Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

137,553 Views

Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

The Long Trail

The Long Trail
There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
"And your English summer's done."
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song -- how long? how long?
Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!
It's North you may run to the rime-ringed sun
Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate --
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail -- the trail that is always new.
The days are sick and cold, and the skies are grey and old
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp,
With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz south on the Long Trail-the trail that is always new.
There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.
Can you hear the crash on her brows, dear lass.
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail -- the trail that is always new?
See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
And the fall-rope whines through the sheave;
It's "Gang-plank up and in," dear lass,
It's "Hawsers warp her through!"
And it's "All clear aft" on the old trail, our own trail, the out trail,
We're backing down on the Long Trail -- the trail that is always new.
O the mutter overside, when the port-fog holds us tied,
And the sirens hoot their dread,
When foot by foot we creep o'er the hueless, viewless deep


To the sob of the questing lead!
It's down by the Lower Hope, dear lass,
With the Grinfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail -- the trail that is always new.
O the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!
Her plates are flaked by the sun, dear lass
And her ropes are taut with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail -- the trail that is always new.
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail -- the trail that is always new.
Fly forward, O my heart, from the Foreland to the Start
We're steaming all too slow,
And it's twenty thousand mile to our little lazy isle
Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song-how long? how long?
Pull out on the trail again!
The Lord knows what we may find, dear lass,
And The Deuce knows we may do
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down, on the Long Trail -- the trail that is always new!
459

The Light That Failed

The Light That Failed
So we settled it all when the storm was done
As comfy as comfy could be;
And I was to wait in the barn, my dears,
Because I was only three.
And Teddy would run to the rainbow's foot
Because he was five and a man--
And that's how it all began, my dears,
And that's how it all began!
Then we brought the lances down--then the trumpets blew--
When we went to Kandahar, ridin' two an' two.
Ridin'--ridin'--ridin' two an' two!
Ta-ra-ra-ra-ra-ra-a!
All the way to Kandahar,
Ridin' two an' two.
The wolf-cub at even lay hid in the corn,
When the smoke of the cooking hung grey.
He knew where the doe made a couch for her fawn,
And he looked to his strength for his prey.
But the moon swept the smoke-wreaths away;
And he turned from his meal in the villager's close,
And he bayed to the moon as she rose.
"I have a thousand men," said he,
"To wait upon my will;
And towers nine upon the Tyne,
And three upon the Till."
"And what care I for your men? " said she,
"Or towers from Tyne to Till?
Sith you must go with me," said she,
"To wait upon my will.
And you may lead a thousand men
Nor ever draw the rein,
But before you lead the Fairy Queen
'Twill burst your heart in twain."
He has slipped his foot from the stirrup-bar,
The bridle from his hand,
And he is bound by hand and foot
To the Queen of Fairy Land.
"If I have taken the common clay
And wrought it cunningly
In the shape of a God that was digged a clod,
The greater honour to me."
"If thou hast taken the common clay,
And thy hands be not free
From the taint of the soil, thou hast made thy spoil


The greater shame to thee."
The lark will make her hymn to God,
The partridge call her brood,
While I forget the heath I trod,
The fields wherein I stood.
'Tis dule to know not night from morn,
But greater dule to know
I can but hear the hunter's horn
That once I used to blow.
There were three friends that buried the fourth,
The mould in his mouth and the dust in his eyes,
And they .went south and east and north--
The strong man fights but the sick man dies.
There were three friends that spoke of the dead--
The strong man fights but the sick man dies--
"And would he were here with us now," they said,
"The Sun in our face and the wind in our eyes."
Yet at the last ere our spearmen had found him,
Yet at the last, ere a sword-thrust could save,
Yet at the last, with his masters around him,
He spoke of the Faith as a master to slave.
Yet at the last though the Kafirs had maimed him,
Broken by bondage and wrecked by the reiver,
Yet at the last, tho' the darkness had claimed him,
He colled on Allah and died a Believer!
421

The Legends Of Evil

The Legends Of Evil
This is the sorrowful story
Told when the twilight fails
And the monkeys walk together
Holding their neighbours' tails: --
"Our fathers lived in the forest,
Foolish people were they,
They went down to the cornland
To teach the farmers to play.
"Our fathers frisked in the millet,
Our fathers skipped in the wheat,
Our fathers hung from the branches,
Our fathers danced in the street.
"Then came the terrible farmers,
Nothing of play they knew,
Only. . .they caught our fathers
And set them to labour too!
"Set them to work in the cornland
With ploughs and sickles and flails,
Put them in mud-walled prisons
And -- cut off their beautiful tails!
"Now, we can watch our fathers,
Sullen and bowed and old,
Stooping over the millet,
Sharing the silly mould,
"Driving a foolish furrow,
Mending a muddy yoke,
Sleeping in mud-walled prisons,
Steeping their food in smoke.
"We may not speak to our fathers,
For if the farmers knew
They would come up to the forest
And set us to labour too."
This is the horrible story
Told as the twilight fails
And the monkeys walk together
Holding their kinsmen's tails.
II
'Twas when the rain fell steady an' the Ark was pitched an' ready,
That Noah got his orders for to take the bastes below;
He dragged them all together by the horn an' hide an' feather,
An' all excipt the Donkey was agreeable to go.


Thin Noah spoke him fairly, thin talked to him sevarely,
An' thin he cursed him squarely to the glory av the Lord: --
"Divil take the ass that bred you, and the greater ass that fed you --
Divil go wid you, ye spalpeen!" an' the Donkey went aboard.
But the wind was always failin', an' 'twas most onaisy sailin',
An' the ladies in the cabin couldn't stand the stable air;
An' the bastes betwuxt the hatches, they tuk an' died in batches,
Till Noah said: -- "There's wan av us that hasn't paid his fare!"
For he heard a flusteration 'mid the bastes av all creation --
The trumpetin' av elephints an' bellowin' av whales;
An' he saw forninst the windy whin he wint to stop the shindy
The Divil wid a stable-fork bedivillin' their tails.
The Divil cursed outrageous, but Noah said umbrageous: --
"To what am I indebted for this tenant-right invasion?"
An' the Divil gave for answer: -- "Evict me if you can, sir,
For I came in wid the Donkey -- on Your Honour's invitation."
500

The Legend of Mirth

The Legend of Mirth
The Four Archangels, so the legends tell,
Raphael, Gabriel, Michael, Azrael,
Being first of those to whom the Power was shown
Stood first of all the Host before The Throne,
And, when the Charges were allotted, burst
Tumultuous-winged from out the assembly first.
Zeal was their spur that bade them strictly heed
Their own high judgment on their lightest deed.
Zeal was their spur that, when relief was given,
Urged them unwearied to new toils in Heaven;
For Honour's sake perfecting every task
Beyond what e 'en Perfection's self could ask. . .
And Allah, Who created Zeal and Pride,
Knows how the twain are perilous-near allied.
It chanced on one of Heaven's long-lighted days,
The Four and all the Host being gone their ways
Each to his Charge, the shining Courts were void
Save for one Seraph whom no charge employed,
With folden wings and slumber-threatened brow,
To whom The Word: "Beloved, what dost thou?"
"By the Permission," came the answer soft,
Little I do nor do that little oft.
As is The Will in Heaven so on Earth
Where by The Will I strive to make men mirth"
He ceased and sped, hearing The Word once more:
" Beloved, go thy way and greet the Four."
Systems and Universes overpast,
The Seraph came upon the Four, at last,
Guiding and guarding with devoted mind
The tedious generations of mankind
Who lent at most unwilling ear and eye
When they could not escape the ministry. . . .
Yet, patient, faithful, firm, persistent, just
Toward all that gross, indifferent, facile dust,
The Archangels laboured to discharge their trust
By precept and example, prayer and law,
Advice, reproof, and rule, but, labouring, saw
Each in his fellows' countenance confessed,
The Doubt that sickens: "Have I done my best?"
Even as they sighed and turned to toil anew,
The Seraph hailed them with observance due;
And, after some fit talk of higher things,
Touched tentative on mundane happenings.
This they permitting, he, emboldened thus,
Prolused of humankind promiscuous,
And, since the large contention less avails
Than instances observed, he told them tales--
Tales of the shop, the bed, the court, the street,


Intimate, elemental, indiscreet:
Occasions where Confusion smiting swift
Piles jest on jest as snow-slides pile the drift
Whence, one by one, beneath derisive skies,
The victims' bare, bewildered heads arise--
Tales of the passing of the spirit, graced
With humour blinding as the doom it faced--
Stark tales of ribaldy that broke aside
To tears, by laughter swallowed ere they dried-
Tales to which neither grace nor gain accrue,
But Only (Allah be exalted!) true,
And only, as the Seraph showed that night,
Delighting to the limits of delight.
These he rehearsed with artful pause and halt,
And such pretence of memory at fault,
That soon the Four--so well the bait was thrown--
Came to his aid with memories of their own--
Matters dismissed long since as small or vain,
Whereof the high significance had lain
Hid, till the ungirt glosses made it plain.
Then, as enlightenment came broad and fast,
Each marvelled at his own oblivious past
Until--the Gates of Laughter opened wide--
The Four, with that bland Seraph at their side,
While they recalled, compared, and amplified,
In utter mirth forgot both Zeal and Pride!
High over Heaven the lamps of midnight burned
Ere, weak with merriment, the Four returned,
Not in that order they were wont to keep--
Pinion to pinion answering, sweep for sweep,
In awful diapason heard afar--
But shoutingly adrift 'twixt star and star;
Reeling a planet's orbit left or right
As laughter took them in the abysmal Night;
Or, by the point of some remembered jest,
Winged and brought helpless down through gulfs unguessed,
Where the blank worlds that gather to the birth
Leaped in the Womb of Darkness at their mirth,
And e'en Gehenna's bondsmen understood.
They were not damned from human brotherhood . . .
Not first nor last of Heaven's high Host, the Four
That night took place beneath The Throne once more.
lovelier than their morning majesty,
The understanding light behind the eye!
more compelling than their old command,
The new-learned friendly gesture of the hand!
sweeter than their zealous fellowship,


The wise half-smile that passed from lip to lip!
well and roundly, when Command was given,
They told their tale against themselves to Heaven,
And in the silence, waiting on The Word,
Received the Peace and Pardon of The Lord!
588

The Law of the Jungle

The Law of the Jungle
Now this is the Law of the Jungle -- as old and as true as the sky; And the Wolf
that shall keep it may prosper, but the Wolf that shall break it must die. AAs the
creeper that girdles the tree-trunk the Law runneth forward and back --
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.

Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter -- go forth and get food of thine own.
Keep peace withe Lords of the Jungle -- the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken -- it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father -- to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is -- Obey!
807

The Last Shuttee

The Last Shuttee
Not many years ago a King died in one of the Rajpoot States.
His wives, disregarding the orders of the English against Suttee,
would have broken out of the palace had not the gates been barred.
But one of them, disguised as the King's favourite dancing-girl,
passed through the line of guards and reached the pyre. There,
her courage failing, she prayed her cousin, a baron of the court,
to kill her. This he did, not knowing who she was.
Udai Chand lay sick to death
In his hold by Gungra hill.
All night we heard the death-gongs ring
For the soul of the dying Rajpoot King,
All night beat up from the women's wing
A cry that we could not still.
All night the barons came and went,
The lords of the outer guard:
All night the cressets glimmered pale
On Ulwar sabre and Tonk jezail,
Mewar headstall and Marwar mail,
That clinked in the palace yard.
In the Golden room on the palace roof
All night he fought for air:
And there was sobbing behind the screen,
Rustle and whisper of women unseen,
And the hungry eyes of the Boondi Queen
On the death she might not share.
He passed at dawn -- the death-fire leaped
From ridge to river-head,
From the Malwa plains to the Abu scars:
And wail upon wail went up to the stars
Behind the grim zenana-bars,
When they knew that the King was dead.
The dumb priest knelt to tie his mouth
And robe him for the pyre.
The Boondi Queen beneath us cried:
"See, now, that we die as our mothers died
In the bridal-bed by our master's side!
Out, women! -- to the fire!"
We drove the great gates home apace:
White hands were on the sill:
But ere the rush of the unseen feet
Had reached the turn to the open street,
The bars shot down, the guard-drum beat --
We held the dovecot still.


A face looked down in the gathering day,
And laughing spoke from the wall:
"Oh]/e, they mourn here: let me by --
Azizun, the Lucknow nautch-girl, I!
When the house is rotten, the rats must fly,
And I seek another thrall.
"For I ruled the King as ne'er did Queen, --
To-night the Queens rule me!
Guard them safely, but let me go,
Or ever they pay the debt they owe
In scourge and torture!" She leaped below,
And the grim guard watched her flee.
They knew that the King had spent his soul
On a North-bred dancing-girl:
That he prayed to a flat-nosed Lucknow god,
And kissed the ground where her feet had trod,
And doomed to death at her drunken nod,
And swore by her lightest curl.
We bore the King to his fathers' place,
Where the tombs of the Sun-born stand:
Where the gray apes swing, and the peacocks preen
On fretted pillar and jewelled screen,
And the wild boar couch in the house of the Queen
On the drift of the desert sand.
The herald read his titles forth,
We set the logs aglow:
"Friend of the English, free from fear,
Baron of Luni to Jeysulmeer,
Lord of the Desert of Bikaneer,
King of the Jungle, -- go!"
All night the red flame stabbed the sky
With wavering wind-tossed spears:
And out of a shattered temple crept
A woman who veiled her head and wept,
And called on the King -- but the great King slept,
And turned not for her tears.
Small thought had he to mark the strife --
Cold fear with hot desire --
When thrice she leaped from the leaping flame,
And thrice she beat her breast for shame,
And thrice like a wounded dove she came
And moaned about the fire.
One watched, a bow-shot from the blaze,
The silent streets between,
Who had stood by the King in sport and fray,


To blade in ambush or boar at bay,
And he was a baron old and gray,
And kin to the Boondi Queen.
He said: "O shameless, put aside
The veil upon thy brow!
Who held the King and all his land
To the wanton will of a harlot's hand!
Will the white ash rise from the blistered brand?
Stoop down, and call him now!"
Then she: "By the faith of my tarnished soul,
All things I did not well,
I had hoped to clear ere the fire died,
And lay me down by my master's side
To rule in Heaven his only bride,
While the others howl in Hell.
"But I have felt the fire's breath,
And hard it is to die!
Yet if I may pray a Rajpoot lord
To sully the steel of a Thakur's sword
With base-born blood of a trade abhorred," --
And the Thakur answered, "Ay."
He drew and struck: the straight blade drank
The life beneath the breast.
"I had looked for the Queen to face the flame,
But the harlot dies for the Rajpoot dame --
Sister of mine, pass, free from shame,
Pass with thy King to rest!"
The black log crashed above the white:
The little flames and lean,
Red as slaughter and blue as steel,
That whistled and fluttered from head to heel,
Leaped up anew, for they found their meal
On the heart of -- the Boondi Queen!
778

The Last of the Light Brigade

The Last of the Light Brigade
There were thirty million English who talked of England's might,
There were twenty broken troopers who lacked a bed for the night.
They had neither food nor money, they had neither service nor trade;
They were only shiftless soldiers, the last of the Light Brigade.
They felt that life was fleeting; they knew not that art was long,
That though they were dying of famine, they lived in deathless song.
They asked for a little money to keep the wolf from the door;
And the thirty million English sent twenty pounds and four!
They laid their heads together that were scarred and lined and grey;
Keen were the Russian sabres, but want was keener than they;
And an old Troop-Sergeant muttered, "Let us go to the man who writes
The things on Balaclava the kiddies at school recites."
They went without bands or colours, a regiment ten-file strong,
To look for the Master-singer who had crowned them all in his song;
And, waiting his servant's order, by the garden gate they stayed,
A desolate little cluster, the last of the Light Brigade.
They strove to stand to attention, to straighten the toil-bowed back;
They drilled on an empty stomach, the loose-knit files fell slack;
With stooping of weary shoulders, in garments tattered and frayed,
They shambled into his presence, the last of the Light Brigade.
The old Troop-Sergeant was spokesman, and "Beggin' your pardon," he said,
"You wrote o' the Light Brigade, sir. Here's all that isn't dead.
An' it's all come true what you wrote, sir, regardin' the mouth of hell;
For we're all of us nigh to the workhouse, an, we thought we'd call an' tell.
"No, thank you, we don't want food, sir; but couldn't you take an' write
A sort of 'to be continued' and 'see next page' o' the fight?
We think that someone has blundered, an' couldn't you tell 'em how?
You wrote we were heroes once, sir. Please, write we are starving now."
The poor little army departed, limping and lean and forlorn.
And the heart of the Master-singer grew hot with "the scorn of scorn."
And he wrote for them wonderful verses that swept the land like flame,
Till the fatted souls of the English were scourged with the thing called Shame.
O thirty million English that babble of England's might,
Behold there are twenty heroes who lack their food to-night;
Our children's children are lisping to "honour the charge they made-"
And we leave to the streets and the workhouse the charge of the Light Brigade!
540

The Last Chantey

The Last Chantey
"~And there was no more sea.~"
Thus said The Lord in the Vault above the Cherubim
Calling to the Angels and the Souls in their degree:
"Lo! Earth has passed away
On the smoke of Judgment Day.
That Our word may be established shall We gather up the sea?"
Loud sang the souls of the jolly, jolly mariners:
"Plague upon the hurricane that made us furl and flee!
But the war is done between us,
In the deep the Lord hath seen us --
Our bones we'll leave the barracout', and God may sink the sea!"
Then said the soul of Judas that betray]\ed Him:
"Lord, hast Thou forgotten Thy covenant with me?
How once a year I go
To cool me on the floe?
And Ye take my day of mercy if Ye take away the sea!"
Then said the soul of the Angel of the Off-shore Wind:
(He that bits the thunder when the bull-mouthed breakers flee):
"I have watch and ward to keep
O'er Thy wonders on the deep,
And Ye take mine honour from me if Ye take away the sea!"
Loud sang the souls of the jolly, jolly mariners:
"Nay, but we were angry, and a hasty folk are we!
If we worked the ship together
Till she foundered in foul weather,
Are we babes that we should clamour for a vengeance on the sea?"
Then said the souls of the slaves that men threw overboard:
"Kennelled in the picaroon a weary band were we;
But Thy arm was strong to save,
And it touched us on the wave,
And we drowsed the long tides idle till Thy Trumpets tore the sea."
Then cried the soul of the stout Apostle Paul to God:
"Once we frapped a ship, and she laboured woundily.
There were fourteen score of these,
And they blessed Thee on their knees,
When they learned Thy Grace and Glory under Malta by the sea!"
Loud sang the souls of the jolly, jolly mariners,
Plucking at their harps, and they plucked unhandily:
"Our thumbs are rough and tarred,
And the tune is something hard --
May we lift a Deep-sea Chantey such as seamen use at sea?"


Then said the souls of the gentlemen-adventurers --
Fettered wrist to bar all for red iniquity:
"Ho, we revel in our chains
O'er the sorrow that was Spain's;
Heave or sink it, leave or drink it, we were masters of the sea!"
Up spake the soul of a gray Gothavn 'speckshioner --
(He that led the flinching in the fleets of fair Dundee):
"Oh, the ice-blink white and near,
And the bowhead breaching clear!
Will Ye whelm them all for wantonness that wallow in the sea?"
Loud sang the souls of the jolly, jolly mariners,
Crying: "Under Heaven, here is neither lead nor lee!
Must we sing for evermore
On the windless, glassy floor?
Take back your golden fiddles and we'll beat to open sea!"
Then stooped the Lord, and He called the good sea up to Him,
And 'stablished his borders unto all eternity,
That such as have no pleasure
For to praise the Lord by measure,
They may enter into galleons and serve Him on the sea.
Sun, wind, and cloud shall fail not from the face of it,
Stinging, ringing spindrift, nor the fulmar flying free;
And the ships shall go abroad
To the Glory of the Lord
Who heard the silly sailor-folk and gave them back their sea!
439

The Last Lap

The Last Lap
How do we know, by the bank-high river,
Where the mired and sulky oxen wait,
And it looks as though we might wait for ever,
How do we know that the floods abate?
There is no change in the current's brawling--
Louder and harsher the freshet scolds;
Yet we can feel she is falling, falling
And the more she threatens the less she holds,
Down to the drift, with no word spoken,
The wheel-chained wagons slither and slue....
Achtung! The back of the worst is broken!
And--lash your leaders!--we're through--we're through!
How do we know, when the port-fog holds us
Moored and helpless, a mile from the pier,
And the week-long summer smother enfolds us--
How do we know it is going to clear?
There is no break in the blindfold weather,
But, one and another, about the bay,
The unseen capstans clink together,
Getting ready to up and away.
A pennon whimpers--the breeze has found us--
A headsail jumps through the thinning haze.
The whole hull follows, till--broad around us--
The clean-swept ocean says: "Go your ways!"
How do we know, when the long fight rages,
On the old, stale front that we cannot shake,
And it looks as though we were locked for ages,
How do we know they are going to break?
There is no lull in the level firing,
Nothing has shifted except the sun.
Yet we can feel they are tiring, tiring--
Yet we can tell they are ripe to run.
Something wavers, and, while we wonder,
Their centre-trenches are emptying out,
And, before their useless flanks go under,
Our guns have pounded retreat to rout!
467

The Ladies

The Ladies
I've taken my fun where I've found it;
I've rogued an' I've ranged in my time;
I've 'ad my pickin' o' sweet'earts,
An' four o' the lot was prime.
One was an 'arf-caste widow,
One was a woman at Prome,
One was the wife of a ~jemadar-sais~, [Head-groom.]
An' one is a girl at 'ome.
Now I aren't no 'and with the ladies,
For, takin' 'em all along,
You never can say till you've tried 'em,
An' then you are like to be wrong.
There's times when you'll think that you mightn't,
There's times when you'll know that you might;
But the things you will learn from the Yellow an' Brown,
They'll 'elp you a lot with the White!
I was a young un at 'Oogli,
Shy as a girl to begin;
Aggie de Castrer she made me,
An' Aggie was clever as sin;
Older than me, but my first un --
More like a mother she were --
Showed me the way to promotion an' pay,
An' I learned about women from 'er!
Then I was ordered to Burma,
Actin' in charge o' Bazar,
An' I got me a tiddy live 'eathen
Through buyin' supplies off 'er pa.
Funny an' yellow an' faithful --
Doll in a teacup she were,
But we lived on the square, like a true-married pair,
An' I learned about women from 'er!
Then we was shifted to Neemuch
(Or I might ha' been keepin' 'er now),
An' I took with a shiny she-devil,
The wife of a nigger at Mhow;
'Taught me the gipsy-folks' ~bolee~; [Slang.]
Kind o' volcano she were,
For she knifed me one night 'cause I wished she was white,
And I learned about women from 'er!
Then I come 'ome in the trooper,
'Long of a kid o' sixteen --
Girl from a convent at Meerut,
The straightest I ever 'ave seen.
Love at first sight was 'er trouble,
~She~ didn't know what it were;
An' I wouldn't do such, 'cause I liked 'er too much,


But -- I learned about women from 'er!
I've taken my fun where I've found it,
An' now I must pay for my fun,
For the more you 'ave known o' the others
The less will you settle to one;
An' the end of it's sittin' and thinkin',
An' dreamin' Hell-fires to see;
So be warned by my lot (which I know you will not),
An' learn about women from me!
What did the Colonel's Lady think?
Nobody never knew.
Somebody asked the Sergeant's wife,
~An'~ she told 'em true!
When you get to a man in the case,
They're like as a row of pins --
For the Colonel's Lady an' Judy O'Grady
Are sisters under their skins!
490

Quotes

40

Videos

50

Comments (0)

Share
Log in to post a comment.

No comments yet. Be the first to comment.