Poems List

To fall in love is to create a religion that has a fallible god.
2
Dictatorships foster oppression, dictatorships foster servitude, dictatorships foster cruelty; more abominable is the fact that they foster idiocy.
3
I had always imagined Paradise as a kind of library.
3

The original is unfaithful to the translation. of Henley’s translation of Beckford ’s Vathek

Sobre el Vathek? de William Beckford (1943)

4

The Falklands thing was a fight between two bald men over a comb.

application of a proverbial phrase

3

Patio, heaven’s watercourse. The patio is the slope down which the sky flows into the house. Serenely eternity waits at the crossway of the stars.

Fervor of Buenos Aires (Fervor de Buenos Aires) [1923]. Un Patio 1

1

To a Cat

To a Cat
Mirrors are not more silent
nor the creeping dawn more secretive;
in the moonlight, you are that panther
we catch sight of from afar.
By the inexplicable workings of a divine law,
we look for you in vain;
More remote, even, than the Ganges or the setting sun,
yours is the solitude, yours the secret.
Your haunch allows the lingering
caress of my hand. You have accepted,
since that long forgotten past,
the love of the distrustful hand.
You belong to another time. You are lord
of a place bounded like a dream.
657

The Art of Poetry

The Art of Poetry
To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.
To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.
To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.
To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.
Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.
They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.
Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.
817

Susana Soca

Susana Soca
With lingering love she gazed at the dispersed
Colors of dusk. It pleased her utterly
To lose herself in the complex melody
Or in the cunous life to be found in verse.
lt was not the primal red but rather grays
That spun the fine thread of her destiny,
For the nicest distinctions and all spent
In waverings, ambiguities, delays.
Lacking the nerve to tread this treacherous
Labyrinth, she looked in on, whom without,
The shapes, the turbulence, the striving rout,
(Like the other lady of the looking glass.)
The gods that dwell too far away for prayer
Abandoned her to the final tiger, Fire.
1,232

Limits

Limits
Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone
Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.
If there is a limit to all things and a measure
And a last time and nothing more and forgetfulness,
Who will tell us to whom in this house
We without knowing it have said farewell?
Through the dawning window night withdraws
And among the stacked books which throw
Irregular shadows on the dim table,
There must be one which I will never read.
There is in the South more than one worn gate,
With its cement urns and planted cactus,
Which is already forbidden to my entry,
Inaccessible, as in a lithograph.
There is a door you have closed forever
And some mirror is expecting you in vain;
To you the crossroads seem wide open,
Yet watching you, four-faced, is a Janus.
There is among all your memories one
Which has now been lost beyond recall.
You will not be seen going down to that fountain
Neither by white sun nor by yellow moon.
You will never recapture what the Persian
Said in his language woven with birds and roses,
When, in the sunset, before the light disperses,
You wish to give words to unforgettable things.
And the steadily flowing Rhone and the lake,
All that vast yesterday over which today I bend?
They will be as lost as Carthage,
Scourged by the Romans with fire and salt.
At dawn I seem to hear the turbulent
Murmur of crowds milling and fading away;
They are all I have been loved by, forgotten by;
Space, time, and Borges now are leaving me.
718

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Identification and basic context

Jorge Luis Borges, often referred to simply as Borges, is one of the most celebrated literary figures of the 20th century. He was an Argentine writer, poet, essayist, and translator. His nationality was Argentine, and he primarily wrote in Spanish. The historical context of his life spanned periods of significant political and social change in Argentina and globally, including the rise of Peronism, World War II, and the Cold War.

Childhood and education

Borges's childhood was marked by a love for literature, fostered by his father, a lawyer and literature professor, and his English grandmother. He was largely educated at home, where he learned English and began reading extensively in multiple languages. His early intellectual development was shaped by a wide range of readings, including philosophy, mythology, and classic literature, which would later inform his unique literary style. He also absorbed various cultural and intellectual currents, laying the groundwork for his later literary explorations.

Literary trajectory

Borges's literary career began with poetry and essays in the 1920s. He lived in Europe for several years, particularly in Spain, where he was associated with the Ultraist literary movement. Upon returning to Argentina, he continued to publish poetry and essays, but it was his move towards short fiction in the 1940s that cemented his international reputation. His collections of short stories, such as *Ficciones* and *The Aleph*, marked a significant shift in his career, showcasing his mastery of intricate narratives and philosophical concepts. He also worked as a librarian and professor, roles that often intertwined with his literary pursuits.

Works, style, and literary characteristics

Borges's major works include *Ficciones* (1944), *The Aleph* (1949), *Labyrinths* (1962), and *The Book of Sand* (1975). His dominant themes revolve around metaphysical puzzles: the nature of time, the concept of infinity, the multiplicity of realities, the labyrinthine nature of libraries and memory, identity, and the elusive nature of truth. His style is characterized by its conciseness, intellectual rigor, and erudition. He often employed paradox, allegory, and metafiction, blurring the lines between reality and fiction. His poetic voice is typically erudite, ironic, and detached, inviting the reader into complex intellectual games. Borges's language is precise and elegant, rich in allusion and imaginative imagery. He is credited with innovating the short story form, pushing its boundaries with his complex, philosophical narratives.

Cultural and historical context

Borges's work is deeply intertwined with the cultural and intellectual currents of the 20th century. He lived through periods of political upheaval in Argentina, including the Peronist era, which he openly opposed. While not aligning himself with specific literary movements in his later career, his early associations with Ultraism and his profound engagement with symbolism and existentialism are notable. His writing often reflects a tension between the intellectual and the political, the universal and the particular.

Personal life

Borges's personal life was marked by intellectual pursuits and a deep connection to his family. He never married until late in life, and his relationships with women, though significant, were often complex and shaped by his introverted nature. His friendships with other writers and intellectuals were crucial, though he also had intellectual rivalries. His later life was characterized by failing eyesight, which he famously compared to his literary explorations of darkness and blindness. His philosophical and religious beliefs were complex, often oscillating between skepticism and a fascination with mystical traditions.

Recognition and reception

Borges received numerous awards and honors throughout his career, though he was famously never awarded the Nobel Prize in Literature, a fact that continues to be debated. His work gained international recognition gradually, with translations of his stories introducing him to a global audience. Critically, his work has been lauded for its originality and intellectual depth, solidifying his place as a major figure in world literature. His reception has been consistently high among academics and literary critics.

Influences and legacy

Borges was profoundly influenced by a vast array of authors and thinkers, including H.G. Wells, G.K. Chesterton, Edgar Allan Poe, Franz Kafka, and Arthur Schopenhauer, as well as philosophical traditions like Stoicism and Neoplatonism. His legacy is immense; he is considered a precursor to postmodernism and has influenced countless writers worldwide, including Gabriel García Márquez, Italo Calvino, and Umberto Eco. His innovative narrative techniques and exploration of complex philosophical themes continue to be studied and admired.

Interpretation and critical analysis

Borges's work invites multiple interpretations, often delving into philosophical questions about the nature of reality, consciousness, and the human condition. His use of labyrinths, mirrors, and dreams has led to analyses exploring themes of existentialism, epistemology, and the limitations of human knowledge. Critical debates often center on the perceived detachment of his narratives versus their profound emotional and intellectual resonance.

Curiosities and lesser-known aspects

Despite his fame, Borges remained a deeply private individual. His profound love for dogs was a recurring motif in his life and work. He was known for his meticulous writing habits, often composing poetry in his mind before transcribing it. His fascination with ancient languages and obscure texts contributed to the rich allusions in his writing. His later years were marked by a profound engagement with Norse mythology and ancient history.

Death and memory

Jorge Luis Borges passed away in Geneva, Switzerland. His death was mourned globally, and his literary estate continues to be managed, with numerous posthumous publications and critical studies ensuring his enduring memory and influence.