Rudyard Kipling

Rudyard Kipling

1865–1936 · lived 70 years GB GB

Rudyard Kipling was a prolific English writer and poet, best known for his works on British India and his children's stories. He championed the idea of the 'White Man's Burden' and his writings often reflected imperialist sentiments. Despite controversy surrounding his political views, his imaginative storytelling and mastery of language continue to be recognized, with works like 'The Jungle Book' and 'Kim' remaining popular.

n. 1865-12-30, Bombaim · m. 1936-01-18, Londres

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Columns

Columns
(Mobile Columns of the Boer War)
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
Oo is it 'eads to the Detail Supply?
A sectioin, a pompom, an' six 'undred men.
'Ere comes the clerk with 'is lantern an' keys
(Time, an 'igh time to be trekkin 'again!)
" Surplus of everything--draw what you please
"For the section, the pompom, an' six 'unrdred men."
"What are our orders an' where do we lay? .
(Time, an 'igh time to be trekkin' again!)
"You came after dark--you will leave before day,
"You section, you pompom, you six' undred men!"
Down the tin street, 'alf awake an 'unfed,
'Ark to 'em blessin' the Gen'ral in bed!
Now by the church an' the outspan they wind--
Over the ridge an' it's all lef' be'ind
For the section, etc.
Soon they will camp as the dawn's growin' grey,
Roll up for coffee an' sleep while they may--
The section , etc.
Read their 'ome letters, their papers an' such,
For they'll move after dark to astonish the Dutch
With a section, etc.
'Untin' for shade as the long hours pass--
Blankets on rifles or burrows in grass,
Lies the section, etc.
Dossin' or beatin' a shirt in the sun,
Watching chameleons or cleanin' a gun,
Waits the section, etc.
With nothin' but stillness as far as you please,
An' the silly mirage stringin' islands an' seas
Round the section, etc.
So they strips off their hide an' they grills in their bones,
Till the shadows crawl out from beneath the pore stones
Toward the section, etc.
An' the Mauser-bird stops an' the jacals begin
A the 'orse-guard comes up and the Gunners 'ook in
As a 'int the pompom an' six 'undred men . . . .


Off through the dark with the stars to rely on---
(Alpha Centauri an' somethin' Orion)
Moves the section, etc.
Same bloomin' 'ole which the ant-bear 'as broke,
Same bloomin' stumble an' same bloomin' joke
Down the section, etc.
Same "which is right?" where the cart-tracks divide,
Same "give it up" from the same clever guide
To the section, etc.
Same tumble-down on the same 'idden farm,
Same white-eyed Kaffir 'oo gives the alarm--
Of the section, etc.
Same shootin' wild at the end o' the night,
Same flyin'-tackle an' same messy fight,
By the section, etc.
Same ugly 'iccup an' same 'orrid squeal,
When it's too dark to see an' it's too late to feel
In the section, etc.
(Same batch of prisoners, 'airy an' still,
Watchin' their comrades bolt over the 'ill
From the section, etc.)
Same chilly glare in the eye of the sun
As 'e gets up displeasured to see what was done
By the section, etc.
Same splash o' pink on the stoep or the kraal,
An' the same quiet face which 'as finished with all
In the section, the pompom, an' six 'undred men.
Out o' the wilderness, dusty an' dry
(Time, an' 'igh time to be trekkin' again!)
' Oo is it 'eads to the Detail Supply ?
A section, a pompom, an 'six' 'undred men.
Read full poem
Bio

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.

Poems

275

The Portent

The Portent
Horace, BK. V. Ode .
Oh, late withdrawn from human-kind
And following dreams we never knew!
Varus, what dream has Fate assigned
To trouble you?
Such virtue as commends of law
Of Virtue to the vulgar horde
Suffices not. You needs must draw
A righteous sword;
And, flagrant in well-doing, smite
The priests of Bacchus at their fane,
Lest any worshipper invite
The God again.
Whence public strife and naked crime
And-deadlier than the cup you shun--
A people schooled to mock, in time,
All law--not one.
Cease, then, to fashion State-made sin,
Nor give thy children cause to doubt
That Virtue springs from Iron within--
Not lead without.
462

The Playmate

The Playmate
She is not Folly -- that I know.
Her steadfast eyelids tell me so
When, at the hour the lights divide,
She steals as summonsed to my side.
When, finger on the pursed lip
In secret, mirthful fellowship,
She, heralding new -- framed delights,
Breathes, "This shall be a Night of Nights!"
Then, out of Time and out of Space,
Is built an Hour and a Place
Where all an earnest, baffled Earth
Blunders and trips to make us mirth;
Whence from the trivial flux of Things,
Rise inconceived miscarryings,
Outrageous but immortal, shown,
Of Her great love, to me alone...
She is not Wisdom, but, maybe,
Wiser than all the Norns is She:
And more than Wisdom I prefer
To wait on Her, -- to wait on Her!
445

The Penalty

The Penalty
Once in life I watched a Star;
But I whistled, "Let her go!
There are others, fairer far,
Which my favouring skies shall show
Here I lied, and herein I
Stood to pay the penalty.
Marvellous the Planets shone
As I ranged from coast to coast--
But beyond comparison
Rode the Star that I had lost.
I had lied, and only I
Did not guess the penalty! . . .
When my Heavens were turned to blood,
When the dark had filled my day,
Furthest, but most faithful, stood
That lone Star I cast away.
I had loved myself, and I
Have not lived and dare not die!
453

The Outlaws

The Outlaws

Through learned and laborious years
They set themselves to find
Fresh terrors and undreamed-of fears
To heap upon mankind.
ALl that they drew from Heaven above
Or digged from earth beneath,
They laid into their treasure-trove
And arsenals of death:
While, for well-weighed advantage sake,
Ruler and ruled alike
Built up the faith they meant to break
When the fit hour should strike.
They traded with the careless earth,
And good return it gave:
They plotted by their neighbour's hearth
The means to make him slave.
When all was ready to their hand
They loosed their hidden sword,
And utterly laid waste a land
Their oath was pledged to guard.
Coldly they went about to raise
To life and make more dread
Abominations of old days,
That men believed were dead.
They paid the price to reach their goal
Across a world in flame;
But their own hate slew their own soul
Before that victory came.
421

The Palace

The Palace

When I was a King and a Mason -- a Master proven and skilled --
I cleared me ground for a Palace such as a King should build.
I decreed and dug down to my levels. Presently, under the silt,
I came on the wreck of a Palace such as a King had built.
There was no worth in the fashion -- there was no wit in the plan --
Hither and thither, aimless, the ruined footings ran --
Masonry, brute, mishandled, but carven on every stone:
"After me cometh a Builder. Tell him, I too have known."
Swift to my use in my trenches, where my well-planned ground-works grew,
I tumbled his quoins and his ashlars, and cut and reset them anew.
Lime I milled of his marbles; burned it, slacked it, and spread;
Taking and leaving at pleasure the gifts of the humble dead.
Yet I despised not nor gloried; yet, as we wrenched them apart,
I read in the razed foundations the heart of that builder's heart.
As he had risen and pleaded, so did I understand
The form of the dream he had followed in the face of the thing he had planned.
* * * * *
When I was a King and a Mason -- in the open noon of my pride,
They sent me a Word from the Darkness. They whispered and called me aside.
They said -- "The end is forbidden." They said -- "Thy use is fulfilled.
"Thy Palace shall stand as that other's -- the spoil of a King who shall build."
I called my men from my trenches, my quarries, my wharves, and my sheers.
All I had wrought I abandoned to the faith of the faithless years.
Only I cut on the timber -- only I carved on the stone:
"After me cometh a Builder. Tell him, I too have known!"
608

The Old Issue

The Old Issue
October , -- Outbreak of Boer War
Here is nothing new nor aught unproven," say the Trumpets,
"Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
(Trumpets in the marshes-in the eyot at Runnymede!)
"Here is neither haste, nor hate, nor anger," peal the Trumpets,
"Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
(Trumpets round the scaffold af the dawning by Whitehall!)
. . . . . . .
"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
"He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide--abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets--
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.
Till our fathers 'stablished,, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom-not at little cost--
Wherefore must we watch the King, lest our gain be lost.
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.


They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--
Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!
Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.
He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--
Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.
Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--


All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King!
484

The Only Son

The Only Son
She dropped the bar, she shot the bolt, she fed the fire anew
For she heard a whimper under the sill and a great grey paw came through.
The fresh flame comforted the hut and shone on the roof-beam,
And the Only Son lay down again and dreamed that he dreamed a dream.
The last ash fell from the withered log with the click of a falling spark,
And the Only Son woke up again, and called across the dark:--
"Now was I born of womankind and laid in a mother's breast?
For I have dreamed of a shaggy hide whereon I went to rest.
And was I born of womankind and laid on a father's arm?
For I have dreamed of clashing teeth that guarded me from harm.
And was I born an Only Son and did I play alone?
For I have dreamed of comrades twain that bit me to the bone.
And did I break the barley-cake and steep it in the tyre?
For I have dreamed of a youngling kid new-riven from the byre:
For I have dreamed of a midnight sky and a midnight call to blood
And red-mouthed shadows racing by, that thrust me from my food.
'Tis an hour yet and an hour yet to the rising of the moon,
But I can see the black roof-tree as plain as it were noon.
'Tis a league and a league to the Lena Falls where the trooping blackbuck go;
But I can hear the little fawn that bleats behind the doe.
'Tis a league and a league to the Lena Falls where the crop and the upland meet,
But I Can smell the wet dawn-wind that wakes the sprouting wheat.
Unbar the door. I may not bide, but I must out and see
If those are wolves that wait outside or my own kin to me!"
. . . . .
She loosed the bar, she slid the bolt, she opened the door anon,
And a grey bitch-wolf came out of the dark and fawned on the Only Son!
456

The Necessitarian

The Necessitarian
I know not in Whose hands are laid
To empty upon earth
From unsuspected ambuscade
The very Urns of Mirth;
Who bids the Heavenly Lark arise
And cheer our solemn round--
The Jest beheld with streaming eyes
And grovellings on the ground;
Who joins the flats of Time and Chance
Behind the prey preferred,
And thrones on Shrieking Circumstance
The Sacredly Absurd,
Till Laughter, voiceless through excess,
Waves mute appeal and sore,
Above the midriff's deep distress,
For breath to laugh once more.
No creed hath dared to hail Him Lord,
No raptured choirs proclaim,
And Nature's strenuous Overword
Hath nowhere breathed His Name.
Yet, it must be, on wayside jape,
The selfsame Power bestows
The selfsame power as went to shape
His Planet or His Rose.
476

The North Sea Patrol

The North Sea Patrol
- -- Sea Warfare
Where the East wind is brewed fresh and fresh every morning,
And the balmy night-breezes blow straight from the Pole,
I heard a Destroyer sing: "What an enjoyable
life does one lead on the North Sea Patrol!
"To blow things to bits is our business (and Fritz's),
Which means there are mine-fields wherever you stroll.
Unless you've particular wish to die quick, you'll avoid
steering close to the North Sea Patrol.
"We warn from disaster the mercantile master
Who takes in high Dudgeon our life-saving role,
For every one's grousing at Docking and Dowsing
The marks and the lights on the North Sea Patrol."
[Twelve verses omitted.]
So swept but surviving, half drowned but still driving
I watched her head out through the swell off the shoal,
And I heard her propellers roar- "Write to poor fellers
Who run such a Hell as the North Sea Patrol!"
543

The Mother's Son

The Mother's Son
I have a dream -- a dreadful dream --
A dream that is never done.
I watch a man go out of his mind,
And he is My Mother's Son.
They pushed him into a Mental Home,
And that is like the grave:
For they do not let you sleep upstairs,
And you aren't allowed to shave.
And it was not disease or crime
Which got him landed there,
But because They laid on My Mother's Son
More than a man could bear.
What with noise, and fear of death,
Waking, and wounds and cold,
They filled the Cup for My Mother's Son
Fuller than it could hold.
They broke his body and his mind
And yet They made him live,
And They asked more of My Mother's Son
Than any man could give.
For, just because he had not died,
Nor been discharged nor sick,
They dragged it out with My Mother's Son
Longer than he could stick....
And no one knows when he'll get well --
So, there he'll have to be:
And, 'spite of the beard in the looking-glass,
I know that man is me!
478

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