Poems List

The Coiner

The Coiner
To be sung by the unlearned to the tune of "King John and the Abbot of
Canterbury," and by the learned to "Tempest-a-brewing."

Against the Bermudas we foundered, whereby
This Master, that Swabber, yon Bo'sun, and I
(Our pinnace and crew being drowned in the main)
Must beg for our bread through old England again.
For a bite and a sup, and a bed of clean straw,
We'll tell you such marvels as man never saw,
On a Magical Island which no one did spy
Save this Master, that Swabber, yon Bo'sun, and I.
Seven months among Mermaids and Devils and Sprites,
And Voices that howl in the cedars o'nights,
With further enchantments we underwent there.
Good Sirs, 'tis a tale to draw guts from a bear!
'Twixt Dover and Southwark it paid us our way,
Where we found some poor players were labouring a play;
And, willing to search what such business might be,
We entered the yard, both to hear and to see.
One hailed us for seamen and courteous-ly
Did guide us apart to a tavern near by
Where we told him our tale (as to many of late),
And he gave us good cheer, so we gave him good weight.
Mulled sack and strong waters on bellies well lined
With beef and black pudding do strengthen the mind;
And seeing him greedy for marvels, at last
From plain salted truth to flat leasing we passed.
But he, when on midnight our reckoning he paid,
Says, "Never match coins with a Coiner by trade,
Or he'll turn your lead pieces to metal as rare
As shall fill him this globe, and leave something to spare...."
We slept where they laid us, and when we awoke
Was a crown or five shillings in every man's poke.
We bit them and rang them, and, finding them good,
We drank to that Coiner as honest men should!
For a cup and a crust, and a truss, etc.
472

The Cat That Walked by Himself

The Cat That Walked by Himself
Pussy can sit by the fire and sing,
Pussy can climb a tree,
Or play with a silly old cork and string
To 'muse herself, not me.
But I like Binkie my dog, because
He knows how to behave;
So, Binkie's the same as the First Friend was,
And I am the Man in Cave!
Pussy will play Man Friday till
It's time to wet her paw
And make her walk on the window-sill
(For the footprint Crusoe saw)
Then she fluffles her tail and mews,
And scratches and won't attend.
But Binkie will play whatever I choose,
And he is my true First Friend!
Pussy will rub my knees with her head
Pretending she loves me hard;
But the very minute I go to my bed
Pussy runs out in the yard,
And there she stays till the morning-light;
So I know it is only pretend;
But Binkie, he snores at my feet all night,
And he is my Firstest Friend!
469

The Changelings

The Changelings
R.N.V.R, Sea Constables
Or ever the battered liners sank
With their passengers to the dark
I was head of a Walworth Bank,
And you were a grocer's clerk.
I was a dealer in stocks and shares,
And you in butters and teas;
And we both abandoned our own affairs
And took to the dreadful seas.
Wet and worry about our ways--
Panic, onset and flight--
Had us in charge for a thousand days
And thousand-year-long night.
We saw more than the nights could hide--
More than the waves could keep--
And--certain faces over the side
Which do not go from our sleep.
We were more tired than words can tell
While the pied craft fled by,
And the swinging mounds of the Western swell
Hoisted us Heavens-high...
Now there is nothing -- not even our rank--
To witness what we have been;
And I am returned to my Walworth Bank
And you to your margarine!
478

The Butterfly That Stamped

The Butterfly That Stamped
There was never a Queen like Balkis,
From here to the wide world's end;
But Balkis talked to a butterfly
As you would talk to a friend.
There was never a King like Solomon
Not since the world began;
But Solomon talked to a butterfly
As a man would talk to a man.
She was Queen of Sabea--
And he was Asia's Lord--
But they both of 'em talked to butterflies
When they took their walks abroad!
556

The Burden

The Burden
One grief on me is laid
Each day of every year,
Wherein no soul can aid,
Whereof no soul can hear:
Whereto no end is seen
Except to grieve again--
Ah, Mary Magdalene,
Where is there greater pain?
To dream on dear disgrace
Each hour of every day--
To bring no honest face
To aught I do or say:
To lie from morn till e'en--
To know my lies are vain--
Ah, Mary Magdalene,
Where can be greater pain?
To watch my steadfast fear
Attend mine every way
Each day of every year--
Each hour of every day:
To burn, and chill between--
To quake and rage again--
Ah, Mary Magdalene,
Where shall be greater pain:
One grave to me was given--
To guard till Judgment Day--
But God looked down from Heaven
And rolled the Stone away!
One day of all my years--
One hour of that one day--
His Angel saw my tears
And rolled the Stone away!
439

The Broken Men

The Broken Men
For things we never mention,
For Art misunderstood --
For excellent intention
That did not turn to good;
From ancient tales' renewing,
From clouds we would not clear --
Beyond the Law's pursuing
We fled, and settled here.
We took no tearful leaving,
We bade no long good-byes;
Men talked of crime and thieving,
Men wrote of fraud and lies.
To save our injured feelings
'T was time and time to go --
Behind was dock and Dartmoor,
Ahead lay Callao!
The widow and the orphan
That pray for ten per cent,
They clapped their trailers on us
To spy the road we went.
They watched the foreign sailings
(They scan the shipping still),
And that's your Christian people
Returning good for ill!
God bless the thoughtfull islands
Where never warrants come;
God bless the just Republics
That give a man a home,
That ask no foolish questions,
But set him on his feet;
And save his wife and daughters
From the workhouse and the street!
On church and square and market
The noonday silence falls;
You'll hear the drowsy mutter
Of the fountain in our halls.
Asleep amid the yuccas
The city takes her ease --
Till twilight brings the land-wind
To the clicking jalousies.
Day long the diamond weather,
The high, unaltered blue --
The smell of goats and incense
And the mule-bells tinkling through.
Day long the warder ocean
That keeps us from our kin,
And once a month our levee


When the English mail comes in.
You'll find us up and waiting
To treat you at the bar;
You'll find us less exclusive
Than the average English are.
We'll meet you with a carriage,
Too glad to show you round,
But -- we do not lunch on steamers,
For they are English ground.
We sail o' nights to England
And join our smiling Boards --
Our wives go in with Viscounts
And our daughters dance with Lords,
But behind our princely doings,
And behind each coup we make,
We feel there's Something Waiting,
And -- we meet It when we wake.
Ah God! One sniff of England --
To greet our flesh and blood --
To hear the traffic slurring
Once more through London mud!
Our towns of wasted honour --
Our streets of lost delight!
How stands the old Lord Warden?
Are Dover's cliffs still white?
598

The Boy Scouts' Patrol Song

The Boy Scouts' Patrol Song

These are our regulations --
There's just one law for the Scout
And the first and the last, and the present and the past,
And the future and the perfect is "Look out!"
I, thou and he, look out!
We, ye and they, look out!
Though you didn't or you wouldn't
Or you hadn't or you couldn't;
You jolly well must look out!
Look out, when you start for the day
That your kit is packed to your mind;
There is no use going away
With half of it left behind.
Look out that your laces are tight,
And your boots are easy and stout,
Or you'll end with a blister at night.
(Chorus) All Patrols look out!
Look out for the birds of the air,
Look out for the beasts of the field --
They'll tell you how and where
The other side's concealed.
When the blackbird bolts from the copse,
Or the cattle are staring about,
The wise commander stops
And (chorus) All Patrols look out!
Look out when your front is clear,
And you feel you are bound to win.
Look out for your flank and your rear --
That's where surprises begin.
For the rustle that isn't a rat,
For the splash that isn't a trout,
For the boulder that may be a hat
(Chorus) All Patrols look out!
For the innocent knee-high grass,
For the ditch that never tells,
Look out! Look out ere you pass --
And look out for everything else!
A sign mis-read as you run
May turn retreat to a rout --
For all things under the sun
(Chorus) All Patrols look out!
Look out when your temper goes
At the end of a losing game;
When your boots are too tight for your toes;


And you answer and argue and blame.
It's the hardest part of the Low,
But it has to be learnt by the Scout --
For whining and shirking and "jaw"
(Chorus) All Patrols look out!
589

The Benefactors

The Benefactors
Ah! What avails the classic bent
And what the cultured word,
Against the undoctored incident
That actually occurred?
And what is Art whereto we press
Through paint and prose and rhyme--
When Nature in her nakedness
Defeats us every time?
It is not learning, grace nor gear,
Nor easy meat and drink,
But bitter pinch of pain and fear
That makes creation think.
When in this world's unpleasing youth
Our godlike race began,
The longest arm, the sharpest tooth,
Gave man control of man;
Till, bruised and bitten to the bone
And taught by pain and fear,
He learned to deal the far-off stone,
And poke the long, safe spear.
So tooth and nail were obsolete
As means against a foe,
Till, bored by uniform defeat,
Some genius built the bow.
Then stone and javelin proved as vain
As old-time tooth and nail;
Till, spurred anew by fear and pain,
Man fashioned coats of mail.
Then was there safety for the rich
And danger for the poor,
Till someone mixed a powder which
Redressed the scale once more.
Helmet and armour disappeared
With sword and bow and pike,
And, when the smoke of battle cleared,
All men were armed alike. . . .
And when ten million such were slain
To please one crazy king,
Man, schooled in bulk by fear and pain,
Grew weary of the thing;


And, at the very hour designed,
To enslave him past recall,
His tooth-stone-arrow-gun-shy mind
Turned and abolished all.
All Power, each Tyrant, every Mob
Whose head has grown too large,
Ends by destroying its own job
And works its own discharge;
And Man, whose mere necessities
Move all things from his path,
Trembles meanwhile at their decrees,
And deprecates their wrath!
484

The Birthright

The Birthright
The miracle of our land's speech--so known
And long received, none marvel when 'tis shown!
We have such wealth as Rome at her most pride
Had not or (having) scattered not so wide;
Nor with such arrant prodigality,
Beneath her any pagan's foot let lie...
Lo! Diamond that cost some half their days
To find and t'other half to bring to blaze:
Rubies of every heat, wherethrough we scan
The fiercer and more fiery heart of man:
Emerald that with the uplifted billow vies,
And Sapphires evening remembered skies:
Pearl perfect, as immortal tears must show,
Bred, in deep waters, of a piercing woe;
And tender Turkis, so with charms y-writ,
Of woven gold, Time dares not bite on it.
Thereafter, in all manners worked and set,
Jade, coral, amber, crystal ivories, jet,--
Showing no more than various fancies, yet
Each a Life's token or Love's amulet
Which things, through timeless arrogance of use,
We neither guard nor garner, but abuse;
So that our scholars--nay, our children-fling
In sport or jest treasure to arm a King;
And the gross crowd, at feast or market, hold
Traffic perforce with dust of gems and gold!
444

The Bell Buoy

The Bell Buoy
They christened my brother of old--
And a saintly name he bears--
They gave him his place to hold
At the head of the belfry-stairs,
Where the minister-towers stand
And the breeding kestrels cry.
Would I change with my brother a league inland?
(Shoal! 'Ware shoal!) Not I!
In the flush of the hot June prime,
O'er sleek flood-tides afire,
I hear him hurry the chime
To the bidding of checked Desire;
Till the sweated ringers tire
And the wild bob-majors die.
Could I wait for my turn in the godly choir?
(Shoal! 'Ware shoal!) Not I!
When the smoking scud is blown--
When the greasy wind-rack lowers--
Apart and at peace and alone,
He counts the changeless hours.
He wars with darkling Powers
(I war with a darkling sea);
Would he stoop to my work in the gusty mirk?
(Shoal! 'Ware shoal!) Not he!
There was never a priest to pray
There was never a hand to toll,
When they made me guard of the bay,
And moored me over the shoal.
I rock, I reel, and I roll--
My four great hammers ply--
Could I speak or be still at the Church's will?
(Shoal! 'Ware shoal!) Not I!
The landward marks have failed,
The fog-bank glides unguessed,
The seaward lights are veiled,
The spent deep feigns her rest:
But my ear is laid to her breast,
I lift to the swell--I cry!
Could I wait in sloth on the Church's oath?
(Shoal! 'Ware shoal!) Not I!
At the careless end of night
I thrill to the nearing screw;
I turn in the clearing light
And I call to the drowsy crew;
And the mud boils foul and blue
As the blind bow backs away.
Will they give me their thanks if they clear the banks?


(Shoal! 'Ware shoal!) Not they!
The beach-pools cake and skim,
The bursting spray-heads freeze,
I gather on crown and rim
The grey, grained ice of the seas,
Where, sheathed from bitt to trees,
The plunging colliers lie.
Would I barter my place for the Church's grace?
(Shoal! 'Ware shoal!) Not I!
Through the blur of the whirling snow,
Or the black of the inky sleet,
The lanterns gather and grow,
And I look for the homeward fleet.
Rattle of block and sheet--
"Ready about-stand by!"
Shall I ask them a fee ere they fetch the quay?
(Shoal! 'Ware shoal!) Not I!
I dip and I surge and I swing
In the rip of the racing tide,
By the gates of doom I sing,
On the horns of death I ride.
A ship-length overside,
Between the course and the sand,
Fretted and bound I bide
Peril whereof I cry.
Would I change with my brother a league inland?
(Shoal! 'Ware shoal!) Not I!
462

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.