Bold as a guest invited,
And stared at the guttering flame.
The storm beat on at the windows,
The water splashed on the floor,
And a wet, yoke-weary bullock
Pushed in through the open door.
"How do I know what is greatest,
How do I know what is least?
That is My Father's business,"
Said Eddi, Wilfrid's priest.
"But -- three are gathered together --
Listen to me and attend.
I bring good news, my brethren!"
Said Eddi of Manhood End.
And he told the Ox of a Manger
And a Stall in Bethlehem,
And he spoke to the Ass of a Rider,
That rode to Jerusalem.
They steamed and dripped in the chancel,
They listened and never stirred,
While, just as though they were Bishops,
Eddi preached them The World,
Till the gale blew off on the marshes
And the windows showed the day,
And the Ox and the Ass together
Wheeled and clattered away.


And when the Saxons mocked him,
Said Eddi of Manhood End,
"I dare not shut His chapel
On such as care to attend."
468

Delilah

Delilah
We have another viceroy now, -- those days are dead and done
Of Delilah Aberyswith and depraved Ulysses Gunne.
Delilah Aberyswith was a lady -- not too young --
With a perfect taste in dresses and a badly-bitted tongue,
With a thirst for information, and a greater thirst for praise,
And a little house in Simla in the Prehistoric Days.
By reason of her marriage to a gentleman in power,
Delilah was acquainted with the gossip of the hour;
And many little secrets, of the half-official kind,
Were whispered to Delilah, and she bore them all in mind.
She patronized extensively a man, Ulysses Gunne,
Whose mode of earning money was a low and shameful one.
He wrote for certain papers, which, as everybody knows,
Is worse than serving in a shop or scaring off the crows.
He praised her "queenly beauty" first; and, later on, he hinted
At the "vastness of her intellect" with compliment unstinted.
He went with her a-riding, and his love for her was such
That he lent her all his horses and -- she galled them very much.
One day, THEY brewed a secret of a fine financial sort;
It related to Appointments, to a Man and a Report.
'Twas almost wortth the keeping, -- only seven people knew it --
And Gunne rose up to seek the truth and patiently ensue it.
It was a Viceroy's Secret, but -- perhaps the wine was red --
Perhaps an Aged Concillor had lost his aged head --
Perhaps Delilah's eyes were bright -- Delilah's whispers sweet --
The Aged Member told her what 'twere treason to repeat.
Ulysses went a-riding, and they talked of love and flowers;
Ulysses went a-calling, and he called for several hours;
Ulysses went a-waltzing, and Delilah helped him dance --
Ulysses let the waltzes go, and waited for his chance.
The summer sun was setting, and the summer air was still,
The couple went a-walking in the shade of Summer Hill.
The wasteful sunset faded out in turkis-green and gold,
Ulysses pleaded softly, and . . . that bad Delilah told!
Next morn, a startled Empire learnt the all-important news;
Next week, the Aged Councillor was shaking in his shoes.
Next month, I met Delilah and she did not show the least
Hesitation in affirming that Ulysses was a "beast."
* * * * *
We have another Viceroy now, those days are dead and done --


Off, Delilah Aberyswith and most mean Ulysses Gunne!
459

Death of a Believer

Death of a Believer
Yet at the last, ere our spearmen had found him,
Yet at the last, ere a sword-thrust could save,
Yet at the last, with his masters around him,
He spoke of the Faith as a master to slave.
Yet at the last, though the Kafirs had maimed him,
Broken by bondage and wrecked by the reiver,
Yet at the last, tho' the darkness had claimed him,
He called on Allah, and died a Believer!
428

Darzee's Chaunt

Darzee's Chaunt
Singer and tailor am I--
Doubled the joys that I know--
Proud of my lilt to the sky,
Proud of the house that I sew--
Over and under, so weave I my music--so weave I the house that
I sew.
Sing to your fledglings again,
Mother, O lift up your head!
Evil that plagued us is slain,
Death in the garden lies dead.
Terror that hid in the roses is impotent--flung on the dung-hill
and dead!
Who hath delivered us, who?
Tell me his nest and his name.
Rikki, the valiant, the true,
Tikki, with eyeballs of flame,
Rik-tikki-tikki, the ivory-fanged, the Hunter with eyeballs of
flame.
Give him the Thanks of the Birds,
Bowing with tail-feathers spread!
Praise him in nightingale-words--
Nay, I will praise him instead.
I will sing you the praise of the bottle-tailed Rikki with
eyeballs of red!
487

Dane-Geld

Dane-Geld
A.D. -
It is always a temptation to an armed and agile nation
To call upon a neighbour and to say:--
"We invaded you last night--we are quite prepared to fight,
Unless you pay us cash to go away."
And that is called asking for Dane-geld,
And the people who ask it explain
That you've only to pay 'em the Dane-geld
And then you'll get rid of the Dane!
It is always a temptation for a reach and lazy nation,
To puff and look important and to say:--
"Though we know we should defeat you, we have not the
time to meet you.
We will therefore pay you cash to go away."
And that is called paying the Dane-geld;
But we've proved it again and again,
That if once you have paid him the Dane-geld
You never get rid of the Dane.
It is wrong to put temptation in the path of any nation,
For fear they should succumb and go astray;
So when you are requested to pay up or be molested,
You will find it better policy to say:--
"We never pay any-one Dane-geld,
No matter how trifling the cost;
For the end of that game is oppression and shame,
And the nation that plays it is lost!"
480

Covenant

Covenant

We thought we ranked above the chance of ill.
Others might fall, not we, for we were wise--
Merchants in freedom. So, of our free-will
We let our servants drug our strength with lies.
The pleasure and the poison had its way
On us as on the meanest, till we learned
That he who lies will steal, who steals will slay.
Neither God's judgment nor man's heart was turned.
Yet there remains His Mercy--to be sought
Through wrath and peril till we cleanse the wrong
By that last right which our forefathers claimed
When their Law failed them and its stewards were bought.
This is our cause. God help us, and make strong
Our will to meet Him later, unashamed!
395

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.