Poems List

To T. A.

To T. A.
I have made for you a song,
And it may be right or wrong,
But only you can tell me if it's true;
I have tried for to explain
Both your pleasure and your pain,
And, Thomas, here's my best respects to you!
O there'll surely come a day
When they'll give you all your pay,
And treat you as a Christian ought to do;
So, until that day comes round,
Heaven keep you safe and sound,
And, Thomas, here's my best respects to you!
390

Tiger--Tiger!

Tiger--Tiger!
What of the hunting, hunter bold?
Brother, the watch was long and cold.
What of the quarry ye went to kill?
Brother, he crops in the jungle still.
Where is the power that made your pride?
Brother, it ebbs from my flank and side.
Where is the haste that ye hurry by?
Brother, I go to my lair to die!
400

Three Friends

Three Friends
There were three friends that buried the fourth,
The mould in his mouth and the dust in his eyes,
And they went south and east and north—
The strong man fights but the sick man dies.
There were three friends that spoke of the dead—
The strong man fights but the sick man dies—
"And would he were here with us now," they said,
"The sun in our face and the wind in our eyes."
462

The Young British Soldier

The Young British Soldier
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier ~OF~ the Queen!
Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .
When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .
But the worst o' your foes is the sun over'ead:
You ~must~ wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .
Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .
When first under fire an' you're wishful to duck,


Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier . . .
When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old bitch;
She's human as you are -- you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier . . .
When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier . . .
If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier . . .
When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier ~of~ the Queen!
520

The Winners

The Winners
("The Story of the Gadsbys")
What the moral? Who rides may read.
When the night is thick and the tracks are blind
A friend at a pinch is a friend, indeed,
But a fool to wait for the laggard behind.
Down to Gehenna or up to the Throne,
He travels the fastest who travels alone.
White hands cling to the tightened rein,
Slipping the spur from the booted heel,
Tenderest voices cry " Turn again!"
Red lips tarnish the scabbarded steel,
High hopes faint on a warm hearth-stone--
He travels the fastest who travels alone.
One may fall but he falls by himself--
Falls by himself with himself to blame.
One may attain and to him is pelf--
Loot of the city in Gold or Fame.
Plunder of earth shall be all his own
Who travels the fastest and travels alone.
Wherefore the more ye be helpen-.en and stayed,
Stayed by a friend in the hour of toil,
Sing the heretical song I have made--
His be the labour and yours be the spoil.
Win by his aid and the aid disown--
He travels the fastest who travels alone!
830

The Widower

The Widower
For a season there must be pain--
For a little, little space
I shall lose the sight of her face,
Take back the old life again
While She is at rest in her place.
For a season this pain must endure,
For a little, little while
I shall sigh more often than smile
Till time shall work me a cure,
And the pitiful days beguile.
For that season we must be apart,
For a little length of years,
Till my life's last hour nears,
And, above the beat of my heart,
I hear Her voice in my ears.
But I shall not understand--
Being set on some later love,
Shall not know her for whom I strove,
Till she reach me forth her hand,
Saying, "Who but I have the right?"
And out of a troubled night
Shall draw me safe to the land.
427

The White Seal

The White Seal
Oh! hush thee, my baby, the night is behind us,
And black are the waters that sparkled so green.
The moon, o'er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft be thy pillow;
Ah, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, nor shark overtake thee,
Asleep in the arms of the slow-swinging seas.
You mustn't swim till you're six weeks old,
Or your head will be sunk by your heels;
And summer gales and Killer Whales
Are bad for baby seals.
Are bad for baby seals, dear rat,
As bad as bad can be.
But splash and grow strong,
And you can't be wrong,
Child of the Open Sea!
699

The Watcher

The Watcher
Put forth to watch, unschooled, alone,
'Twixt hostile earth and sky;
The mottled lizard 'neath the stone
Is wiser here than I.
What stir across the haze of heat?
What omen down the wind?
The buck that break before my feet--
They know, but I am blind!
449

The Wet Litany

The Wet Litany
When the waters' countenance
Blurs 'twixt glance and second glance;
When our tattered smokes forerun
Ashen 'neath a silvered sun;
When the curtain of the haze
Shuts upon our helpless ways--
Hear the Channel Fleet at sea:
Libera nos Domine!
When the engines' bated pulse
Scarcely thrills the nosing hulls;
When the wash along the side
Sounds, a-sudden, magnified;
When the intolerable blast
Marks each blindfold minute passed;
When the fog-buoy's squattering flight
Guides us 'through the haggard night;
When the warning bugle blows;
When the lettered doorway's close;
When our brittle townships press,
Impotent, on emptiness;
When the unseen leadsmen lean
Questioning a deep unseen;
When their lessened count they tell
To a bridge invisible;
When the hid and perilous
Cliffs return our cry to us;
When the treble thickness spread
Swallows up our next-ahead;
When her sirens frightened whine
Shows her sheering out of line;
When--her passage undiscerned--
We must turn where she has turned,
Hear the Channel Fleet at sea:
Libera nos Domine!
392

The Virginity

The Virginity
Try as he will, no man breaks wholly loose
From his first love, no matter who she be.
Oh, was there ever sailor free to choose,
That didn't settle somewhere near the sea?
Myself, it don't excite me nor amuse
To watch a pack o' shipping on the sea;
But I can understand my neighbour's views
From certain things which have occured to me.
Men must keep touch with things they used to use
To earn their living, even when they are free;
And so come back upon the least excuse --
Same as the sailor settled near the sea.
He knows he's never going on no cruise --
He knows he's done and finished with the sea;
And yet he likes to feel she's there to use --
If he should ask her -- as she used to be.
Even though she cost him all he had to lose,
Even though she made him sick to hear or see,
Still, what she left of him will mostly choose
Her skirts to sit by. How comes such to be?
Parsons in pulpits, tax-payers in pews,
Kings on your thrones, you know as well as me,
We've only one virginity to lose,
And where we lost it there our hearts will be!
441

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Identification and basic context

Joseph Rudyard Kipling was an English writer and poet. He is widely known by his middle name, Rudyard. Born in Bombay, British India, he spent much of his formative years there and later in England. His father was an artist and principal of an art school in India. Kipling was a British national and wrote in English.

Childhood and education

Kipling's early childhood in India deeply shaped his worldview and literary output. After returning to England for his education, he attended the United Services College in Westward Ho!, Devon, which provided the setting for his novel 'Stalky & Co.'. His time there was marked by a harsh but formative experience. He received a practical education rather than a formal university degree, returning to India to begin his career in journalism.

Literary trajectory

Kipling began his literary career as a journalist in Lahore, India, in the 1880s. His early stories, often published in periodicals, showcased his keen observation of Indian life and his developing narrative skill. He gained significant fame with collections like 'Plain Tales from the Hills' and 'Soldiers Three'. His move to London in the 1890s further cemented his international reputation. He also wrote novels, essays, and songs, demonstrating a remarkable versatility.

Works, style, and literary characteristics

Kipling's major works include 'The Jungle Book' (1894), 'Kim' (1901), 'The Just So Stories' (1902), and numerous poems like 'If—' and 'The White Man's Burden'. His dominant themes often revolve around India, the British Empire, the lives of soldiers, the relationship between humans and animals, and the complexities of loyalty and duty. His style is characterized by vivid imagery, a strong narrative drive, and a colloquial yet precise use of language. He mastered various forms, from short stories and novels to ballads and epic poems. His poetic voice is often didactic, authoritative, and nationalistic. He employed powerful metaphors and rhythms, making his works highly memorable.

Cultural and historical context

Kipling was a prominent voice during the height of the British Empire, and his work is inextricably linked to the imperialist project. He lived through periods of expansion, conflict, and colonial administration, which heavily influenced his perspective. He was part of a generation of writers grappling with themes of empire, race, and cultural encounter. His strong espousal of the 'White Man's Burden' placed him at the center of contemporary debates about colonialism.

Personal life

Kipling's personal life was marked by his experiences in India and his strong sense of duty and patriotism. His marriage to Caroline Starr Balestier provided a stable partnership. He experienced personal tragedies, including the early death of his daughter Josephine, which deeply affected him and is thought to have influenced some of his later works, such as 'Kim'. He was a complex figure, deeply devoted to his family and his work.

Recognition and reception

Kipling achieved immense fame and recognition during his lifetime. He was awarded the Nobel Prize in Literature in 1907, becoming the first English-language recipient. His works were widely translated and celebrated internationally. However, his strong imperialist views also drew criticism, and his reception has been complex, with ongoing discussions about the political implications of his writings.

Influences and legacy

Kipling was influenced by his experiences in India, classical literature, and the journalistic tradition. His legacy is significant, though debated. He is credited with profoundly shaping the adventure story genre and children's literature. His influence can be seen in subsequent generations of writers who explored themes of empire, adventure, and the wilderness. His poems, particularly 'If—', remain widely quoted. His work continues to be adapted into films and other media.

Interpretation and critical analysis

Kipling's work is often analyzed through the lens of colonialism, examining his portrayal of indigenous peoples and his support for British imperial rule. Critical interpretations highlight his narrative skill and imaginative power while also scrutinizing his problematic political stances. Debates continue regarding the extent to which his stories can be separated from their imperialist context.

Curiosities and lesser-known aspects

Despite his fame, Kipling was notoriously private and sometimes irascible. He had a deep fascination with machinery and technology, which sometimes found its way into his stories. He was also known for his meticulous attention to detail in his writing. A lesser-known aspect is his significant contribution to the development of the short story form.

Death and memory

Rudyard Kipling died in London. His memory is preserved through his vast literary output, which continues to be read and studied, albeit often with critical commentary on his political views. His home, Batemans, is now a National Trust property and museum, offering insights into his life and work.