Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

137,553 Views

Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

The Fall of Jock Gillespie

The Fall of Jock Gillespie
This fell when dinner-time was done --
'Twixt the first an' the second rub --
That oor mon Jock cam' hame again
To his rooms ahist the Club.
An' syne he laughed, an' syne he sang,
An' syne we thocht him fou,
An' syne he trumped his partner's trick,
An' garred his partner rue.
Then up and spake an elder mon,
That held the Spade its Ace --
God save the lad! Whence comes the licht
"That wimples on his face?"
An' Jock he sniggered, an' Jock he smiled,
An' ower the card-brim wunk: --
"I'm a' too fresh fra' the stirrup-peg,
"May be that I am drunk."
"There's whusky brewed in Galashils
"An' L. L. L. forbye;
"But never liquor lit the lowe
"That keeks fra' oot your eye.
"There's a third o' hair on your dress-coat breast,
"Aboon the heart a wee?"
"Oh! that is fra' the lang-haired Skye
"That slobbers ower me."
"Oh! lang-haired Skyes are lovin' beasts,
"An' terrier dogs are fair,
"But never yet was terrier born,
"Wi' ell-lang gowden hair!
"There's a smirch o' pouther on your breast,
"Below the left lappel?"
"Oh! that is fra' my auld cigar,
"Whenas the stump-end fell."
"Mon Jock, ye smoke the Trichi coarse,
"For ye are short o' cash,
"An' best Havanas Couldna leave
"Sae white an' pure an ash.
"This nicht ye stopped a story braid,
"An' stopped it wi' a curse.
"Last nicht ye told that tale yoursel' --
"An' capped it wi' a worse!
"Oh! we're no fou! Oh! we're no fou!
"But plainly we can ken


"Ye're fallin', fallin' fra the band
"O' cantie single men!"
An' it fell when sirris-shaws were sere,
An' the nichts were lang and mirk,
In braw new breeks, wi' a gowden ring,
Oor Jocke gaed to the Kirk!
483

The English Flag

The English Flag
Above the portico a flag-staff, bearing the Union Jack,
remained fluttering in the flames for some time, but ultimately
when it fell the crowds rent the air with shouts,
and seemed to see significance in the incident. -- DAILY PAPERS.
Winds of the World, give answer! They are whimpering to and fro --
And what should they know of England who only England know? --
The poor little street-bred people that vapour and fume and brag,
They are lifting their heads in the stillness to yelp at the English Flag!
Must we borrow a clout from the Boer -- to plaster anew with dirt?
An Irish liar's bandage, or an English coward's shirt?
We may not speak of England; her Flag's to sell or share.
What is the Flag of England? Winds of the World, declare!
The North Wind blew: -- "From Bergen my steel-shod vanguards go;
I chase your lazy whalers home from the Disko floe;
By the great North Lights above me I work the will of God,
And the liner splits on the ice-field or the Dogger fills with cod.
"I barred my gates with iron, I shuttered my doors with flame,
Because to force my ramparts your nutshell navies came;
I took the sun from their presence, I cut them down with my blast,
And they died, but the Flag of England blew free ere the spirit passed.
"The lean white bear hath seen it in the long, long Arctic night,
The musk-ox knows the standard that flouts the Northern Light:
What is the Flag of England? Ye have but my bergs to dare,
Ye have but my drifts to conquer. Go forth, for it is there!"
The South Wind sighed: -- "From the Virgins my mid-sea course was ta'en
Over a thousand islands lost in an idle main,
Where the sea-egg flames on the coral and the long-backed breakers croon
Their endless ocean legends to the lazy, locked lagoon.
"Strayed amid lonely islets, mazed amid outer keys,
I waked the palms to laughter -- I tossed the scud in the breeze --
Never was isle so little, never was sea so lone,
But over the scud and the palm-trees an English flag was flown.
"I have wrenched it free from the halliard to hang for a wisp on the Horn;
I have chased it north to the Lizard -- ribboned and rolled and torn;
I have spread its fold o'er the dying, adrift in a hopeless sea;
I have hurled it swift on the slaver, and seen the slave set free.
"My basking sunfish know it, and wheeling albatross,
Where the lone wave fills with fire beneath the Southern Cross.
What is the Flag of England? Ye have but my reefs to dare,
Ye have but my seas to furrow. Go forth, for it is there!"
The East Wind roared: -- "From the Kuriles, the Bitter Seas, I come,


And me men call the Home-Wind, for I bring the English home.
Look -- look well to your shipping! By the breath of my mad typhoon
I swept your close-packed Praya and beached your best at Kowloon!
"The reeling junks behind me and the racing seas before,
I raped your richest roadstead -- I plundered Singapore!
I set my hand on the Hoogli; as a hooded snake she rose,
And I flung your stoutest steamers to roost with the startled crows.
"Never the lotus closes, never the wild-fowl wake,
But a soul goes out on the East Wind that died for England's sake --
Man or woman or suckling, mother or bride or maid --
Because on the bones of the English the English Flag is stayed.
"The desert-dust hath dimmed it, the flying wild-ass knows,
The scared white leopard winds it across the taintless snows.
What is the Flag of England? Ye have but my sun to dare,
Ye have but my sands to travel. Go forth, for it is there!"
The West Wind called: -- "In squadrons the thoughtless galleons fly
That bear the wheat and cattle lest street-bred people die.
They make my might their porter, they make my house their path,
Till I loose my neck from their rudder and whelm them all in my wrath.
"I draw the gliding fog-bank as a snake is drawn from the hole,
They bellow one to the other, the frighted ship-bells toll,
For day is a drifting terror till I raise the shroud with my breath,
And they see strange bows above them and the two go locked to death.
"But whether in calm or wrack-wreath, whether by dark or day,
I heave them whole to the conger or rip their plates away,
First of the scattered legions, under a shrieking sky,
Dipping between the rollers, the English Flag goes by.
"The dead dumb fog hath wrapped it -- the frozen dews have kissed --
The naked stars have seen it, a fellow-star in the mist.
What is the Flag of England? Ye have but my breath to dare,
Ye have but my waves to conquer. Go forth, for it is there!"
678

The Explanation

The Explanation
Love and Death once ceased their strife
At the Tavern of Man's Life.
Called for wine, and threw -- alas! --
Each his quiver on the grass.
When the bout was o'er they found
Mingled arrows strewed the ground.
Hastily they gathered then
Each the loves and lives of men.
Ah, the fateful dawn deceived!
Mingled arrows each one sheaved;
Death's dread armoury was stored
With the shafts he most abhorred;
Love's light quiver groaned beneath
Venom-headed darts of Death.
Thus it was they wrought our woe
At the Tavern long ago.
Tell me, do our masters know,
Loosing blindly as they fly,
Old men love while young men die?
401

The 'Eathen

The 'Eathen
The 'eathen in 'is blindness bows down to wood an' stone;
'E don't obey no orders unless they is 'is own;
'E keeps 'is side-arms awful: 'e leaves 'em all about,
An' then comes up the regiment an' pokes the 'eathen out.
All along o' dirtiness, all along o' mess,
All along o' doin' things rather-more-or-less,
All along of abby-nay, kul, an' hazar-ho, *
Mind you keep your rifle an' yourself jus' so!
* abby-nay: Not now. kul: To-morrow. hazar-ho: Wait a bit.
The young recruit is 'aughty -- 'e draf's from Gawd knows where;
They bid 'im show 'is stockin's an' lay 'is mattress square;
'E calls it bloomin' nonsense -- 'e doesn't know no more --
An' then up comes 'is Company an' kicks 'im round the floor!
The young recruit is 'ammered -- 'e takes it very 'ard;
'E 'angs 'is 'ead an' mutters -- 'e sulks about the yard;
'E talks o' "cruel tyrants" 'e'll swing for by-an'-by,
An' the others 'ears an' mocks 'im, an' the boy goes orf to cry.
The young recruit is silly -- 'e thinks o' suicide;
'E's lost 'is gutter-devil; 'e 'asn't got 'is pride;
But day by day they kicks 'im, which 'elps 'im on a bit,
Till 'e finds 'isself one mornin' with a full an' proper kit.
Gettin' clear o' dirtiness, gettin' done with mess,
Gettin' shut o' doin' things rather-more-or-less;
Not so fond of abby-nay, kul, nor hazar-ho,
Learns to keep 'is rifle an' 'isself jus' so!
The young recruit is 'appy -- 'e throws a chest to suit;
You see 'im grow mustaches; you 'ear 'im slap 'is boot;
'E learns to drop the "bloodies" from every word 'e slings,
An' 'e shows an 'ealthy brisket when 'e strips for bars an' rings.
The cruel-tyrant-sergeants they watch 'im 'arf a year;
They watch 'im with 'is comrades, they watch 'im with 'is beer;
They watch 'im with the women at the regimental dance,
And the cruel-tyrant-sergeants send 'is name along for "Lance".
An' now 'e's 'arf o' nothin', an' all a private yet,
'Is room they up an' rags 'im to see what they will get;
They rags 'im low an' cunnin', each dirty trick they can,
But 'e learns to sweat 'is temper an' 'e learns to sweat 'is man.
An', last, a Colour-Sergeant, as such to be obeyed,
'E schools 'is men at cricket, 'e tells 'em on parade;
They sees 'em quick an' 'andy, uncommon set an' smart,
An' so 'e talks to orficers which 'ave the Core at 'eart.


'E learns to do 'is watchin' without it showin' plain;
'E learns to save a dummy, an' shove 'im straight again;
'E learns to check a ranker that's buyin' leave to shirk;
An' 'e learns to make men like 'im so they'll learn to like their work.
An' when it comes to marchin' he'll see their socks are right,
An' when it comes to action 'e shows 'em 'ow to sight;
'E knows their ways of thinkin' and just what's in their mind;
'E knows when they are takin' on an' when they've fell be'ind.
'E knows each talkin' corpril that leads a squad astray;
'E feels 'is innards 'eavin', 'is bowels givin' way;
'E sees the blue-white faces all tryin' 'ard to grin,
An' 'e stands an' waits an' suffers till it's time to cap 'em in.
An' now the hugly bullets come peckin' through the dust,
An' no one wants to face 'em, but every beggar must;
So, like a man in irons which isn't glad to go,
They moves 'em off by companies uncommon stiff an' slow.
Of all 'is five years' schoolin' they don't remember much
Excep' the not retreatin', the step an' keepin' touch.
It looks like teachin' wasted when they duck an' spread an' 'op,
But if 'e 'adn't learned 'em they'd be all about the shop!
An' now it's "'Oo goes backward?" an' now it's "'Oo comes on?"
And now it's "Get the doolies," an' now the captain's gone;
An' now it's bloody murder, but all the while they 'ear
'Is voice, the same as barrick drill, a-shepherdin' the rear.
'E's just as sick as they are, 'is 'eart is like to split,
But 'e works 'em, works 'em, works 'em till he feels 'em take the bit;
The rest is 'oldin' steady till the watchful bugles play,
An' 'e lifts 'em, lifts 'em, lifts 'em through the charge that wins the day!
The 'eathen in 'is blindness bows down to wood an' stone;
'E don't obey no orders unless they is 'is own;
The 'eathen in 'is blindness must end where 'e began,
But the backbone of the Army is the non-commissioned man!
Keep away from dirtiness -- keep away from mess.
Don't get into doin' things rather-more-or-less!
Let's ha' done with abby-nay, kul, an' hazar-ho;
Mind you keep your rifle an' yourself jus' so!
600

The Dutch in the Medway

The Dutch in the Medway
If wars were won by feasting,
Or victory by song,
Or safety found in sleeping sound,
How England would be strong!
But honour and dominion
Are not maintainéd so,
They're only got by sword and shot,
And this the Dutchmen know!
The moneys that should feed us,
You spend on your delight,
How can you then have sailor-men
To aid you in your fight?
Our fish and cheese are rotten,
Which makes the scurvy grow—
We cannot serve you if we starve,
And this the Dutchmen know!
Our ships in every harbour
Be neither whole nor sound,
And, when we seek to mend a leak,
No oakum can be found,
Or, if it is, the caulkers,
And carpenters also,
For lack of pay have gone away,
And this the Dutchmen know!
Mere powder, guns, and bullets,
We scarce can get at all,
Their price was spent in merriment
And revel at Whitehall,
While we in tattered doublets
From ship to ship must row,
Beseeching friends for odds and ends—
And this the Dutchmen know!
No King will heed our warnings,
No Court will pay our claims—
Our King and Court for their disport
Do sell the very Thames!
For, now De Ruyter's topsails,
Off naked Chatham show,
We dare not meet him with our fleet—
And this the Dutchmen know!
478

The Derelict

The Derelict
~And reports the derelict ~Mary Pollock~ still at sea.~
SHIPPING NEWS.
I was the staunchest of our fleet
Till the sea rose beneath our feet
Unheralded, in hatred past all measure.
Into his pits he stamped my crew,
Buffeted, blinded, bound and threw,
Bidding me eyeless wait upon his pleasure.
Man made me, and my will
Is to my maker still,
Whom now the currents con, the rollers steer --
Lifting forlorn to spy
Trailed smoke along the sky,
Falling afraid lest any keel come near!
Wrenched as the lips of thirst,
Wried, dried, and split and burst,
Bone-bleached my decks, wind-scoured to the graining;
And jarred at every roll
The gear that was my soul
Answers the anguish of my beams' complaining.
For life that crammed me full,
Gangs of the prying gull
That shriek and scrabble on the riven hatches!
For roar that dumbed the gale,
My hawse-pipes guttering wail,
Sobbing my heart out through the uncounted watches!
Blind in the hot blue ring
Through all my points I swing --
Swing and return to shift the sun anew.
Blind in my well-known sky
I hear the stars go by,
Mocking the prow that cannot hold one true!
White on my wasted path
Wave after wave in wrath
Frets 'gainst his fellow, warring where to send me.
Flung forward, heaved aside,
Witless and dazed I bide
The mercy of the comber that shall end me.
North where the bergs careen,
The spray of seas unseen
Smokes round my head and freezes in the falling;
South where the corals breed,
The footless, floating weed


Folds me and fouls me, strake on strake upcrawling.
I that was clean to run
My race against the sun --
Strength on the deep, am bawd to all disaster --
Whipped forth by night to meet
My sister's careless feet,
And with a kiss betray her to my master!
Man made me, and my will
Is to my maker still --
To him and his, our peoples at their pier:
Lifting in hope to spy
Trailed smoke along the sky,
Falling afraid lest any keel come near!
515

The Disciple

The Disciple
He that hath a Gospel
To loose upon Mankind,
Though he serve it utterly--
Body, soul and mind--
Though he go to Calvary
Daily for its gain--
It is His Disciple
Shall make his labour vain.
He that hath a Gospel
For all earth to own--
Though he etch it on the steel,
Or carve it on the stone--
Not to be misdoubted
Through the after-days--
It is His Disciple
Shall read it many ways.
It is His Disciple
(Ere Those Bones are dust )
Who shall change the Charter,
Who shall split the Trust--
Amplify distinctions,
Rationalize the Claim;
Preaching that the Master
Would have done the same.
It is His Disciple
Who shall tell us how
Much the Master would have scrapped
Had he lived till now--
What he would have modified
Of what he said before.
It is His Disciple
Shall do this and more....
He that hath a Gospel
Whereby Heaven is won
( Carpenter, or cameleer,
Or Maya's dreaming son ),
Many swords shall pierce Him,
Mingling blood with gall;
But His Own Disciple
Shall wound Him worst of all!
489

The Decline of the West

The Decline of the West
Now it is not good for the Christian's health to hustle the Aryan
brown,
For the Christian riles, and the Aryan smiles, and he weareth the
Christian down;
And the end of the fight is a tombstone white with the name of
the late deceased,
And the epitaph drear: "A Fool lies here who tried to hustle the
East."
658

The Dead King

The Dead King
EDWARD VII.
Who in the Realm to-day lays down dear life for the sake of a land more dear?
And, unconcerned for his own estate, toils till the last grudged sands have run?
Let him approach. It is proven here
Our King asks nothing of any man more than Our King himself, has done.
For to him above all was Life good, above all he commanded
Her abundance full-handed.
The peculiar treasure of Kings was his for the taking:
All that men come to in dreams he inherited waking: --
His marvel of world-gathered armies -- one heart and all races;
His seas 'neath his keels when his war-castles foamed to their places;
The thundering foreshores that answered his heralded landing;
The huge lighted cities adoring, the assemblies upstanding;
The Councils of Kings called in haste to learn how he was minded --
The kingdoms, the Powers, and the Glories he dealt with unblinded.
To him came all captains of men, all achievers of glory
Hot from the press of their battles they told him their story.
They revealed him their lives in an hour and, saluting departed,
Joyful to labour afresh -- he had made them new-hearted.
And, since he weighed men from his youth, and no lie long deceived him,
He spoke and exacted the truth, and the basest believed him.
And God poured him an exquisite wine, that was daily renewed to him,
In the clear-welling love of his peoples that daily accrued to him.
Honour and service we gave him, rejoicingly fearless;
Faith absolute, trust beyond speech and a friendship as peerless.
And since he was Master and Servant in all that we asked him,
We leaned hard on his wisdom in all things, knowing not how we tasked him.
For on him each new day laid command, every tyrannous hour,
To confront, or confirm, or make smooth some dread issue of power;
To deliver true, judgment aright at the instant, unaided,
In the strict, level, ultimate phrase that allowed or dissuaded;
To foresee, to allay, to avert from us perils unnumbered,
To stand guard on our gates when he guessed that the watchmen had slumbered;
To win time, to turn hate, to woo folly to service and, mightily schooling
His strength to the use of his Nations, to rule as not ruling.
These were the works of our King; Earth's peace was the proof of them.
God gave him great works to fulfil, and to us the behoof of them.
We accepted his toil as our right -- none spared, none excused him.
When he was bowed by his burden his rest was refused him.
We troubled his age with our weakness -- the blacker our shame to us!
Hearing his People had need of him, straightway he came to us.
As he received so he gave -- nothing grudged, naught denying,
Not even the last gasp of his breath when he strove for us, dying.
For our sakes, without question, he put from him all that he cherished.


Simply as any that serve him he served and he perished.
All that Kings covet was his, and he flung it aside for us.
Simply as any that die in his service he died for us!
Who in the Realm to-day has choice of the easy road or the hard to tread?
And, much concerned for his own estate, would sell his soul to remain in the
sun?

Let him depart nor look on Our dead.
Our King asks nothing of any man more than Our King himself has done.
482

The Crab That Played with the Sea

The Crab That Played with the Sea
China-going P. & O.'s
Pass Pau Amma's playground close,
And his Pusat Tasek lies
Near the track of most B.I.'s.
N.Y.K. and N.D.L.
Know Pau Amma's home as well
As the Fisher of the Sea knows
"Bens," M.M.'s and Rubattinos.
But (and this is rather queer)
A.T.L.'s can qiot come here;
O. and O. and D.O.A.
Must go round another way.
Orient, Anchor, Bibby, Hall,
Never go that way at all.
U.C.S. would have a fit
If it found itself on it.
And if "Beavers" took their cargoes
To Penang instead of Lagos,
Or a fat Shaw-Savill bore
Passengers to Singapore,
Or a White Star were to try a
Little trip to Sourabaya,
Or a B.S.A. went on
Past Natal to Cheribon,
The the great Mr. Lloyds would come
Whith a wire and drag them home!
. . . . .
You will know what my riddle means
When you've eaten mangosteens.
592

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