Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

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Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

The Land

The Land
When Julius Fabricius, Sub-Prefect of the Weald,
In the days of Diocletian owned our Lower River-field,
He called to him Hobdenius-a Briton of the Clay,
Saying: "What about that River-piece for layin' in to hay?"
And the aged Hobden answered: "I remember as a lad
My father told your father that she wanted dreenin' bad.
An' the more that you neeglect her the less you'll get her clean.
Have it jest as you've a mind to, but, if I was you, I'd dreen."
So they drained it long and crossways in the lavish Roman style--
Still we find among the river-drift their flakes of ancient tile,
And in drouthy middle August, when the bones of meadows show,
We can trace the lines they followed sixteen hundred years ago.
Then Julius Fabricius died as even Prefects do,
And after certain centuries, Imperial Rome died too.
Then did robbers enter Britain from across the Northern main
And our Lower River-field was won by Ogier the Dane.
Well could Ogier work his war-boat --well could Ogier wield his brand--
Much he knew of foaming waters--not so much of farming land.
So he called to him a Hobden of the old unaltered blood,
Saying: "What about that River-piece; she doesn't look no good?"
And that aged Hobden answered "'Tain't for me not interfere.
But I've known that bit o' meadow now for five and fifty year.
Have it jest as you've a mind to, but I've proved it time on ' time,
If you want to change her nature you have got to give her lime!"
Ogier sent his wains to Lewes, twenty hours' solemn walk,
And drew back great abundance of the cool, grey, healing chalk.
And old Hobden spread it broadcast, never heeding what was in't.--
Which is why in cleaning ditches, now and then we find a flint.
Ogier died. His sons grew English -- Anglo-Saxon was their name--
Till out of blossomed Normandy another pirate came;
For Duke William conquered England and divided with his men,
And our Lower River-field he gave to William of Warenne.
But the Brook (you know her habit) rose one rainy autumn night
And tore down sodden flitches of the bank to left and right.
So, said William to his Bailiff as they rode their dripping rounds:
"Hob, what about that River-bit--the Brook's got up no bounds? "
And that aged Hobden answered: "'Tain't my business to advise,
But ye might ha' known 'twould happen from the way the valley lies.
Where ye can't hold back the water you must try and save the sile.
Hev it jest as you've a mind to, but, if I was you, I'd spile!"
They spiled along the water-course with trunks of willow-trees,
And planks of elms behind 'em and immortal oaken knees.


And when the spates of Autumn whirl the gravel-beds away
You can see their faithful fragments, iron-hard in iron clay.
. . . . . . . . . .
Georgii Quinti Anno Sexto, I, who own the River-field,
Am fortified with title-deeds, attested, signed and sealed,
Guaranteeing me, my assigns, my executors and heirs
All sorts of powers and profits which-are neither mine nor theirs,
I have rights of chase and warren, as my dignity requires.
I can fish-but Hobden tickles--I can shoot--but Hobden wires.
I repair, but he reopens, certain gaps which, men allege,
Have been used by every Hobden since a Hobden swapped a hedge.
Shall I dog his morning progress o'er the track-betraying dew?
Demand his dinner-basket into which my pheasant flew?
Confiscate his evening faggot under which my conies ran,
And summons him to judgment? I would sooner summons Pan.
His dead are in the churchyard--thirty generations laid.
Their names were old in history when Domesday Book was made;
And the passion and the piety and prowess of his line
Have seeded, rooted, fruited in some land the Law calls mine.
Not for any beast that burrows, not for any bird that flies,
Would I lose his large sound council, miss his keen amending eyes.
He is bailiff, woodman, wheelwright, field-surveyor, engineer,
And if flagrantly a poacher--'tain't for me to interfere.
"Hob, what about that River-bit?" I turn to him again,
With Fabricius and Ogier and William of Warenne.
"Hev it jest as you've a mind to, but"-and here he takes command.
For whoever pays the taxes old Mus' Hobden owns the land.
501

The Kingdom

The Kingdom
Now we are come to our Kingdom,
And the State is thus and thus;
Our legions wait at the Palace gate—
Little it profits us.
Now we are come to our Kingdom!
Now we are come to our Kingdom,
And the Crown is ours to take—
With a naked sword at the Council board,
And under the throne the snake.
Now we are come to our Kingdom !
Now we are come to our Kingdom,
And the Realm is ours by right,
With shame and fear for our daily cheer,
And heaviness at night.
Now we are come to our Kingdom !
Now we are come to our Kingdom,
But my love's eyelids fall.
All that I wrought for, all that I fought for,
Delight her nothing at all.
My crown is of withered leaves,
For she sits in the dust and grieves.
Now we are come to our Kingdom !
436

The King's Job

The King's Job
The Tudor Monarchy
Once on a time was a King anxious to understand
What was the wisest thing a man could do for his land.
Most of his population hurried to answer the question,
Each with a long oration, each with a new suggestion.
They interrupted his meals--he wasn't safe in his bed from 'em--
They hung round his neck and heels, and at last His Majesty fled
from 'em.
He put on a leper's cloak (people leave lepers alone),
Out of the window he broke, and abdicated his throne.
All that rapturous day, while his Court and his ministers mourn
him,
He danced on his own highway till his own Policeman warned
him.
Gay and cheerful he ran (lepers don't cheer as a rule)
Till he found a philosopher-man teaching an infant-school.
The windows were open wide, the King sat down on the grass,
And heard the children inside reciting "Our King is an ass."
The King popped in his head: "Some people would call this
treason,
But I think you are right," he said; "Will you kindly give me your
reason?"
Lepers in school are as rare as kings with a leper's dress on,
But the class didn't stop or stare; it calmly went on with the
lesson:
"The wisest thing, we suppose, that a man can do for his land.
Is the work that lies under his nose, with the tools that lie under
his hand."

The King whipped off his cloak, and stood in his crown before
'em.
He said: "My dear little folk, Ex ore parvulorum--."
(Which is Latin for "Children know more than grown-ups would
credit")
You have shown me the road to go, and I propose to tread it."
Back to his Kingdom he ran, and issued a Proclamation,
"Let every living man return to his occupation!"
Then he explained to the mob who cheered in his palace and round it,
"I've been to look for a job, and Heaven be praised I've found it!"
545

The Juggler's Song

The Juggler's Song
When the drums begin to beat
Down the street,
When the poles are fetched and guyed,
When the tight-rope's stretched and tied,
When the dance-girls make salaam,
When the snake-bag wakes alarm,
When the pipes set up their drone,
When the sharp-edged knives are thrown
When the red-hot coals are shown,
To be swallowed by-and-by--
Arre, Brethren, here come I!
Stripped to loin-cloth in the sun,
Search me well and watch me close!
Tell me how my tricks are done--
Tell me how the mango grows!
Give a man who is not made
To his trade
Swords to fling and catch again,
Coins to ring and snatch again,
Men to harm and cure again,
Snakes to charm and lure again--
He'll be hurt by his own blade,
By his serpents disobeyed,
By his clumsiness bewrayed,
By the people laughed to scorn--
So 'tis not with juggler born!
Pinch of dust or withered flower,
Chance-flung nut or borrowed staff,
Serve his need and shore his power,
Bind the spell or loose the laugh!
521

The Justice's Tale

The Justice's Tale
Chauser
With them there rode a lustie Engineere
Wel skilled to handel everich waie her geere,
Hee was soe wise ne man colde showe him naught
And out of Paris was hys learning brought.
Frontlings mid brazen wheeles and wandes he sat,
And on hys heade he bare an leathern hat.
Hee was soe certaine of his gouvermance,
That, by the Road, he tooke everie chaunce.
For simple people and for lordlings eke
Hee wolde not bate a del but onlie squeeke
Behinde their backes on an horne hie
Until they crope into a piggestie.
He was more wood than bull in china-shoppe,
And yet for cowes and dogges wolde hee stop,
Not our of Marcie but for Preudence-sake--
Than hys dependaunce ever was hys brake.
418

The Jacket

The Jacket
Through the Plagues of Egyp' we was chasin' Arabi,
Gettin' down an' shovin' in the sun;
An' you might 'ave called us dirty, an' you might ha' called us dry,
An' you might 'ave 'eard us talkin' at the gun.
But the Captain 'ad 'is jacket, an' the jacket it was new --
('Orse Gunners, listen to my song!)
An' the wettin' of the jacket is the proper thing to do,
Nor we didn't keep 'im waitin' very long.
One day they gave us orders for to shell a sand redoubt,
Loadin' down the axle-arms with case;
But the Captain knew 'is dooty, an' he took the crackers out
An' he put some proper liquor in its place.
An' the Captain saw the shrapnel, which is six-an'-thirty clear.
('Orse Gunners, listen to my song!)
"Will you draw the weight," sez 'e, "or will you draw the beer?"
An' we didn't keep 'im waitin' very long.
~For the Captain, etc.~
Then we trotted gentle, not to break the bloomin' glass,
Though the Arabites 'ad all their ranges marked;
But we dursn't 'ardly gallop, for the most was bottled Bass,
An' we'd dreamed of it since we was disembarked:
So we fired economic with the shells we 'ad in 'and,
('Orse Gunners, listen to my song!)
But the beggars under cover 'ad the impidence to stand,
An' we couldn't keep 'em waitin' very long.
~And the Captain, etc.~
So we finished 'arf the liquor (an' the Captain took champagne),
An' the Arabites was shootin' all the while;
An' we left our wounded 'appy with the empties on the plain,
An' we used the bloomin' guns for pro-jec-tile!
We limbered up an' galloped -- there were nothin' else to do --
('Orse Gunners, listen to my song!)
An' the Battery came a-boundin' like a boundin' kangaroo,
But they didn't watch us comin' very long.
~As the Captain, etc.~
We was goin' most extended -- we was drivin' very fine,
An' the Arabites were loosin' 'igh an' wide,
Till the Captain took the glassy with a rattlin' right incline,
An' we dropped upon their 'eads the other side.
Then we give 'em quarter -- such as 'adn't up and cut,
('Orse Gunners, listen to my song!)
An' the Captain stood a limberful of fizzy -- somethin' Brutt,
But we didn't leave it fizzing very long.
~For the Captain, etc.~
We might ha' been court-martialled, but it all come out all right
When they signalled us to join the main command.
There was every round expended, there was every gunner tight,


An' the Captain waved a corkscrew in 'is 'and.
~But the Captain 'ad 'is jacket, etc.~
496

The Inventor

The Inventor
R. W. Emerson
Time and Space decreed his lot,
But little Man was quick to note:
When Time and Space said Man might not,
Bravely he answered, "Nay! I mote."
I looked on old New England.
Time and Space stood fast.
Men built altars to Distance
At every mile they passed.
Yet sleek with oil, a Force was hid
Making mock of all they did,
Ready at the appointed hour
To yield up to Prometheus
The secular and well-drilled Power
The Gods secreted thus.
And over high Wantastiquer
Emulous my lightnings ran,
Unregarded but after,
To fall in with my plan.
I beheld two ministries,
One of air and one of earth--
At a thought I married these,
And my New Age came to birth!
For rarely my purpose errs
Though oft it seems to pause,
And rods and cylinders
Obey my planets' laws.
Oil I drew from the well,
And Franklin's spark from its blue;
Time and Distance fell,
And Man went forth anew.
On the prairie and in the street
So long as my chariots roll
I bind wings to Adam's feet,
And, presently, to his soul!
448

The Hyaenas

The Hyaenas
After the burial-parties leave
And the baffled kites have fled;
The wise hyaenas come out at eve
To take account of our dead.
How he died and why he died
Troubles them not a whit.
They snout the bushes and stones aside
And dig till they come to it.
They are only resolute they shall eat
That they and their mates may thrive,
And they know that the dead are safer meat
Than the weakest thing alive.
(For a goat may butt, and a worm may sting,
And a child will sometimes stand;
But a poor dead soldier of the King
Can never lift a hand.)
They whoop and halloo and scatter the dirt
Until their tushes white
Take good hold in the army shirt,
And tug the corpse to light,
And the pitiful face is shewn again
For an instant ere they close;
But it is not discovered to living men --
Only to God and to those
Who, being soulless, are free from shame,
Whatever meat they may find.
Nor do they defile the dead man's name --
That is reserved for his kind.
377

The Idiot Boy

The Idiot Boy
Wordsworth
He wandered down the moutain grade
Beyond the speed assigned--
A youth whom Justice often stayed
And generally fined.
He went alone, that none might know
If he could drive or steer.
Now he is in the ditch, and Oh!
The differential gear!
385

The Hour of the Angel

The Hour of the Angel
Sooner or late--in earnest or in jest--
(But the stakes are no jest) Ithuriel's Hour
Will spring on us, for the first time, the test
Of our sole unbacked competence and power
Up to the limit of our years and dower
Of judgment--or beyond. But here we have
Prepared long since our garland or our grave.
For, at that hour, the sum of all our past,
Act, habit, thought, and passion, shall be cast
In one addition, be it more or less,
And as that reading runs so shall we do;
Meeting, astounded, victory at the last,
Or, first and last, our own unworthiness.
And none can change us though they die to save!
429

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