William Wordsworth

William Wordsworth

1770–1850 · lived 80 years GB GB

William Wordsworth was a pivotal English poet who, along with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature. His poetry is deeply rooted in the natural world, often exploring themes of memory, imagination, and the spiritual connection between humanity and nature. He is celebrated for his lyrical intensity, his profound empathy, and his ability to find extraordinary beauty and meaning in the ordinary experiences of life.

n. 1770-04-07, Cockermouth · m. 1850-04-23, Rydal Mount

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Yarrow Unvisited

Yarrow Unvisited
. From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.
"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?
"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
--Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!
"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.
"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;
Enough if in our hearts we know
There's such a place as Yarrow.


"Be Yarrow stream unseen, unknown!
It must, or we shall rue it:
We have a vision of our own;
Ah! why should we undo it?
The treasured dreams of times long past,
We'll keep them, winsome Marrow!
For when we'er there, although 'tis fair,
'Twill be another Yarrow!
"If Care with freezing years should come,
And wandering seem but folly,--
Should we be loth to stir from home,
And yet be melancholy;
Should life be dull, and spirits low,
'Twill soothe us in our sorrow,
That earth has something yet to show,
The bonny holms of Yarrow!"
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Bio

Identification and basic context

William Wordsworth was an English poet who was a key figure in the Romantic movement. He was born in Cockermouth, Cumberland, England. He wrote primarily in English.

Childhood and education

Wordsworth's childhood was marked by the beauty of the Lake District, which profoundly influenced his later poetry. He received a formal education at Hawkshead Grammar School and later attended St John's College, Cambridge. His early exposure to nature and his rigorous education laid the foundation for his literary career.

Literary trajectory

Wordsworth's literary career began with early poems and collaborative works. His collaboration with Samuel Taylor Coleridge on "Lyrical Ballads" (1798) is considered a landmark event, ushering in the Romantic era. He continued to write prolifically throughout his life, publishing major works such as "The Prelude," an autobiographical epic poem.

Works, style, and literary characteristics

Major works include "Lyrical Ballads" (1798), "The Prelude" (completed 1805, published 1850), "Ode: Intimations of Immortality" (1807), and "The Excursion" (1814). His poetry explores themes of nature, memory, childhood, the human mind, and the sublime. Wordsworth's style is characterized by its focus on the language of ordinary people, his deep emotional response to nature, and his philosophical musings. He often used blank verse and lyrical forms, emphasizing sincerity and spontaneity. His innovations included elevating the commonplace and everyday to the level of high art, and exploring the psychological impact of nature.

Cultural and historical context

Wordsworth lived during a period of significant social and political upheaval in Europe, including the French Revolution and the Napoleonic Wars. He was part of the generation of poets that included Coleridge, Byron, Shelley, and Keats. His work often reflected a tension between the revolutionary ideals of his youth and the more conservative political climate that followed.

Personal life

Wordsworth experienced personal tragedies, including the death of his father and the loss of his wife, Mary Hutchinson. His deep love for his sister, Dorothy Wordsworth, is evident in his correspondence and poetry. He lived a relatively secluded life, deeply connected to the landscape of the Lake District, but he also engaged in intellectual and political discussions.

Recognition and reception

While initially met with mixed reviews, Wordsworth's reputation grew steadily throughout his life and posthumously. He was appointed Poet Laureate in 1843. His work came to be recognized for its profound insight into human nature and its celebration of the natural world.

Influences and legacy

Wordsworth was influenced by the poets of the English Renaissance and by the philosophical ideas of his time. He, in turn, profoundly influenced subsequent generations of poets, shaping the trajectory of English Romanticism and beyond. His emphasis on nature and the individual's experience of it remains a powerful legacy.

Interpretation and critical analysis

Wordsworth's poetry is often interpreted through the lens of his Pantheistic leanings, his theories of poetic diction, and his exploration of the development of the poet's mind. Critics have analyzed his complex relationship with memory and imagination, and his philosophical engagement with the ideas of Rousseau and Kant.

Curiosities and lesser-known aspects

Wordsworth was known for his methodical and often solitary habits of composition. He would often pace extensively while composing, sometimes accompanied by his sister Dorothy. He had a strong sense of his own poetic mission and was deeply committed to his principles.

Death and memory

Wordsworth died at Rydal Mount, Ambleside, in 1850. His final great work, "The Prelude," was published posthumously and is now considered his masterpiece. He is buried in Grasmere churchyard.

Poems

114

I Know an Old Man Constrained to Dwell

I Know an Old Man Constrained to Dwell
I know an aged Man constrained to dwell
In a large house of public charity,
Where he abides, as in a Prisoner's cell,
With numbers near, alas! no company.
When he could creep about, at will, though poor
And forced to live on alms, this old Man fed
A Redbreast, one that to his cottage door
Came not, but in a lane partook his bread.
There, at the root of one particular tree,
An easy seat this worn-out Labourer found
While Robin pecked the crumbs upon his knee
Laid one by one, or scattered on the ground.
Dear intercourse was theirs, day after day;
What signs of mutual gladness when they met!
Think of their common peace, their simple play,
The parting moment and its fond regret.
Months passed in love that failed not to fulfil,
In spite of season's change, its own demand,
By fluttering pinions here and busy bill;
There by caresses from a tremulous hand.
Thus in the chosen spot a tie so strong
Was formed between the solitary pair,
That when his fate had housed him 'mid a throng
The Captive shunned all converse proffered there.
Wife, children, kindred, they were dead and gone;
But, if no evil hap his wishes crossed,
One living Stay was left, and on that one
Some recompence for all that he had lost.
Oh that the good old Man had power to prove,
By message sent through air or visible token,
That still he loves the Bird, and still must love;
That friendship lasts though fellowship is broken!
221

Green Linnet, The

Green Linnet, The
Beneath these fruit-tree boughs that shed
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of spring's unclouded weather,
In this sequestered nook how sweet
To sit upon my orchard-seat!
And birds and flowers once more to greet,
My last year's friends together.
One have I marked, the happiest guest
In all this covert of the blest:
Hail to Thee, far above the rest
In joy of voice and pinion!
Thou, Linnet! in thy green array,
Presiding Spirit here today,
Dost lead the revels of the May;
And this is thy dominion.
While bird, and butterflies, and flowers,
Make all one band of paramours,
Thou, ranging up and down the bowers,
Art sole in thy employment:
A Life, a Presence like the Air,
Scattering thy gladness without care,
Too blest with any one to pair;
Thyself thy own enjoyment.
Amid yon tuft of hazel trees,
That twinkle to the gusty breeze,
Behold him perched in ecstasies,
Yet seeming still to hover;
There! where the flutter of his wings
Upon his back and body flings
Shadows and sunny glimmerings,
That cover him all over.
My dazzled sight he oft deceives,
A Brother of the dancing leaves;
Then flits, and from the cottage eaves
Pours forth his song in gushes;
As if by that exulting strain
He mocked and treated with disdain
The voiceless Form he chose to feign,
While fluttering in the bushes.
207

Hart-Leap Well

Hart-Leap Well
The Knight had ridden down from Wensley Moor
With the slow motion of a summer's cloud,
And now, as he approached a vassal's door,
"Bring forth another horse!" he cried aloud.
"Another horse!"--That shout the vassal heard
And saddled his best Steed, a comely grey;
Sir Walter mounted him; he was the third
Which he had mounted on that glorious day.
Joy sparkled in the prancing courser's eyes;
The horse and horseman are a happy pair;
But, though Sir Walter like a falcon flies,
There is a doleful silence in the air.
A rout this morning left Sir Walter's Hall,
That as they galloped made the echoes roar;
But horse and man are vanished, one and all;
Such race, I think, was never seen before.
Sir Walter, restless as a veering wind,
Calls to the few tired dogs that yet remain:
Blanch, Swift, and Music, noblest of their kind,
Follow, and up the weary mountain strain.
The Knight hallooed, he cheered and chid them on
With suppliant gestures and upbraidings stern;
But breath and eyesight fail; and, one by one,
The dogs are stretched among the mountain fern.
Where is the throng, the tumult of the race?
The bugles that so joyfully were blown?
--This chase it looks not like an earthly chase;
Sir Walter and the Hart are left alone.
The poor Hart toils along the mountainside;
I will not stop to tell how far he fled,
Nor will I mention by what death he died;
But now the Knight beholds him lying dead.
Dismounting, then, he leaned against a thorn;
He had no follower, dog, nor man, nor boy:
He neither cracked his whip, nor blew his horn,
But gazed upon the spoil with silent joy.
Close to the thorn on which Sir Walter leaned,
Stood his dumb partner in this glorious feat;
Weak as a lamb the hour that it is yeaned;
And white with foam as if with cleaving sleet.
Upon his side the Hart was lying stretched:
His nostril touched a spring beneath a hill,


And with the last deep groan his breath had fetched
The waters of the spring were trembling still.
And now, too happy for repose or rest,
(Never had living man such joyful lot!)
Sir Walter walked all round, north, south, and west,
And gazed and gazed upon that darling spot.
And climbing up the hill--(it was at least
Four roods of sheer ascent) Sir Walter found
Three several hoof-marks which the hunted Beast
Had left imprinted on the grassy ground.
Sir Walter wiped his face, and cried, "Till now
Such sight was never seen by human eyes:
Three leaps have borne him from this lofty brow,
Down to the very fountain where he lies.
"I'll build a pleasure-house upon this spot,
And a small arbour, made for rural joy;
'Twill be the traveller's shed, the pilgrim's cot,
A place of love for damsels that are coy.
"A cunning artist will I have to frame
A basin for that fountain in the dell!
And they who do make mention of the same,
From this day forth, shall call it HART-LEAP WELL.
"And, gallant Stag! to make thy praises known,
Another monument shall here be raised;
Three several pillars, each a rough-hewn stone,
And planted where thy hoofs the turf have grazed.
"And, in the summer-time when days are long,
I will come hither with my Paramour;
And with the dancers and the minstrel's song
We will make merry in that pleasant bower.
"Till the foundations of the mountains fail
My mansion with its arbour shall endure;--
The joy of them who till the fields of Swale,
And them who dwell among the woods of Ure!"
Then home he went, and left the Hart, stone-dead,
With breathless nostrils stretched above the spring.
--Soon did the Knight perform what he had said;
And far and wide the fame thereof did ring.
Ere thrice the Moon into her port had steered,
A cup of stone received the living well;
Three pillars of rude stone Sir Walter reared,
And built a house of pleasure in the dell.


And near the fountain, flowers of stature tall
With trailing plants and trees were intertwined,--
Which soon composed a little sylvan hall,
A leafy shelter from the sun and wind.
And thither, when the summer days were long,
Sir Walter led his wondering Paramour;
And with the dancers and the minstrel's song
Made merriment within that pleasant bower.
The Knight, Sir Walter, died in course of time,
And his bones lie in his paternal vale.--
But there is matter for a second rhyme,
And I to this would add another tale.
PART SECOND
THE moving accident is not my trade;
To freeze the blood I have no ready arts:
'Tis my delight, alone in summer shade,
To pipe a simple song for thinking hearts.
As I from Hawes to Richmond did repair,
It chanced that I saw standing in a dell
Three aspens at three corners of a square;
And one, not four yards distant, near a well.
What this imported I could ill divine:
And, pulling now the rein my horse to stop,
I saw three pillars standing in a line,--
The last stone-pillar on a dark hill-top.
The trees were grey, with neither arms nor head;
Half wasted the square mound of tawny green;
So that you just might say, as then I said,
"Here in old time the hand of man hath been."
I looked upon the hill both far and near,
More doleful place did never eye survey;
It seemed as if the spring-time came not here,
And Nature here were willing to decay.
I stood in various thoughts and fancies lost,
When one, who was in shepherd's garb attired,
Came up the hollow:--him did I accost,
And what this place might be I then inquired.
The Shepherd stopped, and that same story told
Which in my former rhyme I have rehearsed.
"A jolly place," said he, "in times of old!
But something ails it now: the spot is curst.


"You see these lifeless stumps of aspen wood--
Some say that they are beeches, others elms--
These were the bower; and here a mansion stood,
The finest palace of a hundred realms!
"The arbour does its own condition tell;
You see the stones, the fountain, and the stream;
But as to the great Lodge! you might as well
Hunt half a day for a forgotten dream.
"There's neither dog nor heifer, horse nor sheep,
Will wet his lips within that cup of stone;
And oftentimes, when all are fast asleep,
This water doth send forth a dolorous groan.
"Some say that here a murder has been done,
And blood cries out for blood: but, for my part,
I've guessed, when I've been sitting in the sun,
That it was all for that unhappy Hart.
"What thoughts must through the creature's brain have past!
Even from the topmost stone, upon the steep,
Are but three bounds--and look, Sir, at this last--
O Master! it has been a cruel leap.
"For thirteen hours he ran a desperate race;
And in my simple mind we cannot tell
What cause the Hart might have to love this place,
And come and make his deathbed near the well.
"Here on the grass perhaps asleep he sank,
Lulled by the fountain in the summer-tide;
This water was perhaps the first he drank
When he had wandered from his mother's side.
"In April here beneath the flowering thorn
He heard the birds their morning carols sing;
And he, perhaps, for aught we know, was born
Not half a furlong from that self-same spring.
"Now, here is neither grass nor pleasant shade;
The sun on drearier hollow never shone;
So will it be, as I have often said,
Till trees, and stones, and fountain, all are gone."
"Grey-headed Shepherd, thou hast spoken well;
Small difference lies between thy creed and mine:
This Beast not unobserved by Nature fell;
His death was mourned by sympathy divine.
"The Being, that is in the clouds and air,


That is in the green leaves among the groves,
Maintains a deep and reverential care
For the unoffending creatures whom he loves.
"The pleasure-house is dust:--behind, before,
This is no common waste, no common gloom;
But Nature, in due course of time, once more
Shall here put on her beauty and her bloom.
"She leaves these objects to a slow decay,
That what we are, and have been, may be known;
But at the coming of the milder day,
These monuments shall all be overgrown.
"One lesson, Shepherd, let us two divide,
Taught both by what she shows, and what conceals;
Never to blend our pleasure or our pride
With sorrow of the meanest thing that feels."
252

Fountain, The: A Conversation

Fountain, The: A Conversation
We talked with open heart, and tongue
Affectionate and true,
A pair of friends, though I was young,
And Matthew seventy-two.
We lay beneath a spreading oak,
Beside a mossy seat;
And from the turf a fountain broke,
And gurgled at our feet.
"Now, Matthew!" said I, "let us match
This water's pleasant tune
With some old border-song, or catch
That suits a summer's noon;
"Or of the church-clock and the chimes
Sing here beneath the shade,
That half-mad thing of witty rhymes
Which you last April made!"
In silence Matthew lay, and eyed
The spring beneath the tree;
And thus the dear old Man replied,
The grey-haired man of glee:
"No check, no stay, this Streamlet fears;
How merrily it goes!
'Twill murmur on a thousand years,
And flow as now it flows.
"And here, on this delightful day,
I cannot choose but think
How oft, a vigorous man, I lay
Beside this fountain's brink.
"My eyes are dim with childish tears,
My heart is idly stirred,
For the same sound is in my ears
Which in those days I heard.
"Thus fares it still in our decay:
And yet the wiser mind
Mourns less for what age takes away
Than what it leaves behind.
"The blackbird amid leafy trees,
The lark above the hill,
Let loose their carols when they please
Are quiet when they will.
"With Nature never do 'they' wage
A foolish strife; they see


A happy youth, and their old age
Is beautiful and free:
"But we are pressed by heavy laws;
And often, glad no more,
We wear a face of joy, because
We have been glad of yore.
"If there be one who need bemoan
His kindred laid in earth,
The household hearts that were his own;
It is the man of mirth.
"My days, my Friend, are almost gone,
My life has been approved,
And many love me; but by none
Am I enough beloved."
"Now both himself and me he wrongs,
The man who thus complains;
I live and sing my idle songs
Upon these happy plains;
"And, Matthew, for thy children dead
I'll be a son to thee!"
At this he grasped my hand, and said,
"Alas! that cannot be."
We rose up from the fountain-side;
And down the smooth descent
Of the green sheep-track did we glide;
And through the wood we went;
And, ere we came to Leonard's rock,
He sang those witty rhymes
About the crazy old church-clock,
And the bewildered chimes.
223

Foresight

Foresight
That is work of waste and ruin--
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small,
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.
Pull the primrose, sister Anne!
Pull as many as you can.
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or make your bower;
Fill your lap, and fill your bosom;
Only spare the strawberry-blossom!
Primroses, the Spring may love them--
Summer knows but little of them:
Violets, a barren kind,
Withered on the ground must lie;
Daisies leave no fruit behind
When the pretty flowerets die;
Pluck them, and another year
As many will be blowing here.
God has given a kindlier power
To the favoured strawberry-flower.
Hither soon as spring is fled
You and Charles and I will walk;
Lurking berries, ripe and red,
Then will hang on every stalk,
Each within its leafy bower;
And for that promise spare the flower!
213

Extempore Effusion upon the Death of James Hogg

Extempore Effusion upon the Death of James Hogg
. When first, descending from the moorlands,
I saw the Stream of Yarrow glide
Along a bare and open valley,
The Ettrick Shepherd was my guide.
When last along its banks I wandered,
Through groves that had begun to shed
Their golden leaves upon the pathways,
My steps the Border-minstrel led.
The mighty Minstrel breathes no longer,
'Mid mouldering ruins low he lies;
And death upon the braes of Yarrow,
Has closed the Shepherd-poet's eyes:
Nor has the rolling year twice measured,
From sign to sign, its stedfast course,
Since every mortal power of Coleridge
Was frozen at its marvellous source;
The rapt One, of the godlike forehead,
The heaven-eyed creature sleeps in earth:
And Lamb, the frolic and the gentle,
Has vanished from his lonely hearth.
Like clouds that rake the mountain-summits,
Or waves that own no curbing hand,
How fast has brother followed brother,
From sunshine to the sunless land!
Yet I, whose lids from infant slumber
Were earlier raised, remain to hear
A timid voice, that asks in whispers,
"Who next will drop and disappear?"
Our haughty life is crowned with darkness,
Like London with its own black wreath,
On which with thee, O Crabbe! forth-looking,
I gazed from Hampstead's breezy heath.
As if but yesterday departed,
Thou too art gone before; but why,
O'er ripe fruit, seasonably gathered,
Should frail survivors heave a sigh?
Mourn rather for that holy Spirit,
Sweet as the spring, as ocean deep;
For Her who, ere her summer faded,
Has sunk into a breathless sleep.
No more of old romantic sorrows,
For slaughtered Youth or love-lorn Maid!
With sharper grief is Yarrow smitten,
And Ettrick mourns with her their Poet dead.

271

Evening on Calais Beach

Evening on Calais Beach
IT is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the sea:
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder--everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouch'd by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;
And worshipp'st at the Temple's inner shrine,
God being with thee when we know it not.
149

England ii

England ii
MILTON! thou shouldst be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
O raise us up, return to us again,
And give us manners, virtue, freedom, power!
Thy soul was like a Star, and dwelt apart;
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.
252

England iv

England iv
IT is not to be thought of that the flood
Of British freedom, which, to the open sea
Of the world's praise, from dark antiquity
Hath flow'd, 'with pomp of waters, unwithstood,'
Roused though it be full often to a mood
Which spurns the check of salutary bands,--
That this most famous stream in bogs and sands
Should perish; and to evil and to good
Be lost for ever. In our halls is hung
Armoury of the invincible Knights of old:
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held.--In everything we are sprung
Of Earth's first blood, have titles manifold.
231

Ellen Irwin

Ellen Irwin
Fair Ellen Irwin, when she sate
Upon the braes of Kirtle,
Was lovely as a Grecian maid
Adorned with wreaths of myrtle;
Young Adam Bruce beside her lay,
And there did they beguile the day
With love and gentle speeches,
Beneath the budding beeches.
From many knights and many squires
The Bruce had been selected;
And Gordon, fairest of them all,
By Ellen was rejected.
Sad tidings to that noble Youth!
For it may be proclaimed with truth,
If Bruce hath loved sincerely,
That Gordon loves as dearly.
But what are Gordon's form and face,
His shattered hopes and crosses,
To them, 'mid Kirtle's pleasant braes,
Reclined on flowers and mosses?
Alas that ever he was born!
The Gordon, couched behind a thorn,
Sees them and their caressing;
Beholds them blest and blessing.
Proud Gordon, maddened by the thoughts
That through his brain are travelling,
Rushed forth, and at the heart of Bruce
He launched a deadly javelin!
Fair Ellen saw it as it came,
And, starting up to meet the same,
Did with her body cover
The Youth, her chosen lover.
And, falling into Bruce's arms,
Thus died the beauteous Ellen,
Thus, from the heart of her True-love,
The mortal spear repelling.
And Bruce, as soon as he had slain
The Gordon, sailed away to Spain;
And fought with rage incessant
Against the Moorish crescent.
But many days, and many months,
And many years ensuing,
This wretched Knight did vainly seek
The death that he was wooing.
So, coming his last help to crave,
Heart-broken, upon Ellen's grave
His body he extended,


And there his sorrow ended.
Now ye, who willingly have heard
The tale I have been telling,
May in Kirkconnel churchyard view
The grave of lovely Ellen:
By Ellen's side the Bruce is laid;
And, for the stone upon his head,
May no rude hand deface it,
And its forlorn "Hie jacet"!
248

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