Poems List

The Veterans

The Veterans
To-day, across our fathers' graves,
The astonished years reveal
The remnant of that desperate host
Which cleansed our East with steel.
Hail and farewell! We greet you here,
With tears that none will scorn--
O Keepers of the House of old,
Or ever we were born!
One service more we dare to ask--
Pray for us, heroes, pray,
That when Fate lays on us our task
We do not shame the Day!
365

The Vampire

The Vampire
A fool there was and he made his prayer
(Even as you and I!)
To a rag and a bone and a hank of hair
(We called her the woman who did not care),
But the fool he called her his lady fair
(Even as you and I!)
Oh the years we waste and the tears we waste
And the work of our head and hand,
Belong to the woman who did not know
(And now we know that she never could know)
And did not understand.
A fool there was and his goods he spent
(Even as you and I!)
Honor and faith and a sure intent
But a fool must follow his natural bent
(And it wasn't the least what the lady meant),
(Even as you and I!)
Oh the toil we lost and the spoil we lost
And the excellent things we planned,
Belong to the woman who didn't know why
(And now we know she never knew why)
And did not understand.
The fool we stripped to his foolish hide
(Even as you and I!)
Which she might have seen when she threw him aside --
(But it isn't on record the lady tried)
So some of him lived but the most of him died --
(Even as you and I!)
And it isn't the shame and it isn't the blame
That stings like a white hot brand.
It's coming to know that she never knew why
(Seeing at last she could never know why)
And never could understand.
463

The Undertaker's Horse

The Undertaker's Horse
The eldest son bestrides him,
And the pretty daughter rides him,
And I meet him oft o' mornings on the Course;
And there kindles in my bosom
An emotion chill and gruesome
As I canter past the Undertaker's Horse.
Neither shies he nor is restive,
But a hideously suggestive
Trot, professional and placid, he affects;
And the cadence of his hoof-beats
To my mind this grim reproof beats: --
"Mend your pace, my friend, I'm coming. Who's the next?"
Ah! stud-bred of ill-omen,
I have watched the strongest go -- men
Of pith and might and muscle -- at your heels,
Down the plantain-bordered highway,
(Heaven send it ne'er be my way!)
In a lacquered box and jetty upon wheels.
Answer, sombre beast and dreary,
Where is Brown, the young, the cheery,
Smith, the pride of all his friends and half the Force?
You were at that last dread dak
We must cover at a walk,
Bring them back to me, O Undertaker's Horse!
With your mane unhogged and flowing,
And your curious way of going,
And that businesslike black crimping of your tail,
E'en with Beauty on your back, Sir,
Pacing as a lady's hack, Sir,
What wonder when I meet you I turn pale?
It may be you wait your time, Beast,
Till I write my last bad rhyme, Beast --
Quit the sunlight, cut the rhyming, drop the glass --
Follow after with the others,
Where some dusky heathen smothers
Us with marigolds in lieu of English grass.
Or, perchance, in years to follow,
I shall watch your plump sides hollow,
See Carnifex (gone lame) become a corse --
See old age at last o'erpower you,
And the Station Pack devour you,
I shall chuckle then, O Undertaker's Horse!
But to insult, jibe, and quest, I've
Still the hideously suggestive
Trot that hammers out the unrelenting text,


And I hear it hard behind me
In what place soe'er I find me: --
"'Sure to catch you sooner or later. Who's the next?"
438

The Two-Sided Man

The Two-Sided Man
Much I owe to the Lands that grew--
More to the Lives that fed--
But most to Allah Who gave me two
Separate sides to my head.
Much I reflect on the Good and the True
In the Faiths beneath the sun,
But most to Allah Who gave me two
Sides to my head, not one.
Wesley's following, Calvin's flock,
White or yellow or bronze,
Shaman, Ju-ju or Angekok,
Minister, Mukamuk, Bonze--
Here is a health, my brothers, to you,
However your prayers are said,
And praised be Allah Who gave me two
Separate sides to my head!
I would go without shirt or shoe,
Friend, tobacco or bread,
Sooner than lose for a minute the two
Separate sides of my head!
495

The Tour

The Tour
Thirteen as twelve my Murray always took--
He was a publisher. The new Police
Have neater ways of bringing men to book,
So Juan found himself before J.P.'s
Accused of storming through that placed nook
At practically any pace you please.
The Dogberry, and the Waterbury, made
It fifty mile--five pounds. And Juan paid!
399

The Threshold

The Threshold
In their deepest caverns of limestone
They pictured the Gods of Food--
The Horse, the Elk, and the Bison
That the hunting might be good;
With the Gods of Death and Terror--
The Mammoth, Tiger, and Bear.
And the pictures moved in the torchlight
To show that the Gods were there!
But that was before Ionia--
(Or the Seven Holy Islands of Ionia)
Any of the Mountains of Ionia,
Had bared their peaks to the air.
The close years packed behind them,
As the glaciers bite and grind,
Filling the new-gouged valleys
With Gods of every kind.
Gods of all-reaching power--
Gods of all-searching eyes--
But each to be wooed by worship
And won by sacrifice.
Till, after many winters, rose Ionia--
(Strange men brooding in Ionia)
Crystal-eyed Sages of Ionia
Who said, "These tales are lies.
"We dream one Breath in all things,
"That blows all things between.
"We dream one Matter in all things--
"Eternal, changeless, unseen.
"'That the heart of the Matter is single
"Till the Breath shall bid it bring forth--
"By choosing or losing its neighbour--
"All things made upon Earth."
But Earth was wiser than Ionia
(Babylon and Egypt than Ionia)
And they overlaid the teaching of Ionia
And the Truth was choked at birth.
It died at the Gate of Knowledge--
The Key to the Gate in its hand--
And the anxious priests and wizards
Re-blinded the wakening land;
For they showed, by answering echoes,
And chasing clouds as they rose,
How shadows should stand for bulwarks
Between mankind and its woes.
It was then that men bethought them of Ionia
(The few that had not allforgot Ionia)
Or the Word that was whispered in Ionia;
And they turned from the shadows and the shows.


They found one Breath in all things,
That moves all things between.
They proved one Matter in all things--
Eternal, changeless, unseen;
That the heart of the Matter was single
Till the Breath should bid it bring forth--
Even as men whispered in Ionia,
(Resolute, unsatisfied Ionia)
Ere the Word was stifled in Ionia--
All things known upon earth!
452

The Thousandth Man

The Thousandth Man
One man in a thousand, Solomon says,
Will stick more close than a brother.
And it's worth while seeking him half your days
If you find him before the other.
Nine nundred and ninety-nine depend
On what the world sees in you,
But the Thousandth man will stand your friend
With the whole round world agin you.
'Tis neither promise nor prayer nor show
Will settle the finding for 'ee.
Nine hundred and ninety-nine of 'em go
By your looks, or your acts, or your glory.
But if he finds you and you find him.
The rest of the world don't matter;
For the Thousandth Man will sink or swim
With you in any water.
You can use his purse with no more talk
Than he uses yours for his spendings,
And laugh and meet in your daily walk
As though there had been no lendings.
Nine hundred and ninety-nine of 'em call
For silver and gold in their dealings;
But the Thousandth Man h's worth 'em all,
Because you can show him your feelings.
His wrong's your wrong, and his right's your right,
In season or out of season.
Stand up and back it in all men's sight --
With that for your only reason!
Nine hundred and ninety-nine can't bide
The shame or mocking or laughter,
But the Thousandth Man will stand by your side
To the gallows-foot -- and after!
857

The Survival

The Survival
Securely, after days
Unnumbered, I behold
Kings mourn that promised praise
Their cheating bars foretold.
Of earth-constructing Wars,
Of Princes passed in chains,
Of deeds out-shining stars,
No word or voice remains.
Yet furthest times receive,
And to fresh praise restore,
Mere breath of flutes at eve,
Mere seaweed on the shore.
A smoke of sacrifice;
A chosen myrtle-wreath;
An harlot's altered eyes;
A rage 'gainst love or death;
Glazed snow beneath the moon --
The surge of storm-bowed trees--
The Caesars perished soon,
And Rome Herself: But these
Endure while Empires fall
And Gods for Gods make room....
Which greater God than all
Imposed the amazing doom?
552

The Story of Uriah

The Story of Uriah
Jack Barrett went to Quetta
Because they told him to.
He left his wife at Simla
On three-fourths his monthly screw.
Jack Barrett died at Quetta
Ere the next month's pay he drew.
Jack Barrett went to Quetta.
He didn't understand
The reason of his transfer
From the pleasant mountain-land.
The season was September,
And it killed him out of hand.
Jack Barrett went to Quetta
And there gave up the ghost,
Attempting two men's duty
In that very healthy post;
And Mrs. Barrett mourned for him
Five lively months at most.
Jack Barrett's bones at Quetta
Enjoy profound repose;
But I shouldn't be astonished
If now his spirit knows
The reason of his transfer
From the Himalayan snows.
And, when the Last Great Bugle Call
Adown the Hurnai throbs,
And the last grim joke is entered
In the big black Book of Jobs.
And Quetta graveyards give again
Their victims to the air,
I shouldn't like to be the man
Who sent Jack Barrett there.
471

The Sons of Martha

The Sons of Martha
The Sons of Mary seldom bother, for they have inherited that good part;
But the Sons of Martha favour their Mother of the careful soul and the troubled heart.
And because she lost her temper once, and because she was rude to the Lord her
Guest,
Her Sons must wait upon Mary's Sons, world without end, reprieve, or rest.
It is their care in all the ages to take the buffet and cushion the shock.
It is their care that the gear engages; it is their care that the switches lock.
It is their care that the wheels run truly; it is their care to embark and entrain,
Tally, transport, and deliver duly the Sons of Mary by land and main.
They say to mountains ``Be ye removèd.'' They say to the lesser floods ``Be dry.''
Under their rods are the rocks reprovèd---they are not afraid of that which is high.
Then do the hill-tops shake to the summit---then is the bed of the deep laid bare,
That the Sons of Mary may overcome it, pleasantly sleeping and unaware.
They finger Death at their gloves' end where they piece and repiece the living wires.
He rears against the gates they tend: they feed him hungry behind their fires.
Early at dawn, ere men see clear, they stumble into his terrible stall,
And hale him forth like a haltered steer, and goad and turn him till evenfall.
To these from birth is Belief forbidden; from these till death is Relief afar.
They are concerned with matters hidden---under the earthline their altars are---
The secret fountains to follow up, waters withdrawn to restore to the mouth,
And gather the floods as in a cup, and pour them again at a city's drouth.
They do not preach that their God will rouse them a little before the nuts work loose.
They do not preach that His Pity allows them to drop their job when they damn-well
choose.
As in the thronged and the lighted ways, so in the dark and the desert they stand,
Wary and watchful all their days that their brethren's ways may be long in the land.
Raise ye the stone or cleave the wood to make a path more fair or flat;
Lo, it is black already with the blood some Son of Martha spilled for that!
Not as a ladder from earth to Heaven, not as a witness to any creed,
But simple service simply given to his own kind in their common need.
And the Sons of Mary smile and are blessèd---they know the Angels are on their side.
They know in them is the Grace confessèd, and for them are the Mercies multiplied.
They sit at the feet---they hear the Word---they see how truly the Promise runs.
They have cast their burden upon the Lord, and---the Lord He lays it on Martha's Sons!
712

Comments (0)

Log in to post a comment.

NoComments

Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.