Poems List

The Secret of the Machines

The Secret of the Machines
Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!
We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,
We can run and race and swim and fly and dive,
We can see and hear and count and read and write!
Would you call a friend from half across the world?
If you'll let us have his name and town and state,
You shall see and hear your cracking question hurled
Across the arch of heaven while you wait.
Has he answered? Does he need you at his side-
You can start this very evening if you choose
And take the Western Ocean in the stride
O seventy thousand horses and some screws!
The boat-express is waiting your command!
You will find the Mauritania at the quay,
Till her captain turns the lever 'neath his hand,
And the monstrouos nine-decked city goes to sea.
Do you wish to make the mountains bare their head
And lay their new-cut forests at your feet?
Do you want to turn a river in its bed,
Or plant a barren wilderness with wheat?
Shall we pipe aloft and bring you water down
From the never-failing cisterns of the snows,
To work the mills and tramways in your town,
And irrigate your orchards as it flows?
It is easy! Give us dynamite and drills!
Watch the iron-shouldered rocks lie down and quake,
As the thirsty desert-level floods and fills,
And the valley we have dammed becomes a lake.
But remember, please, the Law by which we live,
We are not built to comprehend a lie,
We can neither love nor pity nor forgive.
If you make a slip in handling us you die!
We are greater than the Peoples or the Kings-
Be humble, as you crawl beneath our rods!--
Our touch can alter all created things,
We are everything on earth--except The Gods!


Though our smoke may hide the Heavens from your eyes,
It will vanish and the stars will shine again,
Because, for all our power and weight and size,
We are nothing more than children of your brain!
773

The Rupaiyat of Omar Kal'vin

The Rupaiyat of Omar Kal'vin
Allowing for the difference 'twixt prose and rhymed exaggeration, this ought to
reproduce the sense of what Sir A-- told the nation sometime ago, when the
Government struck from our incomes two per cent.

Now the New Year, reviving last Year's Debt,
The Thoughtful Fisher casteth wide his Net;
So I with begging Dish and ready Tongue
Assail all Men for all that I can get.
Imports indeed are gone with all their Dues --
Lo! Salt a Lever that I dare not use,
Nor may I ask the Tillers in Bengal --
Surely my Kith and Kin will not refuse!
Pay -- and I promise by the Dust of Spring,
Retrenchment. If my promises can bring
Comfort, Ye have Them now a thousandfold --
By Allah! I will promise Anything!
Indeed, indeed, Retrenchment oft before
I swore -- but did I mean it when I swore?
And then, and then, We wandered to the Hills,
And so the Little Less became Much More.
Whether a Boileaugunge or Babylon,
I know not how the wretched Thing is done,
The Items of Receipt grow surely small;
The Items of Expense mount one by one.
I cannot help it. What have I to do
With One and Five, or Four, or Three, or Two?
Let Scribes spit Blood and Sulphur as they please,
Or Statesmen call me foolish -- Heed not you.
Behold, I promise -- Anything You will.
Behold, I greet you with an empty Till --
Ah! Fellow-Sinners, of your Charity
Seek not the Reason of the Dearth, but fill.
For if I sinned and fell, where lies the Gain
Of Knowledge? Would it ease you of your Pain
To know the tangled Threads of Revenue,
I ravel deeper in a hopeless Skein?
"Who hath not Prudence" -- what was it I said,
Of Her who paints her Eyes and tires Her Head,
And gibes and mocks and People in the Street,
And fawns upon them for Her thriftless Bread?
Accursed is She of Eve's daughters -- She
Hath cast off Prudence, and Her End shall be


Destruction . . . Brethren, of your Bounty
Some portion of your daily Bread to Me.
435

The Sea and the Hills

The Sea and the Hills
Who hath desired the Sea? -- the sight of salt water unbounded --
The heave and the halt and the hurl and the crash of the comber wind-hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!
Who hath desired the Sea? -- the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bow-sprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder --
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder --
His Sea in no wonder the same his Sea and the same through each wonder:
His Sea as she rages or stills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
Who hath desired the Sea? Her menaces swift as her mercies?
The in-rolling walls of the fog and the silver-winged breeze that disperses?
The unstable mined berg going South and the calvings and groans that declare it --
White water half-guessed overside and the moon breaking timely to bare it --
His Sea as his fathers have dared -- his Sea as his children shall dare it:
His Sea as she serves him or kills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
Who hath desired the Sea? Her excellent loneliness rather
Than forecourts of kings, and her outermost pits than the streets where men gather
Inland, among dust, under trees -- inland where the slayer may slay him --
Inland, out of reach of her arms, and the bosom whereon he must lay him
His Sea from the first that betrayed -- at the last that shall never betray him:
His Sea that his being fulfils?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
563

The Run of the Downs

The Run of the Downs
The Weald is good, the Downs are best---
I'll give you the run of 'em, East to West.

Beachy Head and Winddoor Hill,
They were once and they are still.
Firle Mount Caburn and Mount Harry
Go back as far as sums 'l carry.
Ditchling Beacon and Chanctonbury Ring
They have looked on many a thing,
And what those two have missed between 'em
I reckon Truleigh Hill has seen 'em.
Highden, Bignor and Duncton Down
Knew Old England before the Crown.
Linch Down, Treyford and Sunwood
Knew Old England before the Flood;
And when you end on the Hampshire side--
Butser's old as Time and Tide.
The Downs are sheep, the Weald is corn,
You be glad you are Sussex born!
370

The Rout of the White Hussars

The Rout of the White Hussars
It was not in the open fight
We threw away the sword,
But in the lonely watching
In the darkness by the ford.
The waters lapped, the night-wind blew,
Full-armed the Fear was born and grew,
And we were flying ere we knew
From panic in the night.
431

The Rhyme Of The Three Captains

The Rhyme Of The Three Captains
. . . At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides
that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side,
and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo
that grows through the gangrened flesh;
I had hove him down by the mangroves brown,
where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,


And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true."
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a nigger's sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers?
'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman."
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair."
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm."
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea,
and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade --
the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
405

The River's Tale

The River's Tale
Prehistoric
Twenty bridges from Tower to Kew--
(Twenty bridges or twenty-two)--
Wanted to know what the River knew,
For they were young, and the Thames was old
And this is the tale that River told:--

"I walk my beat before London Town,
Five hours up and seven down.
Up I go till I end my run
At Tide-end-town, which is Teddington.
Down I come with the mud in my hands
And plaster it over the Maplin Sands.
But I'd have you know that these waters of mine
Were once a branch of the River Rhine,
When hundreds of miles to the East I went
And England was joined to the Continent.
"I remember the bat-winged lizard-birds,
The Age of Ice and the mammoth herds,
And the giant tigers that stalked them down
Through Regent's Park into Camden Town.
And I remember like yesterday
The earliest Cockney who came my way,
When he pushed through the forest that lined the Strand,
With paint on his face and a club in his hand.
He was death to feather and fin and fur.
He trapped my beavers at Westminster.
He netted my salmon, he hunted my deer,
He killed my heron off Lambeth Pier.
He fought his neighbour with axes and swords,
Flint or bronze, at my upper fords,
While down at Greenwich, for slaves and tin,
The tall Phoenician ships stole in,
And North Sea war-boats, painted and gay,
Flashed like dragon-flies, Erith way;
And Norseman and Negro and Gaul and Greek
Drank with the Britons in Barking Creek,
And life was gay, and the world was new,
And I was a mile across at Kew!
But the Roman came with a heavy hand,
And bridged and roaded and ruled the land,
And the Roman left and the Danes blew in--
And that's where your history-books begin!"
497

The Return

The Return
Peace is declared, and I return
To 'Ackneystadt, but not the same;
Things 'ave transpired which made me learn
The size and meanin' of the game.
I did no more than others did,
I don't know where the change began;
I started as a average kid,
I finished as a thinkin' man.
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd drop 'er!
But she ain't!
Before my gappin' mouth could speak
I 'eard it in my comrade's tone;
I saw it on my neighbour's cheek
Before I felt it flush my own.
An' last it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
Rivers at night that cluck an' jeer,
Plains which the moonshine turns to sea,
Mountains that never let you near,
An' stars to all eternity;
An' the quick-breathin' dark that fills
The 'ollows of the wilderness,
When the wind worries through the 'ills--
These may 'ave taught me more or less.
Towns without people, ten times took,
An' ten times left an' burned at last;
An' starvin' dogs that come to look
For owners when a column passed;
An' quiet, 'omesick talks between
Men, met by night, you never knew
Until--'is face--by shellfire seen--
Once--an' struck off. They taught me, too.
The day's lay-out--the mornin' sun
Beneath your 'at-brim as you sight;
The dinner-'ush from noon till one,
An' the full roar that lasts till night;
An' the pore dead that look so old
An' was so young an hour ago,
An' legs tied down before they're cold--
These are the things which make you know.
Also Time runnin' into years--
A thousand Places left be'ind--


An' Men from both two 'emispheres
Discussin' things of every kind;
So much more near than I 'ad known,
So much more great than I 'ad guessed--
An' me, like all the rest, alone--
But reachin' out to all the rest!
So 'ath it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
But now, discharged, I fall away
To do with little things again....
Gawd, 'oo knows all I cannot say,
Look after me in Thamesfontein!
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd chuck 'er!
But she ain't!
441

The Reeds of Runnymede

The Reeds of Runnymede
Magna Charta, June ,
At Runnymede, At Runnymede,
What say the reeds at Runnymede?
The lissom reeds that give and take,
That bend so far, but never break,
They keep the sleepy Thames awake
With tales of John at Runnymede.
At Runnymede, at Runnymede,
Oh, hear the reeds at Runnymede:--
"You mustn't sell, delay, deny,
A freeman's right or liberty.
It makes the stubborn Englishry,
We saw 'em roused at Runnymede!
"When through our ranks the Barons came,
With little thought of praise or blame,
But resolute to pay a game,
They lumbered up to Runnymede;
And there they launched in solid time
The first attack on Right Divine--
The curt, uncompromising 'Sign!'
That settled John at Runnymede.
"At Runnymede, at Runnymede,
Your rights were won at Runnymede!
No freeman shall be fined or bound,
Or dispossessed or freehold ground,
Except by lawful judgment found
And passed upon him by his peers.
Forget not, after all these years,
The Charter Signed at Runnymede."
And still when Mob or Monarch lays
Too rude hand on English ways,
The whisper wakes, the shudder plays,
Across the reeds at Runnymede.
And Tames, that knows the moods of kings,
And crowds and priests and suchlike things,
Rolls deep and dreadful as he brings
Their warning down from Runnymede!
500

The Rabbi's Song

The Rabbi's Song
Samuel XIV. .
If Thought can reach to Heaven,
On Heaven let it dwell,
For fear the Thought be given
Like power to reach to Hell.
For fear the desolation
And darkness of thy mind
Perplex an habitation
Which thou hast left behind.
Let nothing linger after--
No whimpering gost remain,
In wall, or beam, or rafter,
Of any hate or pain.
Cleans and call home thy spirit,
Deny her leave to cast,
On aught thy heirs inherit,
The shadow of her past.
For think, in all thy sadness,
What road our griefs may take;
Whose brain reflect our madness,
Or whom our terrors shake:
For think, lest any languish
By cause of thy distress--
The arrows of our anguish
Fly farther than we guess.
Our lives, our tears, as water,
Are spilled upon the ground;
God giveth no man quarter,
Yet God a means hath found,
Though Faith and Hope have vanished,
And even Love grows dim--
A means whereby His banished
Be not expelled from Him!
395

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.